{"title":"Intersections of Race, Class, Gender, and Nation in Fin-de-siècle Spanish Literature and Culture eds. by Jennifer Smith y Lisa Nalbone (review)","authors":"Ó. Useche","doi":"10.1353/ANG.2017.0010","DOIUrl":"https://doi.org/10.1353/ANG.2017.0010","url":null,"abstract":"","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"52 1","pages":"115 - 118"},"PeriodicalIF":0.3,"publicationDate":"2017-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ANG.2017.0010","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44879552","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Galdós en sus textos. Asedios críticos para una hermenéutica by Francisco Estévez (review)","authors":"Verónica Mayer","doi":"10.1353/ANG.2017.0008","DOIUrl":"https://doi.org/10.1353/ANG.2017.0008","url":null,"abstract":"","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"52 1","pages":"111 - 112"},"PeriodicalIF":0.3,"publicationDate":"2017-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ANG.2017.0008","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42351104","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Resumen:Rayco Pulido (1978) es un historietista español egresado de la licenciatura en Bellas Artes por la Universidad de Barcelona. En 2013 la editorial Astiberri publicó su novela gráfica Nela, una adaptación de la novela de Benito Pérez Galdós Marianela de 1878. En este documento, los autores hacen un análisis del trabajo de Pulido con el objetivo de observar qué cambios ocurren en una obra que está codificada en clave estética de la lengua al transformarla, o traducirla, al lenguaje del cómic. Se analizan las modificaciones en los elementos que constituyen la obra y la relación que sostienen; a la vez, es un reconocimiento de los aspectos insatisfactorios del trabajo de Pulido, así como sus aciertos, y una invitación al intercambio entre sistemas de composición estética.Abstract:Rayco Pulido (1978) is a Spanish cartoonist, who received his Bachelor of Fine Arts from the University of Barcelona. In 2013, Astiberri Publishers published his graphic novel Nela, an adaptation of Benito Pérez Galdós´s Marianela (1878). In this paper, the authors analyze Pulido´s adaptation to track what kind of changes occur in the translation from a novel, a work that is codified in the aesthetic key of language, to a graphic novel. Modifications in the work's components and their interrelations are analyzed; at the same time, it is an assessment of both the unsatisfactory aspects and strengths of Pulido's work, and an invitation to the exchange between systems of aesthetic composition.
摘要:Rayco Pulido(1978)是西班牙漫画家，毕业于巴塞罗那大学美术学士学位。2013年，阿斯提贝里出版了他的漫画小说《内拉》，改编自贝尼托perez galdos的1878年小说《马里亚内拉》。在本文中，作者对抛光作品进行了分析，目的是观察在将其转换或翻译成漫画语言时，以语言美学编码的作品发生了什么变化。分析构成作品的元素的变化以及它们之间的关系;同时，这也是对抛光工作中不令人满意的方面及其成功的认可，也是对美学构成系统之间交流的邀请。= =地理= =根据美国人口普查，这个县的土地面积为。2013年，阿斯提伯里出版社出版了他的漫画小说《内拉》，改编自贝尼托的《马里亚内拉》(1878)。在这篇论文中，作者分析了Pulido的改编，以了解小说翻译中发生了什么变化，这部作品被编入了语言的美感关键，变成了漫画小说。分析工作组成部分的变化及其相互关系;at the same time, it is an assessment of both the原因aspects strengths of抛光' s work, and an invitation to the exchange between systems of aesthetic种。
{"title":"Nela y Marianela: En Torno a Una Adaptación Gráfica","authors":"R. M. M. A. R. del Olmo Colin, Marco A. Lopez","doi":"10.1353/ANG.2017.0002","DOIUrl":"https://doi.org/10.1353/ANG.2017.0002","url":null,"abstract":"Resumen:Rayco Pulido (1978) es un historietista español egresado de la licenciatura en Bellas Artes por la Universidad de Barcelona. En 2013 la editorial Astiberri publicó su novela gráfica Nela, una adaptación de la novela de Benito Pérez Galdós Marianela de 1878. En este documento, los autores hacen un análisis del trabajo de Pulido con el objetivo de observar qué cambios ocurren en una obra que está codificada en clave estética de la lengua al transformarla, o traducirla, al lenguaje del cómic. Se analizan las modificaciones en los elementos que constituyen la obra y la relación que sostienen; a la vez, es un reconocimiento de los aspectos insatisfactorios del trabajo de Pulido, así como sus aciertos, y una invitación al intercambio entre sistemas de composición estética.Abstract:Rayco Pulido (1978) is a Spanish cartoonist, who received his Bachelor of Fine Arts from the University of Barcelona. In 2013, Astiberri Publishers published his graphic novel Nela, an adaptation of Benito Pérez Galdós´s Marianela (1878). In this paper, the authors analyze Pulido´s adaptation to track what kind of changes occur in the translation from a novel, a work that is codified in the aesthetic key of language, to a graphic novel. Modifications in the work's components and their interrelations are analyzed; at the same time, it is an assessment of both the unsatisfactory aspects and strengths of Pulido's work, and an invitation to the exchange between systems of aesthetic composition.","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"52 1","pages":"53 - 77"},"PeriodicalIF":0.3,"publicationDate":"2017-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ANG.2017.0002","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44595833","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"El realismo y la literatura contemporánea by Rafael Altamira (review)","authors":"A. Polizzi","doi":"10.1353/ang.2017.0009","DOIUrl":"https://doi.org/10.1353/ang.2017.0009","url":null,"abstract":"","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"52 1","pages":"113 - 114"},"PeriodicalIF":0.3,"publicationDate":"2017-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ang.2017.0009","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49199604","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"Érase un muchacho…\" y otros estudios peredianos by José Manuel González Herrán (review)","authors":"José Manuel López de Abiada","doi":"10.1353/ang.2017.0007","DOIUrl":"https://doi.org/10.1353/ang.2017.0007","url":null,"abstract":"","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"52 1","pages":"109 - 110"},"PeriodicalIF":0.3,"publicationDate":"2017-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ang.2017.0007","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66190489","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Resumen:Se presentan tres cartas personales de Galdós, transcritas a partir de manuscritos encontrados en la Biblioteca Nacional de Portugal. Dos se dirigen al historiador Martins Oliveira (del año 1886), y una al escritor Ramalho Ortigão (del año 1901). Las cartas demuestran el intercambio entre Galdós y los intelectuales portugueses de la época, además de la recepción de Galdós en ese país. Su contenido incluye temas de traducción, la cooperación entre todos los pueblos de la península ibérica, y la producción de la obra Electra.Abstract:Three of Galdós's personal letters are published from manuscripts found in the Biblioteca Nacional de Portugal. Two of the letters are addressed to historian Martins Oliveira (dated 1886) and one is to the writer Ramalho Ortigão (1901). The letters illustrate Galdós's relationship with Portuguese intellectuals, as well as his reception in Portugal. Other themes present in the letters include translation, cooperation of peoples across the iberian peninsula, and the production of Electra.
{"title":"Tres Cartas de Galdós","authors":"Laurie Lomask","doi":"10.1353/ANG.2017.0004","DOIUrl":"https://doi.org/10.1353/ANG.2017.0004","url":null,"abstract":"Resumen:Se presentan tres cartas personales de Galdós, transcritas a partir de manuscritos encontrados en la Biblioteca Nacional de Portugal. Dos se dirigen al historiador Martins Oliveira (del año 1886), y una al escritor Ramalho Ortigão (del año 1901). Las cartas demuestran el intercambio entre Galdós y los intelectuales portugueses de la época, además de la recepción de Galdós en ese país. Su contenido incluye temas de traducción, la cooperación entre todos los pueblos de la península ibérica, y la producción de la obra Electra.Abstract:Three of Galdós's personal letters are published from manuscripts found in the Biblioteca Nacional de Portugal. Two of the letters are addressed to historian Martins Oliveira (dated 1886) and one is to the writer Ramalho Ortigão (1901). The letters illustrate Galdós's relationship with Portuguese intellectuals, as well as his reception in Portugal. Other themes present in the letters include translation, cooperation of peoples across the iberian peninsula, and the production of Electra.","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"52 1","pages":"100 - 93"},"PeriodicalIF":0.3,"publicationDate":"2017-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ANG.2017.0004","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43364554","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Resumen:Este ensayo examina las referencias literales y figurativas al Japón en La familia de León Roch, y la manera en que pueden reflejar el conocimiento de Galdós del japonisme francés. Indaga en la descripción de objetos decorativos como posible evidencia de un intento por parte del autor de adoptar la estética japonista, en ocasiones como mecanismo de crítica de ciertos personajes y convenciones sociales.Abstract:This essay examines the literal and figurative references to Japan found in La familia de León Roch, and how they might reflect Galdós's understanding and engagement with French japonisme. It analyses descriptions of decorative objects in light of how they evidence an attempt by the author to apply aspects of the japoniste aesthetic, as well as how they might function as devices to discredit certain characters and social conventions.
{"title":"Galdós and Japonisme: The Floating World of León Roch","authors":"David R. George","doi":"10.1353/ANG.2017.0000","DOIUrl":"https://doi.org/10.1353/ANG.2017.0000","url":null,"abstract":"Resumen:Este ensayo examina las referencias literales y figurativas al Japón en La familia de León Roch, y la manera en que pueden reflejar el conocimiento de Galdós del japonisme francés. Indaga en la descripción de objetos decorativos como posible evidencia de un intento por parte del autor de adoptar la estética japonista, en ocasiones como mecanismo de crítica de ciertos personajes y convenciones sociales.Abstract:This essay examines the literal and figurative references to Japan found in La familia de León Roch, and how they might reflect Galdós's understanding and engagement with French japonisme. It analyses descriptions of decorative objects in light of how they evidence an attempt by the author to apply aspects of the japoniste aesthetic, as well as how they might function as devices to discredit certain characters and social conventions.","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"52 1","pages":"11 - 32"},"PeriodicalIF":0.3,"publicationDate":"2017-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ANG.2017.0000","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48607692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Resumen:Al emplear la novela The Odd Women (1893) de George Gissing como lente critica para acercarse a Tristana (1892), este ensayo considera la estrecha relación entre emancipación femenina, enfermedad y discapacidad en la novela de Benito Pérez Galdós. A través de diálogos con estudios de la discapacidad, compara el personaje de Tristana con Rhoda Nunn, la protagonista Mujer Nueva de la novela realista de Gissing. Rhoda, como mujer físicamente capacitada, supera discursos de degeneración que intentan masculinizarla mientras que Tristana internaliza su propia deshumanización por parte de la sociedad a causa de su discapacidad. El ensayo también demuestra, al recurrir a textos médicos contemporáneos, que los deseos de independencia económica de Tristana inscriben en su cuerpo el discurso enfermizo de histeria mucho antes de la amputación de su pierna.Abstract:This essay treats George Gissing's The Odd Women (1893) as a critical lens through which to reconsider the inextricable relationship between female emancipation, illness and disability in Benito Pérez Galdós's novel, Tristana (1892). In dialogue with disability studies, the essay reads Tristana against Rhoda Nunn, the New Woman heroine of Gissing's realist novel. Where the able-bodied Rhoda's strong sense of vocation enables her to transcend masculinizing discourses of degeneracy, Tristana's disability leads to the internalization of her own objectification. Through recourse to contemporary medical and social texts, this essay further demonstrates that Tristana's determined pursuit of financial independence inscribes her body with discourses of hysteric disease, well before the amputation of her leg.
{"title":"Representations of \"Odd\" Women in Gissing and Galdós","authors":"Gabrielle Miller","doi":"10.1353/ANG.2017.0001","DOIUrl":"https://doi.org/10.1353/ANG.2017.0001","url":null,"abstract":"Resumen:Al emplear la novela The Odd Women (1893) de George Gissing como lente critica para acercarse a Tristana (1892), este ensayo considera la estrecha relación entre emancipación femenina, enfermedad y discapacidad en la novela de Benito Pérez Galdós. A través de diálogos con estudios de la discapacidad, compara el personaje de Tristana con Rhoda Nunn, la protagonista Mujer Nueva de la novela realista de Gissing. Rhoda, como mujer físicamente capacitada, supera discursos de degeneración que intentan masculinizarla mientras que Tristana internaliza su propia deshumanización por parte de la sociedad a causa de su discapacidad. El ensayo también demuestra, al recurrir a textos médicos contemporáneos, que los deseos de independencia económica de Tristana inscriben en su cuerpo el discurso enfermizo de histeria mucho antes de la amputación de su pierna.Abstract:This essay treats George Gissing's The Odd Women (1893) as a critical lens through which to reconsider the inextricable relationship between female emancipation, illness and disability in Benito Pérez Galdós's novel, Tristana (1892). In dialogue with disability studies, the essay reads Tristana against Rhoda Nunn, the New Woman heroine of Gissing's realist novel. Where the able-bodied Rhoda's strong sense of vocation enables her to transcend masculinizing discourses of degeneracy, Tristana's disability leads to the internalization of her own objectification. Through recourse to contemporary medical and social texts, this essay further demonstrates that Tristana's determined pursuit of financial independence inscribes her body with discourses of hysteric disease, well before the amputation of her leg.","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"52 1","pages":"33 - 51"},"PeriodicalIF":0.3,"publicationDate":"2017-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ANG.2017.0001","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41791400","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Resumen:El manuscrito Alfa de la novela Halma, de Benito Pérez Galdós, ilumina la tardía escena de conversación crítica entre Nazarín y Halma, en el capítulo 6 de la quinta y última parte del texto definitivo, en que las preguntas del sacercote llevan a la noble dama a su propia comprensión de cuál será su auténtico proyecto vital. En la versión manuscrita, Nazarín explícitamente señala a Halma el camino de casarse y abandonar la idea de una célibe vida religiosa. El artículo también considera el tema de la paciencia individual y social, como virtud, en esta novela y también en su novela compañera inmediatamente anterior, Nazarín.Abstract:The Alpha manuscript of Benito Pérez Galdós's novel Halma sheds light on the late scene of the critical conversation between Nazarín and Halma in chapter 6 of the fifth and final part of the definitive text, in which the priest's questions lead the noble lady to her own understanding of her true life project. In the early version, Nazarín explicitly suggests that Halma marry and abandon her ideal of a celibate religious life. The study also considers the theme of patience as an individual and social virtue in this work, as well as in the immediately prior companion novel, Nazarín.
{"title":"Patience and Pragmatism: Galdós's Rewriting of the Last Four Chapters of Halma","authors":"J. Whiston","doi":"10.1353/ANG.2017.0003","DOIUrl":"https://doi.org/10.1353/ANG.2017.0003","url":null,"abstract":"Resumen:El manuscrito Alfa de la novela Halma, de Benito Pérez Galdós, ilumina la tardía escena de conversación crítica entre Nazarín y Halma, en el capítulo 6 de la quinta y última parte del texto definitivo, en que las preguntas del sacercote llevan a la noble dama a su propia comprensión de cuál será su auténtico proyecto vital. En la versión manuscrita, Nazarín explícitamente señala a Halma el camino de casarse y abandonar la idea de una célibe vida religiosa. El artículo también considera el tema de la paciencia individual y social, como virtud, en esta novela y también en su novela compañera inmediatamente anterior, Nazarín.Abstract:The Alpha manuscript of Benito Pérez Galdós's novel Halma sheds light on the late scene of the critical conversation between Nazarín and Halma in chapter 6 of the fifth and final part of the definitive text, in which the priest's questions lead the noble lady to her own understanding of her true life project. In the early version, Nazarín explicitly suggests that Halma marry and abandon her ideal of a celibate religious life. The study also considers the theme of patience as an individual and social virtue in this work, as well as in the immediately prior companion novel, Nazarín.","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"52 1","pages":"79 - 89"},"PeriodicalIF":0.3,"publicationDate":"2017-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ANG.2017.0003","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44744712","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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