Resumen:Este artículo analiza el empleo de motivos de ropa de segunda mano e intertextualidad literaria en la caracterización de Felipe Centeno en El Doctor Centeno (1883). En las alusiones frecuentes de la novela a circuitos y mercados de ropa de segunda mano, Galdós pone en tela de juicio las condiciones que impiden la autoformación burguesa en el Madrid de finales del siglo XIX. Al examinar las adquisiciones sartoriales del protagonista epónimo al lado de las constantes referencias intertextuales a la novela realista europea en El Doctor Centeno, este ensayo propone una lectura de Centeno como un doble irónico y metaliterario de Galdós en sus aspiraciones a perfeccionar la novela realista española.Abstract:This article analyzes Galdós’s meaningful engagement with used clothing motifs and literary intertextuality in the characterization of Felipe Centeno in El Doctor Centeno (1883). Through the novel’s frequent allusions to secondhand circuits and markets, Galdós presents a critical portrayal of the conditions stunting bourgeois self-formation in late nineteenth-century Madrid. By situating the eponymous protagonist’s secondhand sartorial acquisitions alongside El Doctor Centeno’s many intertextual references to the pan-European realist novel, this essay suggests that we may read Centeno as an ironic, metaliterary double for Galdós, who aspired to perfect the Spanish realist novel.
{"title":"Secondhand: The Used Clothing Trade and Narrative Ragpicking in Galdós’s El Doctor Centeno","authors":"N. Wolters","doi":"10.1353/ANG.2018.0002","DOIUrl":"https://doi.org/10.1353/ANG.2018.0002","url":null,"abstract":"Resumen:Este artículo analiza el empleo de motivos de ropa de segunda mano e intertextualidad literaria en la caracterización de Felipe Centeno en El Doctor Centeno (1883). En las alusiones frecuentes de la novela a circuitos y mercados de ropa de segunda mano, Galdós pone en tela de juicio las condiciones que impiden la autoformación burguesa en el Madrid de finales del siglo XIX. Al examinar las adquisiciones sartoriales del protagonista epónimo al lado de las constantes referencias intertextuales a la novela realista europea en El Doctor Centeno, este ensayo propone una lectura de Centeno como un doble irónico y metaliterario de Galdós en sus aspiraciones a perfeccionar la novela realista española.Abstract:This article analyzes Galdós’s meaningful engagement with used clothing motifs and literary intertextuality in the characterization of Felipe Centeno in El Doctor Centeno (1883). Through the novel’s frequent allusions to secondhand circuits and markets, Galdós presents a critical portrayal of the conditions stunting bourgeois self-formation in late nineteenth-century Madrid. By situating the eponymous protagonist’s secondhand sartorial acquisitions alongside El Doctor Centeno’s many intertextual references to the pan-European realist novel, this essay suggests that we may read Centeno as an ironic, metaliterary double for Galdós, who aspired to perfect the Spanish realist novel.","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"53 1","pages":"55 - 75"},"PeriodicalIF":0.3,"publicationDate":"2019-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ANG.2018.0002","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45902091","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Andando se hace el camino”. Calle y subjetividades marginales en la España del siglo XIX by Sara Muñoz-Muriana (review)","authors":"Nicholas A. Wolters","doi":"10.1353/ANG.2018.0007","DOIUrl":"https://doi.org/10.1353/ANG.2018.0007","url":null,"abstract":"","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"53 1","pages":"88 - 90"},"PeriodicalIF":0.3,"publicationDate":"2019-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ANG.2018.0007","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46178371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Approaches to Teaching the Writings of Emilia Pardo Bazán ed. by Margot Versteeg and Susan Walter (review)","authors":"Gabrielle Miller","doi":"10.1353/ANG.2018.0005","DOIUrl":"https://doi.org/10.1353/ANG.2018.0005","url":null,"abstract":"","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"53 1","pages":"83 - 85"},"PeriodicalIF":0.3,"publicationDate":"2019-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ANG.2018.0005","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47577024","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Resumen:La adaptación cinematográfica de El abuelo, de Benito Pérez Galdós, con dirección y realización de Rafael Gil y bajo el título La duda (1972), ha sido menospreciada en general por algunos estudiosos del cine y en diversos estudios galdosianos por considerarla inferior en calidad a otras adaptaciones del mismo autor, sobre todo de Luis Buñuel, por adscribir al director al movimiento franquista desde el final de la Guerra Civil, primero, y bajo la acusación de plegarse al cine comercial, después. El presente trabajo aporta datos biográficos, declaraciones y datos profesionales del director que demuestran que esas percepciones no son del todo fieles a la realidad. Se repasan las numerosas críticas favorables de los más importantes especialistas ante su estreno y se estudia el filme a la luz de una copia del guion original con el que trabajó Gil, anotado de su puño y letra, y una entrevista con su hijo que aportan una perspectiva nueva de su director y de su adaptación.Abstract:The film version of Benito Pérez Galdós’s El abuelo, directed by Rafael Gil as La duda (1972), has been considered by film and Galdós studies as not at the artistic level of the other Galdós film adaptations, especially those of Luis Buñuel, because of Gil’s assumed support for the Franco regime, and supposed commercialism. This article presents biographical information and the director’s own notes and statements that show the need to modulate those views. The positive contemporary critical reception by the most important critics of the moment and the director’s annotated script, as well as an interview with his son, all shed a new light on the film and on its director.
摘要:电影适应爷爷,贝尼托·佩雷斯Galdós、方向、实现Rafael吉尔和标题下怀疑(1972年),已被一些学者总menospreciada电影和各种研究未必galdosianos低于其他质量相同的作者,尤其是Luis Buñuel定制为佛朗哥运动属性校长自内战结束,第一次是和低商业电影,弯腰的指控之后。在这一背景下，我们可以看到，在过去20年里，导演对电影的看法发生了很大的变化。阐述了许多最著名的影评专家对求光并研究电影的原始剧本副本的工作的吉尔,注释的亲笔信,并采访他的儿子,一个新角度的经理及其适应。Abstract:电影version of Benito perez先生Galdós爷爷杜加德Rafael吉尔所怀疑的好处(1972年),已执行了电影和Galdós研究not at The艺术level of The other Galdós adaptations,尤其是那些电影《是因为吉尔Luis Buñuel此处support for The Franco制度,and送交commercialism。这篇文章提供了传记信息和导演自己的笔记和声明，表明有必要调整这些观点。The积极当代critical reception by The most important critics of The巴拉克and The主任’s注释脚本,as well as an选定with his son,所有shed a new light on The film and on its导演。
{"title":"La duda (1972) de Rafael Gil: reconsideraciones acerca de la adaptación cinematográfica de El abuelo, de Benito Pérez Galdós","authors":"Pilar García Pinacho","doi":"10.1353/ANG.2018.0000","DOIUrl":"https://doi.org/10.1353/ANG.2018.0000","url":null,"abstract":"Resumen:La adaptación cinematográfica de El abuelo, de Benito Pérez Galdós, con dirección y realización de Rafael Gil y bajo el título La duda (1972), ha sido menospreciada en general por algunos estudiosos del cine y en diversos estudios galdosianos por considerarla inferior en calidad a otras adaptaciones del mismo autor, sobre todo de Luis Buñuel, por adscribir al director al movimiento franquista desde el final de la Guerra Civil, primero, y bajo la acusación de plegarse al cine comercial, después. El presente trabajo aporta datos biográficos, declaraciones y datos profesionales del director que demuestran que esas percepciones no son del todo fieles a la realidad. Se repasan las numerosas críticas favorables de los más importantes especialistas ante su estreno y se estudia el filme a la luz de una copia del guion original con el que trabajó Gil, anotado de su puño y letra, y una entrevista con su hijo que aportan una perspectiva nueva de su director y de su adaptación.Abstract:The film version of Benito Pérez Galdós’s El abuelo, directed by Rafael Gil as La duda (1972), has been considered by film and Galdós studies as not at the artistic level of the other Galdós film adaptations, especially those of Luis Buñuel, because of Gil’s assumed support for the Franco regime, and supposed commercialism. This article presents biographical information and the director’s own notes and statements that show the need to modulate those views. The positive contemporary critical reception by the most important critics of the moment and the director’s annotated script, as well as an interview with his son, all shed a new light on the film and on its director.","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":" 22","pages":"11 - 31"},"PeriodicalIF":0.3,"publicationDate":"2019-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ANG.2018.0000","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41254415","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Multiple Modernities: Carmen de Burgos, Author and Activist ed. by Anja Louis and Michelle M. Sharp (review)","authors":"A. Paredes","doi":"10.1353/ANG.2018.0003","DOIUrl":"https://doi.org/10.1353/ANG.2018.0003","url":null,"abstract":"","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"53 1","pages":"78 - 80"},"PeriodicalIF":0.3,"publicationDate":"2019-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ANG.2018.0003","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46126514","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mediación y transferencias culturales en la España de Isabel II. Eugenio de Ochoa y las letras europeas by Raquel Sánchez (review)","authors":"F. López","doi":"10.1353/ANG.2018.0004","DOIUrl":"https://doi.org/10.1353/ANG.2018.0004","url":null,"abstract":"","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"53 1","pages":"81 - 82"},"PeriodicalIF":0.3,"publicationDate":"2019-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ANG.2018.0004","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46531614","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Resumen:Cuestionando la visión crítica de las producciones de la ciencia ficción española decimonónica como más inclinadas hacia la fantasia científica que inspiradas por conceptos científicos coherentes, el trabajo presente toma el ejemplo de José Fernández Bremón y su cuento, “Un crimen científico” (1875), y demuestra la manera en que esta narración, aparentemente caprichosa, mantiene conexiones no solamente con conceptos clave de la física y la óptica contemporánea, sino también con esfuerzos para divulgar tales conceptos en la prensa popular del día.Abstract:Challenging the predominant view of productions of 19th Century Spanish Science Fiction as being more inclined towards the fantastically scientific than inspired by coherent scientific concepts, this study takes the example of José Fernández Bremón’s 1875 short story, “Un crimen científico,” and demonstrates how the apparently whimsical tale —in fact—intersects with contemporaneous and key concepts of physics and optics, as well as with efforts to divulge and disseminate said concepts in the Spanish popular press of the day.
摘要:挑战视觉作品的批评西班牙科幻小说作为更加倾斜世纪科学幻想的科学概念一致,目前工作在jose fernandez Bremón例子和他的故事,“科学”(1875)的罪行,并显示了如何在这个无常的故事,显然,保持连接的,不仅与现代物理和光学核心概念但也要努力在大众媒体上传播这些概念。摘要:本文以jose fernandez bremon 1875年的短篇小说《Un crimen cientifico》为例，挑战19世纪西班牙科幻小说作品的主流观点，因为它更倾向于奇妙的科学，而不是受到连贯的科学概念的启发。和秘书处如何和whimsical砍掉了事实——in intersects with的and key概念of自己和optics, as well as with力度divulge and广泛said概念in the press of the day西班牙大受欢迎。
{"title":"Shedding Light on José Fernández Bremón’s “Un Crimen científico”: Science and Science Fiction in Restoration Spain","authors":"Michael A. Gómez","doi":"10.1353/ANG.2018.0001","DOIUrl":"https://doi.org/10.1353/ANG.2018.0001","url":null,"abstract":"Resumen:Cuestionando la visión crítica de las producciones de la ciencia ficción española decimonónica como más inclinadas hacia la fantasia científica que inspiradas por conceptos científicos coherentes, el trabajo presente toma el ejemplo de José Fernández Bremón y su cuento, “Un crimen científico” (1875), y demuestra la manera en que esta narración, aparentemente caprichosa, mantiene conexiones no solamente con conceptos clave de la física y la óptica contemporánea, sino también con esfuerzos para divulgar tales conceptos en la prensa popular del día.Abstract:Challenging the predominant view of productions of 19th Century Spanish Science Fiction as being more inclined towards the fantastically scientific than inspired by coherent scientific concepts, this study takes the example of José Fernández Bremón’s 1875 short story, “Un crimen científico,” and demonstrates how the apparently whimsical tale —in fact—intersects with contemporaneous and key concepts of physics and optics, as well as with efforts to divulge and disseminate said concepts in the Spanish popular press of the day.","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"53 1","pages":"33 - 53"},"PeriodicalIF":0.3,"publicationDate":"2019-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ANG.2018.0001","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47117567","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Kiosk Literature of Silver Age Spain. Modernity and Mass Culture eds. by Jeffrey Zamostny y Susan Larson (review)","authors":"Elena Cueto Asín","doi":"10.1353/ANG.2017.0005","DOIUrl":"https://doi.org/10.1353/ANG.2017.0005","url":null,"abstract":"","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"52 1","pages":"103 - 105"},"PeriodicalIF":0.3,"publicationDate":"2017-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ANG.2017.0005","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42157941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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