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Multiple Hands in the Marginal Annotations of the Hebrew Bible Codex Madrid M1: (Biblioteca Historica Marques de Valdecilla, BH MSS1) 马德里希伯来圣经手抄本M1的边缘注释中的多手:(Valdecilla Marques de Historica, BH MSS1)
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/mns.2022.0000
Elvira Martín-Contreras
Abstract:This article presents a paleographical analysis of the marginal annotations that appear next to the biblical text in the Hebrew Bible codex known as Madrid M1. In order to do so, a new methodology has been developed. The ensuing analysis has identified a great number of annotations, largely located in the outer and intercolumnar margins, written by multiple hands. These later interventions have different aims and produce diverse results. The systematic additions associated with different Masoretic textual phenomena reveal an interest in organizing the information differently and offering the information on each phenomenon consistently by adding cases that are lacking. The non-systematic additions seem to be more the result or reflection of later revisions, readings, and uses of the manuscript. The annotations of both types show a clear intention to complete and expand the already abundant information found in the margins of Madrid M1, rather than an effort to correct it.
摘要:本文对马德里M1希伯来圣经手抄本圣经文本旁边的边缘注释进行了古文字学分析。为此,开发了一种新的方法。随后的分析已经确定了大量的注释,主要位于外部和柱间空白处,由多人撰写。这些后期干预有不同的目的,产生不同的结果。与不同马所拉文本现象相关联的系统补充揭示了以不同方式组织信息的兴趣,并通过添加缺乏的案例来一致地提供关于每种现象的信息。非系统的补充似乎更多的是后来修订,阅读和使用手稿的结果或反映。这两种类型的注释都显示出一种明确的意图,即完成和扩展在马德里M1的页边空白处发现的已经丰富的信息,而不是努力纠正它。
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引用次数: 0
The Burke Collection of Italian Manuscript Paintings ed. by Sandra Hindman and Federica Toniolo (review) 由桑德拉·辛德曼和费代丽卡·托尼奥罗编辑的《伯克意大利手稿绘画集》(评论)
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/mns.2022.0011
Andrew H. Chen
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引用次数: 0
MS Bodley Or. 621 as a “Study Psalter” for Christian Hebraists MS Bodley或621作为希伯来基督徒的“学习诗篇”
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/mns.2022.0015
Celeste J. Pan
Abstract:Because of its diminutive size, unconventional decorative scheme and total lack of built-in translations, MS Bodley Or. 621 is an anomaly among the nine “Hebrew Psalters for Christian Use” listed by Raphael Loewe. It has received scant attention principally because, as a book that appears to have been intended for Jews only to be later appropriated by Christians, it seems to be of lesser relevance to discussions of thirteenth-century English Hebraism than those psalters that were unambiguously custom-made for gentile scholars.This article challenges this premise and this conclusion. By re-examining and synthesising the paleographical and codicological evidence presented by the text proper, I suggest that the psalter may indeed have been commissioned by a Christian according to his specific needs. By considering the form, content, and distribution of the marginal annotations, especially those that contain not only Latin and French translations but also Hebrew roots, I highlight the remarkable and unique method of learning Hebrew adopted by one of the scholars, which is not unlike the modern notion of learning a language through immersion. By approaching the all-Hebrew psalter with an imperfect grasp of the language, he transforms the experience of reading into a learning process, and the psalm text into a type of textbook. This agrees well with the short and fragmentary nature of surviving Hebrew grammars from thirteenth-century England, and perhaps explains why there was no need for more comprehensive works.
摘要:《MS Bodley Or. 621》是拉斐尔·洛伊(Raphael Loewe)所列的九部《希伯来文基督教诗篇》(Hebrew psalms for Christian Use)中的异类,因为其体积小巧,装饰风格不传统,而且完全没有内置翻译。它很少受到关注,主要是因为,作为一本似乎是为犹太人准备的书,后来被基督徒挪用,它似乎与13世纪英语希伯来语的讨论不太相关,而不是那些明确为外邦学者定制的诗篇。本文对这一前提和结论提出了挑战。通过重新检查和综合文本本身提供的古文字学和法典学证据,我认为赞美诗确实可能是由基督徒根据他的具体需要委托创作的。通过考虑边缘注释的形式、内容和分布,特别是那些不仅包含拉丁语和法语翻译,而且包含希伯来语根源的注释,我强调了一位学者采用的学习希伯来语的显着和独特的方法,这与通过浸入式学习语言的现代概念没有什么不同。通过对希伯来语的不完美理解,他把阅读的体验变成了一个学习的过程,把诗篇的文本变成了一种教科书。这与13世纪英格兰幸存下来的希伯来语语法的简短和支离破碎的性质非常吻合,也许可以解释为什么不需要更全面的作品。
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引用次数: 0
Illuminating the Middle Ages: Tributes to Prof. John Lowden from His Students, Friends and Colleagues ed. by Laura Cleaver, Alixe Bovey and Lucy Donkin (review) 《照亮中世纪:约翰·洛登教授的学生、朋友和同事的献礼》,劳拉·克利弗、艾丽克斯·博维和露西·唐金主编
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/mns.2022.0006
J. A. Holladay
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引用次数: 0
Paper in Medieval England: From Pulp to Fictions by Orietta Da Rold (review) 中世纪英格兰的纸:从纸浆到小说奥列塔·达·罗德(书评)
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/mns.2022.0007
William Noel
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引用次数: 0
The X-Ray Micro-CT of a Full Parchment Codex to Recover Hidden Text: Morgan Library M.910, an Early Coptic Acts of the Apostles Manuscript 一个完整的羊皮纸手抄本的x射线显微ct恢复隐藏文本:摩根图书馆M.910,早期科普特使徒的行为手稿
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/mns.2022.0003
Paul C. Dilley, Christy Chapman, C. S. Parker, W. Seales
Abstract:This article describes the first effort to read inside a damaged codex using X-Ray micro-CT imaging, which has an additional complication beyond most unrolled scrolls, for which the process has been successful: there is writing on both sides. The project is a collaboration between a humanist, a team of computer scientists and engineers, as well as librarians and conservators, to undertake the x-ray micro-CT imaging of codex M.910, a fifth- or sixth-century parchment codex of Acts of the Apostles which is too damaged to open in its current state. The first round of image processing was conducted in December 2017 at the Morgan Library and Museum, and a second round in November 2019; work on restoring the text using machine learning is ongoing, and has already resulted in the identification of some words and phrases. We first describe codex M.910, including the basics of its codicology, and its potential significance for early Christian book culture, as well as the history of the biblical text. We then provide an overview of the manuscript imaging process, at a level of technical detail intended for a general audience, with the hope of providing a reference for future work in this expanding field of research. The key initial step was the preparation of the manuscript’s mount, which had to take into account the necessities of both conservation safety and micro-CT imaging. We also break down the imaging process itself, which was carried out by Skyscan micro-CT scanner, donated for use in this project by Micro Photonics. Finally, we give a brief discussion of the ongoing preliminary data analysis.
摘要:本文描述了第一次使用x射线显微ct成像读取受损古卷内部的努力,这比大多数展开的古卷有一个额外的复杂性,因为这个过程已经成功:两边都有文字。该项目由一名人文学者、一组计算机科学家和工程师、图书管理员和管理员合作完成,负责对手稿M.910进行x射线微型ct成像。手稿M.910是一份五世纪或六世纪的羊皮纸《使徒行传》手稿,目前已严重受损,无法打开。第一轮图像处理于2017年12月在摩根图书馆和博物馆进行,第二轮于2019年11月进行;使用机器学习恢复文本的工作正在进行中,并且已经产生了一些单词和短语的识别。我们首先描述M.910抄本,包括其抄本学的基础知识,以及它对早期基督教书籍文化的潜在意义,以及圣经文本的历史。然后,我们提供了手稿成像过程的概述,在技术细节的水平,旨在为一般观众,与提供在这一不断扩大的研究领域的未来工作的参考希望。关键的第一步是准备手稿的底座,这必须考虑到保护安全和微型ct成像的必要性。我们还分解了成像过程本身,这是由Skyscan微型ct扫描仪执行的,该扫描仪由Micro Photonics捐赠用于该项目。最后,我们对正在进行的初步数据分析进行了简要的讨论。
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引用次数: 2
The Charterhouse Antiphonal Fragment 《查特豪斯对偶片段
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/mns.2022.0004
K. Kennedy, Anna H. H. de Bakker
Abstract:An item included within the collection of manuscript leaves known as Ghent, University Library, MS BHSL.HS.3020 can now be identified as a fragment of the sole surviving English Carthusian antiphonal, and the third extant historiated English antiphonal. Specific features of the chant identify the use as Carthusian, and the illumination localizes the antiphonal’s production to London in the early Tudor period, making it likely that the volume was made for the London Charterhouse.
摘要:根特大学图书馆(MS BHSL.HS)手稿叶收藏中的一个项目。3020现在可以被确定为唯一幸存的英国卡尔图斯对歌的片段,也是第三个现存的历史上的英国对歌。圣歌的具体特征确定了它的使用是卡尔图斯式的,并且照明将对唱机的生产定位于都铎王朝早期的伦敦,这使得该卷很可能是为伦敦宪章所制作的。
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引用次数: 0
Penna volans Discovered: Analysis of a New Exemplar of Calligraphic Virtuosity by Baldericus van Horicke (Brussels, ca. 1616) 发现的笔画:对Baldericus van Horicke书法艺术新典范的分析(布鲁塞尔,约1616年)
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/mns.2022.0014
Diego Navarro Bonilla, Sofía Alonso Peleato
Abstract:This article analyses an unpublished manuscript (here referred to as the Cuaderno Español) discovered in a private collection in Madrid, which contains eight folios of calligraphy by the hand of Baldericus van Horicke (†1643), a noted writing master active primarily at the court of the Archdukes of Austria in Brussels. A detailed paleographical study of the new manuscript enhances our knowledge of this exceptional virtuoso of the pen, who practiced at the height of the golden age of the writing arts in Europe. Additionally, such an analysis demonstrates how these calligraphic materials were used to teach the art of writing from the seventeenth century onwards.
摘要:本文分析了在马德里一处私人收藏中发现的一份未发表的手稿(此处称为“Cuaderno Español”),其中包含八对开本书法,出自著名的写作大师Baldericus van Horicke(†1643)之手。Baldericus van Horicke主要活跃在布鲁塞尔的奥地利大公宫廷。对新手稿进行详细的古生物学研究,增强了我们对这位杰出的笔术大师的认识,他在欧洲写作艺术的黄金时代达到了顶峰。此外,这样的分析表明,从17世纪开始,这些书法材料是如何被用来教授写作艺术的。
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引用次数: 0
Artifacts: How We Think and Write About Found Objects by Crystal B. Lake (review) 《人工制品:我们如何思考和书写发现的物品》作者:Crystal B. Lake
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/mns.2022.0008
Megan l. Cook
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引用次数: 0
How a Small Scribal Error Left a Medieval Document Unprinted for 500 Years: Report from a Cataloguing Project at Copenhagen City Archives 一个小小的抄写错误如何使一份中世纪文献500年未印刷:来自哥本哈根市档案馆编目项目的报告
IF 0.2 Q2 Arts and Humanities Pub Date : 2021-11-23 DOI: 10.1353/mns.2021.0020
Svend-Erik Clausen
Abstract:This annotation describes how a small scribal error in a late medieval Danish document led to that document being left out of the later printed source edition, because the scribe’s correction of his own mistake was not recognized by the man who registered the document later on in the city archives in Copenhagen. It talks about how this sealed the fate that the document remained unknown and unpublished until a registration project at Copenhagen City Archives rediscovered and redated it in 2017 finally resulting in the making of the first-ever printed source edition i 2019. It also discusses the implications this has had for the intellectual knowledge of the history of Copenhagen and even for the understanding of modern cultural heritage in the streets of Copenhagen.
摘要:这一注释描述了中世纪晚期丹麦文献中的一个小抄写错误是如何导致该文献在后来印刷的原始版本中被遗漏的,因为抄写员对自己错误的更正没有得到后来在哥本哈根城市档案馆登记该文献的人的认可。它谈到了这如何决定了这份文件的命运,直到哥本哈根城市档案馆的一个注册项目在2017年重新发现并重新命名了它,最终在2019年制作了第一个印刷源版本。它还讨论了这对哥本哈根历史知识的影响,甚至对哥本哈根街头现代文化遗产的理解。
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Manuscript Studies-A Journal of the Schoenberg Institute for Manuscript Studies
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