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New readings in the Hieroglyphic-Luwian inscriptions of BURUNKAYA and KIZILDAĞ 4 BURUNKAYA和KIZILDAĞ象形文字- luwian铭文的新解读
Q2 Arts and Humanities Pub Date : 2017-01-24 DOI: 10.1515/kadmos-2016-0001
Rostislav Oreshko
Abstract The paper presents results of collations of two Hieroglyphic-Luwian inscriptions of king Hartapu found in Central Anatolia and belonging to the post-Empire period (12th/11th century BC). In BURUNKAYA the improvements include: 1) identification of the first sign in the king’s name as a separate sign (instead of earlier ), probably L.417; 2) reading of one of the titles of the king as (DEUS)TONITRUS PURUS2-za/i (or EUNUCHUS2-za/i, phonetically kummaza) ‘priest of the Storm-God’; 3) identification of a part of the sign URBS/ REGIO in the second line of the inscription. In KIZILDAĞ 4 the discussion focuses on the central weathered part of the second line (§ 3); here, traces of two signs ANIMAL and of an animal head could be identified, which, in combination with other indications, allow the passage to be interpreted as an appeal to different visitors of the site to offer sacrificial animals to the Celestial Storm-God.
摘要本文介绍了在安纳托利亚中部发现的两个后帝国时期(公元前12 /11世纪)的哈塔普国王象形文字-卢维文铭文的整理结果。在BURUNKAYA,改进包括:1)识别国王名字中的第一个标志作为一个单独的标志(而不是更早的),可能是L.417;2)将国王的头衔之一读为(DEUS)TONITRUS PURUS2-za/i(或EUNUCHUS2-za/i,发音为kummaza)“风暴之神的祭司”;3)在铭文的第二行中识别URBS/ REGIO标志的一部分。在KIZILDAĞ 4中,讨论集中在第二线的中心风化部分(§3)。在这里,可以识别出两个标志的痕迹:动物和一个动物头,结合其他迹象,可以将这段通道解释为呼吁不同的游客向天界风暴之神献祭动物。
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引用次数: 3
Four probable terms in Mycenaean Greek pertaining to water management, some possible references, and broader implications 迈锡尼希腊语中有关水管理的四个可能的术语,一些可能的参考文献,以及更广泛的含义
Q2 Arts and Humanities Pub Date : 2017-01-24 DOI: 10.1515/kadmos-2016-0006
M. Lane
Abstract 1. Given the latest archaeological evidence, one should expect terms pertaining to water management and hydraulic engineering in the Linear B corpus. Identification of such terms will aid in current and future interpretations. 2. Archaeological context. 3. Four terms: (1) a-de-te /*arde(s)tḗr/ ‘irrigator’; (2) e-re-e-u /heleheu̯s/ ‘he pertaining to marshland’ (probably land improvement functionary in reciprocal management relationship with e-sa-re-u); (3) *po-te-re-u /*bothreu̯s/ (/*phothreus/?) ‘he pertaining to trenches’; (4) *u-do-no-o /(h)udr̥nohos/ ‘water-channeler’ (< IE *nei̯H-/*noi̯H- ‘channeling, directing, diverting, driving’, etc.). 4. Some possibilities: ko-ku-ro, pe-re-wa-ta, e-ko-me-no, and za-e-to-ro. 5. Discussion: water management and organization of labor recorded in the Linear B texts. 6. Conclusions.
抽象的1。考虑到最新的考古证据,人们应该期待线性B语料库中有关水管理和水利工程的术语。识别这些术语将有助于当前和将来的解释。2. 考古上下文。3.四个术语:(1)a-de-te /*arde(s)tḗr/ ' irrigation ';(2) e-re-e-u /heleheu / '与湿地有关的人'(可能是与e-sa-re-u有互惠管理关系的土地改善人员);(3) *po-te-re-u /*bothreu æ s/ (/*phothreus/?) '与壕沟有关';(4) *u-do-no-o /(h)udr ' nohos/ ' water-channeler ' (< IE *nei ' h -/*noi ' h - ' channeling, directing, diverting, driving '等)。4. 可能有:ko-ku-ro, pe-re-wa-ta, e-ko-me-no和za-e-to-ro。5. 讨论:线性B文本中记录的水管理和劳动组织。6. 结论。
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引用次数: 1
Epigraphische Mitteilungen Epigraphische通信
Q2 Arts and Humanities Pub Date : 2017-01-01 DOI: 10.1515/kadmos-2017-0009
M. Egetmeyer
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引用次数: 0
Semantic Models of Urban Space in the Paintings of Jemal Kukhalashvili 库哈拉什维利绘画中城市空间的语义模型
Q2 Arts and Humanities Pub Date : 2017-01-01 DOI: 10.32859/kadmos/9/88-104
Ketevan Jishiashvili
The years between 1980-1990 is a transitional period in the history of Georgia. After the collapse of the Soviet Union the urban space significantly changed, affecting the social and cultural life of the city. The aim of the study is to observe the spatial semantic models of this period in their sociocultural context and analyze the changes in traditional urban spaces. The art of Jemal Kukhalashvili is relevant material for such a study due to its varied city image scenes and social sensibility. The models discussed - yard, café, celebration, and market - are common for the Tbilisi urban space. Each spatial model is analyzed according to its social role for urban development and its culturological importance is also given. We have studied the coherence of visual images with the semantics of the urban model in the paintings of Jemal Kukhalashvili. The semiotic method made it possible to obtain results on two different levels: a) a wide sociocultural level, b) the level of the artwork’s message and content. The study of traditional spatial semantic models and correlated visual images describes a picture of the level of urban space transformation, culturally valuable semantic models, and the impact of socio-political changes on them.
1980-1990年是格鲁吉亚历史上的一个过渡时期。苏联解体后,城市空间发生了重大变化,影响了城市的社会文化生活。本研究旨在观察这一时期的社会文化语境下的空间语义模式,并分析传统城市空间的变化。Jemal Kukhalashvili的艺术由于其多样的城市形象场景和社会敏感性而成为这样一个研究的相关材料。讨论的模式——庭院、咖啡馆、庆典和市场——是第比利斯城市空间的常见模式。分析了每一种空间模式在城市发展中的社会作用,并给出了其文化重要性。我们研究了Jemal Kukhalashvili绘画中视觉图像与城市模型语义的一致性。符号学方法可以在两个不同的层面上获得结果:a)广泛的社会文化层面,b)艺术品的信息和内容层面。传统空间语义模型和相关视觉图像的研究描述了城市空间转型水平、文化价值语义模型以及社会政治变化对它们的影响。
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引用次数: 0
“Noblemen became enthroned” "贵族登基"
Q2 Arts and Humanities Pub Date : 2017-01-01 DOI: 10.32859/kadmos/9/105-155
Avtandil Jokhadze
This paper is an attempt to clarify the typological essence of the Georgian state at the turn of the 12th and 13th centuries. Ivane Javakhishvili believed that it was appropriate to describe the Georgian state of those times as a limited monarchy. Others (Professors S. Meskhia, I. Antelava, ...) did not share this opinion. They argued that autocracy was better matched to the kingdom of Queen Tamar's times. Primary sources and the analysis of scholars’ opinions have convinced us that Javakhishvili was right, although the system of power of any country cannot be fully placed within the frames of a specific stereotype of classification. The Georgian state of Queen Tamar's times can be classified as a limited monarchy, oligarchy, or timocracy, the choice depending on the emphasis placed. Despite the conflicts that took place in Georgian society at that time, Queen Tamar managed to direct all political forces into one millrace and achieve accord (unanimity) between elite groups. Her domestic policy can be assessed as an “act of sovereignty” of noblemen, members of landed gentry, clergymen, merchants, and craftsmen. “What, then, strictly speaking, is an act of Sovereignty? It is not a convention between a superior and an inferior, but a convention between the body and each of its members. It is legitimate, because [it is] based on the social contract, and equitable, because [it is] common to all; useful, because it can have no other object than the general good” (Rousseau 2017, 24).
本文试图阐明12、13世纪之交格鲁吉亚国家的类型学本质。伊万·贾瓦希什维利认为,将当时的格鲁吉亚国家描述为一个有限的君主制国家是恰当的。其他人(S. Meskhia教授,I. Antelava教授,…)不同意这种观点。他们认为专制制度更适合他玛女王时代的王国。第一手资料和对学者意见的分析使我们相信,Javakhishvili是正确的,尽管任何国家的权力体系都不能完全置于特定刻板印象的分类框架内。塔玛尔女王时代的格鲁吉亚国家可以被归类为有限君主制、寡头制或专制制,选择取决于所强调的重点。尽管当时格鲁吉亚社会发生了冲突,但塔玛尔女王设法将所有政治力量集中到一个millrace中,并在精英群体之间达成了一致。她的国内政策可以被评价为贵族、地主、神职人员、商人和工匠的“主权行为”。“那么,严格说来,什么是主权行为呢?它不是一个上级和下级之间的约定,而是一个整体和它的每一个成员之间的约定。它是合法的,因为它建立在社会契约的基础上;它是公平的,因为它对所有人来说都是共同的;它是有用的,因为它除了普遍利益之外没有其他目标”(卢梭2017,24)。
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引用次数: 0
The Khalat as a Gift and the Customs Connected to it in the Life of Eastern Georgia (According to the Georgian written sources) 卡拉特作为礼物和与之相关的习俗在格鲁吉亚东部的生活(根据格鲁吉亚的书面资料)
Q2 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.32859/kadmos/8/110-157
Guliko Kvantidze
The article deals with two issues widely discussed in ethnological studies: gifts and clothing. Landmark theories on gift exchange were first propounded by Marcel Mauss and Claude Lévi-Strauss, who introduced a multi-perspective approach. The question was further explored by Russian scholars Aaron Gurevich, Elena Ilnitskaya and others. The function and symbolism of clothing were studied by Flugel, Hofmann, Bogatyrov and other researchers, who pointed out primary and secondary characteristics of garments. Likewise significant are works by Georgian scholars who focused on the utilitarian and aesthetic features of Georgian national costumes and their regional, age and gender specifics. This article discusses khalat as a gift in Medieval East Georgia according to the 17th-18th century Georgian historical sources. Gift is understood as having a symbolic value of reciprocity and reflecting the ongoing political situation in the country. Royal practices for accepting khalat as a gift can be classed into three types: a. when a king removed his national clothes and publicly vested himself in Iranian garments, thus recognizing full obedience, b. when a king put on Iranian clothes over his Georgian national costumes, thus expressing his partial obedience and c. when a king entered the borders of his country dressed in Iranian clothes, which indicated that he was granted the insignia of royalty. The comparative study of written sources reveals that the presentation of khalats was practiced in Georgia in the Middle Ages (the 9th-12th centuries) as well as in Antiquity (the 1st-2nd and 5th-6th centuries).
本文讨论了民族学研究中广泛讨论的两个问题:礼物和服装。具有里程碑意义的礼物交换理论最早是由Marcel Mauss和Claude lsamvi - strauss提出的,他们引入了多视角的方法。俄罗斯学者亚伦·古列维奇(Aaron Gurevich)、埃琳娜·伊尼茨卡娅(Elena Ilnitskaya)等人进一步探讨了这个问题。Flugel、Hofmann、Bogatyrov等研究人员对服装的功能和象征意义进行了研究,指出了服装的主要特征和次要特征。同样重要的是格鲁吉亚学者的作品,他们关注格鲁吉亚民族服装的实用和美学特征及其地域、年龄和性别特征。本文根据17 -18世纪格鲁吉亚的历史资料,讨论哈拉特作为中世纪东格鲁吉亚的礼物。礼物被理解为具有互惠的象征价值,并反映了该国目前的政治局势。王室接受哈拉特作为礼物的做法可以分为三种:a.国王脱下他的民族服装,公开穿上伊朗服装,从而承认完全服从;b.国王在格鲁吉亚民族服装外面穿上伊朗服装,从而表示他部分服从;c.国王穿着伊朗服装进入他的国家边界,这表明他被授予王室的徽章。对书面资料的比较研究表明,中世纪(9 -12世纪)和古代(1 -2世纪和5 -6世纪)的格鲁吉亚都有哈拉特的出现。
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引用次数: 0
On the Problem of Asemantic Texts of Svan Songs 论斯万歌曲的无义文本问题
Q2 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.32859/kadmos/8/7-109
Nana Mzhavanadze, Madona Chamgeliani
In this paper we illustrate the nature and significance of asemantic texts (vocables) within Svan songs. An interdisciplinary approach helped us interpret asemantic texts of so-called “wordless” songs and observe consistent verbal-musical formulae within a genre. Our study of the verbal texture of the Svan singing repertoire has revealed different distinct types and varieties of vocables. We identify both dialectic and interdialectic groups of vocables and outline the correlations between ethnological context and vocable groups. We further identify the peculiarities of some vocabelic groups and describe the rules, regulations and systems which govern their use in Svan songs.
本文阐述了斯万族歌曲中无义语篇(词)的性质和意义。一种跨学科的方法帮助我们解释了所谓的“无词”歌曲的无语义文本,并观察了一个流派中一致的语言音乐公式。我们对斯万歌唱曲目的语言结构的研究揭示了不同类型和不同种类的词汇。我们确定了辩证法和辩证法间的词汇群,并概述了民族学语境和词汇群之间的关系。我们进一步确定了一些词汇组的特点,并描述了在斯万歌曲中管理它们使用的规则、条例和系统。
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引用次数: 0
Georgia and Western Europe at the Beginning of the 14th Century (The Later Crusades) 14世纪初的格鲁吉亚和西欧(后来的十字军东征)
Q2 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.32859/kadmos/8/158-188
M. Javakhishvili
In the Middle Ages, Christian Georgia and Western Europe were united in the fight against the Muslim East. On the one hand, Georgia, pressed by Muslims, sought assistance in Western European countries, whereas Christian Europe also considered Georgia an ally against the Islamic East. The object of my interest is the letter written by George V the Brilliant (1314-1346) to the King of France - Philip VI Valois (1328-1350) in which George the Brilliant agrees to participate in the Crusade campaign. The fact discussed in the letter is the initiative of Phillip de Valois regarding organising the Crusade with the participation of European kings and aristocracy against Muslims and, specifically, against the Egyptian sultan Mohammed An-Nasir (1229-1340). Having studied this important document (a letter by George V) I decided to research the historical context of the period, specifically, to explore the significance of the Crusade campaign initiated by Philippe de Valois. What was it caused by, when was it planned, why, by whom, and who took part in this venture and how was it being prepared, and more importantly, to explain a very interesting, although a lesser known issue to Georgian historiography: Why did the King of France decide to involve Georgia in this venture and why did Western European countries become interested in Georgia specifically during the period of late Crusades. And, finally, what was the Georgian interest in this campaign. In order to find answers to these questions and having studied the European sources and scholarly literature regarding the issue, I have tried to explain the reasons for the participation of the parties and their reasons for their expectations.
在中世纪,信奉基督教的格鲁吉亚和西欧联合起来对抗东方的穆斯林。一方面,受到穆斯林压迫的格鲁吉亚向西欧国家寻求援助,而基督教欧洲也将格鲁吉亚视为对抗伊斯兰东方的盟友。我感兴趣的对象是辉煌的乔治五世(1314-1346)写给法国国王菲利普六世(1328-1350)的信,辉煌的乔治同意参加十字军东征运动。信中讨论的事实是菲利普·德·瓦卢瓦(Phillip de Valois)倡议组织十字军东征,与欧洲国王和贵族一起反对穆斯林,特别是反对埃及苏丹穆罕默德·安·纳西尔(1229-1340)。在研究了这份重要的文件(乔治五世的一封信)之后,我决定研究这一时期的历史背景,特别是探索菲利普·德瓦卢瓦发起的十字军东征运动的意义。它是由什么引起的,什么时候计划的,为什么,由谁,谁参与了这次冒险,它是如何准备的,更重要的是,解释了一个非常有趣的问题,虽然格鲁吉亚史学不太为人所知:为什么法国国王决定让格鲁吉亚参与这次冒险,为什么西欧国家在十字军东征后期特别对格鲁吉亚感兴趣。最后,格鲁吉亚在这场战争中的利益是什么?为了找到这些问题的答案,并研究了有关该问题的欧洲资料和学术文献,我试图解释各方参与的原因及其期望的原因。
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引用次数: 0
Crusaders and Georgia: A Critical Approach to Georgian Historiography 十字军与格鲁吉亚:格鲁吉亚史学的批判方法
Q2 Arts and Humanities Pub Date : 2016-01-01 DOI: 10.32859/kadmos/6/7-49
David Tinikashvili, I. Kazaryan
The relationship between Crusaders and Georgians is insufficiently investigated in medieval studies and is mostly discussed by Georgian researchers. The aim of this article is to go into depths of military relations between Latin crusaders and Georgians in the 12th and 13th centuries and counter several findings circulating in the Georgian scholarly community.
十字军和格鲁吉亚人之间的关系在中世纪研究中没有得到充分的调查,主要由格鲁吉亚研究人员讨论。本文的目的是深入探讨12世纪和13世纪拉丁十字军与格鲁吉亚人之间的军事关系,并反驳格鲁吉亚学术界流传的一些发现。
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引用次数: 1
Catholic Churches in Georgia: Builders and Benefactors (the Nineteenth and Early Twentieth Centuries) 格鲁吉亚的天主教堂:建设者和捐助者(19世纪和20世纪初)
Q2 Arts and Humanities Pub Date : 2015-12-20 DOI: 10.32859/kadmos/7/7-34
N. Natsvlishvili
In the 19th and early 20th centuries, Catholic communities in Georgia were mostly comprised of Georgians and Armenians. Churches were central in their lives. More than twenty Catholic churches and chapels of both Latin and Armenian rites were built or reconstructed in Georgia during that period, mainly between 1860 and 1910. The paper discusses the difficult processes of financing church construction and the aspects of fundraising and patronage.
在19世纪和20世纪初,格鲁吉亚的天主教社区主要由格鲁吉亚人和亚美尼亚人组成。教会是他们生活的中心。在此期间,主要是在1860年至1910年间,在格鲁吉亚建造或重建了20多座天主教教堂和拉丁和亚美尼亚仪式的小教堂。本文讨论了教堂建设融资的困难过程以及筹款和赞助方面的问题。
{"title":"Catholic Churches in Georgia: Builders and Benefactors (the Nineteenth and Early Twentieth Centuries)","authors":"N. Natsvlishvili","doi":"10.32859/kadmos/7/7-34","DOIUrl":"https://doi.org/10.32859/kadmos/7/7-34","url":null,"abstract":"In the 19th and early 20th centuries, Catholic communities in Georgia were mostly comprised of Georgians and Armenians. Churches were central in their lives. More than twenty Catholic churches and chapels of both Latin and Armenian rites were built or reconstructed in Georgia during that period, mainly between 1860 and 1910. The paper discusses the difficult processes of financing church construction and the aspects of fundraising and patronage.","PeriodicalId":38825,"journal":{"name":"Kadmos","volume":"86 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2015-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75287856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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