Pub Date : 2018-06-01DOI: 10.1515/kadmos-2018-0008
D. Sasseville
Abstract The present paper offers a contextual analysis of the Lydian title šiwraλm(i)- of unclear semantics and compares it with the Greek title προήγορος ‘advocate, prosecutor’ found in a Greek inscription from Ephesus. Both titles have in common that they refer to officials related to the cult of Artemis in Ephesus and Sardis. The comparative analysis yields new information on the cult of the goddess and contributes to our understanding of the Lydian lexicon.
{"title":"The Lydian word for ‘prosecutor’","authors":"D. Sasseville","doi":"10.1515/kadmos-2018-0008","DOIUrl":"https://doi.org/10.1515/kadmos-2018-0008","url":null,"abstract":"Abstract The present paper offers a contextual analysis of the Lydian title šiwraλm(i)- of unclear semantics and compares it with the Greek title προήγορος ‘advocate, prosecutor’ found in a Greek inscription from Ephesus. Both titles have in common that they refer to officials related to the cult of Artemis in Ephesus and Sardis. The comparative analysis yields new information on the cult of the goddess and contributes to our understanding of the Lydian lexicon.","PeriodicalId":38825,"journal":{"name":"Kadmos","volume":"74 1","pages":"129 - 136"},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80399744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-01DOI: 10.1515/kadmos-2018-0003
Efi Sakellaraki Sapouna, Maurizio Del Freo, J. Olivier, J. Zurbach
Abstract Cet article presente l’edition princeps d’une epingle en argent avec in scription en lineaire A provenant de la tholos B de Phourni (Arkhanes). La presentation du contexte et de la datation de l’objet est suivie d’une discussion des aspects epigraphiques et paleographiques de l’inscription.
{"title":"Une épingle minoenne en argent avec inscription en linéaire A de la tombe à tholos B d’Arkhanès","authors":"Efi Sakellaraki Sapouna, Maurizio Del Freo, J. Olivier, J. Zurbach","doi":"10.1515/kadmos-2018-0003","DOIUrl":"https://doi.org/10.1515/kadmos-2018-0003","url":null,"abstract":"Abstract Cet article presente l’edition princeps d’une epingle en argent avec in scription en lineaire A provenant de la tholos B de Phourni (Arkhanes). La presentation du contexte et de la datation de l’objet est suivie d’une discussion des aspects epigraphiques et paleographiques de l’inscription.","PeriodicalId":38825,"journal":{"name":"Kadmos","volume":"1 1","pages":"21 - 32"},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72913711","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-01DOI: 10.1515/kadmos-2018-0004
E. Hallager, Maria Andreadaki-Vlazaki
Abstract During the years 2007 to 2014 a few more Linear A documents were discovered in excavations on the Kastelli Hill at Khania. From the Greek-Swedish- Danish Excavations three fragments of Linear A tablets were found as well as a possible un-inscribed roundel. Two of the Linear A tablets consisted only of two and three sign respectively while the third tablet, KH 104 consisted of three lines where the GRA sign (AB 120) was found in combination with another sign not previously attested in the Linear A corpus. The new roundel from the Greek Katre 1 Excavations, KH Wc 2124, is - with an inscription (AB 61) and seal impressions - well-known from Khania. It does, however, display a few unusual features both physically and in the execution of the sign. All the documents are likely to be of LM IB date, even though they were found in later contexts.
{"title":"Some unpublished Linear A documents from Khania","authors":"E. Hallager, Maria Andreadaki-Vlazaki","doi":"10.1515/kadmos-2018-0004","DOIUrl":"https://doi.org/10.1515/kadmos-2018-0004","url":null,"abstract":"Abstract During the years 2007 to 2014 a few more Linear A documents were discovered in excavations on the Kastelli Hill at Khania. From the Greek-Swedish- Danish Excavations three fragments of Linear A tablets were found as well as a possible un-inscribed roundel. Two of the Linear A tablets consisted only of two and three sign respectively while the third tablet, KH 104 consisted of three lines where the GRA sign (AB 120) was found in combination with another sign not previously attested in the Linear A corpus. The new roundel from the Greek Katre 1 Excavations, KH Wc 2124, is - with an inscription (AB 61) and seal impressions - well-known from Khania. It does, however, display a few unusual features both physically and in the execution of the sign. All the documents are likely to be of LM IB date, even though they were found in later contexts.","PeriodicalId":38825,"journal":{"name":"Kadmos","volume":"23 1","pages":"33 - 44"},"PeriodicalIF":0.0,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86998173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-01-01DOI: 10.32859/kadmos/10/76-96
N. Naneishvili
This presentation examines the liturgical music practices of the Evangelical Baptist Church in Tbilisi (Georgia). Though predominantly ethnic Georgians, the Baptists are a moderate voice for gender equality, religious pluralism, and minority rights, and are sometimes criticized by conservative or nationalistic Orthodox Georgians as a result. My research has encompassed observation during religious services, in-depth interviews, a comparative approach, complex analysis, and intonational analysis. The liturgical music of the Tbilisi Baptists differs considerably from that of Evangelical Baptist churches in other parts of Georgia or other countries. This comes partially as a result of the ideology of this relatively new religious stream, which, in order to facilitate the adaptation of the inexperienced congregation, allows services to be based on national, traditional features. The liturgy, music, and acts of divine service are based on principles established by Archbishop Malkhaz Songulashvili, including the principles of ecumenical “openness” and the synthesis of traditional Georgian values. The music heard in the Georgian-speaking Evangelical Baptist Church today includes the following: Georgian Orthodox chants; chants composed by the present Georgian Orthodox Patriarch, Ilia II; chants from the Taizé Monastery; other foreign repertoires translated into Georgian; Georgian professional music, and experimental electro-acoustic music. The liturgical music of the Evangelical Baptists in Tbilisi is mixed, experimental, and in the process of compilation, and has not yet reached a finalized form.
{"title":"Conceptualizing the Liturgical Music of Evangelical Baptists in Tbilisi: Experimentation and Compilation","authors":"N. Naneishvili","doi":"10.32859/kadmos/10/76-96","DOIUrl":"https://doi.org/10.32859/kadmos/10/76-96","url":null,"abstract":"This presentation examines the liturgical music practices of the Evangelical Baptist Church in Tbilisi (Georgia). Though predominantly ethnic Georgians, the Baptists are a moderate voice for gender equality, religious pluralism, and minority rights, and are sometimes criticized by conservative or nationalistic Orthodox Georgians as a result. My research has encompassed observation during religious services, in-depth interviews, a comparative approach, complex analysis, and intonational analysis. The liturgical music of the Tbilisi Baptists differs considerably from that of Evangelical Baptist churches in other parts of Georgia or other countries. This comes partially as a result of the ideology of this relatively new religious stream, which, in order to facilitate the adaptation of the inexperienced congregation, allows services to be based on national, traditional features. The liturgy, music, and acts of divine service are based on principles established by Archbishop Malkhaz Songulashvili, including the principles of ecumenical “openness” and the synthesis of traditional Georgian values. The music heard in the Georgian-speaking Evangelical Baptist Church today includes the following: Georgian Orthodox chants; chants composed by the present Georgian Orthodox Patriarch, Ilia II; chants from the Taizé Monastery; other foreign repertoires translated into Georgian; Georgian professional music, and experimental electro-acoustic music. The liturgical music of the Evangelical Baptists in Tbilisi is mixed, experimental, and in the process of compilation, and has not yet reached a finalized form.","PeriodicalId":38825,"journal":{"name":"Kadmos","volume":"44 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84639860","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-01-01DOI: 10.32859/kadmos/10/46-75
Tsira Kilanava
This article studies the spatial lexical item “Northern Country” that seemingly acquired an ideological character in historically crucial periods of the Georgian monarchy, that is, the 4th and 19th centuries. It attempts to overview the semanticization process of the concept “Northern Country” through analysis of historical literary works depicting the Christianization of Georgia on the one hand, and 19th century colonial period Georgian poetry on the other, as well as define literary strategies that furnished the spatial marker with national stereotypical meaning. The research is based on the theoretical foundations of the study of national self-imagery. In the given context, literature represents a medium of public awareness.
{"title":"Ideologizing Space in Georgian Literature: Religious and National Contexts of the “Northern Country”","authors":"Tsira Kilanava","doi":"10.32859/kadmos/10/46-75","DOIUrl":"https://doi.org/10.32859/kadmos/10/46-75","url":null,"abstract":"This article studies the spatial lexical item “Northern Country” that seemingly acquired an ideological character in historically crucial periods of the Georgian monarchy, that is, the 4th and 19th centuries. It attempts to overview the semanticization process of the concept “Northern Country” through analysis of historical literary works depicting the Christianization of Georgia on the one hand, and 19th century colonial period Georgian poetry on the other, as well as define literary strategies that furnished the spatial marker with national stereotypical meaning. The research is based on the theoretical foundations of the study of national self-imagery. In the given context, literature represents a medium of public awareness.","PeriodicalId":38825,"journal":{"name":"Kadmos","volume":"22 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72855174","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The present article is an attempt to synthesize the existing interdisciplinary knowledge on the concept of literary meaning, to argue for an alternative conception of textual meaning, and to analyze the meaning of a literary text in view of the “cluster conception” – an alternative conception about the nature of text and textual meaning – introduced by Anders Pettersson. Accordingly, the meaning of a literary text is considered as a mental construct comprised of author’s meaning, readers’ meanings and commentators’ meanings. It discusses the author’s and the reader’s involvement in a dynamic communication as a process in which meaning is not identified, as is generally conceived, but construed through experiencing and interpreting a complex of signs. This article argues that since “cluster conception” refers to verbal communication in general, it can offer a new perspective to focus on the specific nature of meaning-making in literary communication. It stresses the importance of describing the reader’s cognitive and emotive response to the “otherness” and singularity of a literary work, explicated by Derek Attridge, not as property of the latter, but as an event taking place in reception.
{"title":"The Meaning of a Literary Text as a Mental Construct and as an Event in Literary Communication","authors":"Nino Tevdoradze","doi":"10.32859/kadmos/10/7-45","DOIUrl":"https://doi.org/10.32859/kadmos/10/7-45","url":null,"abstract":"The present article is an attempt to synthesize the existing interdisciplinary knowledge on the concept of literary meaning, to argue for an alternative conception of textual meaning, and to analyze the meaning of a literary text in view of the “cluster conception” – an alternative conception about the nature of text and textual meaning – introduced by Anders Pettersson. Accordingly, the meaning of a literary text is considered as a mental construct comprised of author’s meaning, readers’ meanings and commentators’ meanings. It discusses the author’s and the reader’s involvement in a dynamic communication as a process in which meaning is not identified, as is generally conceived, but construed through experiencing and interpreting a complex of signs. This article argues that since “cluster conception” refers to verbal communication in general, it can offer a new perspective to focus on the specific nature of meaning-making in literary communication. It stresses the importance of describing the reader’s cognitive and emotive response to the “otherness” and singularity of a literary work, explicated by Derek Attridge, not as property of the latter, but as an event taking place in reception.","PeriodicalId":38825,"journal":{"name":"Kadmos","volume":"115 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90744679","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-07-01DOI: 10.1515/kadmos-2017-0004
Rachele Pierini
Abstract The Mycenaean term ma-ka is recorded on tablets from Thebes, mostly belonging to the Fq series. Even though its interpretation has been broadly investigated, it still lacks a widely shared alphabetic reading. This paper provides a 1st millennium Greek parallel, and such proposal has been made both taking into account previous studies on the subject as well as approaching the whole question from a different point of view. Results emerging from this hypothesis are then used to further clarify certain content aspects of the tablets attesting ma-ka as well as to cast new light on other related controversial issues
{"title":"An alphabetic parallel for Mycenaean ma-ka","authors":"Rachele Pierini","doi":"10.1515/kadmos-2017-0004","DOIUrl":"https://doi.org/10.1515/kadmos-2017-0004","url":null,"abstract":"Abstract The Mycenaean term ma-ka is recorded on tablets from Thebes, mostly belonging to the Fq series. Even though its interpretation has been broadly investigated, it still lacks a widely shared alphabetic reading. This paper provides a 1st millennium Greek parallel, and such proposal has been made both taking into account previous studies on the subject as well as approaching the whole question from a different point of view. Results emerging from this hypothesis are then used to further clarify certain content aspects of the tablets attesting ma-ka as well as to cast new light on other related controversial issues","PeriodicalId":38825,"journal":{"name":"Kadmos","volume":"42 1","pages":"106 - 89"},"PeriodicalIF":0.0,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88602109","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-07-01DOI: 10.1515/kadmos-2017-0008
Bartomeu Obrador-Cursach, I. Adiego
Abstract In this article, stele N 30 is removed from the Pisidian corpus because it is read as a plain Greek text containing the name of a man, Papas, said to be a gallus. Moreover, the relief of the same stele depicting a figure in woman’s clothing is interpreted as being Papas himself
{"title":"A Greek reading of the “Pisidian” inscription N 30","authors":"Bartomeu Obrador-Cursach, I. Adiego","doi":"10.1515/kadmos-2017-0008","DOIUrl":"https://doi.org/10.1515/kadmos-2017-0008","url":null,"abstract":"Abstract In this article, stele N 30 is removed from the Pisidian corpus because it is read as a plain Greek text containing the name of a man, Papas, said to be a gallus. Moreover, the relief of the same stele depicting a figure in woman’s clothing is interpreted as being Papas himself","PeriodicalId":38825,"journal":{"name":"Kadmos","volume":"8 1","pages":"173 - 176"},"PeriodicalIF":0.0,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84761114","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-07-01DOI: 10.1515/kadmos-2017-0002
D. Schürr
Zusammenfassung Verfochten werden eine andere syntaktische Zuordnung von Theonym + wa/i-sa-ti und die Annahme, das /mōwa-/ auch hier und in den Hartapus-Inschriften etwa ‚starken‘ bedeutet. Die Blocke 1, 16 und 10 bildeten zusammen die rechte Halfte der Sudseite, so das die in das Becken hinabfuhrenden Stufen ursprunglich in der Mitte angebracht gewesen sein mussen
{"title":"Zum Beginn der YALBURT-Inschrift","authors":"D. Schürr","doi":"10.1515/kadmos-2017-0002","DOIUrl":"https://doi.org/10.1515/kadmos-2017-0002","url":null,"abstract":"Zusammenfassung Verfochten werden eine andere syntaktische Zuordnung von Theonym + wa/i-sa-ti und die Annahme, das /mōwa-/ auch hier und in den Hartapus-Inschriften etwa ‚starken‘ bedeutet. Die Blocke 1, 16 und 10 bildeten zusammen die rechte Halfte der Sudseite, so das die in das Becken hinabfuhrenden Stufen ursprunglich in der Mitte angebracht gewesen sein mussen","PeriodicalId":38825,"journal":{"name":"Kadmos","volume":"95 1","pages":"29 - 38"},"PeriodicalIF":0.0,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75918179","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2017-07-01DOI: 10.1515/kadmos-2017-0006
M. Slavova
Abstract The article attempts to restore the socio-cultural context of four inscriptions found on various artifacts in graves from the mound necropolis at Duvanlii in Thrace (present day Bulgaria) dating back to the 5th century BC. They are written with a different technique - the erroneously transmitted graffito written in early Attic alphabet on the bottom of a plate ΙΠΠΟΜΑΧΣ, the depinti KOAΣ and ΚOMOΣ on a red-figure hydria, and the Thracian anthroponym ΔΑΔΑΛΕΜΕ engraved on four silver vases. The author focuses both on the interpretation of the single inscriptions (especially the placement of ΔΑΔΑΛΕΜΕ in a series with other known Thracian names, as well as with the newly published from Zoni) and on the contact zone of Thracians and Greeks in Thrace and Samothrace, whose specifics can explain the considered graphical practices.
{"title":"The inscriptions from the mound necropolis of Duvanlii (Thrace) and their socio-cultural context","authors":"M. Slavova","doi":"10.1515/kadmos-2017-0006","DOIUrl":"https://doi.org/10.1515/kadmos-2017-0006","url":null,"abstract":"Abstract The article attempts to restore the socio-cultural context of four inscriptions found on various artifacts in graves from the mound necropolis at Duvanlii in Thrace (present day Bulgaria) dating back to the 5th century BC. They are written with a different technique - the erroneously transmitted graffito written in early Attic alphabet on the bottom of a plate ΙΠΠΟΜΑΧΣ, the depinti KOAΣ and ΚOMOΣ on a red-figure hydria, and the Thracian anthroponym ΔΑΔΑΛΕΜΕ engraved on four silver vases. The author focuses both on the interpretation of the single inscriptions (especially the placement of ΔΑΔΑΛΕΜΕ in a series with other known Thracian names, as well as with the newly published from Zoni) and on the contact zone of Thracians and Greeks in Thrace and Samothrace, whose specifics can explain the considered graphical practices.","PeriodicalId":38825,"journal":{"name":"Kadmos","volume":"35 1","pages":"119 - 138"},"PeriodicalIF":0.0,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86486612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：