{"title":"La Vita beati Iohannis pii patriarche Alexandrie [BHL 4392]: editio princeps y traducción","authors":"O. S. Bohdziewicz, Inés Warburg","doi":"10.7203/mclm.8.20900","DOIUrl":"https://doi.org/10.7203/mclm.8.20900","url":null,"abstract":"","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45667188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The TEI Guidelines represent today an essential standard in the world of textual encoding for digital editions. However, some problems concerning TEI encoding, both theoretical and practical, are far from being definitively resolved. In this context we firstly discuss a theoretical question: what is the nature of the encoding? Are we interested in the Text or in its documentary image? What is the difference between a descriptive encoding and an editorial one? Secondly, we analyse the specific case of the TEI Guidelines application to the Medieval textual and writing reality: indeed, this application risks being anything but automatic, as TEI tags were set in the context of contemporary printed books.
{"title":"Les Guidelines TEI à l’épreuve de la complexité textuelle et graphique médiévale","authors":"Marta Materni","doi":"10.7203/mclm.8.16724","DOIUrl":"https://doi.org/10.7203/mclm.8.16724","url":null,"abstract":"The TEI Guidelines represent today an essential standard in the world of textual encoding for digital editions. However, some problems concerning TEI encoding, both theoretical and practical, are far from being definitively resolved. In this context we firstly discuss a theoretical question: what is the nature of the encoding? Are we interested in the Text or in its documentary image? What is the difference between a descriptive encoding and an editorial one? Secondly, we analyse the specific case of the TEI Guidelines application to the Medieval textual and writing reality: indeed, this application risks being anything but automatic, as TEI tags were set in the context of contemporary printed books.","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42022981","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article aims to prove the active role played by artisans as consumers (readers, owners, copyists) and authors of literature besides elite and court circles, and links it to the strategies of social promotion launched by that dynamic social group. The analysis is based on two types of sources: on the one hand, on an extensive sample of the presence of literary works in the libraries of the medieval Catalan lower middle classes, derived from the main documentary collections on history of the books produced to date; and, on the other hand, on some literary codices copied by individuals belonging to that social sphere, which have been re-examined. In addition, some individuals are identified regarding the transmission of some works of Francesc Eiximenis (Llibre de les dones and Llibre dels àngels) and the Catalan translation of La Queste del saint Graal, as well as regarding the origin of Jaume Conesa’s translation of Guido delle Colonne’s Historia destructionis Troie.
本文旨在证明除了精英和宫廷圈子之外，工匠作为消费者(读者、所有者、抄写者)和文学作者所扮演的积极角色，并将其与这个充满活力的社会群体所发起的社会推广策略联系起来。该分析基于两种类型的来源:一方面，中世纪加泰罗尼亚中下层阶级图书馆中文学作品存在的广泛样本，源自迄今为止制作的书籍历史的主要文献收藏;另一方面，属于那个社会领域的个人抄写的一些文学抄本，已经被重新研究过了。此外，关于Francesc Eiximenis的一些作品的传播(Llibre de les dones和Llibre dels àngels)和La Queste del saint Graal的加泰罗尼亚语翻译，以及关于Jaume Conesa翻译Guido delle Colonne的Historia destructionis Troie的起源，确定了一些个人。
{"title":"Literatura i promoció social: lectura i creació literàries entre els menestrals catalans medievals","authors":"Lluís Cifuentes i Comamala","doi":"10.7203/mclm.8.21014","DOIUrl":"https://doi.org/10.7203/mclm.8.21014","url":null,"abstract":"This article aims to prove the active role played by artisans as consumers (readers, owners, copyists) and authors of literature besides elite and court circles, and links it to the strategies of social promotion launched by that dynamic social group. The analysis is based on two types of sources: on the one hand, on an extensive sample of the presence of literary works in the libraries of the medieval Catalan lower middle classes, derived from the main documentary collections on history of the books produced to date; and, on the other hand, on some literary codices copied by individuals belonging to that social sphere, which have been re-examined. In addition, some individuals are identified regarding the transmission of some works of Francesc Eiximenis (Llibre de les dones and Llibre dels àngels) and the Catalan translation of La Queste del saint Graal, as well as regarding the origin of Jaume Conesa’s translation of Guido delle Colonne’s Historia destructionis Troie.","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43854096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La coronación de Nuestra Señora de Fernán Ruiz de Sevilla (ID 0116): variantes y variaciones","authors":"Natalia Anaís Mangas Navarro","doi":"10.7203/mclm.8.20960","DOIUrl":"https://doi.org/10.7203/mclm.8.20960","url":null,"abstract":"","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44268274","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La tradició editorial del Flos sanctorum català en el Cinccents","authors":"Carme Arronis Llopis","doi":"10.7203/mclm.8.20952","DOIUrl":"https://doi.org/10.7203/mclm.8.20952","url":null,"abstract":"","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42324078","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Los pliegos sueltos de romances RM686-RM686 y RM408-RM409: contextos, materialidad y ecdótica","authors":"Mario Garvin","doi":"10.7203/mclm.8.16884","DOIUrl":"https://doi.org/10.7203/mclm.8.16884","url":null,"abstract":"","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49321162","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A complete codicological analysis of manuscript 2763 of the University Library of Salamanca. This is volume SA10, in the acronym system proposed by Brian Dutton (1990-91), a codex that groups two independent cancionero manuscripts of medieval poetry, dating from the early sixteenth century. This exhaustive study of the codex materiality is completed by counting and analysing its selected works and authors, as well as their layout and sequencing. The results allow us to formulate an hypothesis about the genesis of the volume and its complex process of copying and transmission.
{"title":"Un códice facticio de cancioneros manuscritos del siglo XVI","authors":"Ana María Rodado Ruiz","doi":"10.7203/mclm.7.16692","DOIUrl":"https://doi.org/10.7203/mclm.7.16692","url":null,"abstract":"A complete codicological analysis of manuscript 2763 of the University Library of Salamanca. This is volume SA10, in the acronym system proposed by Brian Dutton (1990-91), a codex that groups two independent cancionero manuscripts of medieval poetry, dating from the early sixteenth century. This exhaustive study of the codex materiality is completed by counting and analysing its selected works and authors, as well as their layout and sequencing. The results allow us to formulate an hypothesis about the genesis of the volume and its complex process of copying and transmission.","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46149036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article introduces the monograph “Translations, versions and commentaries on poetry in the 15th- and 16th centuries”, which includes four studies dealing with translations from vernacular to vernacular, of works by Dante, Petrarch, Alain Chartier and Jan van der Noot.
{"title":"Translations, versions and commentaries on poetry in the 15th- and 16th centuries","authors":"Marta Marfany","doi":"10.7203/mclm.7.13943","DOIUrl":"https://doi.org/10.7203/mclm.7.13943","url":null,"abstract":"This article introduces the monograph “Translations, versions and commentaries on poetry in the 15th- and 16th centuries”, which includes four studies dealing with translations from vernacular to vernacular, of works by Dante, Petrarch, Alain Chartier and Jan van der Noot.","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46340725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Between the Transformacions of Francesc Alegre (c.1452 - c.1508) and the mythological proses of Joan Rois de Corella some textual coincidences have been detected. Not without reservations, these coincidences have been explained as Corellas influence on Alegre. This is the most satisfactory explanation, given Alegre’s admiration and imitation of Corella’s prose, and Corella’s huge fame in the second half of the fifteenth century. However, Alegre knew earlier versions of Ovid’s Metamorphoses , such as that by Francesc de Pinos (1416-1475), or the anonymous Castilian version, both nowadays lost. And perhaps these versions were known by Corella too. The textual coincidences of these two authors have been analyzed here to determine if they respond to Corella’s direct influence or if, in some cases, they could be explained by a common ancestor.
在Francesc Alegre (c.1452 - c.1508)的变形和Joan Rois de Corella的神话散文之间，已经发现了一些文本上的巧合。这些巧合被解释为科雷拉对阿雷格里的影响。这是最令人满意的解释，因为阿雷格里对科雷拉散文的钦佩和模仿，以及科雷拉在15世纪下半叶的巨大名声。然而，阿雷格里知道奥维德的《变形记》的早期版本，比如弗朗切斯克·德·皮诺斯(Francesc de Pinos, 1416-1475)的版本，或者匿名的卡斯蒂利亚版本，这两个版本现在都失传了。也许科雷拉也知道这些版本。这里分析了这两位作者的文字巧合，以确定他们是否对科雷拉的直接影响作出反应，或者在某些情况下，他们是否可以用共同的祖先来解释。
{"title":"Plausibilitat d’un ancestre comú entre les obres mitològiques de Joan Roís de Corella i les Transformacions de Francesc Alegre","authors":"Pere Bescós","doi":"10.7203/mclm.7.15891","DOIUrl":"https://doi.org/10.7203/mclm.7.15891","url":null,"abstract":"Between the Transformacions of Francesc Alegre (c.1452 - c.1508) and the mythological proses of Joan Rois de Corella some textual coincidences have been detected. Not without reservations, these coincidences have been explained as Corellas influence on Alegre. This is the most satisfactory explanation, given Alegre’s admiration and imitation of Corella’s prose, and Corella’s huge fame in the second half of the fifteenth century. However, Alegre knew earlier versions of Ovid’s Metamorphoses , such as that by Francesc de Pinos (1416-1475), or the anonymous Castilian version, both nowadays lost. And perhaps these versions were known by Corella too. The textual coincidences of these two authors have been analyzed here to determine if they respond to Corella’s direct influence or if, in some cases, they could be explained by a common ancestor.","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48468784","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This work highlights and describes the specific way in which fictional discourse in Spanish gradually took shape and developed in the rewriting of history in the first half of the 13th century. The battle of Atapuerca (1054) is a milestone in the history of the Kingdom of Navarre. Since its first historiographical version preserved in the Historia silense (c. 1118- 1126), the account of the battle of Atapuerca underwent modifications, amplifications and several recasts in its extensive dispersion in time and space. In the first place, the work presents a comparison between different Latin versions (mainly the Silense , the Chronicon mundi and De rebus Hispaniae ) and several Castilian versions (the Version critica de la Estoria de Espana , the Cronica sanchina , the Cronica de Castilla and the Cronica general de 1344 ) of the battle of Atapuerca. Secondly, a detailed analysis of a late version of the battle is carried out taking into account the evolution of narrative prose in medieval Spanish. This version adopts the typical narrative forms of the fazana, a minor Castilian legal genre. The work focuses at this point on the peculiar intersection between the legal mould provided by this short narrative form and the traditional historiographic matter. In the treatment of historical matter and in the peculiar presentation of motifs and characters in this episode, the fazana shows striking features that many critics have identified as fictional or even novelesque.
这部作品突出并描述了13世纪上半叶西班牙语虚构话语在历史改写中逐渐形成和发展的具体方式。阿塔普尔卡战役(1054年)是纳瓦拉王国历史上的一个里程碑。自从《沉默的历史》(Historia silense，约1118- 1126年)保存了第一个史学版本以来，关于阿塔普埃尔卡战役的叙述在时间和空间上广泛分散，经历了修改、放大和几次重写。首先，本书比较了不同的拉丁版本(主要是Silense、Chronicon mundi和De rebus Hispaniae)和几个卡斯蒂利亚版本(the Version critica De la Estoria De Espana、the Cronica sanchina、the Cronica De Castilla和the Cronica general De 1344)对阿塔普埃尔卡战役的描述。其次，考虑到中世纪西班牙语叙事散文的演变，对这场战斗的后期版本进行了详细的分析。这个版本采用了法扎纳的典型叙事形式，这是一种次要的卡斯蒂利亚法律流派。在这一点上，工作的重点是由这种简短的叙事形式提供的法律模式和传统的史学问题之间的特殊交集。在这一集对历史事件的处理和对主题和人物的独特呈现中，《法扎纳》表现出了许多评论家认为是虚构的甚至是小说式的显著特征。
{"title":"Las batallas de Atapuerca y la (re)escritura novelesca de la historia","authors":"Maximiliano A. Soler Bistué","doi":"10.7203/mclm.7.15596","DOIUrl":"https://doi.org/10.7203/mclm.7.15596","url":null,"abstract":"This work highlights and describes the specific way in which fictional discourse in Spanish gradually took shape and developed in the rewriting of history in the first half of the 13th century. The battle of Atapuerca (1054) is a milestone in the history of the Kingdom of Navarre. Since its first historiographical version preserved in the Historia silense (c. 1118- 1126), the account of the battle of Atapuerca underwent modifications, amplifications and several recasts in its extensive dispersion in time and space. In the first place, the work presents a comparison between different Latin versions (mainly the Silense , the Chronicon mundi and De rebus Hispaniae ) and several Castilian versions (the Version critica de la Estoria de Espana , the Cronica sanchina , the Cronica de Castilla and the Cronica general de 1344 ) of the battle of Atapuerca. Secondly, a detailed analysis of a late version of the battle is carried out taking into account the evolution of narrative prose in medieval Spanish. This version adopts the typical narrative forms of the fazana, a minor Castilian legal genre. The work focuses at this point on the peculiar intersection between the legal mould provided by this short narrative form and the traditional historiographic matter. In the treatment of historical matter and in the peculiar presentation of motifs and characters in this episode, the fazana shows striking features that many critics have identified as fictional or even novelesque.","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41687892","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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