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Gatij d'angiol 角度闸门
Q2 Arts and Humanities Pub Date : 2019-10-15 DOI: 10.13135/1825-263X/3632
Mauro Tosco
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引用次数: 0
La danza nel buddhismo antico 古代佛教舞蹈
Q2 Arts and Humanities Pub Date : 2019-10-15 DOI: 10.13135/1825-263X/3628
A. Comba
The article analyses the status of dance in the Pāli Canon. At a first sight, it seems that dancing, watching dancers’ performances and their organization were not approved by the Buddha; but the comparison between some canonical Pāli passages shows that this apparently negative evaluation was motivated by the expectations of the Indian people towards ascetics, rather than an absolute refusal of this art on its own.
本文分析了舞蹈在《Pāli经》中的地位。乍一看,跳舞、观看舞者的表演和他们的组织似乎没有得到佛陀的批准;但对一些典型的Pāli段落的比较表明,这种明显的负面评价是出于印度人民对苦行僧的期望,而不是对这门艺术本身的绝对拒绝。
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引用次数: 0
Words and Thoughts 言语与思想
Q2 Arts and Humanities Pub Date : 2019-10-15 DOI: 10.13135/1825-263X/3697
Elena Aime, S. Andreis, F. Caccamo, E. Caranti, A. D. Salvo, Andrea Drocco, Isabella Guabello, Jacopo Maino, Maṭha Gītānanda Āśram, L. Ottoboni, S. Piano, T. Ripepi, Liliana Rosso Ubigli, Sandhu Roop Lal
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引用次数: 0
Gopīnāth Kavirāj e la scienza solare Gopinate Cavrac e la scienceza solare
Q2 Arts and Humanities Pub Date : 2019-10-15 DOI: 10.13135/1825-263X/3625
Sara Bianchi
This paper outlines the richness and complexity of Gopīnāth Kavirāj’s (1887-1976) contribution to the Indological studies, in particular in the field of Tantric studies. Kavirāj was at the same time an important academic scholar acknowledged both in India and in the West, a traditional paṇḍit and a Tantric sādhaka . These three experiences were inextricably connected: for him the only valuable knowledge was the one that allows spiritual achievements. The focus is in particular on sūrya - vijnāna (solar science), a nearly unkown technique to materialize objects seemingly from nothing, strictly connected to Kavirāj’s guru, Viśuddhānand Paramhaṃs. In my opinion Kavirāj’s treatment of sūrya - vijnāna is an interesting example of the link between sādhanā world and critical thought in his work.
本文概述了Gopīnāth Kavirāj(1887-1976)对印度学研究,特别是密宗研究领域的贡献的丰富性和复杂性。Kavirāj同时是印度和西方公认的重要学术学者,传统的paṇḍit和密宗的sādhaka。这三种经历是密不可分的:对他来说,唯一有价值的知识是那些能让他获得精神成就的知识。重点是sūrya - vijnāna(太阳科学),这是一项几乎不为人知的技术,它可以将物体从无到有地物质化,与Kavirāj的导师Viśuddhānand Paramhaṃs密切相关。在我看来,Kavirāj对sūrya - vijnāna的处理是一个有趣的例子,sādhanā的世界和他的作品中的批判性思维之间的联系。
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引用次数: 0
The Republic of China and a new opportunity: Mahatma Gandhi’s revolution through non-violence 中华民国与新机遇:圣雄甘地非暴力革命
Q2 Arts and Humanities Pub Date : 2019-10-15 DOI: 10.13135/1825-263X/3615
M. Togni
The history of how the nonviolent proposal of Mahatma Gandhi resonates with Chinese intellectuals is a history of variability. In the late Forties, it seems appealing to some Chinese politicians who actually apply non-cooperative means, whereas during the Twenties, even if it is not at all a dominant idea, it resonates well with some Chinese intellectuals. However, during the Thirties, after Gandhi refused to compromise with Stalin, and while the Marxist proposal disseminated worldwide, the nonviolent leanings were paling. In Hu Yuzhi we find an example of this track toward nonviolence: he was a strong supporter during the Twenties, becoming an opponent in the Thirties. Copious are the difficulties in combining other political proposal with Gandhism, itself a comprehensive proposal, and not just a political one. Some perceived Gandhism as a competitor in the supremacy over the masses. Others disagreed about the possibility to use violent means. Another leading theme of objection concerned the industrialization, strongly opposed by Gandhi because of its deadly effects over the Indian population. Generally, an intense opposition came from the misunderstanding of the nonviolent path as a passive one. Moreover, the consideration of Gandhi’s experiments changed from it being perceived as “native” (because it came from an Asian country, and in opposition to Marxism coming from Europe) to a perception as an external one when Marxism was “sinicised.” Anyway, the main reason of the difficulty in implementing Gandhism is that it does not aim to triumph over the opponents, but it is rather a way to individuate and assert the Truth ( satyagraha ), with both side winning. When this intent is absent, it is impossible to realize it.
圣雄甘地(Mahatma Gandhi)的非暴力倡议如何在中国知识分子中引起共鸣的历史是一部变化无常的历史。在40年代后期,它似乎吸引了一些实际上采用非合作手段的中国政治家,而在20年代,即使它根本不是一个主导思想,它也与一些中国知识分子产生了很好的共鸣。然而,在20世纪30年代,甘地拒绝与斯大林妥协,马克思主义的建议在世界范围内传播,非暴力倾向逐渐消失。在胡裕之身上,我们可以找到非暴力道路的一个例子:他在20年代是一个坚定的支持者,在30年代变成了一个反对者。甘地主义本身是一个全面的提议,而不仅仅是一个政治提议,将其他政治提议与甘地主义结合起来困难重重。一些人认为甘地主义是凌驾于大众之上的至高无上的竞争者。其他人不同意使用暴力手段的可能性。另一个主要的反对主题是工业化,甘地强烈反对,因为它对印度人口有致命的影响。一般来说,强烈的反对来自于把非暴力道路误解为被动的道路。此外,当马克思主义被“中国化”时,对甘地实验的考虑从被视为“本土的”(因为它来自一个亚洲国家,与来自欧洲的马克思主义相反)转变为被视为外部的。无论如何,甘地主义难以实施的主要原因是,它的目的不是战胜对手,而是一种个性化和维护真理(satyagraha)的方式,双方都是赢家。当这个意图缺失时,就不可能实现它。
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引用次数: 0
Ezekiel 21:25 and Some Ancient Translations 以西结书21:25和一些古代译本
Q2 Arts and Humanities Pub Date : 2019-10-15 DOI: 10.13135/1825-263X/3614
Corrado Martone
This note provides an analysis of the ancient translations of Ezek 21:25, concluding that in following the LXX these translations tried to get around the difficulties of the Hebrew text by giving not a literal translation, but an interpretive one.
这篇笔记提供了对以西结书21:25的古代译本的分析,结论是,在遵循LXX的过程中,这些译本试图绕过希伯来文文本的困难,给出的不是字面翻译,而是解释性的翻译。
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引用次数: 0
Da Ester la regina alla concubina senza nome: ruoli e professioni delle donne tra Bibbia, Mishnah e percorsi interpretativi 从王后以斯帖到无名妃子:女性在《圣经》、《米示拿》和阐释路径之间的角色和职业
Q2 Arts and Humanities Pub Date : 2019-10-15 DOI: 10.13135/1825-263X/3709
Sarah Kaminski
The article examines the state of presence/absence of women in the Bible and in the Talmud, highlighting the importance of education as a tool to gain a position in society and in their own community, but also as an instrument against the power that tends to create submission at home and in the public sphere. The analysis of some female figures (Ester the scribe, Beruria the scholar, the pious daughters of Zelofcad), offers an insight into the narration of Jewish history and constitutes a reference model for the reading of current situation of the woman in the Jewish Orthodox world, particularly in Israel.
这篇文章考察了《圣经》和《塔木德》中妇女的存在/不存在状态,强调了教育作为在社会和自己的社区中获得地位的工具的重要性,同时也是反对在家庭和公共领域中倾向于制造顺从的权力的工具。对一些女性人物(抄写员埃斯特、学者贝鲁里亚、泽洛卡德的虔诚女儿)的分析,提供了对犹太历史叙述的洞察,并为解读犹太正统派世界,特别是以色列的女性现状提供了参考模型。
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引用次数: 0
The study of the Paippalāda recension of the Atharvaveda: The state of the art 《阿他吠陀经》的Paippalāda解读研究:艺术现状
Q2 Arts and Humanities Pub Date : 2019-10-15 DOI: 10.13135/1825-263X/3631
U. Selva
This article provides a survey of recent scholarship on the Paippalādasaṃhitā (PS) of the Atharvaveda, and presents the main lines of research that are currently being pursued. In particular, it discusses: the different approaches to the text-critical work on the PS; the debate on the history of its transmission; the linguistic studies based on the text; the hypothesis that the PS is a manual for the king’s purohita ; the ongoing research on the connection between the Paippalādins, the Vrātyas and the Pāśupatas; and recent scholarship on its ancillary literature.
这篇文章提供了一个关于Paippalādasa的近期学术调查ṃhitā(PS),并介绍了目前正在进行的主要研究路线。具体论述了PS文本批评工作的不同方法;关于其传播历史的辩论;基于文本的语言学研究;假设PS是国王的purohita手册;正在进行的关于佩帕勒丁人、弗拉蒂亚斯人和Pāśupatas人之间联系的研究;以及最近关于其辅助文献的学术研究。
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引用次数: 0
The Long-Lasting Influence of Ideological Prejudices: The Case of Ye Lingfeng (1905-1975), a Misunderstood Writer and Intellectual in Modern China 意识形态偏见的长期影响——以中国近代被误解的作家和知识分子叶灵凤(1905-1975)为例
Q2 Arts and Humanities Pub Date : 2019-10-15 DOI: 10.13135/1825-263X/3618
S. Stafutti
Through the works and some biographical issues of Ye Lingfeng (1905-1975), one of the writers of the so-called Shanghai School ( haipai , 海派), this paper aims to offer some hints of the multi-folded bunch of prejudices which the history of modern Chinese literature is intertwined with. To reach this goal, the following issues will be taken into consideration: 1. an analysis of Ye Lingfeng’s early production,  before his moving from mainland China to Hongkong –  with particular reference to   The Dream of a Virgin Chunude meng , (处女的梦, Chunude meng), in comparison with Ding Ling (丁玲)  Miss Sophia’s Diary  ( Shafei nushi de rij,  莎菲女士的日记); to which a much bigger success arose; 2.  a general description of the complicated issues which led inflicting on him the very unfair label of being a “traitor”,  moving from his clash with Lu Xun in the late The twenties and early Thirties to his “collaboration” with the Nationalist Party during the first period of his staying in Hong Kong; 3. an overview of his literary works in order to highlight his way to connect traditional and modern literary tradition, which – if prejudices were not working - could provide some suggestions to the core issue of the relationship between “classic” (feudal?) literature and the literature of New China.
通过所谓海派作家之一叶灵凤(1905-1975)的作品和一些传记问题海派), 本文旨在为中国现代文学史上交织在一起的多重偏见提供一些启示。为了实现这一目标,将考虑以下问题:1。叶灵凤从大陆移居香港前的早期作品分析——特别是《童梦》(处女的梦,孟)与丁玲的比较(丁玲)《索菲亚小姐日记》(Shafei nushi de rij莎菲女士的日记);取得了更大的成功;2、从二十、三十年代末与鲁迅的冲突,到他在香港的第一个时期与国民党的“合作”,这些复杂的问题给他贴上了非常不公平的“汉奸”的标签;3.概述他的文学作品,以突出他将传统文学传统与现代文学传统联系起来的方式,如果偏见不起作用的话,这可以为“古典”(封建?)文学与新中国文学关系的核心问题提供一些建议。
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引用次数: 0
From the Paper to the Stage: a New Life for Novels? The Adaptation of Bestsellers in Contemporary China 从论文到舞台:小说的新生命?畅销书在当代中国的改编
Q2 Arts and Humanities Pub Date : 2019-10-15 DOI: 10.13135/1825-263X/3616
Barbara Leonesi
This paper studies the evermore widespread phenomenon of the adaptation of novels for the stage, focusing on prizewinning contemporary Chinese novels. The first part provides the theoretical approach that is adopted in the second part, where two cases studies are discussed, i.e the stage adaptation of the novel Song of Everlasting Sorrow by Wang Anyi and of the novel To Live by Yu Hua. Starting from the perspective of “horizontal relations” among  texts (Hutcheon 2013), the analysis of the adaptation process takes its distance from the fidelity/infidelity discourse, in order to investigate the network of echoing versions (trans-media, trans-language, etc) it is able to produce. This network is much more interesting to explore than supposed vertical hierarchies. Nevertheless, not every version is a text able to live independently from its source: the analysis shows that today's phenomenon of trans-media adaptation is fostered by a cultural industry that aims at exploiting all profits from a best-selling prizewinning novel. The role played by this industry in the adaptation process needs to be fully considered.
本文以获奖的中国当代小说为研究对象,研究了日益普遍的小说舞台化现象。第一部分提供了第二部分所采用的理论方法,即王安忆小说《长恨歌》和余华小说《活着》的舞台改编两个案例研究。从文本之间的“横向关系”的角度出发(Hutcheon 2013),对改编过程的分析远离了忠实/不忠话语,以考察其能够产生的呼应版本(跨媒体、跨语言等)的网络。这个网络比所谓的垂直层次结构更有趣。尽管如此,并不是每个版本都是一个能够独立于来源的文本:分析表明,今天的跨媒体改编现象是由一个文化产业培育的,该产业旨在利用畅销获奖小说的所有利润。需要充分考虑该行业在适应过程中发挥的作用。
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