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The Absent Image: Lacunae in Medieval Books by Elina Gertsman (review) 缺席的形象:中世纪书籍中的空白(评论)
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1353/mns.2022.0030
D. Marner
used sporadically throughout the codex, and she points out that more research is needed on the notation and analysis of the melodies. For English readers, this volume will be an essential first port of call for research into the Codex Buranus. The scholarly literature on each aspect of the codex is listed and summarized in its related chapter, such that readers are introduced to previous key works of scholarship. This is invaluable for readers who want to know more about the codex from the perspective of a discipline foreign to them, but it will also benefit readers whose knowledge of scholarship in German is lacking. Perhaps unsurprisingly, most previous scholarship on the Codex Buranus has been generated by Germanspeaking scholars. This collection of essays presents handy summaries of fields of scholarship that have largely been conducted in German; the editors have even gone so far as to translate some chapters of the book from the original German of the contributor into English. For readers with little or no Latin, the volume is also accessible, with translations into English provided for all Latin quotations. Occasionally the translation is presented after the Latin, rather than alongside it in a second column, which can make it difficult to check the translation against the original (especially where the Latin starts on one page and the translation finishes overleaf). Nevertheless, the care taken over Latin translation is commendable and shows the editors’ desire to make the volume accessible to scholars from different disciplines. For that, and for their efforts at embracing interdisciplinary study of the Codex Buranus, they should be applauded.
在整个手抄本中偶尔使用,她指出需要对旋律的符号和分析进行更多的研究。对于英语读者,这一卷将是一个重要的第一个港口呼吁研究法典Buranus。学术文献的每一个方面的法典被列出和总结在其相关的章节,这样的读者被介绍到以前的奖学金的关键作品。这对于那些想要从一个陌生学科的角度了解更多关于古抄本的读者来说是无价的,但它也将使那些缺乏德语学术知识的读者受益。也许不足为奇的是,以前关于《布兰纳斯抄本》的大多数学术研究都是由讲德语的学者提出的。这本论文集提供了对主要用德语进行的学术领域的方便总结;编辑们甚至把这本书的一些章节从贡献者的德语原文翻译成了英语。对于很少或没有拉丁语的读者来说,这本书也是可以访问的,所有拉丁语引文都有英文翻译。有时翻译是在拉丁文之后出现的,而不是在第二栏中出现,这使得很难将翻译与原文进行对照(特别是拉丁文从一页开始而翻译在反面结束的情况)。尽管如此,拉丁文翻译的细心是值得称赞的,并显示了编辑的愿望,使卷访问来自不同学科的学者。对于这一点,以及他们在拥抱《布拉努斯抄本》跨学科研究方面所做的努力,他们应该受到赞扬。
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引用次数: 2
Catalogue de manuscrits occitans acquis de 1975 à 1994 par le Centre international de documentation occitane (CIDO, Béziers) by François Pic (review) 1975年至1994年由国际欧西坦文献中心(CIDO, beziers)获得的欧西坦手稿目录,francois Pic(评论)
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1353/mns.2022.0028
Wendy Pfeffer
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引用次数: 0
Catalan Maps and Jewish Books: The Intellectual Profile of Elisha ben Abraham Cresques (1325–1387) by Katrin Kogman-Appel (review) 加泰罗尼亚地图和犹太书籍:以利沙·本·亚伯拉罕·克雷斯克的知识分子简介(1325-1387),作者:Katrin Kogman-Appel(书评)
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1353/mns.2022.0027
J. D. Barco
and reconstruction of this obscure early historical text, the editors of the book series that this appears in might well be asked about their decisions. For example, while it is no doubt handy to have this study “between boards” as a book, it seems difficult to justify such a format when the work in question weighs in at a mere 116 pages, excluding bibliography and index and front matter. Of those 116 pages, the study itself spans only sixty—making the whole book something that could have easily graced the pages of its parent journal Der Islam in a few installments. But the content and erudition of EZC’s study rise above any form it may have been given.
重建这个模糊的早期历史文本,这个系列书的编辑可能会被问到他们的决定。例如,虽然将这项研究“在董事会之间”作为一本书无疑是很方便的,但似乎很难证明这种格式是合理的,因为所讨论的工作只有116页,不包括参考书目、索引和封面。在116页的篇幅中,这项研究本身只占了60页,这使得整本书可以轻易地以几期的篇幅为其母刊《伊斯兰》增色不少。但是,EZC研究的内容和广度高于它可能被给予的任何形式。
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引用次数: 0
Christus homo factus Wm Cleue prosperet actus: Examining a Provenance Mark with Suggestions About the Later Ownership of the Paris Apocalypse (Paris, Bibliothèque nationale de France, MS fr. 403) 《事实上的基督》:关于巴黎启示录后来所有权的一个出处标记的检验(巴黎,法国国家图书馆,MS . 403)
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-09-01 DOI: 10.1353/mns.2022.0021
Emerson Storm Fillman Richards-Hoppe
Abstract (Lang: English):This annotation explores an unremarked upon provenance feature of the Paris Apocalypse (Paris, BnF Ms. fr 403), a mid-thirteenth-century illustrated Anglo-Norman Book of Revelation. While early scholars, such as Delisle, Meyer, and James, concerned their scholarship primarily with establishing a stemma to relate the Apocalypse manuscripts to each other, modern scholarship on the Apocalypses, such as that of Lewis, Emmerson, and Morgan, interests itself in using the Apocalypses to better understand reading habits and the culture surrounding them.This annotation offers an examination of a short ownership rhyme included on the back coverboard of the Paris Apocalypse which reads "Christus homo factus; W(illel)m prosperet actus." This rhyme appears in Oxford Bodl. Ms 110, an early fifteenth-century English composite manuscript of 184 leaves containing a collection of medieval Latin works of Christian instruction and preaching. After a comparison of the paleographic features, I fit the owner, William Cleve, into the known provenance narrative of the Paris Apocalypse and find that his brief ownership of the book was in fact likely.
摘要(Lang: English):本注释探讨了《巴黎启示录》(Paris, BnF Ms. fr 403)一个未被注意到的出处特征,这是一本13世纪中期的盎格鲁-诺曼插图《启示录》。早期的学者,如迪莱尔、迈耶和詹姆斯,主要关注的是建立一个体系,将《启示录》手稿彼此联系起来,而现代的《启示录》学者,如刘易斯、埃默森和摩根,则对利用《启示录》更好地理解阅读习惯和周围的文化感兴趣。这个注释提供了一个简短的所有权押韵的检查,包括在巴黎启示录的封底上,上面写着“Christus homo factus;我的事业蒸蒸日上。”这首押韵诗出现在《牛津词典》中。《Ms 110》是一份15世纪早期的英文合成手稿,共有184页,其中收录了中世纪拉丁语的基督教教导和布道作品。在比较了古生物学特征之后,我把这本书的主人威廉·克利夫(William Cleve)与已知的《巴黎天启》的出处叙述联系起来,发现他短暂拥有这本书实际上是有可能的。
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引用次数: 0
List of Manuscripts Cited 被引稿件列表
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1017/CBO9780511523083.012
Julia M Smith
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引用次数: 0
Shorthand Crosses the Atlantic: An Overview and Preliminary Census of Shorthand Manuscripts in Early American Archives 速记跨越大西洋:美国早期档案中速记手稿的概述和初步普查
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/mns.2022.0005
Teddy Delwiche
Abstract:Forms of short and fast writing have existed since antiquity, but interest in them rapidly took off during the early modern period. Dozens of different manuals and methods appeared, all promising to teach the trendiest manuscript technologies of the day. Despite the widespread early modern interest in stenography and ciphers, relatively little research has been conducted on these scribal arts. Some scholars have focused on the famed diary of Samuel Pepys, but few have considered the scores of early modern journalists, ministers, students, diplomats, and merchants, among many others, who also actively employed fast writing in their daily lives. This article provides a historical overview of early modern shorthand, as well as an original bibliographic account of shorthand's presence and prevalence in colonial American archives.
摘要:短、快的书写形式自古以来就存在,但对它们的兴趣在近代早期迅速兴起。出现了几十种不同的手册和方法,都承诺教授当时最流行的手稿技术。尽管现代早期对速记和密码有广泛的兴趣,但对这些抄写艺术的研究相对较少。一些学者把注意力集中在塞缪尔·佩皮斯著名的日记上,但很少有人考虑到早期现代记者、部长、学生、外交官和商人等许多在日常生活中也积极使用快速书写的人。这篇文章提供了早期现代速记的历史概述,以及速记的存在和流行在殖民美国档案的原始书目帐户。
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引用次数: 0
The Library of the Dukes of Burgundy ed. by Bernard Bousmanne and Elena Savini (review) 《勃艮第公爵图书馆》,伯纳德·布斯曼和埃琳娜·萨维尼著(书评)
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/mns.2022.0012
H. Wijsman
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引用次数: 0
“Beautiful Books with Beautiful Covers”: The Bindings of Hebrew Manuscripts in Late Medieval Ashkenaz “美丽的书与美丽的封面”:中世纪晚期阿什肯纳兹希伯来手稿的装订
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/mns.2022.0001
Ilona Steimann
Abstract:Binding, which adapts a written text to its intended use, is one of the most formative stages of book production. The scarcity of extant medieval bindings makes any discussion of how Hebrew manuscripts were originally bound rather speculative, but such a discussion is nonetheless worthwhile. To shed light on the practices of bookbinding among Jews, this article examines various aspects of bookbinding in Ashkenaz on the basis of selected examples of extant medieval bindings and primary written sources relevant to the matter. The aspects to be discussed include the question of Jewish binders, the role of bindings as a material marker of manuscripts in Jewish private libraries, and the ways in which Hebrew books were rebound when they entered Christian book collections.
摘要:装帧是书籍生产过程中最具形成性的一个阶段,它是使书面文本适应其预定用途的过程。现存中世纪装订的稀缺性使得任何关于希伯来手稿最初是如何装订的讨论都相当投机,但这样的讨论仍然是值得的。为了阐明犹太人装订书籍的做法,本文在选择现存中世纪装订的例子和与此事相关的主要书面资料的基础上,研究了阿什肯纳兹装订书籍的各个方面。要讨论的方面包括犹太装订商的问题,装订作为犹太私人图书馆手稿的材料标记的作用,以及希伯来书进入基督教藏书时反弹的方式。
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引用次数: 0
Aspiring to Be a Buddha and Life Before Liberation: The Colophons of the Siamese Questions of King Milinda 立志成佛与解放前的生活:米琳达国王暹罗问题的启示
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/mns.2022.0002
E. Ooi
Abstract:This article presents the colophons of a Buddhist text, the Questions of King Milinda, as seen in manuscripts found mainly in Central Thailand. Through a survey of over seventy Pāli palm-leaf manuscripts and a Thai samut khoi (folding book), the colophons reveal information not only related to textual transmission, but also to the social and soteriological ambitions of the communities that created them. Inspired by the ideology of merit, which promises good karmic returns for presenting and preserving the Dharma in this world, donors and scribes produced various kinds of aspirations (Pāli: patthanā). These aspirations are recorded in colophons. In this group of manuscripts, it is not uncommon to find that the preferred path to Nirvana among stakeholders is to become a Buddha. This is somewhat contrary to the general assumption that the way of arhat is preferred for a community that upheld the Theravāda tradition. Moreover, the quest to be fully awakened and omniscient is shown not to be confined to kings or to the nobility, but shared by a wider layer of society. The colophon of the samut khoi was sponsored by the noble royal ladies (pavaranārī) from the court of Ayutthaya. It gives us a glimpse into what—in a past era—was considered good and righteous, both materially and spiritually, by the inner circle of the ruling establishment. Accordingly, colophons deserve special attention as they provide information not only about their respective manuscripts but also about the socio-cultural aspects of the community that preserved and transmitted them.
摘要:本文介绍了主要在泰国中部发现的手稿中所见的佛教经典《密林达王的问题》的版主。通过对七十多份Pāli棕榈叶手稿和一本泰国samut khoi(折叠书)的调查,colophons不仅揭示了与文本传播有关的信息,还揭示了创造它们的社区的社会和救赎野心。受“功德”思想的启发,“功德”思想承诺在这个世界上呈现和保存佛法会有良好的业力回报,施与者和抄写者产生了各种各样的愿望(Pāli: patthanā)。这些愿望被记录在记事本中。在这组手稿中,我们不难发现,在利益相关者中,通往涅槃的首选途径是成佛。这与一般认为维护Theravāda传统的社区更倾向于罗汉之路的假设有些相反。此外,对完全觉醒和无所不知的追求并不局限于国王或贵族,而是为更广泛的社会阶层所共有。samut khoi的赞助者是来自大城府宫廷的高贵皇室女士(pavaranārī)。它让我们得以一窥在过去的时代,统治集团的核心圈子在物质上和精神上都认为什么是好的和正义的。因此,colophon值得特别注意,因为它们不仅提供有关各自手稿的信息,而且还提供有关保存和传播它们的社区的社会文化方面的信息。
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引用次数: 0
Byzantine Intersectionality: Sexuality, Gender, and Race in the Middle Ages by Roland Betancourt (review) 《拜占庭的交叉性:中世纪的性、性别和种族》作者:罗兰·贝当古
IF 0.2 Q2 Arts and Humanities Pub Date : 2022-03-01 DOI: 10.1353/mns.2022.0010
M. Sauer
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引用次数: 0
期刊
Manuscript Studies-A Journal of the Schoenberg Institute for Manuscript Studies
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