Pub Date : 2022-02-01DOI: 10.1515/kadmos-2022-0005
O. Monti
Abstract Examination of the Linear A texts confirms that - the language of Linear A is probably only one (§ 1); - the alternation a-/ja- in a-sa-sa-ra-me/ja-sa-sa-ra-me etc. is likely due to the presence of a prefix i/j- and not to a laryngeal or a graphic variant (§ 2); - the sequence -i-*301- of a-ta-i-*301-wa-ja and variants is probably a verbal root (§§ 3-4); - (j)a-sa-sa-ra-me probably means ‘gift, homage’ vel. sim. (but not necessarily ‘sacred’) and not ‘offering’ (§ 5); - the prefix i/j- probably has the function of an article and i-na- could be its plural form (§ 6). More generally, convincing arguments have already been put forward which strongly suggest that the language of Linear A is probably neither Indo-European nor Semitic (Afro-Asiatic), nor an ergative language such as Hurro-Urartian (§ 7).
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Pub Date : 2022-01-01DOI: 10.32859/kadmos/14/159-185
Tsisana Bibileishvili
ვაშინგტონში, დუმბარტონ ოქსის ბიზანტიურ კვლევათა ცენტრში დაცულია პალესტინაში შედგენილი, XI ს-ის ქართული „თვენი“. მისი არსებობა ჩვენი კოლეგის, ბ-ნ დ. მ. ლანგის წყალობით შევიტყეთ; 1955 წ. ბ-ნმა ლანგმა მოგვაწოდა ქართული კრებულის რამდენიმე გვერდის (f. 63v-66r) ფოტო, რომლებიცშეიცავდნენ იერუსალიმელი პატრიარქების, წმ. მოდესტოსისა და წმ. იოვანესადმი მიძღვნილსაგალობლებს (16 დეკემბერი); შესაძლებლობა მოგვეცა ისინი გამოგვეყენებინა 1958 წ გამოცემულ იოანეზოსიმეს „პალესტინურ-ქართული კალენდრის“ ჩვენეულ კომენტარებში. ცოტა ხნის შემდეგ, 1960 წ. Byzantinisch-neugriechische Jahrbücher, vol. 18, (1945-49) განსვენებული რ. ბლეიკის სახელით გამოქვეყნდახელნაწერის აღწერილობა, რომელიც მაშინ, როცა ბლეიკი ამ წერილს წერდა „დოქტორ გ. ერიკ მატსონს, (გლენდალი, კალიფორნია) ეკუთვნოდა“ (p. 97); სტატია დათარიღებული არაა; იგი ნამდვილად 1950 წლის 9 მაისზე, რ. ბლეიკის გარდაცვალების თარიღზე ადრეულია.3 ხელნაწერი 1952 წლის თებერვალში დუმბარტონ ოქსში მოხვდა როგორც ბ-ნი და ქ-ნი ბლისების შეწირულება (ეს ცნობა მოგვაწოდა ბ-ნმა პროფ. ერნესტ კიცინგერმა დუმბატონ ოქსის ცენტრიდან, რისთვისაც მას დიდ მადლობას მოვახსენებთ).
{"title":"Gérard Garitte. Le ménée géorgien de Dumbarton Oaks","authors":"Tsisana Bibileishvili","doi":"10.32859/kadmos/14/159-185","DOIUrl":"https://doi.org/10.32859/kadmos/14/159-185","url":null,"abstract":"ვაშინგტონში, დუმბარტონ ოქსის ბიზანტიურ კვლევათა ცენტრში დაცულია პალესტინაში შედგენილი, XI ს-ის ქართული „თვენი“. მისი არსებობა ჩვენი კოლეგის, ბ-ნ დ. მ. ლანგის წყალობით შევიტყეთ; 1955 წ. ბ-ნმა ლანგმა მოგვაწოდა ქართული კრებულის რამდენიმე გვერდის (f. 63v-66r) ფოტო, რომლებიცშეიცავდნენ იერუსალიმელი პატრიარქების, წმ. მოდესტოსისა და წმ. იოვანესადმი მიძღვნილსაგალობლებს (16 დეკემბერი); შესაძლებლობა მოგვეცა ისინი გამოგვეყენებინა 1958 წ გამოცემულ იოანეზოსიმეს „პალესტინურ-ქართული კალენდრის“ ჩვენეულ კომენტარებში. ცოტა ხნის შემდეგ, 1960 წ. Byzantinisch-neugriechische Jahrbücher, vol. 18, (1945-49) განსვენებული რ. ბლეიკის სახელით გამოქვეყნდახელნაწერის აღწერილობა, რომელიც მაშინ, როცა ბლეიკი ამ წერილს წერდა „დოქტორ გ. ერიკ მატსონს, (გლენდალი, კალიფორნია) ეკუთვნოდა“ (p. 97); სტატია დათარიღებული არაა; იგი ნამდვილად 1950 წლის 9 მაისზე, რ. ბლეიკის გარდაცვალების თარიღზე ადრეულია.3 ხელნაწერი 1952 წლის თებერვალში დუმბარტონ ოქსში მოხვდა როგორც ბ-ნი და ქ-ნი ბლისების შეწირულება (ეს ცნობა მოგვაწოდა ბ-ნმა პროფ. ერნესტ კიცინგერმა დუმბატონ ოქსის ცენტრიდან, რისთვისაც მას დიდ მადლობას მოვახსენებთ).","PeriodicalId":38825,"journal":{"name":"Kadmos","volume":"8 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87811808","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.32859/kadmos/14/147-158
Nino Abakelia
This review of Georgian Mythology in two volumes (“Cross and Its Community” and “Parnavaz’s Dream”), issued by Ilia State University in 2016, presents one of the most significant scholarly projects of Zurab Kiknadze, a prominent Georgian thinker and intellectual. Reflections on these books reveal the leitmotif and the essence of the researcher’s entire intellectual heritage: the archetype of irreconcilable oppositions - the two (the real and the beyond) worlds, the visible and the invisible, the spatial and the temporal, the highland and the lowland, the dream and the reality, the sacred and the profane, the intransient and the transient. Z. Kiknadze’s highly influential work: Georgian Mythology (“Cross and Its Сommunity” and “Parnavaz’s Dream”) not only provides diverse interpretations of symbols, myths and patterns of religious behaviors but also elucidates the dichotomy of the two worlds, the structures of the sacred center and religious models that change in time and space.
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Pub Date : 2022-01-01DOI: 10.32859/kadmos/14/69-122
Ketevan Katamadze
The aim of the article is to show how the trauma caused by the Stalinist regime reflected on the human unconscious in Post-Soviet Georgian literature. The issue, which had not been the subject of special research before, was analyzed according to three prose texts by the modern Georgian writer Zaira Arsenishvili (1933–2015): "Requiem for Bass, Soprano and Seven Instruments or a Portrait of a Young Writer", “Oh, World!", and "When Fear and Trembling are Raging". The theories of trauma and possible worlds were taken as the general context of the research, and, while conceptual metaphor is used as a specific, data diagramming is used as the main method. The study showed that the Georgian literary dreams of Soviet reality reflect the difficult political and social situation of 20th century Georgia; representing Stalin as a dictator and revealing the psychological trauma caused by the Soviet regime.
{"title":"Representations of Stalin in Characters’ Dreams According to Zaira Arsenishvili's Prose","authors":"Ketevan Katamadze","doi":"10.32859/kadmos/14/69-122","DOIUrl":"https://doi.org/10.32859/kadmos/14/69-122","url":null,"abstract":"The aim of the article is to show how the trauma caused by the Stalinist regime reflected on the human unconscious in Post-Soviet Georgian literature. The issue, which had not been the subject of special research before, was analyzed according to three prose texts by the modern Georgian writer Zaira Arsenishvili (1933–2015): \"Requiem for Bass, Soprano and Seven Instruments or a Portrait of a Young Writer\", “Oh, World!\", and \"When Fear and Trembling are Raging\". The theories of trauma and possible worlds were taken as the general context of the research, and, while conceptual metaphor is used as a specific, data diagramming is used as the main method. The study showed that the Georgian literary dreams of Soviet reality reflect the difficult political and social situation of 20th century Georgia; representing Stalin as a dictator and revealing the psychological trauma caused by the Soviet regime.","PeriodicalId":38825,"journal":{"name":"Kadmos","volume":"23 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77200482","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.32859/kadmos/14/123-146
Merab Ghaghanidze
The text of the famous Georgian poem “The Man in the Panther’s Skin” arrived to us in the present day through relatively different versions, preserved in numerous manuscripts. Respectively, numerous differences can be found in the prologue of the poem (a final version of which has not yet been established), as presented in those various manuscripts. The prologue of the poem in several old manuscripts contains two stanzas dedicated to King Davit, whose identity has yet to be determined, although several opinions have been expressed – e.g. by Sargis Kakabadze – as to who he might be. In the two stanzas, the king is portrayed as a very powerful and influential monarch, to whom even the neighboring monarchs submit. The author of the poem also presents a local monarchical legend, according to which the Georgian king is a descendant of the biblical King David. The poet also opines that a holy mass should be celebrated by the Pope in the name of the king. A scrupulous analysis has allowed me to advance the supposition that the King Davit of the prologue of the poem is King Davit X (1505-1525) of Kartli, who considered himself the King of All Georgia. The statement that it is necessary for a mass in the name of the king to be celebrated by the Pope takes its basis in the close relationship of Georgia with the Roman See, which became especially intense during the reign of King Davit's grandfather Giorgi VIII and his father Konstantine II, and continued during the reign of Davit’s son Luarsab I, and his grandson Svimon I. Some documents about King Davit himself, of which there are few, also support the supposition that King Davit of the prologue of the poem “The Man in the Panther’s Skin” was indeed King Davit X.
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The paper presents the corpus of the Inscriptions of Georgia, a result of a PhD research project at the Ilia State University, Tbilisi, Georgia. The database, built using the EpiDoc Front-End Services (EFES) platform, combines the EpiDoc editions of hundreds of inscriptions unearthed in Georgia, and published in print during the 18th-20th centuries. The paper outlines the main issues addressed during the creation of the database and the encoding of the inscriptions. It illustrates the core features of the corpus, with an emphasis on the advantages of the digital edition of the epigraphic monuments with the TEI-EpiDoc standard and the EFES platform.
{"title":"Digital Edition of the Inscriptions of Georgia","authors":"Tamara Kalkhitashvili","doi":"10.32859/kadmos/14/7-32","DOIUrl":"https://doi.org/10.32859/kadmos/14/7-32","url":null,"abstract":"The paper presents the corpus of the Inscriptions of Georgia, a result of a PhD research project at the Ilia State University, Tbilisi, Georgia. The database, built using the EpiDoc Front-End Services (EFES) platform, combines the EpiDoc editions of hundreds of inscriptions unearthed in Georgia, and published in print during the 18th-20th centuries. The paper outlines the main issues addressed during the creation of the database and the encoding of the inscriptions. It illustrates the core features of the corpus, with an emphasis on the advantages of the digital edition of the epigraphic monuments with the TEI-EpiDoc standard and the EFES platform.","PeriodicalId":38825,"journal":{"name":"Kadmos","volume":"46 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76737596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.32859/kadmos/14/33-68
E. Lomidze
In this article, I attempt to answer the question: Who stood at the origins of the sacramental church life in Georgia or, to put it in other words, by the mediation of which apostolic cathedra was the Church of Georgia (Iberia) entitled to apostolic succession? The study shows indirect apostolic succession transmitted through the mediation of the Antiochene cathedra, which itself was founded by the personal involvement of Christ’s Apostles. This article is the first attempt to provide historical evidence and theological arguments in favour of a paradigmatic shift in the apostolic succession of the Georgian Church from the Andrian to Petrine tradition, which, naturally, requires further study and academic discussion.
{"title":"The Origins of Sacramental Church Life in Georgia","authors":"E. Lomidze","doi":"10.32859/kadmos/14/33-68","DOIUrl":"https://doi.org/10.32859/kadmos/14/33-68","url":null,"abstract":"In this article, I attempt to answer the question: Who stood at the origins of the sacramental church life in Georgia or, to put it in other words, by the mediation of which apostolic cathedra was the Church of Georgia (Iberia) entitled to apostolic succession? The study shows indirect apostolic succession transmitted through the mediation of the Antiochene cathedra, which itself was founded by the personal involvement of Christ’s Apostles. This article is the first attempt to provide historical evidence and theological arguments in favour of a paradigmatic shift in the apostolic succession of the Georgian Church from the Andrian to Petrine tradition, which, naturally, requires further study and academic discussion.","PeriodicalId":38825,"journal":{"name":"Kadmos","volume":"24 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90553934","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-01DOI: 10.1515/kadmos-2021-0009
Valerio Pisaniello
Abstract This article discusses the origin of the epithet Τιαμου, which modifies the name of the Moon-god in a number of Greek inscriptions from Lydia dated to the 2nd-3rd century AD. All the etymological explanations provided so far will be taken into account, especially the Anatolian one, which, based on the existence of a Moon-god (κατα)χθόνιος, tries to establish a connection between Τιαμου and an Anatolian outcome of the PIE root for ‘earth’ (cf. Hitt. tēkan, Luw. tiyamm(i)-). After having discussed the arguments in favour and against both a Lydian and a Luwian origin, it will be argued that the latter seems to be most likely, although the possibility of a Lydian mediation remains.
摘要:本文讨论了Τιαμου这个词的起源,它修饰了公元2 -3世纪吕底亚的一些希腊铭文中月神的名字。到目前为止提供的所有词源学解释都将被考虑在内,特别是安纳托利亚语的解释,它基于月亮神(κατα)χθ ο νιος的存在,试图在Τιαμου和“地球”的PIE词根的安纳托利亚语结果之间建立联系(参见Hitt)。tē菅直人Luw中。tiyamm (i) -)。在讨论了支持和反对吕底亚人和吕底亚人起源的争论之后,我们将认为后者似乎是最有可能的,尽管吕底亚人调解的可能性仍然存在。
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