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Title Pages in Sixteenth- and Seventeenth- Century Icelandic Manuscripts: The Development and Functions of Print Features in Manuscript Form 16和17世纪冰岛手稿中的标题页:手稿形式中印刷特征的发展和功能
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-23 DOI: 10.1353/mns.2021.0018
Silvia Hufnagel
Abstract:This article analyses the influence of the printing press on Icelandic handwritten manuscripts from the sixteenth and seventeenth centuries. Iceland has a particularly rich and long-lasting manuscript culture that did not cease until the early twentieth century. Many post-medieval manuscripts include paratextual features that are more commonly connected with printed books, such as title pages which were a true innovation of the printing press but which are found in manuscripts, too. The earliest Icelandic title pages are found in manuscripts that were written for or by highly educated men and that contain the same textual genres that were printed, too, although references to print are rare. Title pages appear frequently in hymn manuscripts and various scribal strategies can be detected, from strict copies of their printed exemplars to emulating title pages of learned works. Often the medium of reception, or more precisely, singing is mentioned. Title pages appear very seldom in saga manuscripts, a popular genre that was restricted to the handwritten medium at that time. These title pages show much more decoration than hymn title pages and are full of stylistic and rhetorical elements of Baroque literature, such as alliteration and accumulatio. Similar to hymn title pages, the medium of reception, of reading and listening to, is stated. This analysis proves that title pages in manuscripts derived from printed books but that they developed their own specific characteristics, depended on several factors: printed models, generic traditions, the medium of reception, and individual choices of scribes and patrons.
摘要:本文分析了16、17世纪印刷术对冰岛手抄本的影响。冰岛拥有特别丰富和持久的手稿文化,直到20世纪初才停止。许多后中世纪的手稿包含了通常与印刷书籍相关的副文本特征,例如标题页,这是印刷机的真正创新,但在手稿中也可以找到。冰岛最早的扉页是在手稿中发现的,这些手稿是为受过高等教育的人写的,或者是由受过高等教育的人写的,其中包含的文本体裁也与印刷的相同,尽管很少提到印刷。标题页经常出现在赞美诗手稿中,可以发现各种各样的抄写策略,从严格复制他们的印刷范例到模仿学术作品的标题页。通常会提到接受的媒介,或者更准确地说,是歌唱。标题页很少出现在传奇手稿中,这是一种流行的体裁,当时仅限于手写的媒介。这些扉页比赞美诗扉页有更多的装饰,充满了巴洛克文学的风格和修辞元素,如头韵和累加。类似于赞美诗的标题页,接受的媒介,阅读和听,是说明。这一分析证明,手稿中的标题页源自印刷书籍,但它们发展出了自己的特定特征,这取决于几个因素:印刷模式、一般传统、接受的媒介以及抄写员和赞助人的个人选择。
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引用次数: 1
Splendors of the Serenissima in a Digital Age: The Master of the Murano Gradual Reconsidered 数字时代塞雷尼西马的辉煌:慕拉诺岛大师的逐渐反思
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-23 DOI: 10.1353/mns.2021.0016
Stephanie Azzarello, Bryan C. Keene
Abstract:The Master of the Murano Gradual is one of the most enigmatic illuminators working in early fifteenth-century Venice. The eponymous choir books were commissioned by the Camaldolese monastery of San Mattia a Murano and today comprise a single intact volume in the Kupferstichkabinett in Berlin (MS 78 F.1) and about fifty historiated initials dispersed in twenty-five public and private collections in Europe and the United States. The fragmentary nature of the overall corpus is a central challenge to studying the artist and to understanding the contours of the workshop. This article provides a reassessment of the corpus of work attributed to the Murano Master—including an appendix with provenances of the whereabouts of the series—and makes a case for future collaborations that can build upon digitization efforts that make the fragments available online and upon recent technical analysis into the pigments used by the illuminators.The methodological approach of the authors has been twofold. Firstly, to study each of the fragments and manuscripts in person, and to locate digital assets for as many works as possible with the aim of creating an eventual website or online repository for scholars to consult. Secondly, to investigate codicological features of the individual fragments that have been hitherto overlooked, including the measurement of musical stave heights or blind-ruled lines for song, and the possible relationship between decorated and filigree letters to over one-hundred cuttings with decorated letters that have also been associated with the San Mattia series. Finally, the study also clarifies the dating of the Murano choir books, which were most likely produced in the 1420s.
摘要:穆拉诺渐变大师是15世纪早期威尼斯最神秘的插画家之一。同名的唱诗班书籍是由圣马蒂亚穆拉诺的Camaldolese修道院委托制作的,今天在柏林的Kupferstichkabinett (MS 78 F.1)中有一册完整的书,大约有50个历史悠久的首字母分布在欧洲和美国的25个公共和私人收藏中。整体语料库的碎片性是研究艺术家和理解车间轮廓的核心挑战。本文对慕拉诺大师的作品进行了重新评估,包括一份附录,列出了该系列作品的出处,并提出了未来合作的理由,这些合作可以建立在数字化努力的基础上,使这些片段可以在网上提供,并根据最近对照明师使用的颜料的技术分析。作者的方法论方法是双重的。首先,亲自研究每一个碎片和手稿,并为尽可能多的作品找到数字资产,目的是创建一个最终的网站或在线存储库,供学者查阅。其次,调查迄今为止被忽视的单个碎片的法典特征,包括音乐五线谱高度或歌曲的盲线测量,以及一百多份装饰字母与装饰字母之间的可能关系,这些装饰字母也与圣马蒂亚系列有关。最后,该研究还澄清了穆拉诺唱诗班书籍的年代,这些书籍很可能是在1420年代制作的。
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引用次数: 0
A Critical Companion to English Mappae Mundi of the Twelfth and Thirteenth Centuries ed. by Dan Terkla and Nick Millea (review) 12和13世纪英国《世界地图》的重要补充,丹·特克拉和尼克·米勒主编(书评)
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-23 DOI: 10.1353/mns.2021.0024
Martin Foys
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引用次数: 0
History from the Margins: Literary Culture and Manuscript Production in Western India in the Vernacular Millennium 边缘的历史:白话文千年中西印度的文学文化和手稿生产
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-23 DOI: 10.1353/mns.2021.0015
Jahnabi Barooah Chanchani
Abstract:Scholars of South Asia have long known of praśastis, eulogistic verses often composed in the transregional Sanskrit language on copperplates, stone slabs, and temple walls, from the early centuries of the Common Era. They have traditionally sieved these documents to recover dynastic histories and have supposed that as a genre, it faded away in the second millennium CE when Islamic polities were established across the subcontinent and new genres of history writing were popularized. In making this supposition they have overlooked the fact that praśastis continued to be frequently composed and written. Yet, their appearance was neither in public spaces nor in public documents, but frequently at the ends of palm-leaf and paper manuscripts. In this paper, I carefully analyze a corpus of hitherto un-translated praśastis and other scribal remarks written at the end of oft illustrated sumptuous Jaina manuscripts prepared between c. 1000 – 1600 in western India. This was a period during which manuscript culture and literary production burgeoned in the region. Through my close reading of these genealogical micro histories, I shed new light on the emergence of new power elites, literati associations, centers of manuscript production, the rise of professional authors and scribes, and formation of kinship. I also consider the aesthetics and poetics of patronage in the region and ask why patrons in the early centuries of the second millennium CE sought to legitimize their family histories using an archaic genre.
摘要:南亚学者早就知道praśastis,这是一种用跨区域梵语写在铜板、石板和寺庙墙壁上的赞美诗,从公元初的几个世纪开始。他们传统上通过筛选这些文献来恢复王朝历史,并认为作为一种体裁,它在公元第二个千年中消失了,当时伊斯兰政治在次大陆建立起来,新的历史写作体裁得到普及。在做出这种假设时,他们忽略了一个事实,即praśastis仍然经常被创作和书写。然而,它们既没有出现在公共场所,也没有出现在公共文件中,而是经常出现在棕榈叶和纸质手稿的末尾。在本文中,我仔细分析了迄今为止尚未翻译的语料库praśastis和其他抄写者的评论,这些抄写者写在公元前1000年至1600年在印度西部制作的丰富的耆那教手稿的末尾。这是一个手稿文化和文学作品在该地区蓬勃发展的时期。通过对这些系谱微观历史的仔细阅读,我对新的权力精英、文人协会、手稿生产中心、专业作家和抄写员的兴起以及亲属关系的形成有了新的认识。我还考虑了该地区赞助人的美学和诗学,并询问为什么在公元第二个千年的最初几个世纪里,赞助人试图用一种古老的体裁来合法化他们的家族史。
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引用次数: 0
Book Conservation and Digitization: The Challenges of Dialogue and Collaboration ed. by Alberto Campagnolo (review) 《图书保护与数字化:对话与合作的挑战》,阿尔贝托·坎帕尼奥罗主编(书评)
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-23 DOI: 10.1353/mns.2021.0021
Nancy K. Turner
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引用次数: 0
Data Sanctorum: The Corpus Kalendarium Database of Devotional Calendars 数据圣殿:灵修历法的语料库历法数据库
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-23 DOI: 10.1353/mns.2021.0019
A. Macks
Abstract:The Book of Hours was the popular personal religious manuscript of the medieval period, and the vast majority of the surviving examples begin with a devotional calendar of saints and feasts. The Corpus Kalendarium Database, or CoKL DB, is a database of these manuscripts and their calendars, recording the saints and feasts, and cross linking them to allow querying by metadata of the manuscript or calendar itself, or the presence and rank of a particular observance or group of observances. This paper presents an introduction to the underlying relational database, the user interface, and some of the ways that this data-driven system can present manuscripts which would be impossible with the physical objects.
摘要:《时经》是中世纪流行的个人宗教手抄本,现存的绝大多数手抄本都以圣徒和节日的虔诚日历开头。语料库日历数据库(CoKL DB)是这些手稿及其日历的数据库,记录了圣徒和节日,并将它们交叉链接以允许通过手稿或日历本身的元数据进行查询,或者特定仪式或一组仪式的存在和排名。本文介绍了底层的关系数据库、用户界面,以及这种数据驱动系统能够呈现手稿的一些方法,这些方法在物理对象中是不可能实现的。
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引用次数: 0
The Oxford Handbook of Latin Palaeography ed. by Frank T. Coulson and Robert G. Babcock (review) 《牛津拉丁古学手册》,弗兰克·t·库尔森、罗伯特·g·巴布科克主编(书评)
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-23 DOI: 10.1353/mns.2021.0022
L. Davis
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引用次数: 0
The Ancient Sefer Torah of Bologna: Features and History ed. by Mauro Perani (review) 《博洛尼亚古代塞弗律法:特征与历史》,毛罗·佩拉尼主编(回顾)
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-23 DOI: 10.1353/mns.2021.0023
F. Lelli
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引用次数: 0
Robert Ashley and the Authorship of Newberry MS 5017, The Book of Magical Charms 罗伯特·阿什利和纽伯里MS 5017的作者,魔法咒书
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-23 DOI: 10.1353/mns.2021.0017
Renae Satterley
Abstract:This article examines Newberry MS 5017, the Book of Magical Charms, a manuscript miscellany dated no later than 1639. The manuscript formed part of the Newberry Library's crowd-sourcing project to transcribe and translate three of the manuscripts in their exhibition, Religious Change 1450-1700. This article establishes Robert Ashley (1565-1641) as the manuscript's author. Ashley was a lawyer, translator and bibliophile whose bequest of over 5,000 books established the library at Middle Temple, one of the four Inns of Court. The article analyses the manuscript's charms, ritual magic, medical recipes and Christian esotericism excerpts to show that they were mainly transcribed from identifiable manuscript sources, with some from printed books. The author draws conclusions, based on Ashley's Ashley’s life, translations and book collection, about the manuscript's purpose and use, situating it within Ashley's library and the information gathering networks centered around the Inns of Court in the early modern period.
摘要:本文研究了纽伯里MS 5017,魔法符咒书,一个不迟于1639年的手稿杂记。这份手稿是纽伯里图书馆众包项目的一部分,该项目是在他们的展览“宗教变化1450-1700”中转录和翻译三份手稿的一部分。这篇文章确定罗伯特·阿什利(1565-1641)是手稿的作者。阿什利是一名律师、翻译家和藏书爱好者,他遗赠了5000多本书,建立了四大法院学院之一的中庙图书馆。本文分析了手稿的符咒、仪式魔法、医药配方和基督教神秘主义节选,表明它们主要来自可识别的手稿来源,其中一些来自印刷书籍。作者根据阿什利的生平、翻译和藏书,将其置于阿什利的图书馆和近现代以法院律师事务所为中心的信息收集网络中,对手稿的目的和用途进行了总结。
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引用次数: 1
Learning Through Images in the Italian Renaissance: Illustrated Manuscripts and Education in Quattrocento Florence by Federico Botana (review) 意大利文艺复兴时期的图像学习:费代里科·波塔纳的插图手稿和四世纪佛罗伦萨的教育(书评)
IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-11-23 DOI: 10.1353/mns.2021.0013
Emanuele Lugli
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引用次数: 0
期刊
Manuscript Studies-A Journal of the Schoenberg Institute for Manuscript Studies
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