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VARIA III: The meaning of nómad 瓦里亚三:nómad的意义
Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.1353/eri.2012.0007
Liam Breatnach
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引用次数: 0
The 'After' Perfect and Related Constructions in Gaelic Dialects 盖尔语方言中“After”完成式及其相关结构
Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.1353/eri.2004.0015
Diarmuid Ó Sé
Abstract:This article considers the historical origin of the two kinds of perfect construction in the Gaelic languages (e.g. ModIr táim tar éisli ndéidh é a dhéanamh and tá sé déanta agam, both roughly 'I have done it'). The apparent descent of the former from a late MidIr and EModIr construction with iar 'after' and the verbal noun is described. The suggestion that the latter is most likely a development of a stative construction (e.g. Modlr tá sé ullamh agam 'I have it ready') is supported. Some related constructions are discussed also. Reflexes in the modern dialects of Ireland, Scotland and Man are described in some detail, and the Hiberno-English 'after' perfect (e.g. I am after doing it) is briefly discussed.
摘要:本文考察了盖尔语中两种完成式结构的历史渊源(如ModIr táim tar samisli和samidh a dhsamanamh和t s dsamanta agam,这两种结构都大致表示“我已经做了”)。描述了前者明显从后期的MidIr和EModIr结构演变而来,带有“after”和动名词。有人认为后者很可能是静态结构的发展(例如,Modlr t s ullamh agam 'I have it ready')。还讨论了一些相关的结构。对现代爱尔兰、苏格兰和Man方言中的反射进行了一些详细的描述,并简要讨论了Hiberno-English的“after”完成时(例如I am after doing it)。
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引用次数: 3
VARIA II: On the 2nd sg. subjunctive of do-ní in Classical Irish 瓦里亚二世:第二日。古爱尔兰语do-ní的虚拟语气
Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.1353/eri.2013.0007
D. Mcmanus
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引用次数: 0
Varia I. Varia I。
Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.1353/eri.2014.0007
Liam Breatnach
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引用次数: 3
SOME OBSERVATIONS ON THE 'DUBLIN ANNALS OF INISFALLEN' 关于《都柏林失落者年鉴》的一些观察
Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.1353/eri.2007.0005
Meidhbhín Ní Úrdail
Abstract:This article examines the compilation and transcription of the eighteenth-century source commonly known as the 'Dublin Annals of Inisfallen'. It reviews, in particular, the work's most substantial entries, i.e. those which concern the O'Briens and the history of Thomond in the medieval period, and briefly highlights the historical value of other longer entries relating to the twelfth, thirteenth and fourteenth centuries. The 'Dublin Annals' attests to the readiness with which scribes indulged in editorial intrusion, while it also offers insights into the factors which impinged upon textual transmission in the Modern Irish period.
摘要:本文考察了18世纪的“都柏林Inisfallen编年史”的编纂和抄写。它特别回顾了作品中最重要的条目,即那些涉及奥布莱恩夫妇和中世纪时期托马斯历史的条目,并简要地强调了与第十二、十三和十四世纪有关的其他较长的条目的历史价值。《都柏林编年史》证明了抄写员乐于介入编辑,同时它也提供了对影响现代爱尔兰时期文本传播的因素的见解。
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引用次数: 0
VARIA III. An additional cognate of Gaulish souxtu and Irish suacht: Old Cornish seit 杂文集III。高卢语souxtu和爱尔兰语suacht的另一个同源词:古康沃尔语seit
Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.1353/eri.2008.0007
Anders Richardt Jørgensen
it as an adjective in /-oeg/ with the meaning 'pot-like' (or perhaps a full sub stantivisation similar to *mark-ako'horseman' from *marko'horse'). As to the etymology of seit, etc., the one usually quoted is Graves' derivation (1962, 383-4) from a VLat. *sitta, supposedly from CLat. situla 'bucket'. However, VLat. *sitta appears to be inferred from a single MLat. attestation (Du Cange 1938, VII: 498), and the development from CLat. situla would not be regular in any way. In light of this, I find it much more
它作为/-oeg/中的形容词,意思是“像锅一样的”(或者可能是一个完整的定格,类似于*marko(马)的*marko(骑手)的*marko -ako)。关于seit等的词源,最常被引用的是Graves(1962, 384 -4)从一个VLat中引申出来的词源。sitta,据说来自CLat。situla“桶”。然而,VLat。*sitta似乎是从单个MLat推断出来的。《证明》(Du change 1938, VII: 498),从CLat发展而来。Situla在任何方面都不会是常规的。鉴于此,我发现它更
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引用次数: 0
Bede and Irish Scholarship: Scientific Treatises and Grammars 比德和爱尔兰学术:科学论文和语法
Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.3318/ERIU.2004.54.1.139
J. Picard
Abstract:This paper revisits the question of Bede's debt to Irish scholarship. It attempts to show exactly which texts of Irish origin Bede used, not only in his scientific treatises but also in his exegetical works, and, perhaps more importantly, how he used them. He seems to have appreciated the synthetic approach of the Irish masters, but did not hesitate to query their scholarship, supplementing their information with classical and Patristic texts. On the other hand, he failed to understand their humour and is found to be led astray by the witticisms of Virgilius Maro Grammaticus. Although Bede does not acknowledge any of Irish masters, his attitude toward the Irish may not have been as negative as it would appear from a modern standpoint.
摘要:本文重新审视比德对爱尔兰学术的亏欠问题。它试图准确地展示比德使用了哪些爱尔兰文本,不仅在他的科学论文中,而且在他的训诂著作中,也许更重要的是,他是如何使用它们的。他似乎很欣赏爱尔兰大师的综合方法,但毫不犹豫地质疑他们的学术,用古典和教父的文本补充他们的信息。另一方面,他无法理解他们的幽默,被弗吉利乌斯·马罗·格拉马迪库斯的俏皮话引入歧途。虽然比德不承认任何爱尔兰大师,但他对爱尔兰人的态度可能并不像现代人所看到的那样消极。
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引用次数: 1
NIALL FROSACH'S 'ACT OF TRUTH': A BARDIC APOLOGUE IN A POEM FOR SIR NICHOLAS WALSH, CHIEF JUSTICE OF THE COMMON PLEAS († 1615) 尼尔·弗罗萨奇的“真理行动”:一首为普通上诉首席大法官尼古拉斯·沃尔什爵士作的诗中的吟游诗人式辩词(†1615)
Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.3318/ERIU.2008.58.133
D. Mcmanus
Abstract:The Middle Irish story relating Niall Frosach's true judgement concerning a young woman and her fatherless child is told as an apologue in a late-sixteenth- or early-seventeenth-century Bardic poem attributed to Tuileagna (mac Torna) Ó Maoil Chonaire, and addressed to Sir Nicholas Walsh, Chief Justice of the Common Pleas and Speaker of the third parliament convened in the reign of Queen Elizabeth, Perrott's parliament of 1585–6. The poem, Labhram ar iongnaibh Éireann, was published in Tomás Ó Raghallaigh's Filí agus filidheacht Chonnacht (1938), but the apologue was censored in that publication. In this article the poem is edited with translation and critical notes from the only manuscript in which it has come down to us—RIA 23 L 17 (RIA 3). The two copies of the Middle Irish text that have survived (from LL and the Liber Flavus Fergusiorum) are also presented and compared in an appendix to the article; and a second appendix provides the text and translation of an Early Modern Irish version of the story found in An Leabhar Eoghanach and published (without translation) by Ó Donnchadha in Leabhar Cloinne Aodha Buidhe.
摘要:关于尼尔·弗罗萨奇(Niall Frosach)对一名年轻女子和她失去父亲的孩子的真实判断的中世纪爱尔兰故事,在16世纪末或17世纪初的一首吟游诗人诗中以辩白的形式讲述,这首诗被认为是Tuileagna (mac Torna) Ó Maoil Chonaire的作品,写给尼古拉斯·沃尔什爵士(Nicholas Walsh),他是伊丽莎白女王统治时期第三届议会的首席大法官,也是1585-6年佩罗特议会的议长。这首诗《Labhram ar iongnaibh Éireann》发表在Tomás Ó Raghallaigh的Filí agus filidheacht Chonnacht(1938)上,但在该出版物中,这首诗的道歉被删节了。在这篇文章中,这首诗的翻译和评论笔记是由它唯一的手稿编辑而来的——RIA 23 L 17 (RIA 3)。幸存下来的两个中古爱尔兰文本副本(来自LL和Liber Flavus Fergusiorum)也在文章的附录中进行了展示和比较;第二个附录提供了在an Leabhar Eoghanach中发现的故事的早期现代爱尔兰语版本的文本和翻译,并由Ó Donnchadha在Leabhar clinne Aodha Buidhe中发表(没有翻译)。
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引用次数: 3
DEE 'PAGAN DEITY' 迪伊“异教神”
Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.3318/ERIU.2012.62.33
J. Carey
Abstract:This paper considers the distinction between the phonology of Día 'God' and dee 'pagan deity', offering examples from the literature of the latter's use in singular and plural forms. From the Old Irish to the Early Modern Irish period, there existed a word dea/dee/dé with the meaning 'pagan deity'. While día could mean both 'God' and 'god', dee and its variants were used only in the latter sense after the é > ía shift. It would appear, therefore, that, as the pronunciation of dé/dea was shifting to día in the course of the seventh century, the spelling of the archaic form was lexicalised with the meaning 'pagan god'. The rationale behind the coinage, however, is probably not recoverable with any certainty.
摘要:本文探讨了Día“God”和dee“pagan God”的音系区别,并从文献中列举了后者单数和复数形式的用法。从古爱尔兰语到早期现代爱尔兰语,有一个词dea/dee/ d,意思是“异教的神”。虽然día可以同时表示“上帝”和“上帝”,但dee及其变体在“ > ía”转换后仅用于后一种含义。因此,在7世纪,随着d /dea的发音转变为día,这个古老形式的拼写被词汇化,意思是“异教之神”。然而,这种说法背后的理由可能无法确定。
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引用次数: 0
The Extended Prologue of Togail Troί: From Adam to the Wars of Troy 《从亚当到特洛伊战争
Q1 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.3318/ERIU.2014.64.23
M. Clarke
Abstract:AbstractThis article is a study of the hitherto unpublished Prologue found in the later versions of Togail Troί (TTr), the Middle Irish history of the Trojan War. The Prologue sets the Trojan War in the context of the descent of nations from the sons of Noah and ultimately from those of Adam, and ends with a series of verses on Trojan genealogy. An edition is presented, based principally on the copy in RIA MS D.iv.2, with commentary and translation. Stemmatic relationships are plotted between this text of the Prologue and those in five other manuscript versions of TTr. The meaning and sources of the Prologue narrative are discussed, and it is argued that these include a variant or derivative of the Apocalypse of Pseudo- Methodius. It is also proposed that there are close affinities with the version of the Leabhar Gabhála represented by fragment H (TCD MS 1316a). Further connections are proposed with Auraicept na nÉces, Saltair na Rann, the Chronicle of Marianus Scottus and the Lecan Synchronisms.
摘要:本文对中古爱尔兰特洛伊战战史《Togail Troί (TTr)》的后期版本中迄今未发表的序言进行了研究。序言将特洛伊战争置于诺亚之子,最终是亚当之子的后裔的背景下,并以一系列关于特洛伊族谱的诗句结束。一个版本主要基于RIA MS D.iv中的副本。2、附解说及翻译。在这篇序言的文本和其他五个TTr手稿版本之间绘制了系统关系。前言叙事的意义和来源进行了讨论,并认为这些包括一个变体或衍生的伪卫理迪乌斯的启示。还提出了与片段H (TCD MS 1316a)所代表的Leabhar Gabhála版本有密切的亲和关系。进一步的联系被提出与Auraicept na nÉces, Saltair na Rann, Marianus Scottus编年史和Lecan同步。
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