Pub Date : 2023-01-01DOI: 10.29162/anafora.v10i1.1
V. Polić
Članak analizira odrednice vesterna u seriji Yellowstone (2018. ‒ 2023.), služeći se teorijom žanra vesterna (Tompkins, Cawelti i Mitchell). Analizira se u kojoj mjeri te odrednice žanra – poput krajolika, kauboja, konja, smrti, kretanja kroz prostor, te opreke divljina/civilizacija – i danas funkcioniraju u vesternu tradicionalnog tipa kao što je Yellowstone, te zašto je mainstream gledateljstvu vestern još uvijek privlačan. U članku se također diskutira o procesu transformacije življenog iskustva bijelih doseljenika na američkom Zapadu u mit o postanku američkog društva (Slotkin), što se zatim povezuje s genezom vesterna iz pseudorealističnog u mitski žanr. Drugim riječima, u članku se istražuje mitopoetski naboj žanra vesterna kojim se stvara mit o američkoj naciji, mit koji se, poput vesterna, uvijek pripovijeda iz bijele doseljeničke perspektive pa stoga proizvodi ideološki jednostrani narativ. Nadalje, u članku se analizira retorika legitimacije žanra i ‘američkog’ načina života inzistiranjem na autentičnosti života na američkom (bijelom) Zapadu, koji uključuje povratak starim (bijelim, doseljeničkim) vrijednostima. Služeći se, između ostalog, argumentom autentičnosti žanra, članak pokazuje kako serija Yellowstone, oslanjajući se na ‘spektakularnost’ predstava o Divljem zapadu (poput onih kakve je uprizorivao Buffalo Bill na prijelazu iz devetnaestog u dvadeseto stoljeće), ostaje čvrsto unutar žanra tradicionalnog vesterna. Članak pokazuje kako Yellowstone retorički i pojavno inzistira na tome da prikazuje ‘autentični’ život na američkom Zapadu danas, ugrađujući u sebe mnoge elemente same mitopoeje američkog društva, ali kako, kao prava (konjska) sapunica, nehotice prokazuje te stare vrijednosti kao dvolične, jednostrane i samožive, ukazujući na nedostatke tog hvaljenog ‘američkog’ načina života.
Članak analizira odrednice vesterna u seriji Yellowstone（2018.-2023年，为西方流派（汤普金斯、卡韦尔蒂和米切尔）的理论服务。分析了这些类型的衡量标准，如乡村、牛仔、马、死亡、太空运动和野生动物/文明，今天它在黄石公园这样的传统西方类型中发挥作用，以及为什么对西方的主流观察仍然有吸引力。文章还探讨了美国社会神话（斯洛特金）中西方白人定居者生活经历的转变过程，并将其与西方基因的伪现实主义神话基因联系起来。换言之，本文调查了西方类型的神话负担，它创造了一个关于美国民族的神话，这个神话与西方一样，总是来自白人重新安置的视角，因此产生了意识形态的单方面性质。此外，文章还通过对西方生活真实性的坚持，包括旧（白人、偏远）价值观的回归，分析了性别合法性理论和“美国人”的生活方式。除其他外，这篇文章表明，《黄石公园》系列以狂野西部的“壮观”戏剧为基础（就像19世纪到来时由布法罗比尔控制的戏剧一样），仍然坚定地属于传统的西部类型。这篇文章表明，黄石公园在理论上明确地坚持展示当今西方的“真实”生活，融入了美国社会神话本身的许多元素，但作为一个真正的（马）萨彭尼人，这些旧价值观是如何被表达为双面、片面和自我维持的，通过强调这种光荣的“美国人”生活方式的缺点。
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Pub Date : 2023-01-01DOI: 10.29162/anafora.v10i1.3
Jadranka Zlomislić
Odabir je teme ovoga rada osobne prirode. Rad sam započela pisati kao njegovateljica majke oboljele od demencije. U nastojanju da održim komunikaciju s majkom tražila sam medicinske spoznaje, ali i narative sličnih iskustava drugih koji bi mi pomogli u razumijevanju bolesti i osvijestili važnost pripovijedanja priča i oboljelih i njegovatelja. Priče njegovatelja sabrane u dvije knjige o demenciji: Alzheimer: dvanaest anegdota i Alzheimer u mom domu: obiteljske istinite priče pružile su mi model kako pripovjedač njegovatelj – umjesto oboljeloga „ranjenog pripovjedača“ (Frank) može uz pomoć vlastita koherentnoga pripovijedanja razumjeti bolest i prilagoditi se životu s demencijom te tako potvrditi moralni i intelektualni integritet oboljeloga ugroženog gubitkom komunikacijskih vještina u prijenosu vlastita iskustva. Nažalost, rad je prekinut smrću moje majke. Nastavila sam pisati dok traje proces žalovanja nastojeći sabrati u ovome radu vlastita znanja i iskustva o demenciji, predočiti načine pomoći (biblioterapijske, institucijske, narativne) u održavanju komunikacijske spone s majkom te iz analitičke vizure promotriti priče o demenciji kao „narative o iskustvu“ (Labov) oboljelih i njegovatelja. Pričama drugih, dodala sam i vlastitu priču o oboljeloj majci, koja je potvrdila da narativna rekonstrukcija može biti učinkovita metoda za prevladavanje osjećaja bespomoćnosti njegovatelja suočenih s „pričama kaosa“ (Frank) oboljelih. Priče njegovatelja o bolesti demencije pomažu u izgradnji kolektivnog glasa oboljelih te tako uklanjanju stigme koje ih prate u društvu, mogu biti od koristi i liječnicima kao „formalnim njegovateljima“ i članovima obitelji kao „neformalnim njegovateljima“ koji se trude održati komunikaciju s najmilijima, a mogu poslužiti i kao predložak za kulturnoantropološka, književnoznanstvena, folkloristička i srodna istraživanja koja se bave narativima bolesti. Pisala sam ovaj rad uz nadu da on može pomoći njegovateljima u sličnim situacijama, a sam čin pisanja bio je – nakon smrti moje majke – autoterapijska metoda suočavanja s gubitkom voljene osobe.
选择这部具有个人性质的作品的主题。我作为一名痴呆症家长开始写作。在试图与母亲交流的过程中，我询问了医学知识，也询问了其他人的类似经历，这些人会帮助我了解这种疾病，并告诉我讲故事、疾病和护理老师的重要性。这位老师的故事被收录在两本痴呆症书籍中：《老年痴呆症：十二个轶事》和《我家里的老年痴呆症》：家庭真相故事给了我一个农民的榜样，而不是一个生病的“受伤的说书人”（弗兰克）它可以通过自己连贯的历史来理解疾病和适应痴呆症，并确认疾病在道德和智力上的完整性——在传递自己的经验时会失去沟通技能。Nažalost，rad je prekinut smrću moje majke。当悲伤的过程发生时，我继续写作，这是我自己对痴呆症的了解和经历，提供帮助（文献治疗、机构、自然）传播赞助者与母亲沟通的方式，并将痴呆症故事从分析视角推广为“经验故事”（Labov）病人和护士。换句话说，我添加了我自己关于一位生病母亲的故事，这证实了自然重建可以是克服农民面对“混乱故事”的无助感的有效方法（弗兰克）。患有痴呆症的农民的故事可以帮助建立病人的集体声音，消除社会对他们的污名，这可以使医生和“正式教师”受益。以及家庭成员作为“非正式教师”“他们试图与数百万人交流，也可以为文化、文学、民俗和有关疾病性质的研究提供建议。我写这篇作品是希望它能帮助处于类似情况下的农民，在我母亲去世后，我是一种面对损失的自疗方法的作者。”。爱的人。
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Pub Date : 2023-01-01DOI: 10.29162/anafora.v10i1.6
Yasaman Taheri, Ali Salami
The Neapolitan Novels (2011–14), translated into English by Ann Goldstein, are aprime example of postmodern literature, distinguished by Elena Greco’s uniquestyle of narration, structurally and ideologically. Elena Ferrante utilizes multiplenarrative techniques, including unreliable narration, self‐reflexivity, and paradoxes,to challenge existing literary and historical narratives’ rigidity and present variouspossible ways of retelling history within the text. This study draws on Linda Hutcheon’spostmodern theories of history and historical metafiction to examine the representationof history in the Neapolitan Novels. Specifically, it analyzes the novels’metatextual, intertextual, and metanarrative aspects, exploring how they challengetraditional historical narratives and present alternative perspectives on the past. Byproviding insights into the representation of history in postmodern literature, thisstudy contributes to the broader discourse on the relationship between history andfiction in contemporary literature.
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Pub Date : 2023-01-01DOI: 10.29162/anafora.v10i1.5
Elmira Bazregarzadeh
When it comes to discussions about affects, human beings become the center of attention.Yet, there are times when we find ourselves in some sort of in‐betweenness,where we cannot resolve whether we exert our influence on the non‐humans, or it isthe non‐humans that trigger our bodies to respond in a certain way. The liminalitywitnessed at such times sheds light on the overlapping tendencies between ecocriticismand affect theory and encourages us to probe this issue more deeply. Accordingly,one may claim that a case study of Mary Oliver’s poems can fulfill the mainobjective of this short study regarding the fact that the mutuality of affect theory andecocriticism can pave the way for gaining further insight into investigation of herpoems, stemming from the fact that the speaker‐poet’s body and mind are the intersectionsof affective encounters with the rhythms of nature. The main conclusionthat can be drawn from this research is that the application of the selected approachto Mary Oliver’s poetry will offer a workable solution to the mind/body dualism,whereby we witness the formation of various identities as a result of the effect ofactions on other bodies and affective states.
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Pub Date : 2023-01-01DOI: 10.29162/anafora.v10i1.2
Zlata Šundalić, Silvija Ćurak, Vera Blažević Krezić
U ovome radu predmetom je proučavanja književna životinja u poemi Sveta Rožalija požeškoga isusovca Antuna Kanižlića (Požega, 1699 – Požega, 1777). U kontekstu hrvatskih baroknih religioznih poema (Ivan Gundulić, Suze sina razmetnoga; Ivan Bunić Vučić, Mandalijena pokornica; Ignjat Đurđević, Uzdasi Mandalijene pokornice) Kanižlićeva se pored već uočenih razlika (u odnosu na: motive i teme, strukturu, metar, molitvu kao sekundarni žanr) izdvaja i u odnosu na opisani životinjski svijet. Zastupljenost životinjskih vrsta u navedenim poemama nije ujednačena: najmanja je u Bunićevoj Mandalijeni pokornici (10), ujednačena u Uzdasima Mandalijene pokornice (21) i u Suzama sina razmetnoga (22), a najbrojnija u Svetoj Rožaliji (61). Istraživanje carstva Animalia u Rožaliji pokazalo je da je fauna najbrojnija u prvome dijelu, za trećinu manja u drugome i trećemu dijelu, dok je u četvrtome dijelu svedena na samo jednu trećinu prvoga dijela. Bogatiji životinjski svijet i to, uglavnom, u svojim primarnim značenjima (npr. ptice) javlja se u onim pjevanjima u kojima dominira rokokoovsko „vanjsko oko“ (prvo i drugo pjevanje, a posebice oni dijelovi u kojima je opisana Rožalijina ponesenost ljepotom prirode, njezinim zvukovima i pokretima). Prema kraju poeme barokno „unutarnje oko“ sve je manje otvoreno prema životinjskome svijetu, a različita lirska i moralna simbolika koja proizlazi iz figurativnih podudarnosti s određenim moralnim i teološkim poimanjima sve češća.
在这部作品中，主题是研究诗人Antuna Kanizić的诗人St.Rosalee的诗歌中的文学（Požega，1699–Pože ga，1777）。在克罗地亚女男爵宗教诗歌的背景下（伊凡·贡杜利奇，苏泽，婊子养的；伊凡·布尼奇·武契奇，曼达利娜·波科尔尼卡；伊格纳杰特·朱尔杰维奇，乌兹达西·曼达利纳·波科尔尼卡），卡尼齐奇被已经看到的差异（动机和主题、结构、韵律、祈祷作为次要流派）所区分，并与所描述的动物世界进行了比较。Zastubljenostživotinjskih vrsta u navedenim poemama nije ujednačena：najmanja je u Bunićevoj Mandalijeni pokornici（10），ujednnačena u Uzdasima Mandalijene pokornice（21）i u Suzama sina razmetnoga（22），一个najbrojnijija u Svetoj Rožaliji（61）。对罗莎莉动物王国的研究表明，第一部分的动物群数量最多，比第二和第三部分少三分之一，而第四部分只显示了三分之一的动物群。更丰富的动物世界，主要是它，在其主要意义上（如鸟类），歌曲主导了摇滚眼（第一首和第二首歌曲），尤其是描述罗莎琳自然之美、声音和动作的部分“我对动物世界的开放程度较低，与某些道德和理论观点进行比较所产生的各种里拉和道德符号更为频繁。
{"title":"O književnoj životinji u Kanižlićevoj Svetoj Rožaliji","authors":"Zlata Šundalić, Silvija Ćurak, Vera Blažević Krezić","doi":"10.29162/anafora.v10i1.2","DOIUrl":"https://doi.org/10.29162/anafora.v10i1.2","url":null,"abstract":"U ovome radu predmetom je proučavanja književna životinja u poemi Sveta Rožalija požeškoga isusovca Antuna Kanižlića (Požega, 1699 – Požega, 1777). U kontekstu hrvatskih baroknih religioznih poema (Ivan Gundulić, Suze sina razmetnoga; Ivan Bunić Vučić, Mandalijena pokornica; Ignjat Đurđević, Uzdasi Mandalijene pokornice) Kanižlićeva se pored već uočenih razlika (u odnosu na: motive i teme, strukturu, metar, molitvu kao sekundarni žanr) izdvaja i u odnosu na opisani životinjski svijet. Zastupljenost životinjskih vrsta u navedenim poemama nije ujednačena: najmanja je u Bunićevoj Mandalijeni pokornici (10), ujednačena u Uzdasima Mandalijene pokornice (21) i u Suzama sina razmetnoga (22), a najbrojnija u Svetoj Rožaliji (61). Istraživanje carstva Animalia u Rožaliji pokazalo je da je fauna najbrojnija u prvome dijelu, za trećinu manja u drugome i trećemu dijelu, dok je u četvrtome dijelu svedena na samo jednu trećinu prvoga dijela. Bogatiji životinjski svijet i to, uglavnom, u svojim primarnim značenjima (npr. ptice) javlja se u onim pjevanjima u kojima dominira rokokoovsko „vanjsko oko“ (prvo i drugo pjevanje, a posebice oni dijelovi u kojima je opisana Rožalijina ponesenost ljepotom prirode, njezinim zvukovima i pokretima). Prema kraju poeme barokno „unutarnje oko“ sve je manje otvoreno prema životinjskome svijetu, a različita lirska i moralna simbolika koja proizlazi iz figurativnih podudarnosti s određenim moralnim i teološkim poimanjima sve češća.","PeriodicalId":40415,"journal":{"name":"Anafora","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69708600","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.29162/anafora.v10i1.4
Valentina Markasović
Tracks by Louise Erdrich is a novel dealing with the struggles of Native Americansat the beginning of the twentieth century, but within that broader frame—it alsospeaks out about the connection between the colonial oppression of nature and thesubjugation of women. Although some ecocritical and ecofeminist readings of thenovel, especially relating to Fleur Pillager, are available, not much has been writtenon the character of Lulu Nanapush as presented in Tracks. Therefore, this articleanalyses Fleur Pillager and Lulu Nanapush to discover how the tenets of ecofeminismare implemented in the novel. The research relies on the theories of differentecofeminist and postcolonial authors. After establishing the colonial background ofconjoined oppression of women and nature, the article focuses on how Fleur embodiesand protects nature, while Lulu begins to lose her connection to nature dueto her colonial background. Thus, strategic essentialism of the kind could be understoodas having been implemented with the aim of underlining the exploitation ofNative American women by settler colonizers, as well as the eradication of nature.
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Pub Date : 2023-01-01DOI: 10.29162/anafora.v10i1.7
Seyedeh S. Foroozani, Bahee Hadaegh
Modern aesthetics is fascinated by the quality of empirical expressions in art, where the most unattainable forms of experiences seek refuge to survive through temporal dialectics. Whereas modern art endeavors to transcend its inherent experience of suffering through negating the sociopolitical reality of the imposed suppressive pain, Theodor Adorno’s Aesthetic Theory associates itself with the study of a non‐discursive form of experience that refers to the transient nature of a multilayered truth, compromising a self‐reflexive and subjectively temporal essence, to which all aesthetic questions terminate. Correspondingly, the current paper aims at approaching Eugene O’Neill’s mental theater from a new perspective, acknowledging the significance of temporal dialectics in modern aesthetics. Accordingly, the current research studies Eugene O’Neill’s Long Day’s Journey into Night based on the elements of temporal dialectics and aesthetic negation, confirming the significance of these elements in detecting the ultimate aesthetic truth in the works of literature.
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The present paper seeks to explore the significance of eating in the process of identity formation in Margaret Atwood’s Lady Oracle and its effects upon Joan, the female protagonist of the novel. Based on the findings of Susie Orbach (1946), Joan appears to have developed an ambivalent relationship with food from a very early age. Once she decides to lose weight and turn into what the society has always demanded her to look like, she develops an identity crisis which is reflected in her literary production. There are several barriers in the process of Joan’s identity formation that reveal themselves later in her narratives as an author. The focus of this study is to shed light on this problematic process of being a female author coping with nutritional insecurities.
{"title":"Food, Eating, and Narrativization of Identity in Margaret Atwood’s Lady Oracle","authors":"Zakarya Bezdoode, Sarisa Rahimi","doi":"10.29162/anafora.v9i1.4","DOIUrl":"https://doi.org/10.29162/anafora.v9i1.4","url":null,"abstract":"The present paper seeks to explore the significance of eating in the process of identity formation in Margaret Atwood’s Lady Oracle and its effects upon Joan, the female protagonist of the novel. Based on the findings of Susie Orbach (1946), Joan appears to have developed an ambivalent relationship with food from a very early age. Once she decides to lose weight and turn into what the society has always demanded her to look like, she develops an identity crisis which is reflected in her literary production. There are several barriers in the process of Joan’s identity formation that reveal themselves later in her narratives as an author. The focus of this study is to shed light on this problematic process of being a female author coping with nutritional insecurities.","PeriodicalId":40415,"journal":{"name":"Anafora","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69710394","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper discusses midlife crisis as a driving force behind the thought and action of the protagonist of Kazuo Ishiguro’s The Remains of the Day. The whole novel contains a diary written by the English butler Stevens who relates his history of servitude at Darlington Hall and concludes with some revelations about the true nature of his past. Since the butler’s account gives hints of his concern for the extent of his achievement in life, his reassessing act of delving into the past can be taken as an attempt to resolve his midlife crisis. Being the seventh stage of Erik Erikson’s developmental psychology, a midlife crisis is primarily characterized by the binary “generativity versus stagnation” and the subject’s struggle to decide on the meaning of life. Occurring between 40 and 65, midlife crisis is stimulated by the reconsideration of social demands such as career and marriage. Applying this psychoanalytic approach to Stevens’ experience of midlife crisis, the present research investigates the place of Lord Darlington and Miss Kenton, the former Stevens’ employer and the latter his only love object, as embodiments of the social demands of career and marriage that the butler reviews in his midlife stage. Ultimately, this research discusses the butler’s success in resolving his midlife crisis through considering the individuation process, namely self-awareness, self-actualization, and the caring power, which the protagonist goes through.
{"title":"“Generativity versus Stagnation”","authors":"M. Jafari, Naser Motallebzadeh, Naser Dashtpeyma","doi":"10.29162/anafora.v9i1.5","DOIUrl":"https://doi.org/10.29162/anafora.v9i1.5","url":null,"abstract":"This paper discusses midlife crisis as a driving force behind the thought and action of the protagonist of Kazuo Ishiguro’s The Remains of the Day. The whole novel contains a diary written by the English butler Stevens who relates his history of servitude at Darlington Hall and concludes with some revelations about the true nature of his past. Since the butler’s account gives hints of his concern for the extent of his achievement in life, his reassessing act of delving into the past can be taken as an attempt to resolve his midlife crisis. Being the seventh stage of Erik Erikson’s developmental psychology, a midlife crisis is primarily characterized by the binary “generativity versus stagnation” and the subject’s struggle to decide on the meaning of life. Occurring between 40 and 65, midlife crisis is stimulated by the reconsideration of social demands such as career and marriage. Applying this psychoanalytic approach to Stevens’ experience of midlife crisis, the present research investigates the place of Lord Darlington and Miss Kenton, the former Stevens’ employer and the latter his only love object, as embodiments of the social demands of career and marriage that the butler reviews in his midlife stage. Ultimately, this research discusses the butler’s success in resolving his midlife crisis through considering the individuation process, namely self-awareness, self-actualization, and the caring power, which the protagonist goes through.","PeriodicalId":40415,"journal":{"name":"Anafora","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69710903","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.29162/anafora.v9i2.10
Martina Bobek, Igor Gajin
U radu se ustvrđuje poetološka usporedivost između raznomedijskih i raznovrsnih predložaka polazeći od poezije Branka Čegeca, a usporedbu vodimo prema filmu Pulp Fiction Quentina Tarantina i romanu Soba za razbijanje Tomislava Zajeca. Usporedivost se temelji na intermedijalnosti kao glavnoj značajki postmodernizma, koja se nameće kao dvosmjerna ili višesmjerna u odnosu među analiziranim predlošcima budući da je svaki od njih već sam intermedijalno senzibiliziran i citatno sofisticiran. Ističu se glavne strukturne sastavnice prema kojima su tri predloška ili, tezno raznomedijska teksta, intermedijalno bliska i to prvotno preko motivsko-tematskih aspekata. Cilj je pronaći intenzivnu Čegecovu intermedijalnu osjetljivost kao otvorenu dijalošku situaciju intermedijskih tragova i na formalno-stilskim, kao i na subjektnim strukturama. Takvu sličnu osjetljivost za druge medije pronalazimo i u filmskom predlošku Quentina Tarantina i romanu Tomislava Zajeca. Problemska je teza odrediti gdje su približeni elementi koji povezuju tri autora, točnije tri njihova aspekta naglašenog intenziteta predmetno-prikazivačke intermedijalnosti, a zaključno je koncepcija njihovih radova postavljena u kontekst postmodernog stvaralaštva kao visoko komunikativnog intermedijskog stanja.
这部作品将BrankaČegec诗歌中的种族和多样性提议与低俗小说Quentina Tarantina和小说Tomislav Zajec的休息室进行了诗意的比较。兼容性是建立在中间性的基础上的，中间性是一种主要的后现代主义，它与所分析的提案是双向或更直接的关系，因为这些提案中的每一个都已经是中间的和愤世嫉俗的复杂的。主要通过动机主题方面，突出了三项提案的主要结构组成部分，或者从重量上讲，是多维度的、中间的。Cilj je pronaći intentizivnuČegecov intermedialjalnu osjetljivost kao otvorenu dijalošku situaciju intermedialjskih tragova i na formalno stilskim，kao i na subjektnim strukturama。昆汀·塔伦汀的电影求婚和托米斯拉夫·扎耶奇的小说中也体现了对其他媒体的敏感。问题是要确定与三位作者相关的元素在哪里更接近，更准确地说是主观指示中介的三个方面的突出强度，以及他们作品的概念是在后现代创造力作为一种高度交流状态的背景下得出的。
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