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A Éamainn, an agad féin!: dán cointinne agus dán ómóis in éineacht 他的妈妈,你自己普通小麦和普通小麦
Q1 Arts and Humanities Pub Date : 2023-02-28 DOI: 10.1353/eri.0.0010
Meidhbhín Ní Úrdail
This article provides an edition of a poem beginning A Éamainn, an agad féin! which is preserved today in National Library of Scotland MS Adv. 72.1.42. The focus of its anonymous author is twofold, namely (i) to praise Eoghan Ruadh Ó Néill (ob. 1649), nephew of Aodh Ó Néill, second Earl of Tyrone, for his extraordinary martial abilities, particularly throughout the 1640s following his return to Ireland from Spanish Flanders in July 1642; (ii) to upbraid the audacity of ‘Éamann’ for his criticism of Piaras Feiritéar, poet and military leader from the Dingle Peninsula, Co. Kerry, who himself composed a poem in support of Ó Néill’s auspicious military credentials.
这篇文章提供了一首以a Éamainn开头的诗的一个版本。现保存于苏格兰国家图书馆,MS adv72.1.42。这本书的匿名作者有两个重点,即(i)赞扬Eoghan Ruadh Ó nsamill(生于1649年),第二代蒂隆伯爵Aodh Ó nsamill的侄子,他非凡的军事能力,特别是在1642年7月他从西班牙佛兰德斯返回爱尔兰之后的整个1640年代;(ii)谴责“Éamann”对Piaras feiritsamar的大胆批评,Piaras feiritsamar是来自丁格尔半岛,克里公司的诗人和军事领袖,他自己写了一首诗来支持Ó nsamill吉祥的军事证书。
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引用次数: 0
VARIA XX: Éanainmneacha agus éanseanchas i bhfilíocht na scol II VARIA XX:学校质量中鸟类的名称和名称II
Q1 Arts and Humanities Pub Date : 2023-02-22 DOI: 10.1353/eri.0.0009
Eoin Mac Cárthaigh
Leanann sé seo ar varium in Ériu 71 (2021), 155–9, agus tá an cur chuige céanna anseo arís agam. Is é sin dornán éanainmneacha in ord aibítre a úsáid mar áis chun eagar a chur ar thagairtí éagsúla don éanlaith atá aimsithe agam san fhilíocht.
这在爱尔兰的varium上继续着71(2021),155-9,我在这里也有同样的方法。这是使用家禽的n字母顺序作为一种工具来编辑我在野外发现的家禽的不同参考。
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引用次数: 0
Varia??: An IGT II citation in the Early Modern Irish prose text Eachtra an Cheithearnaigh Chaoilriabhaigh? 杂文集? ?:早期现代爱尔兰散文文本《Eachtra and Cheithearnaigh》中的IGT II引文
Q1 Arts and Humanities Pub Date : 2023-02-08 DOI: 10.1353/eri.0.0008
B. Bhuachalla
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引用次数: 0
Repetition, Parallelism and Antonymous Verbal Phrases in Early and Classical Modern Irish 早期和古典现代爱尔兰语中的重复、平行和反义词短语
Q1 Arts and Humanities Pub Date : 2023-02-08 DOI: 10.1353/eri.0.0007
D. Mcmanus
This paper is divided into two sections. In the first, attention is drawn to three categories of rhetorical device described in the commentary to the Amrae Coluimb Chille, all of which involve some form of repetition. This is the starting point for a discussion of the artful use of repetition in Early and Classical Modern Irish literature. Examples of such repetition and parallel phrasing are provided for both periods. In the Classical period this inevitably involves some discussion of breacadh, a metrical and stylistic ornament involving repetition. In the second section, the focus moves to parallel phrases based on antithesis (such as English ‘the Lord giveth, the Lord taketh away’) or contrast. The antonymy may be conveyed lexically (as in the example just quoted, ‘give’ vs ‘take’) or antithesis may be created morphologically (through a contrast of tense and voice, for instance, gonas géntair ‘he who kills will be killed’). The make-up of these antonymous parallel phrases will be described, the types of antithesis encountered discussed and questions of their interpretation addressed. A collection of Early Irish and Classical Modern Irish examples concludes the paper.
本文分为两部分。在第一部分中,我们将注意力集中在Amrae columimb Chille注释中描述的三类修辞手法上,它们都涉及某种形式的重复。这是讨论早期和古典现代爱尔兰文学中巧妙使用重复的起点。在这两个时期都提供了这种重复和平行措词的例子。在古典时期,这不可避免地涉及到一些关于长度的讨论,这是一种涉及重复的韵律和风格装饰。在第二部分,重点转移到基于对位的平行短语(如英语“the Lord giveth, the Lord took away”)或对比。反义词可以在词汇上表达(如刚才引用的例子,give和take),对偶可以在语态上产生(通过时态和语态的对比,例如,gonas gsamitair“杀人的人会被杀”)。这些匿名平行短语的组成将被描述,类型的对偶遇到的讨论和他们的解释的问题。本文以早期爱尔兰语和古典现代爱尔兰语为例进行总结。
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引用次数: 0
Corbre, Corknud and Llia Gvitel: Three Irish Allusions in Englynion Y Beddau Corbre、Corknud和Llia Gvitel:英语Y Beddau中的三个爱尔兰典故
Q1 Arts and Humanities Pub Date : 2022-11-18 DOI: 10.1353/eri.0.0005
P. Sims‐Williams
This article investigates three allusions to Irish characters in the Middle Welsh ‘Stanzas of the graves’, a poem in the Black Book of Carmarthen (c. 1250).
本文研究了《卡马森黑皮书》(约1250年)中威尔士语《坟墓的诗节》中对爱尔兰人物的三个典故。
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引用次数: 0
'Woe Is He Who Does Not Praise the Mother of God': Another Poem Beginning Mairg nach molann máthair Dé “不赞美上帝之母的人有祸了”:另一首以mamaach molann máthair d<e:1>开头的诗
Q1 Arts and Humanities Pub Date : 2022-11-18 DOI: 10.1353/eri.0.0006
Eoghan Ó Raghallaigh
In 1919 Lambert McKenna published a poem beginning Mairg nach molann máthair Dé in a collection entitled Dánta do chum Aonghus Fionn Ó Dálaigh. The poem edited here, which survives in TCD 1340 (H. 3. 19), begins with the same first line and as a result has been overlooked up to now. Unlike the poem published by McKenna, in which the author emphasises the difficulty in finding original praise for the Virgin Mary, our poem is straightforward in its direct and immediate praise of her.
1919年,兰伯特·麦肯纳(Lambert McKenna)在一本名为Dánta do chum Aonghus Fionn Ó Dálaigh的文集中发表了一首以mail nach molann máthair d开头的诗。这里编辑的这首诗,保存在TCD 1340 (H. 3)。19),以同样的第一行开始,因此至今一直被忽视。与麦肯纳发表的那首诗不同,作者强调很难找到对圣母玛利亚的原创赞美,我们的诗直截了当地直接赞美了她。
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引用次数: 0
The Future Tense forms of Old Irish Fo-Acaib, Middle Irish Fác(B)Aid and Classical Modern Irish Fágbhaidh 古爱尔兰语Fo-Acaib、中古爱尔兰语Fác的将来时形式(B)Aid和古典现代爱尔兰语Fágbhaidh
Q1 Arts and Humanities Pub Date : 2022-07-06 DOI: 10.1353/eri.2021.0002
M. Hoyne

Abstract:

This paper seeks to explain the future tense forms of the verb fágbhaidh found in Classical Modern Irish. In the process, an explanation is proposed for the verb’s shift from an e-future to an f-future in Middle Irish and for a peculiar verbal form found in the Milan Glosses.

摘要:本文试图解释古典现代爱尔兰语中动词fágbhaidh将来时的形式。在此过程中,对中古爱尔兰语中动词从e-将来时变为f-将来时以及《米兰注释》中发现的一种特殊动词形式提出了解释。
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引用次数: 0
Text Run-Over Imagery and Reader's Aids in Irish Manuscripts 爱尔兰语手稿中的文本溢出意象与读者辅助
Q1 Arts and Humanities Pub Date : 2022-07-06 DOI: 10.1353/eri.2021.0003
Róisín McLaughlin
Abstract:The focus of scholarly comment on Irish manuscript illumination has been largely on letters. This paper examines the design and development of the text run-over symbol, a scribal device which has received relatively little analysis to date. It will be seen that the convention of using images to mark text run-overs, while not peculiar to Irish manuscripts (Brown 1996, 19, 192), persisted for a remarkably long time in the scribal tradition. Aspects of the wider manuscript context and function of marginal art, the use of reader’s aids and the relationship between text and image are also considered.
摘要:学术界对爱尔兰手稿照明的评论主要集中在书信上。本文研究了文字翻写符号的设计和发展,这是一种迄今为止较少被分析的抄写装置。我们可以看到,使用图像来标记文本的惯例,虽然不是爱尔兰手稿所特有的(Brown 1996,19,192),但在抄写传统中持续了很长时间。还考虑了更广泛的手稿上下文和边缘艺术的功能,读者辅助工具的使用以及文本和图像之间的关系。
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引用次数: 0
Varia I: Gaulish divine names Vellaunos and Alaunos, and Old Irish follaithir ‘rules’ 瓦里亚I:高卢语的神名Vellaunos和Alaunos,古爱尔兰人遵循他们的“规则”
Q1 Arts and Humanities Pub Date : 2022-07-06 DOI: 10.1353/eri.2021.0005
Lionel S. Joseph
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引用次数: 0
Two Notes on Céile Críst from the Commentary to the Félire Óengusso 关于csamile Críst的两项说明,摘自对fsamile Óengusso的评论
Q1 Arts and Humanities Pub Date : 2022-07-06 DOI: 10.1353/eri.2021.0000
N. Stam
Abstract:This article examines the glosses in the Commentary to the Félire Óengusso on the rather obscure saint Céile Críst from Kilteel, County Kildare, whose feastday is marked in a number of medieval Irish martyrologies on the third of March. An edition and translation of two previously unedited glosses, one from Oxford, Bodleian Library, Rawlinson B512 (R2) and one from Dublin, UCD-OFM A7 (F), are provided.
摘要:本文考察了在《 ······》中对来自基尔代尔郡基尔蒂尔的相当不知名的圣徒·············的注释。在许多中世纪的爱尔兰殉道者传记中,他的节日都被记在3月3日。提供了两个先前未编辑的注释的版本和翻译,一个来自牛津,博德利图书馆,罗林森B512 (R2)和一个来自都柏林,UCD-OFM A7 (F)。
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引用次数: 0
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