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Navigating Liminality: Jewish Refugees in Global Transit 驾驭极限:全球过境的犹太难民
Pub Date : 2024-07-19 DOI: 10.1093/leobaeck/ybae008
Simone Lässig, Swen Steinberg
This special section presents transit as a research concept and demonstrates its analytical potential in six case studies. The contributions focus on Jewish refugees fleeing National Socialist persecution to states, colonies or dependent territories in Asia, Africa, and Latin America that received scant attention in older research. The results of this research derive from the ongoing International Standing Working Group ‘In Global Transit’, started by the German Historical Institute Washington in 2018 to explore spatial and temporal dimensions in global migration.
本专题介绍了过境这一研究概念,并通过六个案例研究展示了其分析潜力。研究重点是逃离国家社会主义迫害,前往亚洲、非洲和拉丁美洲的国家、殖民地或附属领土的犹太难民,这些难民在以往的研究中很少受到关注。这项研究的成果源自正在进行的 "全球过境 "国际常设工作组,该工作组由华盛顿德国历史研究所于 2018 年启动,旨在探索全球移民的空间和时间维度。
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引用次数: 0
Melzer and the Dead Sea Scrolls: Anna Seghers’s GDR novel Die Entscheidung (1959) 梅尔泽与《死海古卷》:Anna Seghers 的民主德国小说《Die Entscheidung》(1959 年)
Pub Date : 2024-07-17 DOI: 10.1093/leobaeck/ybae004
Caroline Rupprecht
This article is about German-Jewish author Anna Seghers (1900–1983), who spent half of her productive life in the German Democratic Republic (East Germany). Though Seghers is known for her works from the 1930s and 1940s such as The Seventh Cross (1942), about a prisoner who escapes from a concentration camp, little has been published about her writings under communism, after she returned from fourteen years of exile, having survived National Socialism while active in the resistance. Her mother and aunt were murdered in the Shoah, and Seghers ostensibly discontinued addressing the National Socialist German past once the GDR was founded (in 1949). However, as this article demonstrates, her ‘socialist realist’ novel, Die Entscheidung (1959), complicates this seeming erasure of Seghers's Jewish identity, which can be seen not only in response to the increasing antisemitism in eastern Europe during the Cold War, but also attests to her actual and continuous—albeit ‘hidden’—engagement with the Jewish culture and history of her childhood and youth. Through the autobiographical character Herbert Melzer, it becomes possible to identify secret references and allusions to the Dead Sea Scrolls, first discovered in Qumran in 1947–1953—the same time at which Seghers set the novel. While she was confronted with surveillance, travel restrictions, and censorship, Seghers maintained her own personal exploration of Judaica, as evidenced by her published letters and the contents of her personal library (now the Anna Seghers Archive). This article argues that Seghers persisted in retaining and expressing her original Jewish self-identification through fiction, even in this, her seemingly most ‘socialist realist’ novel.
本文介绍的是德裔犹太作家安娜-塞格斯(Anna Seghers,1900-1983 年),她的半生都在德意志民主共和国(东德)度过。尽管塞格斯因其 20 世纪 30 年代和 40 年代的作品而闻名,如《第七个十字架》(1942 年),该书讲述了一个囚犯从集中营逃出的故事,但关于她在共产主义时期的作品却鲜有发表,那是在她结束 14 年流亡生活返回德国之后,她在积极参加抵抗运动的同时躲过了国家社会主义。她的母亲和姨妈在纳粹浩劫中被杀害,东德成立(1949 年)后,塞格斯表面上不再谈论德国国家社会主义的过去。然而,正如本文所论证的,她的 "社会主义现实主义 "小说《Die Entscheidung》(1959 年)使这种看似对塞格斯犹太人身份的抹杀变得复杂起来,这不仅是对冷战期间东欧日益严重的反犹太主义的回应,也证明了她在童年和青年时期与犹太文化和历史的实际而持续的--尽管是 "隐藏的"--交往。通过自传体人物赫伯特-梅尔泽(Herbert Melzer),我们可以发现《死海古卷》的秘密参考资料和典故,《死海古卷》于 1947-1953 年首次在库姆兰被发现,而塞格斯的小说也是在那个时期创作的。在面临监视、旅行限制和审查的同时,塞格斯仍坚持自己对犹太教的探索,她发表的书信和个人图书馆(现为安娜-塞格斯档案馆)中的内容就是证明。本文认为,即使在这部看似最 "社会主义现实主义 "的小说中,塞格斯也坚持通过小说保留并表达了她最初的犹太自我认同。
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引用次数: 0
‘I think he will be able to adjust’. Letters of Recommendation Accompanying Jewish Refugees in Transit during National Socialism 我认为他能够适应"。国家社会主义时期犹太难民过境时的随行推荐信
Pub Date : 2024-03-05 DOI: 10.1093/leobaeck/ybae001
Lisa Gerlach
Letters of recommendation are a specific subgenre of professional writing that both have their own history and shape the histories of the people they recommend. In the context of National Socialist persecution, recommendations typically accompanied well-educated German-Jewish refugees fleeing from Germany. Such letters can be seen as relics of an established support system, trying to enable and/or ease the period of internal transit into new and mostly unknown territories. Many Jews experienced a phase of internal transit as they adjusted to new demands and new social structures. This phase was usually a difficult one, as they not only had to adjust to a new country but also to process the events leading up to their forced migration, as well as navigating the psychological and often financial difficulties of organizing refuge. This article aims to show what kinds of information such letters of recommendation contained about transit. Focusing on the United States and on Palestine, the article challenges the understanding of these countries purely as ‘destination countries’, and shows how immigrants had to live through processes of internal transit. It also asks what content was the most useful to include in letters of recommendation—what kind of armour of good words was needed in transit—and how that content may have differed between the United States and Palestine.
推荐信是专业写作的一个特殊分支,它既有自己的历史,也影响着被推荐人的历史。在国家社会主义迫害的背景下,推荐信通常伴随着受过良好教育的德裔犹太难民逃离德国。这些信件可以被看作是已建立的支持系统的遗物,试图帮助和/或缓解国内难民进入新的、大多是未知领土的过程。许多犹太人在适应新的需求和新的社会结构时,都会经历一个国内过渡阶段。这一阶段通常是艰难的,因为他们不仅要适应新的国家,还要处理导致其被迫迁移的事件,以及应对组织避难所带来的心理和经济困难。本文旨在说明这些推荐信包含哪些有关过境的信息。文章以美国和巴勒斯坦为重点,挑战了将这些国家纯粹理解为 "目的地国 "的观点,并展示了移民是如何经历国内过境过程的。文章还询问了推荐信中哪些内容最有用--过境时需要什么样的美言护甲--以及这些内容在美国和巴勒斯坦之间有何不同。
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引用次数: 0
Index to Leo Baeck Institute Year Book 2023 利奥-贝克研究所 2023 年年鉴索引
Pub Date : 2023-10-01 DOI: 10.1093/leobaeck/ybad010
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引用次数: 0
1939 Emigrantensong
Pub Date : 2023-09-06 DOI: 10.1093/leobaeck/ybad009
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引用次数: 0
‘Budapest’s Gift to the Movies’: Franziska Gaal’s Film Career in 1930s Europe and Hollywood “布达佩斯给电影的礼物”:弗兰兹卡·加尔在20世纪30年代的欧洲和好莱坞的电影生涯
Pub Date : 2023-08-24 DOI: 10.1093/leobaeck/ybad007
Hanja Dämon
Hungarian-born actress Franziska (or Franciska) Gaal was an interwar star whose film career spanned different countries and continents. Contemporary trade press and newspaper articles reveal her international fame during the 1930s, and trace her attempts to conquer Hollywood, where the studio system dictated that she lose weight and dye her hair. As she was unable to continue her career in Europe due to her Jewish heritage, this article examines her trajectory in Europe and the United States in the context of exile. It also interrogates how one of Europe’s top stars for an entire decade could fade from public memory and drift into oblivion, especially in the German-speaking countries where she was once so successful.
出生于匈牙利的女演员弗兰兹卡·加尔是一位两次世界大战之间的明星,她的电影生涯跨越了不同的国家和大陆。当时的商业报刊文章揭示了她在20世纪30年代的国际声誉,并追溯了她试图征服好莱坞的历程,当时好莱坞的制片公司制度要求她减肥和染头发。由于她的犹太血统,她无法在欧洲继续她的职业生涯,本文在流亡的背景下考察了她在欧洲和美国的轨迹。它还质疑了一个欧洲顶级明星如何在整整十年的时间里从公众记忆中消失,并逐渐被遗忘,尤其是在她曾经如此成功的德语国家。
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引用次数: 0
Gender in Martin Buber’s Hasidic Tales 马丁·布伯的《哈西德派故事》中的性别
Pub Date : 2023-08-01 DOI: 10.1093/leobaeck/ybad004
S. S. Shonkoff
Martin Buber’s anthologies of Hasidic tales remain some of his most widely read writings, but few have studied them intertextually vis-à-vis the original Hasidic sources. This article does so, focusing specifically on Buber’s representations of gender in Hasidism. Reading Buber’s tales hermeneutically for gender sheds light on Buber, Hasidism, and the dynamic confluence between them. Firstly, it helps us to identify key aspects of Buber’s representation of Hasidic theology. Regardless of his intentions, when Buber remoulded Hasidic sources to prioritize bodily concreteness over spiritual abstraction, meetings over meditations, and tales over treatises, he subverted theological-metaphysical constructions of gender in Hasidism. Secondly, reading the tales for gender illuminates key aspects of Buber’s representation of Hasidic communities. Buber often softened and omitted sexist elements in the original sources. While this may reveal his egalitarian impulses at times, the article demonstrates that Buber’s efforts to hide misogyny actually rendered women even less visible than they were in the original sources, as images of women dissolved into a sort of gender-blind, neutral (i.e. masculine) humanism. As a whole, Buber’s textual alterations raise thorny questions regarding the ethics of neo-Hasidism or any other movements that gloss over the shadows of historical phenomena.
马丁·布伯的哈西德派故事选集仍然是他最广泛阅读的作品之一,但很少有人在-à-vis原始哈西德派资料中研究它们。这篇文章就是这样做的,特别关注布伯在哈西德主义中对性别的表现。从性别的角度解读布伯的故事,有助于了解布伯、哈西德主义,以及它们之间的动态融合。首先,它帮助我们识别布伯对哈西德派神学的表现的关键方面。不管他的意图是什么,当布伯重塑哈西德派的资料,将身体的具体性优先于精神的抽象,将会议优先于冥想,将故事优先于论文时,他颠覆了哈西德派对性别的神学形而上学建构。其次,从性别角度解读这些故事揭示了布伯代表哈西德派社区的关键方面。布伯经常软化和省略原始资料中的性别歧视因素。虽然这有时可能揭示了他的平等主义冲动,但这篇文章表明,布伯隐藏厌女症的努力实际上使女性比原始资料中更不引人注目,因为女性的形象溶解在一种性别盲目的、中性的(即男性化的)人文主义中。作为一个整体,Buber的文本修改提出了关于新哈西德主义或任何其他掩盖历史现象阴影的运动的伦理的棘手问题。
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引用次数: 0
In Memoriam: Professor Peter Pulzer 纪念:彼得·普尔泽教授
Pub Date : 2023-07-27 DOI: 10.1093/leobaeck/ybad003
David Rechter
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引用次数: 0
On the Construction of Jewishness and the Inescapable Jewish Fate: The Cases of Werner and Gershom Scholem 论犹太性的建构与犹太人不可逃避的命运——以维尔纳和格肖姆·肖勒姆为例
Pub Date : 2023-07-08 DOI: 10.1093/leobaeck/ybad002
M. Zadoff, Noam Zadoff
The two youngest brothers of the Scholem family, Werner and Gerhard (later Gershom), became prominent personalities, each in his field. Werner was one of the leaders of the KPD, the German Communist Party, and Gershom became the founder of the field of Kabbalah research at the Hebrew University, Jerusalem. As a result of this prominence, both brothers were confronted throughout their lives with reactions to their physical appearance, which was perceived by the people they met as typically Jewish. These reactions came to reflect their exceptional position as political, philosophical and scholarly vanguards. Both Werner and Gershom were well aware of the reactions that their faces evoked, and each of them dealt with these ascriptions in different ways at different times: by either ignoring or employing them as they pursued their social and political goals, the brothers defined—and redefined—their relationship to Germany and developed a performative level of Jewishness. This article explores the questions: in what sense did their physical appearance in the eyes of others shape the self-perception of the two youngest Scholem brothers? And to what extent did this perception influence their complex relationship to Germany and Germans during the height of their public fame in Germany—in Werner's case the Weimar Republic and Nazi Germany, and for Gershom the post-war period? Although both of them were proponents of utopian ideas that offered a kind of salvation to the Jewish condition in turn-of-the-century Europe, this article argues that their looks and habitus determined their German-Jewish fate.
朔勒姆家族最小的两个兄弟,维尔纳和格哈德(后来的格肖姆),在各自的领域都成为了杰出的人物。维尔纳是德国共产党(KPD)的领导人之一,格肖姆是耶路撒冷希伯来大学卡巴拉研究领域的创始人。由于这一突出地位,兄弟俩一生都面临着对他们外表的反应,他们遇到的人认为这是典型的犹太人。这些反应反映了他们作为政治、哲学和学术先锋的特殊地位。维尔纳和格肖姆都很清楚他们的脸所引起的反应,他们每个人都在不同的时期以不同的方式处理这些归属:在追求自己的社会和政治目标时,要么忽视这些归属,要么利用这些归属,兄弟俩定义了——又重新定义了——他们与德国的关系,并发展了一种表现层面的犹太人性。这篇文章探讨了这样一个问题:他们在别人眼中的外表在什么意义上塑造了肖勒姆两兄弟的自我认知?在他们在德国的公众声誉达到顶峰时,这种看法在多大程度上影响了他们与德国和德国人的复杂关系——在维尔纳的例子中是魏玛共和国和纳粹德国,而在格肖姆的例子中是战后时期?虽然他们都是乌托邦思想的支持者,为世纪之交的欧洲犹太人的处境提供了一种救赎,但本文认为,他们的外表和习惯决定了他们的德国犹太人的命运。
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引用次数: 0
The Quest for the Philosophers’ Stone: Alois von Sonnenfels’ ‘אור נגה—Splendor Lucis’, Vienna 1745
Pub Date : 2023-05-09 DOI: 10.1093/leobaeck/ybad001
R. Evers
This article examines אור נגה—Splendor Lucis, oder Glantz des Lichts, a bilingual German-Hebrew alchemical work written in 1745 by Alois von Sonnenfels (1705–1768), a scholar and translator at the Austrian imperial court, who converted from Judaism to Catholicism in 1735. Splendor Lucis embodies a quest for ‘vera philosophia’, a true and pure knowledge, which its author seeks via the practical alchemical pursuit of discovering how to transmute base substances into gold using the legendary ‘Philosophers’ Stone’. Ultimately, Sonnenfels locates the secret to divine wisdom in the biblical figure of Job, and concludes that ‘vera philosophia’ is with God alone and cannot be grasped by humankind. This article analyses how Sonnenfels’ unique eighteenth-century text combines Jewish and Christian concepts with alchemical, kabbalistic, and literary symbols. Christian alchemists and Christian Hebraists often tried to prove that Christianity was the anticipated Messianic fulfilment of Judaism. By contrast, Sonnenfels presents a veiled discourse which carefully makes the case for the validity of Jewish texts and thus also for Judaism—under the watchful eye of the Catholic Church.
本文探讨אורנגה辉煌设计师小金,奥得河Glantz des发亮,双语German-Hebrew炼金术作品写于1745年的阿洛伊斯•冯•Sonnenfels(1705 - 1768),一个学者和翻译家在奥地利皇宫,他于1735年皈依犹太教和天主教。《辉煌之路》体现了对“真正的哲学”的追求,这是一种真实而纯粹的知识,作者通过探索如何使用传说中的“哲学家之石”将基本物质转化为黄金的炼金术来寻求这种追求。最后,索南菲尔斯在圣经人物约伯身上找到了神圣智慧的秘密,并得出结论:“真正的哲学”只属于上帝,人类无法掌握。本文分析了索南菲尔斯独特的18世纪文本是如何将犹太教和基督教的概念与炼金术、卡巴拉学和文学符号相结合的。基督教炼金术士和基督教希伯来人经常试图证明基督教是犹太教预期的弥赛亚实现。相比之下,索南菲尔斯呈现了一种隐晦的话语,在天主教会的监督下,小心翼翼地为犹太文本的有效性辩护,从而也为犹太教辩护。
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引用次数: 0
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The Leo Baeck Institute Year Book
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