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CONSIDERATIONS ON THE FUTURE OF FEMINISM WITHIN THE POSTCOLONIAL AND POSTCOMMUNIST FRAMEWORK 后殖民和后共产主义框架下对女性主义未来的思考
Q2 Medicine Pub Date : 2023-05-25 DOI: 10.24818//syn/2023/19/1.01
R. Marinescu
This article presents some ideas on the future of feminism starting from the postcolonial/ postcommunist framework, based on similarities in the decolonisation and respectively transition periods in what regards approaches to gender and feminist practices, with a special interest in India and Romania. Some of these refer to belonging to the neoliberal paradigm and necessity to disrupt it, by strengthening the bottom-up work of the nongovernmental organisations, encouraging alternative knowledge systems and giving a voice to so-far silent members of society and non-human others, while focusing on a feminist ethic of care and using the COVID-19 pandemic as an opportunity for change.
本文从后殖民主义/后共产主义框架出发,基于非殖民化和各自过渡时期在性别和女权主义实践方法方面的相似性,对女权主义的未来提出了一些想法,特别关注印度和罗马尼亚。其中一些指的是属于新自由主义范式,以及通过加强非政府组织自下而上的工作、鼓励替代知识体系、为社会中沉默的so-far成员和非人类其他人发声来打破新自由主义模式的必要性,同时关注女权主义关怀伦理,并利用新冠肺炎疫情作为变革的机会。
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引用次数: 0
THE ‘CAST’ING CONVENTION: IMPACT OF INDIAN FILM MUSIC ON REINFORCING GENDER STEREOTYPES “选角惯例:印度电影音乐对强化性别刻板印象的影响
Q2 Medicine Pub Date : 2023-05-25 DOI: 10.24818//syn/2023/19/1.07
P. Shirodkar
The impact of Bollywood (the Indian Hindi film industry) on the national psyche as well as its international popularity cannot be overrated. So is the music that is an integral part of it. It outlives the movie and then becomes a part of the everyday life of people, being played in public places, at religious festivals, in personal and professional functions and interestingly being even adapted to other forms of expression (like bhajans/devotional music). At a more dangerous level, it surreptitiously births, embeds and reinforces stereotypes becoming the palimpsest that serves to define standards expected and exacted from women. This not only thus shapes the approach towards women but also significantly impacts women’s approach towards themselves. By referring to some of the popular and oft recalled Bollywood Hindi songs across the decades, this researcher would like to unearth the palimpsest and decode how it results in the ‘cast’ing convention and becomes the kaleidoscope through which Indian womanhood is viewed.
宝莱坞(印度印地语电影工业)对国民心理的影响以及它的国际知名度怎么评价都不为过。音乐也是不可或缺的一部分。它比电影更长寿,然后成为人们日常生活的一部分,在公共场所,宗教节日,个人和专业功能中播放,有趣的是,它甚至被改编成其他形式的表达(如bhajans/虔诚的音乐)。在更危险的层面上,它秘密地孕育、嵌入并强化了刻板印象,成为定义女性期望和要求的标准的重写本。因此,这不仅塑造了对待妇女的态度,而且对妇女对待自己的态度也产生了重大影响。通过参考几十年来一些流行的和经常被回忆起来的宝莱坞印地语歌曲,这位研究人员想要挖掘重写本,并解读它是如何导致“演员”惯例的,并成为看待印度女性的万花筒。
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引用次数: 0
THE WOMEN FROM ALAPSUR IN GÖRAN TUNSTRÖM’S TRAVEL MEMOIR: THE DYNAMICS OF A REVERSED ALTERITY TECHNIQUE 在gÖran tunstrÖm的旅行回忆录中,来自阿拉普苏尔的女性:一种反向替代技术的动态
Q2 Medicine Pub Date : 2023-05-25 DOI: 10.24818//syn/2023/19/1.05
Raluca Boboc
Part of a larger project interrogating the strategies of different 20th century Scandinavian writers of reaching themselves by exploring anthropologic and geographic alterity during their travels, my article looks into the way that Göran Tunström’s Indian explorations, evoked in his travelogue “India – a winter journey”2, function as a catalyst of his personal destiny, reverberating in a singular form of artistic assumption. His inspiring explorations, at the same time geographical and interior, can even invite a phenomenological approach to alterity awareness, in which the portrait of the women from Alapsur plays an interesting role in reversing the functions of exotism and otherness.
作为一个更大项目的一部分,我的文章探讨了20世纪斯堪的纳维亚不同作家在旅行中通过探索人类学和地理变异来达到自我的策略,探讨了葛兰·通斯特伦在游记《印度——冬季之旅》2中唤起的印度探索是如何成为他个人命运的催化剂的,以一种独特的艺术假设形式回响。在地理和内部的同时,他鼓舞人心的探索甚至可以邀请一种现象学方法来看待另类意识,在这种方法中,来自阿拉普苏的女性肖像在扭转异国情调和另类的功能方面发挥了有趣的作用。
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引用次数: 0
JOURNEY OF WOMEN’S STUDIES IN INDIA (1974-2023) 印度妇女研究之旅(1974-2023)
Q2 Medicine Pub Date : 2023-05-25 DOI: 10.24818/syn/2023/19/1.02
V. Patel
It is essential to critically reflect on cross cultural studies from feminist perspectives and understand the dimensions of universal standards of gender equality in different cultural contexts and interpretations. In the Indian context, women’s rights movement, women’s studies and gender studies have provided such space for reflections on cross-cultural perspectives. Women’s Studies as a discipline aims to theorise for the oppressed and direct its knowledge construction efforts for a gender transformative agenda. This article aims to provide a survey of the history of this discipline in India, and to critically present its main challenges, while underlining its most evident achievements.
从女性主义的角度批判性地反思跨文化研究,理解不同文化背景和解释下性别平等的普遍标准的维度是至关重要的。在印度语境中,女权运动、妇女研究和性别研究为跨文化视角的反思提供了这样的空间。妇女研究作为一门学科,旨在为受压迫者提供理论,并指导其知识建设工作,以实现性别变革议程。本文旨在提供这一学科在印度的历史调查,并批判性地提出其主要挑战,同时强调其最明显的成就。
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引用次数: 0
DISCOVERING INDIAN WOMEN – A CULTURAL JOURNEY 发现印度女性——一次文化之旅
Q2 Medicine Pub Date : 2023-05-25 DOI: 10.24818//syn/2023/19/1.09
M. Nicolae
This is a small exploratory attempt at discovering perceptions of Indian women through Romanian eyes. This will be done through the medium of Indian literature written in English and through the personal experience of the author. We all have our collections of cultural stereotypes through which we look at the world: our own as well as others’. One of the starting points in this cultural journey is the sheer difference in size between the two spaces and the incredible variety of people who inhabit India. Our classical lenses or, at the other end, our Bollywood goggles, distort our perceptions of the realities of present-day Indian women. The author will compare her constructed images of modern Indian women as they appear mainly in Anuradha Roy’s The Folded Earth, with her own experience of real women that she had actually met either in Romania or in India. In today’s complex world, in what is called more often and with more valid arguments the Asian century, it is relevant and worthwhile to have such an exercise of cultural and gender exploration in order to better understand ourselves.
这是一个小的探索性尝试,旨在通过罗马尼亚人的眼睛来发现对印度女性的看法。这将通过用英语书写的印度文学媒介和作者的个人经历来完成。我们都有自己的文化刻板印象,我们通过这些刻板印象来看待世界:我们自己的和别人的。这场文化之旅的起点之一是这两个空间之间的巨大差异,以及居住在印度的各种各样的人。我们的经典镜头,或者另一端的宝莱坞护目镜,扭曲了我们对当今印度女性现实的看法。作者将把她构建的现代印度女性形象与她自己在罗马尼亚或印度实际遇到的真实女性的经历进行比较,因为这些形象主要出现在阿努拉德·罗伊的《折叠的地球》中。在今天这个复杂的世界里,在更频繁、更有说服力的亚洲世纪,为了更好地了解我们自己,进行这样一次文化和性别探索是相关的,也是值得的。
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引用次数: 0
SHAKTI AND LAKSHMI PRINCIPLES. EMPOWERING WOMEN IN INDIAN TRADITION 沙克提和拉克希米原则。印度传统赋予妇女权力
Q2 Medicine Pub Date : 2023-05-25 DOI: 10.24818//syn/2023/19/1.04
C. David
The Indian traditions offer a very specific place in the society to women, and the religious practices give them certain responsibilities. Religion and common life are practically inseparable and the role models offered by the Hindu pantheon and sacred texts are to be reflected in the day to day activity. Shakti is the wife of Lord Sadashiva and the Mother of the Universe, while Lakshmi is the wife of Lord Vishnu, whose main characteristic is to bring prosperity. This article is approaching the role women play from the position of the Hindu tradition, overviewing Puranic and epic texts.
印度传统为妇女在社会中提供了一个非常特殊的位置,宗教习俗赋予她们一定的责任。宗教和日常生活实际上是不可分割的,印度教万神殿和神圣文本所提供的榜样将反映在日常活动中。莎克蒂是主萨达希瓦的妻子,宇宙之母,而拉克希米是主毗湿奴的妻子,其主要特点是带来繁荣。本文将从印度教传统的角度探讨女性所扮演的角色,对古兰经和史诗文本进行概述。
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引用次数: 0
THE BENGALI LANGUAGE, FROM INDIA TO ROMANIA 孟加拉语,从印度传到罗马尼亚
Q2 Medicine Pub Date : 2023-05-25 DOI: 10.24818//syn/2023/19/1.10
Carmen MUŞAT-COMAN
This article aims to bring to light a brief history of the study of the Bengali language in Romania, useful to those who focus on the presence of Indian languages in our country. At the same time, it presents the works translated from Bengali, mainly from Rabindranath Tagore, and the work of the teacher, translator, writer, exegete of Eminescu’s work, Amita Bhose.
本文旨在介绍罗马尼亚孟加拉语研究的简史,对那些关注印度语在我国存在的人有用。同时,还介绍了以拉宾德拉纳特·泰戈尔为代表的孟加拉语翻译作品,以及埃米内斯库的老师、翻译家、作家、译作家阿米塔·博塞的作品。
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引用次数: 0
SCORCHED BY FIRE, DROWNED BY WATER, NO HEAVEN ON A CRACKED EARTH: ‘A LOOK’ AT DEEPA MEHTA’S WOMEN 被火烧焦,被水淹没,破碎的地球上没有天堂:“看看”deepa mehta的女人
Q2 Medicine Pub Date : 2023-05-25 DOI: 10.24818//syn/2023/19/1.06
Sridhar Rajeswaran
This article focuses only on Deepa Mehta’s importance as a film-maker of Indian diaspora now indwelling in Canada. This paper shall interlock with the films made between 1996 and 2008, i.e., Fire (1996), Earth (1998), Bollywood/Hollywood (2002), Water (2005), Heaven on Earth (2008). Needless to reiterate, that these five films, too, like the others in her oeuvre, have brought her many awards. Though it is imperative to look at the entire oeuvre of an artist, this selection is hoped to prove adequate for the defining purposes of this work, and would ‘throw’ glimpses that could enable others to construct the missing elements.
这篇文章只关注迪帕·梅塔作为一名旅居加拿大的印度侨民电影制作人的重要性。本文将与1996年至2008年间拍摄的电影联系起来,即《火》(1996)、《地球》(1998)、《宝莱坞/好莱坞》(2002)、《水》(2005)、《人间天堂》(2008)。不用重申,这五部电影也和她作品中的其他电影一样,为她带来了许多奖项。尽管必须审视一位艺术家的全部作品,但这一选择有望证明足以满足这件作品的定义目的,并将“带来”一瞥,使其他人能够构建缺失的元素。
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引用次数: 0
DEVELOPMENTS AND APPLICATIONS OF SECTORALQUALIFICATIONS FRAMEWORKSIN BORDER AND COAST GUARDING COURSE DESIGN 分块化框架在边防海防课程设计中的发展与应用
Q2 Medicine Pub Date : 2022-12-07 DOI: 10.24818/syn/2022/18/2.03
Ileana Chersan
The surge of developing Sectoral Qualifications Frameworks and their use in vocationaltraining for the past few years can be illustrated by a Frontex2 initiative in the extensive areaof border and coast guarding. The EU authorities have tried to promote and model aharmonised approach to course design and training based on the European QualificationsFramework and Bologna and Copenhagen processes, matching the developments in generaleducation across Europe. The aim of this paper is to examine the particular case of SectoralQualifications Framework for Border and Coast Guarding, focusing on vocationalspecificities, recent developments and practical applications at the level of course design.The corpus of the analysis consists of a specific training program in course design developedby Frontex in the past 5 years. The content analysis focuses on two main tiers: recentdevelopments in SQF course design and applications of SQF in border and coast guardingcourse design. Each of these levels has structural and functional features with direct andcritical implications onto national law enforcement curricula and training programs design,such as consistent revision of job competences, recognition of non-formal and informallearning and national accreditation and validation processes of qualifications and borderpolice training programmes.
在过去几年中,制定部门资格框架及其在职业培训中的使用激增,可以从Frontex2在边境和海岸警卫队广泛领域的举措中看出。欧盟当局试图在欧洲资格认证框架、博洛尼亚和哥本哈根进程的基础上,推广和示范一种和谐的课程设计和培训方法,以适应欧洲普通教育的发展。本文的目的是研究边境和海岸警卫队部门资格框架的具体情况,重点关注职业特点、最新发展和课程设计层面的实际应用。分析的语料库包括Frontex在过去5年中开发的课程设计方面的具体培训计划。内容分析主要分为两个层次:SQF课程设计的最新进展和SQF在边防海岸警卫队课程设计中的应用。这些级别中的每一个都具有结构和功能特征,对国家执法课程和培训计划的设计具有直接和关键的影响,例如对工作能力的持续修订、对非正规和非信息学习的承认以及资格和边境政策培训计划的国家认证和验证过程。
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引用次数: 0
CHARACTER DESIGN IN RELATION TO LANDSCAPE AND TIMEDIMENSIONS INHENDERSON THE RAIN KING BY SAUL BELLOW 索尔·贝洛在《雨王》中与景观和尺度相关的人物设计
Q2 Medicine Pub Date : 2022-12-07 DOI: 10.24818/syn/2022/18/2.07
V. Robu
This article analyses aspects of character design in Saul Bellow’s novel Henderson the RainKing. It focuses on the association of space and specific moments in time and highlights theuse of landscape structures in important moments of the book, aiming to explore the evolutionof the central character. The overall discussion of the relationship between characterdevelopment and landscape patterns uses Bakhtin’s idea of chronotope and identifies severalsignificant moments in the economy of the book that are relevant to the construction of themain character. On the whole, this article was inspired by Saul Bellow’s recurrent andenergetic attempts to rescue, throughout his writing activity, that part of the traditional novelwhich is centered around a problematic hero.
本文分析了索尔·贝娄小说《雨王亨德森》中人物设计的几个方面。它注重空间与特定时刻的联系,并强调在书中重要时刻使用景观结构,旨在探索中心人物的演变。对人物发展和景观模式之间关系的全面讨论使用了巴赫金的时位概念,并确定了书中与主角建构相关的几个重要时刻。总的来说,这篇文章的灵感来自于索尔·贝娄在他的写作活动中反复而积极地试图拯救传统小说中以问题英雄为中心的那一部分。
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引用次数: 0
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