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A seal in the British Museum with a Cretan Hieroglyphic inscription (CR (?) S (1/1) 07) 大英博物馆的一枚刻有克里特象形文字的印章(CR (?))S (1/1) 07)
Q2 Arts and Humanities Pub Date : 2019-04-01 DOI: 10.1515/kadmos-2019-0003
M. Perna
Abstract In this article we will discuss a new document in Cretan Hieroglyphics not considered by the editors of the Corpus of this script. The presence in this document of the two signs sequence a-sa, which also appears in the so-called “Archanes Formula” has provided the opportunity to discuss the relationship between Cretan Hieroglyphics and Linear A as well as the origin of the two Minoan scripts.
在这篇文章中,我们将讨论一个新的文件在克里特象形文字没有考虑到这个脚本的语料库的编辑。在这份文件中出现的两个符号序列A -sa,也出现在所谓的“阿古烷公式”中,为讨论克里特象形文字和线形文字A之间的关系以及两个米诺斯文字的起源提供了机会。
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引用次数: 1
Die Identität des lydischen Qλdãns und seine kulturgeschichtlichen Folgen 身份lydischen Qλdãn "和他的kulturgeschichtlichen后果
Q2 Arts and Humanities Pub Date : 2019-04-01 DOI: 10.1515/kadmos-2019-0007
K. Euler, David Sasseville
Abstract Der vorliegende Beitrag behandelt die Identitat des lydischen Qλdans, der oft mit Apollon oder dem Mondgott gleichgesetzt wurde. Nachdem jedoch jungst bekannt geworden ist, dass auch eine lydische Munze den Namen Qλdans in ihrer Legende nennt, sind die fruheren Deutungen als Gottheit zu revidieren. Eine phonetische Untersuchung von Qλdans ergibt zunachst eine Gleichsetzung mit dem Namen des beruhmten lydischen Konigs Kroisos, dem letzten Herrscher der machtigen Dynastie der Mermnaden. Die Inschriften, die Qλdans nennen, enthullen daruber hinaus die Existenz eines Herrscherkultes fur den verstorbenen Konig in Lydien in der zweiten Halfte des 6. Jh. v. Chr. Vor diesem Hintergrund werden ferner sowohl die Bedeutung der oben genannten Munze als auch die eines perserzeitlichen lydischen Siegels mit dem Namen Qλdans darauf herausgearbeitet. Schlieslich wird dafur argumentiert, dass sich Kroisos nach der verlorenen Schlacht gegen die Perser selbst totete und im Pyramidengrab in Sardis bestattet wurde.
Abstract本文对Identitat lydischen Qλdan的常带不可能或被月神。.之后但jungst而出名的是,一个lydische Munze Qλ的名字叫dan的传说中,他们分开视为神之间的历法.一个phonetische调查Qλ等于dan的zunachst河的名字叫做显赫的lydischen Konigs Kroisos最近Mermnaden普天下machtigen王朝).碑铭,Qλ叫dan的enthullen地表之外存在而Herrscherkultes给死者致在吕底亚的第二个Halfte 6 .Jh .公元前.背景下还将上述Munze的重要性和一个perserzeitlichen lydischen西格尔名为Qλdan的上面herausgearbeitet .最糟糕的是,有人辩称Kroisos在波斯人战争失败后自尽,并把自己葬在沙丁的金字塔中。
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引用次数: 1
Linéaire B da-wo: indiquait-il Kommos ou Haghia Triada? 线性B da-wo:是Kommos还是Haghia Triada?
Q2 Arts and Humanities Pub Date : 2019-04-01 DOI: 10.1515/kadmos-2019-0005
Orazio Monti
Abstract La comparaison entre les données concernant le toponyme linéaire B da-wo - attestées dans les tablettes de Cnossos - et les structures archéologiques (relatives aux Minoen Récent IIIA-B) trouvées a Haghia Triada et a Kommos (deux localités dans la plaine crétoise de la Messara) est favorable a l’identification da-wo = Haghia Triada.
文摘数据之间的比较中证明的称谓da-wo直线B -嘘-平板电脑和相关考古结构(IIIA-B)找到最近的米诺斯Haghia Triada和a Kommos两地(平原crétoise Messara)赞成查明了da-wo = Haghia Triada。
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引用次数: 0
Lykische Schwiegersöhne
Q2 Arts and Humanities Pub Date : 2019-04-01 DOI: 10.1515/kadmos-2019-0009
D. Schürr
Abstract Ausgehend von der Bestimmung von sidi als ‚Schwiegersohn‘ gegenuber der luwischen Entsprechung zitis mit der Bedeutung ‚Mann, Ehemann‘ wird das in einer neuen Grabinschrift von Tlos belegte sedi ebenso gedeutet, mit Erwagungen zu den Grunden fur eine Senkung des Stammvokals. Damit fuhrt der Graberbauer nicht nur seinen Onkel statt seines Vaters an, was auch in zwei anderen Grabinschriften belegt ist, sondern bekundet auch noch, da. er dessen Tochter geheiratet hatte. Eine solche Cousinenheirat ist in Lykien noch ofters belegt, allerdings erst in der Kaiserzeit.
Abstract原则为确定西迪比‚女婿’gegenuber luwischen zitis‚意思的她的丈夫都不知道在另一个写墓志铭盖Tlos sedi同样认为,与Erwagungen的原因为了降低Stammvokals .与此同时,还有两份出土文物的纪录也表明,墓主不单是依靠他的叔父,而是依靠他的父亲。娶了杰米的女儿在立欣,这样的表亲婚后还有许多日子要过,只是在帝国统治时期才有空。
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引用次数: 2
Titelei
Q2 Arts and Humanities Pub Date : 2019-04-01 DOI: 10.1515/kadmos-2019-frontmatter581-2
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引用次数: 0
Did Lycian adopt a new clause structure in place of inherited -r-passives? Lycian是否采用了一种新的子句结构来代替继承的-r被动语态?
Q2 Arts and Humanities Pub Date : 2019-04-01 DOI: 10.1515/kadmos-2019-0008
S. Durnford
Abstract The corpora of the IE Anatolian languages vary widely in script, legibility, size, date, subject matter, and in the extent to which we understand them. Four syntactic features which they appear to have inherited are: a S(ubject)- O(bject)-V(erb) clause structure; declined anaphoric pronouns attached enclitically to a clause’s first accented element; the ability to move the object or verb to the start of a clause for emphasis (“fronting”); the option not to enforce case and number agreement among more than two coordinated elements. The discovery of the Lycian languages and our current understanding of them is summarised. It is proposed, although the evidence comes primarily from Lycian A: that languages of the southwest Luwic area, namely, the alphabetically written Carian and the two from Lycia, had changed to a basic SVO clause; that Lycian A, and probably B too, abandoned the inherited medio-passive conjugations in -r-, which are absent from their corpora; that the passive preterite was expressed by a periphrastic OVS construction with fronted direct object, then me and a particle chain starting with the n- found clause-initially in Hittite but absent from other Luwic dialects, then innovatively appending *-an to the verb, and with the subject last.
IE安纳托利亚语言的语料库在脚本、易读性、大小、日期、主题以及我们理解它们的程度上差异很大。他们似乎继承了四个句法特征:S(主语)- O(宾语)- v(动词)子句结构;婉转回指代词委婉地附在从句的第一个重音元素上;将宾语或动词移到从句开头以强调语气的能力(“前置”);在两个以上的协调元素之间不强制大小写和编号一致的选项。利西亚语言的发现和我们目前对它们的理解是总结。有人提出,尽管证据主要来自吕西亚A:吕维奇西南部地区的语言,即按字母顺序书写的卡里安语和吕西亚的两种语言,已经变成了一个基本的SVO条款;吕西亚语A,可能还有B,放弃了在-r-中继承的中被动共轭,这些共轭在他们的语料库中是不存在的;被动的一般语态是由一种间接的OVS结构表达的,前面有直接宾语,然后是me和一个以n- found从句开头的粒子链——最初在赫梯语中,但在其他卢西语方言中没有,然后创新地在动词后面附加*-an,主语放在最后。
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引用次数: 0
The spelling and phonology of the dental stops in Hieroglyphic Luwian 象形文字卢语中牙停顿的拼写和音系
Q2 Arts and Humanities Pub Date : 2019-04-01 DOI: 10.1515/kadmos-2019-0001
Alexander Vertegaal
Abstract This paper investigates the distribution and use of the Hieroglyphic Luwian signs □ (L 100) and □ (L 29), expanding on and reacting to Rieken 2010. It appears and are used contrastively not only in a select subset of texts from the Karkamiš region, but in large parts of the Hieroglyphic Luwian corpus in general. Word-internally, appears to be used wherever we expect to find a short stop (either voiced or voiceless), while is used for long (fortis) stops. This suggests that consonantal length was at least a phonetic feature in Hieroglyphic Luwian.
本文在Rieken 2010的基础上,对象形文字Luwian符号□(L 100)和□(L 29)的分布和使用进行了研究。它不仅出现在卡尔卡米斯地区的文本子集中,而且在象形文字卢维文语料库的大部分中都是对比使用的。在单词内部,似乎在我们期望找到一个短停顿(浊音或清音)的地方使用,而用于长停顿(富通音)。这表明在象形文字卢语中,辅音长度至少是一个语音特征。
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引用次数: 3
Inhalt 内容
Q2 Arts and Humanities Pub Date : 2019-04-01 DOI: 10.1515/kadmos-2019-toc
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引用次数: 0
Drawing lines: The palaeography of Linear A and Linear B 画线:线形A和线形B的古代学
Q2 Arts and Humanities Pub Date : 2019-04-01 DOI: 10.17863/CAM.47064
Ester Salgarella
Abstract This paper focuses on the palaeography of two Bronze Age Aegean writing systems, Linear A and Linear B. Linear A, used to render the Minoan language (ca. 1800-1450 BC), is understood to have acted as template upon adaptation of the system to write Greek, giving rise to the script traditionally called Linear B (ca. 1400-1190 BC). The adaptation process is likely to have operated on different levels: palaeographical, structural, phonological, logographical, metrological. In this paper, the palaeographical level will be examined. In order to throw light on the transmission process on graphic grounds, that is to say from a palaeographical perspective, the study of sign variants comes to play a key role. For a script (i.e. the graphic manifestation of a writing system) to be analysed, it is in fact necessary to ‘single out’ its constitutive components, namely signs, as well as their different graphic representations, namely variants. The aim of this paper is to see how these sign variants, in both Linear A and Linear B, were treated and transmitted.
本文重点研究了两种青铜器时代爱琴海文字系统线形A和线形B的古代学。线形A用于表示米诺斯语(约公元前1800-1450年),据了解,线形A作为模板,被用于书写希腊文,从而产生了传统上称为线形B的文字(约公元前1400-1190年)。适应过程很可能是在不同的层面上进行的:古地学、结构学、音韵学、地学和计量学。本文将从古地理层面进行研究。为了阐明基于图形的传播过程,也就是说,从古学的角度来看,对符号变体的研究起着关键作用。对于要分析的文字(即书写系统的图形表现形式),实际上有必要“挑出”它的组成部分,即符号,以及它们的不同图形表示形式,即变体。本文的目的是看看这些符号变体,在线性A和线性B中,是如何处理和传播的。
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引用次数: 4
The origin of the phonetic value of the Anatolian hieroglyphic sign *41 (CAPERE/tà) 安纳托利亚象形文字的音标来源*41 (CAPERE/ t<e:1>)
Q2 Arts and Humanities Pub Date : 2019-04-01 DOI: 10.1515/kadmos-2019-0002
Alwin Kloekhorst
Abstract Following Rieken’s 2008 establishment that the Anatolian hieroglyphic sign *41 (CAPERE/ta) denoted the syllable /da/, with lenis /d/, Yakubovich (2008) argued that the sign’s phonetic value was acrophonically derived from the Hittite verb dā-i/d- ‘to take’. In the present article it is argued that this view can no longer be upheld in view of new proposals regarding the phonetic value of sign *41 (rather [da]) and the interpretation of Hitt. dā-i/d- (rather [tʔā-]). It is proposed that the value of sign *41 has instead been derived from the Luwian verb ‘to take’, lā-i/l-, which from a historical linguistic perspective must go back to earlier *.ā-i/ *.-. This acrophonic assignment of the value [da] to sign *41 must then be dated to the beginning of the 18th century BCE at the latest, which implies that already by that time the Anatolian hieroglyphs were in use as a real script that made use of phonetic signs.
继Rieken在2008年提出安纳托利亚象形符号*41 (CAPERE/ta)用lenis /d/表示音节/da/之后,Yakubovich(2008)认为该符号的语音值来源于赫梯语动词dā-i/d-“取”。在本文中,本文认为,鉴于关于符号*41 (rather [da])的语音值和Hitt的解释的新建议,这种观点不再能够得到支持。Dā-i /d-(而不是[t æ h ā-])。有人提出,符号*41的值来源于Luwian动词“拿”lā-i/l-,从历史语言学的角度来看,它必须追溯到更早的*。ā-我/ *。-。这种用[da]来表示符号*41的元音赋值必须追溯到公元前18世纪初,这意味着在那个时候,安纳托利亚象形文字已经被用作使用语音符号的真正的文字了。
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引用次数: 1
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Kadmos
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