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Dreams as Life and Life as Dreams in Seventeenth and Eighteenth-Century xiaoshuo Narratives 17、18世纪小说叙事中的梦即生活与梦即生活
Pub Date : 2021-12-09 DOI: 10.1163/15685322-10705005
Aude Lucas
In the depiction and analysis of various transtextual sources and rewritings, this article discusses narratives of Chinese late imperial xiaoshuo that dealt with dreams perceived as equally important if not more valuable than waking life itself. The discourse of these dream stories aimed at underlining the significance of the value granted to dreams, and consequently how this perspective on dreams could affect one’s stance towards life itself. With an emphasis on the eighteenth century, examples comprise narratives from lesser-known collections, such as Xieduo 諧鐸 by Shen Qifeng (1740?–?), but the author also highlights earlier texts—Daoist classics, chuanqi 傳奇 of the Tang, and chuanqi of the Ming—which served as sources for these late imperial tales. Although the theme of life-long dreams is found across the centuries and literary genres, this article points to its various treatments, that differed according to time periods and authors’ personal concerns. It highlights a shift in “life-long dream” stories of the late imperial period towards a concern for private matters, depicted in a detached and/or light-hearted tone.
在对各种跨文本来源和重写的描述和分析中,本文讨论了中国晚期帝王小说的叙事,这些叙事处理的梦被认为与清醒的生活本身同等重要,如果不是更有价值的话。这些梦故事的话语旨在强调赋予梦的价值的重要性,以及对梦的这种看法如何影响一个人对生活本身的态度。在强调18世纪的时候,例子包括了一些不太知名的文集,比如沈奇风(1740? - ?)的《谢多諧鐸》,但作者也强调了早期的文本——道教经典、唐传奇书和明传奇书——这些都是这些晚期帝国故事的来源。尽管一生的梦想这个主题在几个世纪和文学流派中都有发现,但本文指出了它的各种处理方法,这些处理方法根据时代和作者的个人关注而有所不同。它突出了帝国晚期“一生的梦想”故事向关注私人事务的转变,以一种超然和/或轻松的语气描绘。
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引用次数: 0
Circulating the Code. Print Media and Legal Knowledge in Qing China, by Zhang Ting 传阅守则。张婷著《清代纸媒与法律知识》
Pub Date : 2021-12-09 DOI: 10.1163/15685322-10705006
F. Constant
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引用次数: 0
La figure divine de Wei Huacun 魏華存 dans le taoïsme Shangqing au VIIIe siècle : la place du culte et la question du genre dans la pratique spirituelle Wei神图》Huacun魏華存在道教Shangqing 八世纪广场:崇拜的精神和实践中的性别问题
Pub Date : 2021-12-09 DOI: 10.1163/15685322-10705003
Olivier Boutonnet
Selon la tradition, Wei Huacun (251-334), ou plutôt sa figure déifiée, la Dame Wei du pic du Sud, est la matriarche fondatrice du courant taoïste de la Pureté supérieure, ou Shangqing, apparu au cours de la seconde moitié du IVe siècle de notre ère. Si l’ historicité de ce mouvement à la fin des Six Dynasties (220-589) a été abondamment étudiée, son évolution postérieure, en particulier sous les Tang (618-907), laisse encore apparaître des zones d’ ombre. L’ étude de la figure divine de la Dame Wei, à la fois sur le plan de son culte et sur celui des exercices spirituels auxquels elle était associée, contribue à mieux cerner les contours de cette tradition vivante. Elle permet également d’ affiner notre vision de sa praxis telle que les taoïstes, hommes et femmes, pouvaient se l’ approprier dans leur propre religiosité vis-à-vis de la religion instituée.
根据传统,魏华春(251-334),或者更确切地说,她的神化形象,南峰的魏淑女,是道教的创始人,即上清,出现于公元4世纪下半叶。如果这场运动后期,占 过去的六个朝代(220-589)进行了大量研究,其演变后,尤其是Tang(618-907)之下, 场地区仍然存在着阴影。那样 娘子Wei神图》研究,既是他上礼拜和她的灵性练习的现象,有助于更好地理解这个活生生的传统格局。还使 完善我们的愿景,其praxis以致道家,男性和女性中,可以将自己成为 确立自己对宗教的虔诚。
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引用次数: 0
“A Model for All Christian Women”. Candida Xu, a Chinese Christian Woman of the Seventeenth Century, by Gail King "所有基督教妇女的典范"《十七世纪中国基督教女性许甘迪达》,盖尔·金著
Pub Date : 2021-12-09 DOI: 10.1163/15685322-10705007
Isabelle Landry-Deron
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引用次数: 0
The Construction of Territories in the Qin Empire 秦朝时期的领土建设
Pub Date : 2021-12-09 DOI: 10.1163/15685322-10705001
C. Tong
This essay revisits the territoriality of the Qin empire by examining the spatial division underneath its commandery-county system. With the universal implementation of centralized administration, scholars usually believe that the Qin empire exerted strong control across its territories. But new Qin sources suggest otherwise. It is evident that the Qin regime devised multiple schemes to structure its empire into three concentric zones with asymmetrical political relations. The respective features and functions of these zones were consonant with those of the center, semiperiphery, and periphery in the “core-periphery” model. The regime’s spatial strategy can be understood as a compromise made to accommodate the diverse landscape in different parts of its vast empire, especially in the newly conquered regions. This reminds us that despite having installed the unitary commandery-county system, the territorial control wielded by the Qin regime in its new territories was tenuous at best.
本文通过考察秦郡县制度下的空间划分,重新审视秦帝国的疆域。随着中央集权管理的普遍实行,学者们通常认为秦朝对其领土实行了强有力的控制。但秦国的新资料显示并非如此。很明显,秦朝政府设计了多种方案,将其帝国划分为三个政治关系不对称的同心圆区域。这些区域各自的特征和功能与“核心-边缘”模型中中心、半边缘和边缘的特征和功能一致。该政权的空间策略可以被理解为一种妥协,以适应其庞大帝国不同地区的不同景观,特别是在新征服的地区。这提醒我们,尽管秦朝建立了统一的郡县制度,但秦朝在其新领土上的领土控制充其量是脆弱的。
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引用次数: 1
Against the Monist Model of Tang Poetics 论唐诗的一元论模式
Pub Date : 2021-12-09 DOI: 10.1163/15685322-10705004
Lucas Rambo Bender
In recent decades, a significant amount of Western scholarship on traditional Chinese poetry and poetics has either proposed or assumed a vision of the art underwritten by the supposed “monism,” “nonduality,” and “immanence” of traditional Chinese worldviews. This essay argues that although these were important ideas in certain periods and contexts, they cannot be taken as unproblematically defining the world of thought in which poetry operated during the Tang dynasty. Instead, Tang writers more routinely drew in their discussions of art upon the epistemological tensions and discontinuities posited by medieval intellectual and religious traditions. For this reason, they often outlined models of poetry very different from those most common in contemporary criticism.
近几十年来,大量关于中国传统诗歌和诗学的西方学者提出或假设了一种基于中国传统世界观的所谓“一元论”、“非二元性”和“内在性”的艺术愿景。本文认为,尽管这些思想在某些时期和语境中是重要的,但它们不能毫无疑问地定义唐代诗歌运作的思想世界。相反,唐朝的作家们在讨论艺术时,更习惯性地将中世纪知识分子和宗教传统所带来的认识论上的紧张和不连续性引入他们的讨论。出于这个原因,他们经常勾勒出与当代批评中最常见的诗歌截然不同的诗歌模式。
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引用次数: 0
Sand, Water, and Stars: Chinese Mapping of the Gobi and Taklamakan Deserts 沙、水、星:中国戈壁和塔克拉玛干沙漠制图
Pub Date : 2021-09-08 DOI: 10.1163/15685322-10703004
Elke Papelitzky
Many Chinese maps from the mid-sixteenth century onwards mark the Gobi Desert as a prominent strip visually separating China from what lies beyond. Even before that time, the Gobi, as well as the Taklamakan Desert appeared on maps. Influenced by statements from the early classic “Yugong,” Chinese scholars and Han literati during late imperial China’s history had perceived the deserts as some kind of boundary, while with the integration of these regions into Qing territory, the imperial Manchu view shifted away from the desert being a boundary. The terms for the desert as well as the graphical depiction on maps link the desert to water and to some extent also to celestial phenomena. This article explores the history and cultural significance of the desert from the Song to the mid-Qing period based on maps in relation with relevant texts and draws connections to the origins and changes of these depictions.
从16世纪中期开始,许多中国地图都将戈壁沙漠标记为一条突出的地带,在视觉上将中国与其他地方隔开。甚至在那之前,戈壁和塔克拉玛干沙漠就出现在地图上。受早期经典《愚公》的影响,中国帝制后期的中国学者和汉族文人将沙漠视为某种边界,而随着这些地区并入清朝领土,满清帝国的观点不再将沙漠视为边界。沙漠的术语以及地图上的图形描述将沙漠与水联系起来,在某种程度上也与天体现象联系起来。本文以地图为基础,结合相关文献,探讨了从宋代到清代中期沙漠的历史和文化意义,并将这些描述的起源和变化联系起来。
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引用次数: 0
Thinking With Models: The Construction of Legal Cases as Reflected in Late Qing Local Archives 以模式思考:晚清地方档案所反映的法律案例建构
Pub Date : 2021-09-08 DOI: 10.1163/15685322-10703012
F. Constant
In current scholarship, late imperial China’s criminal justice is mainly studied through judicial documents reviewed by the central administration, first and foremost the xingke tiben 刑科題本, or copies of routine memorials made by the censorial section of the Board of Punishments, as well as memorandum (shuotie 說帖) recorded in collections of cases. In this article, by contrast, I analyze a sample of more than forty dossiers on criminal cases constituted at the county level, for which the final judgment approved by the central administration is known. The reconstitution of the whole adjudication process shows that local magistrates often adapted the facts to fit the extant legal categories and commonly relied on model cases to craft their decisions. This pattern of administration of justice did not necessarily entail a miscarriage of justice and has its origin in a form of legal reasoning framed by the bureaucratic organization of late imperial Chinese justice.
在目前的学术研究中,中国帝制晚期的刑事司法主要是通过中央政府审查的司法文书来研究的,首先是《行纪通牒》,或刑罚局审查部门制作的例行备忘录的副本,以及记录在案件集中的备忘录。在本文中,我分析了40多件县级刑事案件的样本,这些案件的最终判决是由中央行政部门批准的。整个审判过程的重构表明,地方法官经常调整事实以适应现有的法律类别,并且通常依赖示范案例来制定他们的决定。这种司法管理模式并不一定会导致司法不公,它的起源是一种法律推理形式,由中国帝国晚期司法的官僚组织所构成。
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引用次数: 2
Honor and Shame in Early China, by Mark Edward Lewis 《中国早期的荣辱》,马克·爱德华·刘易斯著
Pub Date : 2021-09-08 DOI: 10.1163/15685322-10703006
P. Goldin
The latest of Mark Edward Lewis ’ s thematically organized monographs, Honor and Shame in Early China, offers an intriguing survey of the culture of recognition in pre-Qin and Han China, addressing the complex relations between state- and non-state-based social models. It should find a welcome place in studies of early Chinese intellectual history, comparative empire, and even later East Asian popular literature, which often depicts the historical contexts that Honor and Shame addresses.
马克·爱德华·刘易斯(Mark Edward Lewis)的最新专著《中国早期的荣辱》(Honor and Shame in Early China)以主题为组织,对先秦和汉代中国的认知文化进行了有趣的调查,探讨了以国家为基础和以非国家为基础的社会模式之间的复杂关系。它应该在中国早期思想史、比较帝国、甚至后来的东亚通俗文学的研究中找到一个受欢迎的位置,这些文学经常描绘《荣誉与耻辱》所涉及的历史背景。
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引用次数: 1
Scribal Errors and “Layout Genetics” in Dunhuang Buddhist Manuscripts 敦煌佛教手稿中的抄写错误与“布局遗传学”
Pub Date : 2021-09-08 DOI: 10.1163/15685322-10703003
Costantino Moretti
This essay explores the mechanisms linked to the production of specific mistakes and textual alterations in Dunhuang Buddhist manuscripts, which provide information of codicological interest, in particular on the formal characteristics of a manuscript archetype, on its production phases/techniques, and its formal evolution. It also draws attention to the importance of surveying the alterations in the arrangement of textual and paratextual elements by means of a structural analysis revealing manuscript filiation based on formal characteristics, an approach that can help to explore not only the codicological evolution of a book in manuscript form, but also its philological ties with branches of a specific tradition.
本文探讨了与敦煌佛教手稿中特定错误和文本变更产生相关的机制,提供了典籍学方面的信息,特别是手稿原型的形式特征、制作阶段/技术及其形式演变。它还提请注意,通过揭示基于形式特征的手稿分支的结构分析,测量文本和准文本元素排列变化的重要性,这种方法不仅可以帮助探索手稿形式的书的法典学演变,而且还可以探索其与特定传统分支的语言学联系。
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T’oung Pao
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