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Glazed Terracotta-Based Ceramic Façades 釉面陶土陶瓷外墙
Q1 Arts and Humanities Pub Date : 2023-01-02 DOI: 10.1080/24751448.2023.2176138
Frans van Vuure, Filippo Lodi, Roman Kristesiashvili, Nick Marks, Harlen Miller
TA D 7 : 1 Attracted by the inherent weathered aesthetic and reflective properties, and the allure of the imperfections found in its pressed and molded form, UNStudio began incorporating glazed terracotta-based ceramics into their façade designs on projects such as the W21–22 Retail Building (Figures 1 and 2) for the Baku White City Masterplan Development in Azerbaijan in 2012, and again in 2014 on the wasl Tower (Figure 7), a benchmark 300 m (984.25 ft.) super-high-rise located in the heart of Dubai’s downtown next to the Burj Khalifa. This article cross-analyzes these two contrasting building typologies and outlines strategic approaches UNStudio took using the material during the design process. Baku’s geographical identity as the City of Wind became the driving narrative element for incorporating ceramics into the W21–22 Retail Building design, as the studio wanted to create the morphology of a stone massing being carved and eroded by wind and sand over time. The solid volume of the building looks as though it were shaped into a prismatic and reflecting surface; an urban kaleidoscope is achieved through the texture and luster of the ceramic glazing, which is reminiscent of the pearlescent sheen found on the surface of oil. Beyond the building’s aesthetic, this three-story self-standing urban actor with four public-facing façades became our first ‘dual ceramic double-skin’ system implemented on a building that functionally shielded the base curtain wall glazing from not only extreme wind abrasion but direct incident heat. The term ‘dual ceramic double-skin’ resulted from the façade system needing a glazed tile facing both externally toward the city street and internally toward the occupants so as never to create a backside or unpolished appearance. This required approximately 9,150 external-facing tiles and 9,150 internalfacing tiles. The design of the dual ceramic double-skin cladding called for two half-shell tiles locking together onto a suspended diagrid steel substructure (Figure 3) to enhance the depth of the façade (Z-depth) on both the external and internal faces. This suspended double-skin system would require a 600 mm Frans van Vuure UNStudio
那是7号。受其固有的风化美学和反射特性的吸引,以及其压制和成型形式中发现的缺陷的诱惑,UNStudio开始将釉面陶土陶瓷纳入其立面设计项目中,例如2012年阿塞拜疆巴库白城总体规划开发的W21-22零售大楼(图1和2),以及2014年的wasl塔(图7)。这是一座300米(984.25英尺)的超高层建筑,位于迪拜市中心,毗邻哈利法塔。这篇文章交叉分析了这两种不同的建筑类型,并概述了UNStudio在设计过程中使用材料的策略方法。巴库作为风之城的地理特征成为将陶瓷融入W21-22零售大楼设计的驱动叙事元素,因为工作室想要创造一个被风和沙子雕刻和侵蚀的石头块的形态。建筑的实体体量看起来好像被塑造成一个棱镜和反射表面;城市的万花筒是通过陶瓷釉的纹理和光泽实现的,这让人联想到石油表面的珠光光泽。除了建筑的美学之外,这个三层独立的城市演员有四个面向公众的立面,成为我们在建筑上实施的第一个“双陶瓷双层皮肤”系统,它不仅可以保护基础幕墙玻璃免受极端的风磨损,还可以保护直接入射的热量。术语“双陶瓷双表皮”源于立面系统需要一个玻璃砖,既面向外部的城市街道,也面向内部的居住者,这样就不会产生背面或未经抛光的外观。这需要大约9,150个外部面砖和9,150个内部面砖。双陶瓷双表皮包层的设计要求将两个半壳瓦锁定在一个悬挂的斜桁钢基础结构上(图3),以增强内外表面的表面深度(Z-depth)。这种悬挂式双层皮肤系统需要600毫米的弗兰斯·范·Vuure UNStudio
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引用次数: 0
Geomorphic Tectonics 地貌构造
Q1 Arts and Humanities Pub Date : 2023-01-02 DOI: 10.1080/24751448.2023.2176132
M. Hensel
O P / PO STIO N S Intractable Divisions? Current approaches to the architectural object and the concepts of tectonics exhibit significant limitations in their capacity to address compound sustainability problems and environmental degradation caused by rapid urbanization, densification, and construction. These limitations arise in large part from the connected perceptions 1. that urban form is composed of discrete systems and objects, 2. that architectures need to be discrete objects that must be set apart from their surroundings, and 3. that tectonics needs to conform to and affirm the implied divisions. In general terms, the restraints stem from the perceived dichotomy between the human-made and the natural and preclude a more integrative approach. An alternative approach might focus on intensive integration rather than separating architectures and their settings. In search of a general theory of architecture, Gottfried Semper described four elements of which all architecture can be said to consist: the hearth, roof, enclosure, and mound. Semper posited that these four elements are articulated and arranged following local circumstances, climate, and culture (Semper 1851, 55). Today, however, local differences and diversity of architecture have disappeared, especially in urban settings, and a more generic range of buildings and tectonic articulations prevail. In this context, the mound and related earthworks constitute no longer a primary part of tectonics. Instead, earthworks are frequently relegated to the leveling of sites, excavation to accommodate underground spaces, and modest applications to facilitate green roofs. Michael U. Hensel Vienna University of Technology Geomorphic Tectonics
P / PO是否存在难以解决的分歧?目前研究建筑对象和构造学概念的方法在解决由快速城市化、高密度化和建设引起的复合可持续性问题和环境退化方面表现出明显的局限性。这些限制在很大程度上来自于相互关联的认知。这种城市形态是由离散的系统和物体组成的。架构需要是离散的对象,必须与周围环境分开;构造学需要符合并确认隐含的划分。总的来说,这些限制来自于人们所认识到的人造和自然的二分法,因此无法采取更综合的办法。另一种方法可能侧重于密集集成,而不是分离体系结构及其设置。为了寻找建筑的一般理论,Gottfried Semper描述了所有建筑都可以包含的四个元素:壁炉、屋顶、围墙和土墩。Semper认为,这四个要素是根据当地环境、气候和文化进行阐述和安排的(Semper 1851, 55)。然而,今天,建筑的地方差异和多样性已经消失,特别是在城市环境中,更通用的建筑和构造铰接占主导地位。在这种情况下,土丘和相关的土方工程不再构成构造的主要部分。相反,土方工程经常被降级为平整场地,挖掘以容纳地下空间,以及促进绿色屋顶的适度应用。Michael U. Hensel维也纳科技大学地貌构造学
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引用次数: 0
Regeneration: Ending the Climate Crisis in One Generation 再生:用一代人的时间结束气候危机
Q1 Arts and Humanities Pub Date : 2022-07-03 DOI: 10.1080/24751448.2022.2116246
Michael Garrison
Malcolm Williamson is a Senior Geospatial Researcher at the Center for Advanced Spatial Technologies (CAST) at the University of Arkansas. His work includes data acquisition, analysis, and visualization for a variety of domains, including architecture, archaeology, geology, and civil engineering. His recent UAV LiDAR work is helping to reveal the story of post-Civil War convict leasing in the South.
马尔科姆·威廉姆森(Malcolm Williamson)是阿肯色大学先进空间技术中心(CAST)的高级地理空间研究员。他的工作包括各种领域的数据采集、分析和可视化,包括建筑、考古学、地质学和土木工程。他最近的无人机激光雷达工作正在帮助揭示内战后南方罪犯租赁的故事。
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引用次数: 8
Digital Data Fostering University Campus Regenerative Design 数字化数据促进大学校园再生设计
Q1 Arts and Humanities Pub Date : 2022-07-03 DOI: 10.1080/24751448.2022.2116227
J. Kós, James Miyamoto, Camila Mangrich, Luís H Pavan
Urban Ecology Lab (Laboratorio de Ecologia Urbana—LEUr) Universidade Federal de Santa Catarina (UFSC) Florianópolis, Brasil Universidade Federal do Rio de Janeiro (UFRJ) Rio de Janeiro, Brasil Established: 2012 Leadership: Jose Kos (Founder and Coordinator of LEUr Research Group) James Miyamoto (Coordinator of LEUr-UFRJ) Current Laboratory Structure: Academic Faculty: 6 Research Staff: 1 Postdoctoral Researcher: 1 Graduate Research Assistants: 16 Undergraduate Research Assistants: 15
城市生态实验室(Laboratorio de Ecologia Urbana-LEUr)巴西圣卡塔琳娜联邦大学(UFSC) Florianópolis巴西里约热内卢联邦大学(UFRJ)巴西里约热内卢成立:2012年领导:Jose Kos (LEUr研究组创始人兼协调员)James Miyamoto (LEUr-UFRJ协调员)目前实验室结构:学术人员:6名研究人员:1名博士后研究员:1名研究生研究助理:16名本科生研究助理:15名
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引用次数: 1
Space Architecture in Microgravity: TESSERAE Project for Large Scale Space Structures 微重力空间建筑:大型空间结构的TESSERAE项目
Q1 Arts and Humanities Pub Date : 2022-07-03 DOI: 10.1080/24751448.2022.2116225
A. Ekblaw
MIT Space Exploration Initiative/Aurelia Institute Massachusetts Institute of Technology Cambridge, Massachusetts Established: 2016 Initiative Leadership: Ariel Ekblaw (Founding Director) Initiative Structure: Academic Faculty: 3 Research Staff: 10 Postdoctoral Researchers: 1 Graduate Students: 15 Visiting Faculty and Students: 50+
麻省理工学院空间探索计划/奥雷里亚研究所麻省理工学院剑桥,马萨诸塞州成立:2016年倡议领导:Ariel Ekblaw(创始董事)倡议结构:学术人员:3名研究人员:10名博士后研究人员:1名研究生:15名访问教师和学生:50+
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引用次数: 0
Pivoting to Infrastructure: The Fusion of Architecture and Engineering 转向基础设施:建筑与工程的融合
Q1 Arts and Humanities Pub Date : 2022-07-03 DOI: 10.1080/24751448.2022.2114238
James Hulme, J. Eyre, Stafford Critchlow, Sebastien Ricard
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引用次数: 0
Autonomous Futures: Implications for Smart Cities 自主未来:对智慧城市的影响
Q1 Arts and Humanities Pub Date : 2022-07-03 DOI: 10.1080/24751448.2022.2114233
Wendy Ju, Sharon Yavo-Ayalon
“But the great promise of autonomous technology is that it allows the adoption of a more people-centered outlook and asks how we should reorganize mobility in our cities to serve people better. Such a reprioritization is necessary for navigating autonomous futures while simultaneously giving shape to them.” Autonomous Futures: Implications for Smart Cities As researchers studying how to design human interaction with automation, we are frequently asked to prognosticate the future of autonomous vehicles: When are they coming? How will they work? How will cities, societies, information systems, and lifestyles adapt around them? Our role as design researchers is to help people understand that no future is inevitable. In this essay, we outline how the different ways that our future with autonomous vehicles can unfold, the role that designers play in that unfolding, and the importance of people exercising their agency to influence designers and outcomes.
“但自动驾驶技术的巨大前景在于,它允许采用更加以人为本的观点,并询问我们应该如何重组城市的交通,以更好地为人们服务。这种重新确定优先级的做法,对于驾驭自动驾驶汽车的未来,同时塑造它们是必要的。”当研究人员研究如何设计人类与自动化的互动时,我们经常被要求预测自动驾驶汽车的未来:它们什么时候到来?它们将如何运作?城市、社会、信息系统和生活方式将如何适应他们?作为设计研究者,我们的角色是帮助人们理解没有什么未来是不可避免的。在这篇文章中,我们概述了未来自动驾驶汽车的不同发展方式,设计师在这一发展过程中扮演的角色,以及人们行使其代理权影响设计师和结果的重要性。
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引用次数: 0
Prolegomena to Computational Design 计算设计导论
Q1 Arts and Humanities Pub Date : 2022-07-03 DOI: 10.1080/24751448.2022.2114232
Ramesh Krishnamurti
“The primary mission of the next generation of computational designers, through engagement with industry, research, and teaching, is to augment all facets of the i-factor in applications of computation to architecture.” Prolegomena to Computational Design In 1989, I left Scotland for the Carnegie Mellon School of Architecture to help revamp the graduate program in the building sciences. Together with other colleagues, including Ömer Akin, Ulrich Flemming, and Rob Woodbury, we shared a common vision for applying computing to design problems, each of us contributing a different background or expertise.1 The program reflected our work and research, with a curriculum and ethos looking beyond computer-aided design. To name the program, I invented “computational design,” as design is computational in nature. The moniker stuck, and the “discipline for developing or applying computation to problems with their origins in design” was inaugurated.2 In 1989, Carnegie Mellon was the first school to offer a Master and Ph.D. in Computational Design (CD). This essay outlines that history.
“下一代计算设计师的主要任务,通过与工业、研究和教学的合作,是在计算应用到建筑中的各个方面增加i因素。”1989年,我离开苏格兰,前往卡耐基梅隆建筑学院(Carnegie Mellon School of Architecture),帮助修改建筑科学研究生课程。与其他同事一起,包括Ömer Akin, Ulrich Flemming和Rob Woodbury,我们分享了将计算应用于设计问题的共同愿景,我们每个人都贡献了不同的背景或专业知识该项目反映了我们的工作和研究,其课程和精神超越了计算机辅助设计。为了给这个程序命名,我发明了“计算设计”,因为设计本质上是计算的。这个名字被沿用了下来,“开发或应用计算来解决源自设计的问题的学科”由此诞生1989年,卡耐基梅隆大学是第一所提供计算设计硕士和博士学位的学校。本文概述了这段历史。
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引用次数: 0
Construction Automation and Design Research 建筑自动化与设计研究
Q1 Arts and Humanities Pub Date : 2022-07-03 DOI: 10.1080/24751448.2022.2116229
Adam Fingrut, Darwin Lau
Center for Robotics in Construction and Architecture (CRCA) The Chinese University of Hong Kong Hong Kong, China Established: 2017 Leadership: Adam Fingrut (Codirector) Darwin Lau (Codirector) Current Center Structure: Academic Faculty: 7 Research Staff: 15
香港中文大学建筑与建筑机器人研究中心(CRCA)中国香港成立:2017年领导:Adam Fingrut(联合主任)Darwin Lau(联合主任)目前中心结构:学术人员:7名研究人员:15名
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引用次数: 1
Skydio 2+ Enterprise Kit with 3D Scan Skydio 2+企业套件与3D扫描
Q1 Arts and Humanities Pub Date : 2022-07-03 DOI: 10.1080/24751448.2022.2116245
M. Williamson
TA D 6 : 2 guided, participatory, and knowledgebased.3 If environmental studies were recast with inspiration from transdisciplinary approaches, research methods might include design research, practicebased research, research-creation, participatory design, codesign, and design thinking. These approaches explicitly aim to integrate knowledge production with processes of change-inducing action and do so by engaging with local environments. Such local emphasis helps learners develop a systemic understanding of environmental contexts as junctions of social, technological, political, economic, and natural phenomena. Inspiration for advanced methods in transdisciplinary designand practice-based research may be found in Doucet and Janssens’s Transdisciplinary Knowledge Production in Architecture and Urbanism. This book explicitly engages with designerly ways of knowing and the tensions between professional practice, academic discipline, and ethics in research through design.4 Other relevant sources of inspiration are anthropologist Tim Ingold’s Making: Anthropology, Archaeology, Art and Architecture, sociologists Lury and Wakeford’s Inventive Methods, communications scholar Philip Vannini’s Non-Representational Methodologies, as well as my Situated Design Methods.5 This book does not provide many paths for research that directly intervene and seek to create environmental change. However, it does provide an accessible suite of naturalistic social science methods for environmental studies aimed at policy and academic discussion.
2 .引导、参与和以知识为基础如果环境研究从跨学科的方法中获得灵感,那么研究方法可能包括设计研究、基于实践的研究、研究创造、参与式设计、共同设计和设计思维。这些方法明确地旨在将知识生产与变化诱导行动的过程整合起来,并通过与当地环境相结合来实现这一目标。这样的地方重点有助于学习者发展对环境背景作为社会、技术、政治、经济和自然现象的结合点的系统理解。跨学科设计和基于实践的研究的先进方法的灵感可以在Doucet和Janssens的《建筑和城市主义的跨学科知识生产》中找到。这本书明确地涉及设计师的认识方式,以及专业实践、学术纪律和设计研究伦理之间的紧张关系其他相关的灵感来源包括人类学家Tim Ingold的《制造:人类学、考古学、艺术和建筑》,社会学家Lury和Wakeford的《创造性方法》,交流学者Philip Vannini的《非代表性方法论》,以及我的《情境设计方法》。5本书没有提供许多直接干预和寻求创造环境变化的研究途径。然而,它确实为旨在政策和学术讨论的环境研究提供了一套可访问的自然主义社会科学方法。
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引用次数: 0
期刊
Technology Architecture and Design
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