In this article, author uses the theory of intertextuality to examine how the works of two Lithuanian poets, Jonas Aistis and Sigitas Geda, revised Western literary works during the Soviet era and what kind of European identity they conveyed by creating intertextual connections. Both poets during the Cold War looked for the ways to make vital links with Western literature and to continue to reflect on the relationship between Europeanness and Lithuanianness that had taken place in Lithuania before World War II. Aistis turned to the classical era that was popular in the interwar period, especially the myths of Medea, Orpheus and Eurydice, and the works of Edgar Allan Poe. Using intertexts, he reflected on the ideas of double homelessness (love for the lost Lithuania and Europe), post-catastrophic identity, and the painful disappointment with the diminished impact of his poetry. The ideas of national and European identity as a synthesis of the West and the East reflected in the works by Stasys Šalkauskis and Adomas Mickevičius, as well as Johann Wolfgang von Goethe’s vision of the universality of world literature, were important in Geda’s poetry. They were significant in creating authentic intertextual links with the works of Western literature (such as Ovid, Homer, Rainer Maria Rilke and Georg Trakl), in order to preserve the complex historical European experience and to provoke readers’ self-consciousness in opposing the repressive Soviet regime.
{"title":"Jonas Aistis’ and Sigitas Geda’s Notion of Open Cultural Identity: Between Universality and National Self-Preservation","authors":"Karolina Bagdonė","doi":"10.51554/coll.22.49.07","DOIUrl":"https://doi.org/10.51554/coll.22.49.07","url":null,"abstract":"In this article, author uses the theory of intertextuality to examine how the works of two Lithuanian poets, Jonas Aistis and Sigitas Geda, revised Western literary works during the Soviet era and what kind of European identity they conveyed by creating intertextual connections. Both poets during the Cold War looked for the ways to make vital links with Western literature and to continue to reflect on the relationship between Europeanness and Lithuanianness that had taken place in Lithuania before World War II. Aistis turned to the classical era that was popular in the interwar period, especially the myths of Medea, Orpheus and Eurydice, and the works of Edgar Allan Poe. Using intertexts, he reflected on the ideas of double homelessness (love for the lost Lithuania and Europe), post-catastrophic identity, and the painful disappointment with the diminished impact of his poetry. The ideas of national and European identity as a synthesis of the West and the East reflected in the works by Stasys Šalkauskis and Adomas Mickevičius, as well as Johann Wolfgang von Goethe’s vision of the universality of world literature, were important in Geda’s poetry. They were significant in creating authentic intertextual links with the works of Western literature (such as Ovid, Homer, Rainer Maria Rilke and Georg Trakl), in order to preserve the complex historical European experience and to provoke readers’ self-consciousness in opposing the repressive Soviet regime.","PeriodicalId":37193,"journal":{"name":"Colloquia","volume":"97 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86008712","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Saulius Vasiliauskas Interviews the Prose Writer Raimondas Kašauskas
{"title":"„In My Youth, It Seemed Pretentious to Call Myself a Writer“","authors":"Raimondas Kašauskas, S. Vasiliauskas","doi":"10.51554/coll.22.49.09","DOIUrl":"https://doi.org/10.51554/coll.22.49.09","url":null,"abstract":"Saulius Vasiliauskas Interviews the Prose Writer Raimondas Kašauskas","PeriodicalId":37193,"journal":{"name":"Colloquia","volume":"16 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80105389","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this article, the author focuses on the expression of music in the early texts of Lithuanian prose innovator Ignas Jurkūnas Šeinius (1889–1959). Starting with Werner Wolf’s typology of the relations between words and music, and incorporating insights from other scholars (Lars Elleström, Siglind Bruhn, Vytautas Kubilius, Irina Melnikova, etc.), the article discusses the different forms of music and the meanings they produce in Šeinius’ novel Kuprelis (1913, 1932), in one segment of his short story “Vasaros vaišės” [Summer Feast, 1914], and in the novella “Marių daina” [The Song of the Lagoon, 1914]. The analysis has shown that in the novel Kuprelis, music expression explicates the experiences of the main characters, their self-perception and relationship to other characters, becoming a symbol of love, and pointing to and predicting important moments in the story. In the analyzed passage from the short story “Summer Feast,” one can notice a parallel with the musical form of fugue, which creates the impression of multiple motifs sounding and being perceived at the same time, and which emphasizes the aspect of the existential climax that is being developed by the narrative. Combining music, literature and painting, the novella “The Song of the Lagoon” echoes the synthesis of these arts captured in Mikalojus Konstantinas Čiurlionis’s pictorial sonata “Jūra” [The Sea].” The ekphrastic nature of the novella invites the reader to see the figures from the paintings reproduced using words, and to hear the musical motifs that accompany them.
本文主要研究立陶宛散文创新者伊格纳斯Jurkūnas Šeinius(1889-1959)早期文本中音乐的表现。本文从Werner Wolf关于文字与音乐关系的类型开始，结合其他学者(Lars Elleström、Siglind Bruhn、Vytautas Kubilius、Irina Melnikova等)的见解，讨论了Šeinius小说《Kuprelis》(1913、1932)、短篇小说《Vasaros vaišės》(Summer Feast, 1914)的一个片段和中篇小说《mariosdaina》(the Song of the Lagoon, 1914)中音乐的不同形式及其产生的意义。分析表明，在小说《库普利斯》中，音乐表达表达了主人公的经历、自我认知和与其他人物的关系，成为爱情的象征，并指向和预测故事中的重要时刻。在短篇小说《夏日盛宴》的分析段落中，我们可以注意到与赋格曲的音乐形式的平行，它创造了多重母题同时发出和被感知的印象，并强调了叙事正在发展的存在主义高潮的方面。中篇小说《泻湖之歌》结合了音乐、文学和绘画，呼应了米卡洛尤斯·康斯坦丁纳斯Čiurlionis的绘画奏鸣曲《Jūra[海]》中所捕捉到的这些艺术的综合。这篇中篇小说生动的本质，邀请读者看到用文字再现的绘画人物，并听到伴随他们的音乐主题。
{"title":"Music in the Works of Ignas Šeinius: A Few Chords","authors":"Giedrė Ivanova","doi":"10.51554/coll.22.49.03","DOIUrl":"https://doi.org/10.51554/coll.22.49.03","url":null,"abstract":"In this article, the author focuses on the expression of music in the early texts of Lithuanian prose innovator Ignas Jurkūnas Šeinius (1889–1959). Starting with Werner Wolf’s typology of the relations between words and music, and incorporating insights from other scholars (Lars Elleström, Siglind Bruhn, Vytautas Kubilius, Irina Melnikova, etc.), the article discusses the different forms of music and the meanings they produce in Šeinius’ novel Kuprelis (1913, 1932), in one segment of his short story “Vasaros vaišės” [Summer Feast, 1914], and in the novella “Marių daina” [The Song of the Lagoon, 1914]. \u0000The analysis has shown that in the novel Kuprelis, music expression explicates the experiences of the main characters, their self-perception and relationship to other characters, becoming a symbol of love, and pointing to and predicting important moments in the story. In the analyzed passage from the short story “Summer Feast,” one can notice a parallel with the musical form of fugue, which creates the impression of multiple motifs sounding and being perceived at the same time, and which emphasizes the aspect of the existential climax that is being developed by the narrative. Combining music, literature and painting, the novella “The Song of the Lagoon” echoes the synthesis of these arts captured in Mikalojus Konstantinas Čiurlionis’s pictorial sonata “Jūra” [The Sea].” The ekphrastic nature of the novella invites the reader to see the figures from the paintings reproduced using words, and to hear the musical motifs that accompany them.","PeriodicalId":37193,"journal":{"name":"Colloquia","volume":"97 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77785092","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Benediktas Labenskas-Labėnas (1919–1949), a little-known literary figure from the Žemininkai generation, was a soldier and partisan, who died in the early post-war guerrilla warfare. The article presents a part of his work written in gymnasium, in military school and on the Eastern Front. It traces author’s evolution, discusses the relationship of his works to literary tradition, and highlights the distinctive nature of his themes and style. The research employs a hermeneutical approach, the perspective of the history of literature, and the socio-cultural aspect, which enable to identify the ideological and cultural reverberations of a specific historical time and their influence in the works of the young author. Labėnas’s oeuvre grows out of the neo-romantic tradition of 20th-century Lithuanian literature, the songs of volunteers and soldiers’ marching, as well as Christian culture. It takes root in social, psychological, and impressionistic prose. Labėnas’s work is characterized by a sense of harmony between the world and a human being, the imperative of the task of life, an ethical approach, and literary sense of genre and style that became increasingly pronounced with the time.On the one hand, Labėnas’s work has very little in common with the creative engagement of his generation, such as the inclination to existential questions and modern poetic language. On the other hand, his works are associated with a strong connection with the earth and reflection on that connection.
{"title":"An Attempt to Reconstruct the Generation of Žemininkai: Benediktas Labėnas","authors":"Rita Tūtlytė","doi":"10.51554/coll.22.49.04","DOIUrl":"https://doi.org/10.51554/coll.22.49.04","url":null,"abstract":"Benediktas Labenskas-Labėnas (1919–1949), a little-known literary figure from the Žemininkai generation, was a soldier and partisan, who died in the early post-war guerrilla warfare. The article presents a part of his work written in gymnasium, in military school and on the Eastern Front. It traces author’s evolution, discusses the relationship of his works to literary tradition, and highlights the distinctive nature of his themes and style. The research employs a hermeneutical approach, the perspective of the history of literature, and the socio-cultural aspect, which enable to identify the ideological and cultural reverberations of a specific historical time and their influence in the works of the young author. Labėnas’s oeuvre grows out of the neo-romantic tradition of 20th-century Lithuanian literature, the songs of volunteers and soldiers’ marching, as well as Christian culture. It takes root in social, psychological, and impressionistic prose. Labėnas’s work is characterized by a sense of harmony between the world and a human being, the imperative of the task of life, an ethical approach, and literary sense of genre and style that became increasingly pronounced with the time.On the one hand, Labėnas’s work has very little in common with the creative engagement of his generation, such as the inclination to existential questions and modern poetic language. On the other hand, his works are associated with a strong connection with the earth and reflection on that connection.","PeriodicalId":37193,"journal":{"name":"Colloquia","volume":"66 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90621996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Profesorius Juozas Girdzijauskas. Atsiminimai, laiškai, pokalbiai, iš archyvų / sudarytojas Eugenijus Žmuida, Vilnius: Lietuvių literatūros ir tautosakos institutas, 2020, 607 p., ISBN 978-609-425-290-7
{"title":"A Monument to a Great Personality","authors":"Petras Bražėnas","doi":"10.51554/coll.22.49.11","DOIUrl":"https://doi.org/10.51554/coll.22.49.11","url":null,"abstract":"Profesorius Juozas Girdzijauskas. Atsiminimai, laiškai, pokalbiai, iš archyvų / sudarytojas Eugenijus Žmuida, Vilnius: Lietuvių literatūros ir tautosakos institutas, 2020, 607 p., ISBN 978-609-425-290-7","PeriodicalId":37193,"journal":{"name":"Colloquia","volume":"61 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88137760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
For almost a hundred years, literary critics and scholars have been trying to reach the depths of Moses Kulbak’s work and find the most appropriate keys to interpreting his sophisticated and puzzling works. This article is an attempt to approach author’s work by focusing on seemingly less important details and reconstructing their relational network. The depiction of eating scenes, meals (including ruined and imagined ones), as well as food and drink have been chosen as focus point. Such strategy, emphasizing body in the humanities, allows to draw attention to other key issues, such as the relationship between body and soul, nourishment and intellect, intellect and faith, etc. The article deals with the first decade Kulbak’s work and examines less discussed sources of inspiration of the great Yiddish poet and prose writer. Using metric and semantic analysis, the place and role of eating habits, meal scenes and spectacular food representations in Kulbak’s poetic universe are explained and reconstructed. Food metaphors help uncover hidden interconnections, and although they often play only a connotative role, they are still powerful means for expressing the author’s message, while simultaneously concealing it.
{"title":"Gastro-Poetics in Lithuanian Yiddish Literature of the Interwar Period: The Early Work of Moyshe Kulbak (1896-1937)","authors":"Iveta Leitāne","doi":"10.51554/coll.22.49.02","DOIUrl":"https://doi.org/10.51554/coll.22.49.02","url":null,"abstract":"For almost a hundred years, literary critics and scholars have been trying to reach the depths of Moses Kulbak’s work and find the most appropriate keys to interpreting his sophisticated and puzzling works. This article is an attempt to approach author’s work by focusing on seemingly less important details and reconstructing their relational network. The depiction of eating scenes, meals (including ruined and imagined ones), as well as food and drink have been chosen as focus point. Such strategy, emphasizing body in the humanities, allows to draw attention to other key issues, such as the relationship between body and soul, nourishment and intellect, intellect and faith, etc. The article deals with the first decade Kulbak’s work and examines less discussed sources of inspiration of the great Yiddish poet and prose writer. Using metric and semantic analysis, the place and role of eating habits, meal scenes and spectacular food representations in Kulbak’s poetic universe are explained and reconstructed. Food metaphors help uncover hidden interconnections, and although they often play only a connotative role, they are still powerful means for expressing the author’s message, while simultaneously concealing it.","PeriodicalId":37193,"journal":{"name":"Colloquia","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89615354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The author of the article examines the corpus of dedications to the poet Vytautas Mačernis, written by poets who lived in Soviet and post-Soviet Lithuania after 1966. The group of epitexts (epitaphs, dedications, and literary letters), scattered in collections of poems and periodicals and united by genre, is analyzed as a series of artefacts confirming the status of Mačernis as a literary classic and revealing the reception of the poet in the community of writers and in the cultural memory of the nation. The formation of Mačernis’s image and the legend about him was influenced by his early death. In turn, it led to a mystification of the poet’s figure and to the attribution to him of almost supernatural powers of a prophet and guardian of the nation. The most significant texts dedicated to Mačernis highlight the gradual stages of poet’s establishment as the youngest poet in the canon of Lithuanian literature and the prevailing, almost fixed trend of romanticizing him and presenting his destiny in an exotic way. The poetic forms of the dedications and the intertextual connections testify to the fact that Mačernis’s works have been recognized as an essential part of the canon.
{"title":"Death of a Poet. Epitaphs and Dedications to Vytautas Mačernis","authors":"Gintarė Bernotienė","doi":"10.51554/coll.22.49.05","DOIUrl":"https://doi.org/10.51554/coll.22.49.05","url":null,"abstract":"The author of the article examines the corpus of dedications to the poet Vytautas Mačernis, written by poets who lived in Soviet and post-Soviet Lithuania after 1966. The group of epitexts (epitaphs, dedications, and literary letters), scattered in collections of poems and periodicals and united by genre, is analyzed as a series of artefacts confirming the status of Mačernis as a literary classic and revealing the reception of the poet in the community of writers and in the cultural memory of the nation. The formation of Mačernis’s image and the legend about him was influenced by his early death. In turn, it led to a mystification of the poet’s figure and to the attribution to him of almost supernatural powers of a prophet and guardian of the nation. The most significant texts dedicated to Mačernis highlight the gradual stages of poet’s establishment as the youngest poet in the canon of Lithuanian literature and the prevailing, almost fixed trend of romanticizing him and presenting his destiny in an exotic way. The poetic forms of the dedications and the intertextual connections testify to the fact that Mačernis’s works have been recognized as an essential part of the canon.","PeriodicalId":37193,"journal":{"name":"Colloquia","volume":"38 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91032278","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Olga Tokarczuk’s Flights consists of fragments of different genres which narrate different stories. Although literary scholars have stressed the unusual nature of novel’s structure, the question of what it means remains unanswered. The aim of this article is to reveal the novel’s semantic universe and to examine how the sections that tell different stories relate to each other.The article reveals the system of values, based on the framework of static vs. dynamic, linking the characters in the novel. Using the concept of the modern pilgrimage, the author of the article answers the question of how the opposing values are matched. In accomplishing it, the attention is paid not only to the content but also to the dimension of expression, i.e. how the work is constructed. The conclusion has been drawn that the narrative episodes are linked to the principle of metonymy, i.e. the relationship between the part and the whole, described by Roman Jakobson. In Tokarczuk’s novel, different stories are juxtaposed or contrasted with each other, depending on the recurring inter- and intra-corporeal connections. Lévi-Strauss’s notion of myth allowed the author to observe that the narratives in the novel resemble fragments of myth, and that Flights functions as a contemporary myth, where the structure encodes the issue of man’s relationship to others and themselves and the pain that results from it.
Olga Tokarczuk的《航班》由不同体裁的片段组成，讲述了不同的故事。尽管文学学者们强调小说结构的不寻常性质，但其含义的问题仍未得到解答。本文的目的是揭示小说的语义世界，并研究讲述不同故事的部分是如何相互联系的。本文以静态与动态为框架，揭示了小说人物之间的价值体系联系。本文作者运用现代朝圣的概念，回答了对立的价值观如何匹配的问题。在完成它的过程中，不仅要注意内容，还要注意表达的维度，即作品是如何构建的。本文的结论是，故事情节与罗曼·雅各布森所描述的转喻原则有关，即部分与整体的关系。在托卡丘克的小说中，不同的故事被并列或相互对照，这取决于反复出现的身体之间和身体内部的联系。伊姆西-施特劳斯的神话概念使作者能够观察到小说中的叙事类似于神话的片段，而《航班》的功能就像一个当代神话，其中的结构编码了人与他人和自己的关系以及由此产生的痛苦。
{"title":"The Mythic Structure of Olga Tokarczuk’s Novel Flights","authors":"Izabelė Skikaitė","doi":"10.51554/coll.22.49.06","DOIUrl":"https://doi.org/10.51554/coll.22.49.06","url":null,"abstract":"Olga Tokarczuk’s Flights consists of fragments of different genres which narrate different stories. Although literary scholars have stressed the unusual nature of novel’s structure, the question of what it means remains unanswered. The aim of this article is to reveal the novel’s semantic universe and to examine how the sections that tell different stories relate to each other.The article reveals the system of values, based on the framework of static vs. dynamic, linking the characters in the novel. Using the concept of the modern pilgrimage, the author of the article answers the question of how the opposing values are matched. In accomplishing it, the attention is paid not only to the content but also to the dimension of expression, i.e. how the work is constructed. The conclusion has been drawn that the narrative episodes are linked to the principle of metonymy, i.e. the relationship between the part and the whole, described by Roman Jakobson. In Tokarczuk’s novel, different stories are juxtaposed or contrasted with each other, depending on the recurring inter- and intra-corporeal connections. Lévi-Strauss’s notion of myth allowed the author to observe that the narratives in the novel resemble fragments of myth, and that Flights functions as a contemporary myth, where the structure encodes the issue of man’s relationship to others and themselves and the pain that results from it.","PeriodicalId":37193,"journal":{"name":"Colloquia","volume":"40 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90106730","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Natalija Arlauskaitė, Nuožmi taika: žlugusių režimų fotografija dokumentiniame kine, Vilnius: Vilniaus universiteto leidykla, 2020, 336 p., ISBN 978-609-07-0421-9
{"title":"The Narrative of the Third Generation","authors":"Erika Grigoravičienė","doi":"10.51554/coll.21.46.10","DOIUrl":"https://doi.org/10.51554/coll.21.46.10","url":null,"abstract":"Natalija Arlauskaitė, Nuožmi taika: žlugusių režimų fotografija dokumentiniame kine, Vilnius: Vilniaus universiteto leidykla, 2020, 336 p., ISBN 978-609-07-0421-9","PeriodicalId":37193,"journal":{"name":"Colloquia","volume":"10 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74017495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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