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Some observations on the language of Linear A 关于线性A语言的一些观察
Q2 Arts and Humanities Pub Date : 2022-02-01 DOI: 10.1515/kadmos-2022-0005
O. Monti
Abstract Examination of the Linear A texts confirms that - the language of Linear A is probably only one (§ 1); - the alternation a-/ja- in a-sa-sa-ra-me/ja-sa-sa-ra-me etc. is likely due to the presence of a prefix i/j- and not to a laryngeal or a graphic variant (§ 2); - the sequence -i-*301- of a-ta-i-*301-wa-ja and variants is probably a verbal root (§§ 3-4); - (j)a-sa-sa-ra-me probably means ‘gift, homage’ vel. sim. (but not necessarily ‘sacred’) and not ‘offering’ (§ 5); - the prefix i/j- probably has the function of an article and i-na- could be its plural form (§ 6). More generally, convincing arguments have already been put forward which strongly suggest that the language of Linear A is probably neither Indo-European nor Semitic (Afro-Asiatic), nor an ergative language such as Hurro-Urartian (§ 7).
摘要对线性A文本的检查证实-线性A的语言可能只有一种(§1);- a-sa-sa-ra-me/ja-sa-sa-ra-me等中的a-/ja-变化可能是由于前缀i/j-的存在,而不是喉音或图形变体(§2);- a-ta-i-*301-wa-ja及其变体的序列-i-*301-可能是一个词根(§§3-4);- (j)a-sa-sa-ra-me可能是“礼物、敬意”的意思。(但不一定是“神圣的”)而不是“献祭”(§5);-前缀i/j-可能具有冠词的功能,而i-na-可能是它的复数形式(§6)。更一般地说,已经提出了令人信服的论点,强烈表明线性A的语言可能既不是印欧语,也不是闪米特语(亚非语系),也不是像Hurro-Urartian这样的否定语言(§7)。
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引用次数: 0
Gérard Garitte. Le ménée géorgien de Dumbarton Oaks Gérard Garitte .Le(é山ée géde Dumbarton雨季橡
Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.32859/kadmos/14/159-185
Tsisana Bibileishvili
ვაშინგტონში, დუმბარტონ ოქსის ბიზანტიურ კვლევათა ცენტრში დაცულია პალესტინაში შედგენილი, XI ს-ის ქართული „თვენი“. მისი არსებობა ჩვენი კოლეგის, ბ-ნ დ. მ. ლანგის წყალობით შევიტყეთ; 1955 წ. ბ-ნმა ლანგმა მოგვაწოდა ქართული კრებულის რამდენიმე გვერდის (f. 63v-66r) ფოტო, რომლებიცშეიცავდნენ იერუსალიმელი პატრიარქების, წმ. მოდესტოსისა და წმ. იოვანესადმი მიძღვნილსაგალობლებს (16 დეკემბერი); შესაძლებლობა მოგვეცა ისინი გამოგვეყენებინა 1958 წ გამოცემულ იოანეზოსიმეს „პალესტინურ-ქართული კალენდრის“ ჩვენეულ კომენტარებში. ცოტა ხნის შემდეგ, 1960 წ. Byzantinisch-neugriechische Jahrbücher, vol. 18, (1945-49) განსვენებული რ. ბლეიკის სახელით გამოქვეყნდახელნაწერის აღწერილობა, რომელიც მაშინ, როცა ბლეიკი ამ წერილს წერდა „დოქტორ გ. ერიკ მატსონს, (გლენდალი, კალიფორნია) ეკუთვნოდა“ (p. 97); სტატია დათარიღებული არაა; იგი ნამდვილად 1950 წლის 9 მაისზე, რ. ბლეიკის გარდაცვალების თარიღზე ადრეულია.3 ხელნაწერი 1952 წლის თებერვალში დუმბარტონ ოქსში მოხვდა როგორც ბ-ნი და ქ-ნი ბლისების შეწირულება (ეს ცნობა მოგვაწოდა ბ-ნმა პროფ. ერნესტ კიცინგერმა დუმბატონ ოქსის ცენტრიდან, რისთვისაც მას დიდ მადლობას მოვახსენებთ).
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引用次数: 0
Zurab Kiknadze: the Explorer of Georgian Mythic-Religious Ideas 祖拉布·基纳泽:格鲁吉亚神话宗教思想的探索者
Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.32859/kadmos/14/147-158
Nino Abakelia
This review of Georgian Mythology in two volumes (“Cross and Its Community” and “Parnavaz’s Dream”), issued by Ilia State University in 2016, presents one of the most significant scholarly projects of Zurab Kiknadze, a prominent Georgian thinker and intellectual. Reflections on these books reveal the leitmotif and the essence of the researcher’s entire intellectual heritage: the archetype of irreconcilable oppositions - the two (the real and the beyond) worlds, the visible and the invisible, the spatial and the temporal, the highland and the lowland, the dream and the reality, the sacred and the profane, the intransient and the transient. Z. Kiknadze’s highly influential work: Georgian Mythology (“Cross and Its Сommunity” and “Parnavaz’s Dream”) not only provides diverse interpretations of symbols, myths and patterns of religious behaviors but also elucidates the dichotomy of the two worlds, the structures of the sacred center and religious models that change in time and space.
2016年,伊莱亚州立大学出版了两卷本的格鲁吉亚神话评论(《十字架及其社区》和《帕纳瓦兹的梦》),介绍了格鲁吉亚著名思想家和知识分子祖拉布·基纳泽最重要的学术项目之一。对这些书的反思揭示了研究人员整个知识遗产的主题和本质:不可调和的对立的原型-两个(现实和超越)世界,可见和不可见,空间和时间,高地和低地,梦想和现实,神圣和世俗,短暂和短暂。Z. Kiknadze极具影响力的作品:《格鲁吉亚神话》(《十字架与它的Сommunity》和《帕纳瓦兹的梦》)不仅提供了对象征、神话和宗教行为模式的不同解释,而且阐明了两个世界的二分法、神圣中心的结构和随时间和空间变化的宗教模式。
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引用次数: 0
Representations of Stalin in Characters’ Dreams According to Zaira Arsenishvili's Prose 从扎伊拉·阿尔谢尼什维利散文看人物梦中的斯大林
Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.32859/kadmos/14/69-122
Ketevan Katamadze
The aim of the article is to show how the trauma caused by the Stalinist regime reflected on the human unconscious in Post-Soviet Georgian literature. The issue, which had not been the subject of special research before, was analyzed according to three prose texts by the modern Georgian writer Zaira Arsenishvili (1933–2015): "Requiem for Bass, Soprano and Seven Instruments or a Portrait of a Young Writer", “Oh, World!", and "When Fear and Trembling are Raging". The theories of trauma and possible worlds were taken as the general context of the research, and, while conceptual metaphor is used as a specific, data diagramming is used as the main method. The study showed that the Georgian literary dreams of Soviet reality reflect the difficult political and social situation of 20th century Georgia; representing Stalin as a dictator and revealing the psychological trauma caused by the Soviet regime.
这篇文章的目的是展示斯大林政权所造成的创伤如何反映在后苏联时期格鲁吉亚文学中的人类无意识。在此之前,这一问题并不是专门研究的主题,本文根据格鲁吉亚现代作家扎伊拉·阿尔谢尼什维利(Zaira Arsenishvili, 1933-2015)的三篇散文文本进行了分析:《男低音、女高音和七种乐器的安魂曲或年轻作家的肖像》、《哦,世界!》和《当恐惧和颤抖肆虐时》。本研究以创伤理论和可能世界理论为研究背景,以概念隐喻为研究对象,以数据图解为主要研究方法。研究表明,格鲁吉亚文学的苏联现实梦反映了20世纪格鲁吉亚艰难的政治和社会状况;将斯大林描绘成独裁者,揭示了苏联政权造成的心理创伤。
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引用次数: 0
The Pope of Rome – a Desirable Celebrant of the Mass for King Davit – in the Prologue of the Poem “The Man in the Panther’s Skin” 罗马教皇——大卫国王所希望的弥撒司仪——在诗歌《黑豹皮人》的序言中
Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.32859/kadmos/14/123-146
Merab Ghaghanidze
The text of the famous Georgian poem “The Man in the Panther’s Skin” arrived to us in the present day through relatively different versions, preserved in numerous manuscripts. Respectively, numerous differences can be found in the prologue of the poem (a final version of which has not yet been established), as presented in those various manuscripts. The prologue of the poem in several old manuscripts contains two stanzas dedicated to King Davit, whose identity has yet to be determined, although several opinions have been expressed – e.g. by Sargis Kakabadze – as to who he might be. In the two stanzas, the king is portrayed as a very powerful and influential monarch, to whom even the neighboring monarchs submit. The author of the poem also presents a local monarchical legend, according to which the Georgian king is a descendant of the biblical King David. The poet also opines that a holy mass should be celebrated by the Pope in the name of the king. A scrupulous analysis has allowed me to advance the supposition that the King Davit of the prologue of the poem is King Davit X (1505-1525) of Kartli, who considered himself the King of All Georgia. The statement that it is necessary for a mass in the name of the king to be celebrated by the Pope takes its basis in the close relationship of Georgia with the Roman See, which became especially intense during the reign of King Davit's grandfather Giorgi VIII and his father Konstantine II, and continued during the reign of Davit’s son Luarsab I, and his grandson Svimon I. Some documents about King Davit himself, of which there are few, also support the supposition that King Davit of the prologue of the poem “The Man in the Panther’s Skin” was indeed King Davit X.
著名的格鲁吉亚诗歌《黑豹皮人》的文本今天通过相对不同的版本来到我们这里,保存在许多手稿中。在这些不同的手稿中,可以分别在这首诗的序言中发现许多差异(最终版本尚未确定)。在一些旧手稿中,这首诗的序言包含两节献给大卫王,他的身份尚未确定,尽管有几种观点表达了-例如Sargis Kakabadze -关于他可能是谁。在这两个诗节中,国王被描绘成一个非常强大和有影响力的君主,甚至邻国的君主也向他屈服。这首诗的作者还讲述了一个当地的君主传说,根据这个传说,格鲁吉亚国王是圣经中大卫王的后裔。诗人还认为教皇应该以国王的名义举行弥撒。经过仔细的分析,我提出了这样的假设:这首诗序言中的戴维特国王是卡特利的戴维特十世(1505-1525),他认为自己是整个格鲁吉亚的国王。教皇有必要以国王的名义举行弥撒的说法,其依据是格鲁吉亚与罗马教廷的密切关系,这种关系在戴维特国王的祖父乔尔吉八世和他的父亲康斯坦丁二世统治期间变得尤其强烈,并在戴维特的儿子卢阿尔沙布一世和他的孙子斯维蒙一世统治期间继续下去。也支持了这首诗"披着黑豹皮的人"序言中的戴维国王确实是戴维十世国王的假设。
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引用次数: 0
Digital Edition of the Inscriptions of Georgia 格鲁吉亚铭文的数字版本
Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.32859/kadmos/14/7-32
Tamara Kalkhitashvili
The paper presents the corpus of the Inscriptions of Georgia, a result of a PhD research project at the Ilia State University, Tbilisi, Georgia. The database, built using the EpiDoc Front-End Services (EFES) platform, combines the EpiDoc editions of hundreds of inscriptions unearthed in Georgia, and published in print during the 18th-20th centuries. The paper outlines the main issues addressed during the creation of the database and the encoding of the inscriptions. It illustrates the core features of the corpus, with an emphasis on the advantages of the digital edition of the epigraphic monuments with the TEI-EpiDoc standard and the EFES platform.
本文介绍了格鲁吉亚铭文的语料库,这是格鲁吉亚第比利斯伊利亚州立大学博士研究项目的结果。该数据库使用EpiDoc前端服务(EFES)平台建立,结合了18 -20世纪在格鲁吉亚出土的数百个EpiDoc版本的铭文,并以印刷品出版。本文概述了在建立数据库和铭文编码过程中需要解决的主要问题。它说明了语料库的核心特征,强调了用TEI-EpiDoc标准和EFES平台的铭文纪念碑数字版的优势。
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引用次数: 0
The Origins of Sacramental Church Life in Georgia 乔治亚州圣礼教会生活的起源
Q2 Arts and Humanities Pub Date : 2022-01-01 DOI: 10.32859/kadmos/14/33-68
E. Lomidze
In this article, I attempt to answer the question: Who stood at the origins of the sacramental church life in Georgia or, to put it in other words, by the mediation of which apostolic cathedra was the Church of Georgia (Iberia) entitled to apostolic succession? The study shows indirect apostolic succession transmitted through the mediation of the Antiochene cathedra, which itself was founded by the personal involvement of Christ’s Apostles. This article is the first attempt to provide historical evidence and theological arguments in favour of a paradigmatic shift in the apostolic succession of the Georgian Church from the Andrian to Petrine tradition, which, naturally, requires further study and academic discussion.
在这篇文章中,我试图回答这个问题:谁站在格鲁吉亚圣礼教会生活的起源,或者换句话说,通过调解,格鲁吉亚(伊比利亚)教会有权获得使徒继承的使徒教堂?研究表明间接使徒继承通过调解传递安提阿契教堂,它本身是由基督的使徒个人参与建立。这篇文章是第一次尝试提供历史证据和神学论据,以支持格鲁吉亚教会的使徒继承从安德里亚到彼得里传统的范式转变,这自然需要进一步的研究和学术讨论。
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引用次数: 0
Epigraphische Mitteilungen Epigraphische通信
Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1515/kadmos-2021-0013
M. Egetmeyer
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引用次数: 0
The epithet Τιαμου of the Moon-god in Lydia 吕底亚神话中月神的绰号Τιαμου
Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1515/kadmos-2021-0009
Valerio Pisaniello
Abstract This article discusses the origin of the epithet Τιαμου, which modifies the name of the Moon-god in a number of Greek inscriptions from Lydia dated to the 2nd-3rd century AD. All the etymological explanations provided so far will be taken into account, especially the Anatolian one, which, based on the existence of a Moon-god (κατα)χθόνιος, tries to establish a connection between Τιαμου and an Anatolian outcome of the PIE root for ‘earth’ (cf. Hitt. tēkan, Luw. tiyamm(i)-). After having discussed the arguments in favour and against both a Lydian and a Luwian origin, it will be argued that the latter seems to be most likely, although the possibility of a Lydian mediation remains.
摘要:本文讨论了Τιαμου这个词的起源,它修饰了公元2 -3世纪吕底亚的一些希腊铭文中月神的名字。到目前为止提供的所有词源学解释都将被考虑在内,特别是安纳托利亚语的解释,它基于月亮神(κατα)χθ ο νιος的存在,试图在Τιαμου和“地球”的PIE词根的安纳托利亚语结果之间建立联系(参见Hitt)。tē菅直人Luw中。tiyamm (i) -)。在讨论了支持和反对吕底亚人和吕底亚人起源的争论之后,我们将认为后者似乎是最有可能的,尽管吕底亚人调解的可能性仍然存在。
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引用次数: 0
Claude Brixhe (1933–2021)
Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1515/kadmos-2021-0001
Y. Duhoux
{"title":"Claude Brixhe (1933–2021)","authors":"Y. Duhoux","doi":"10.1515/kadmos-2021-0001","DOIUrl":"https://doi.org/10.1515/kadmos-2021-0001","url":null,"abstract":"","PeriodicalId":38825,"journal":{"name":"Kadmos","volume":"75 1","pages":"1 - 2"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89038384","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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Kadmos
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