Splendor of Portugal, novel written by Antonio Lobo Antunes, presents the history of Angola's independence and the return of the Portugueses to Lisbon (retornados), as a metaphor of the colonial collapse (history), from the subjectivity (the memory) of the characters. The fictional strategies disclose that the novel does not depict a historical narrative, but personal story. The study of the narrative, discursive and thematic structures is based on elements of the Possible Worlds Theory, as well as Bakhtin´s conceptions of chronotope and polyphony. The historical analysis allows us to observe that time is the axis of the narrative structure of the novel and, at the same time, allows us to understand the way in which historical events are used to build a literary world. This research reveals that the fictionalization process and the aesthetics of the novel are supported not only on the memory of the characters, but on the real and internal time. Protagonists are psychically and spatially delocalized. This delocalized feeling causes them loss they identity and turn them in to the retornados. Other characteristics are the discursive fragmentation, the temporal discontinuities of the story, and the delirious memory of the characters. The novel uses metaphors, thematizations, dialogues and typographic strategies to create a literary language. These devices express the linguistic beauty to emphasize a contrast with the sordid theme of the novel, in order to achieve an aesthetic balance.
安东尼奥·洛博·安图内斯(Antonio Lobo Antunes)的小说《葡萄牙的辉煌》(Splendor of Portugal)呈现了安哥拉独立的历史和葡萄牙人返回里斯本(re龙卷风)，从人物的主体性(记忆)中隐喻了殖民崩溃(历史)。小说的虚构策略表明，小说描写的不是历史叙事，而是个人故事。对叙事、话语和主题结构的研究是基于可能世界理论的元素，以及巴赫金的时位和复调的概念。历史分析可以让我们观察到时间是小说叙事结构的轴心，同时也可以让我们理解历史事件是如何被用来构建文学世界的。研究表明，小说的虚构化过程和小说的美学不仅有人物记忆的支撑，而且有真实的内在时间的支撑。主角在心理上和空间上都是非局域化的。这种局域的感觉使他们失去了身份，并把他们交给了龙卷风。其他的特点是话语的支离破碎，故事的时间不连续性，以及人物的神志不清的记忆。小说运用隐喻、主题化、对话和排版策略来创造一种文学语言。这些手法通过表达语言之美来强调与小说的污秽主题形成对比，从而达到审美的平衡。
{"title":"Esplendor de Portugal, oscuridad de Angola: la historia desde la memoria","authors":"Luz Eugenia Aguilar González, Mayra Margarito Gaspar","doi":"10.15174/RV.V13I27.491","DOIUrl":"https://doi.org/10.15174/RV.V13I27.491","url":null,"abstract":"Splendor of Portugal, novel written by Antonio Lobo Antunes, presents the history of Angola's independence and the return of the Portugueses to Lisbon (retornados), as a metaphor of the colonial collapse (history), from the subjectivity (the memory) of the characters. The fictional strategies disclose that the novel does not depict a historical narrative, but personal story. \u0000The study of the narrative, discursive and thematic structures is based on elements of the Possible Worlds Theory, as well as Bakhtin´s conceptions of chronotope and polyphony. The historical analysis allows us to observe that time is the axis of the narrative structure of the novel and, at the same time, allows us to understand the way in which historical events are used to build a literary world. \u0000This research reveals that the fictionalization process and the aesthetics of the novel are supported not only on the memory of the characters, but on the real and internal time. Protagonists are psychically and spatially delocalized. This delocalized feeling causes them loss they identity and turn them in to the retornados. Other characteristics are the discursive fragmentation, the temporal discontinuities of the story, and the delirious memory of the characters. The novel uses metaphors, thematizations, dialogues and typographic strategies to create a literary language. These devices express the linguistic beauty to emphasize a contrast with the sordid theme of the novel, in order to achieve an aesthetic balance.","PeriodicalId":40683,"journal":{"name":"Valenciana","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45333164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Resena del libro Alfonso Reyes en una nuez. Indice consolidado de nombres propios de personas, personajes y titulos en susObras completas de Adolfo Castanon, Mexico, El Colegio Nacional, 2018.
{"title":"Alfonso Reyes en una nuez. Índice consolidado de nombres propios de personas, personajes y títulos en sus Obras completas","authors":"Carolina Moreno Echeverry","doi":"10.15174/rv.vi26.499","DOIUrl":"https://doi.org/10.15174/rv.vi26.499","url":null,"abstract":"Resena del libro Alfonso Reyes en una nuez. Indice consolidado de nombres propios de personas, personajes y titulos en susObras completas de Adolfo Castanon, Mexico, El Colegio Nacional, 2018.","PeriodicalId":40683,"journal":{"name":"Valenciana","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-07-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49310018","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In Mexico, gender violence has become a growing and alarming issue. A direct evidence of this is crime involving the violent and deliberate killing of a woman on the mere fact of being a woman. Feminicide, as the highest level of gender violence against women from a patriarchy system having as purpose women subjugation, is preceded by a series of atrocious treatment revealing hatred and scorn for female. In this article, we will analyze nine stories written by Mexican women, whose protagonists denounce sad reality of a country where a patriarchy system is widespread concealing women as useless objects. Nevertheless, we conclude we need to change this little by little. We must educate ourselves –women and men- following gender equity principles, new male conceptions free from violence, based on respect for others.
{"title":"Nueve cuentos acerca de mujeres en situación de acoso, hostigamiento y feminicidio","authors":"Carmen Cuecuecha","doi":"10.15174/rv.vi26.502","DOIUrl":"https://doi.org/10.15174/rv.vi26.502","url":null,"abstract":"In Mexico, gender violence has become a growing and alarming issue. A direct evidence of this is crime involving the violent and deliberate killing of a woman on the mere fact of being a woman. Feminicide, as the highest level of gender violence against women from a patriarchy system having as purpose women subjugation, is preceded by a series of atrocious treatment revealing hatred and scorn for female. In this article, we will analyze nine stories written by Mexican women, whose protagonists denounce sad reality of a country where a patriarchy system is widespread concealing women as useless objects. Nevertheless, we conclude we need to change this little by little. We must educate ourselves –women and men- following gender equity principles, new male conceptions free from violence, based on respect for others.","PeriodicalId":40683,"journal":{"name":"Valenciana","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42324638","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
La finalidad del presente articulo es descubrir la presencia del concepto de personaen la doctrina de la soberaniade Carl Schmitt. A pesar de que este concepto tuvo un amplio desarrollo metafisico en el seno del pensamiento cristiano durante la antiguedad tardia, jamas pudo desembarazarse de la impronta juridica de sus creadores los juristas romanos. Por tal razon, sirvio como soporte conceptual para el posterior despliegue de la nocion de persona juridica, sistematizada a lo largo de la modernidad. Para lograr nuestro objetivo, intentaremos rastrear la transformacion del concepto depersonaa lo largo de la edad media y la modernidad, asi como revisar el concepto de soberaniaen la teoria politica moderna. Por otro lado, estudiaremos la nocion de decisionen la obra de Carl Schmitt, nocion que el gran jurista aleman utilizo para definir su propia concepcion de la soberania. A partir de estas precisiones, intentaremos establecer la relacion existente entre la nocion de personay la de decisionen el seno de la concepcion schmittiana de la soberania tomando como hilo conductor los presupuestos teologicos implicitos en ella. Como veremos, tales presupuestos nos remitiran a la obra del pensador danes Soren Kierkegaard, cuyas doctrinas nos mostraran todo el alcance del planteamiento schmittiano. De esta manera, podemos concluir que el concepto de personasubyacente al decisionismoschmittiano ha sido transformado, en primer termino, en el de existenciapolitica, nocion determinada por la relacion de enemistad; y, en segundo lugar, en el de unidad de la personalidad, concepto determinado por la actualizacion de la dimension espiritual al interior de la condicion humana.
{"title":"La transformación del concepto de persona a la luz de la doctrina de la soberanía de Carl Schmitt","authors":"Rafael Augusto Campos García-Calderón","doi":"10.15174/rv.vi26.500","DOIUrl":"https://doi.org/10.15174/rv.vi26.500","url":null,"abstract":"La finalidad del presente articulo es descubrir la presencia del concepto de personaen la doctrina de la soberaniade Carl Schmitt. A pesar de que este concepto tuvo un amplio desarrollo metafisico en el seno del pensamiento cristiano durante la antiguedad tardia, jamas pudo desembarazarse de la impronta juridica de sus creadores los juristas romanos. Por tal razon, sirvio como soporte conceptual para el posterior despliegue de la nocion de persona juridica, sistematizada a lo largo de la modernidad. Para lograr nuestro objetivo, intentaremos rastrear la transformacion del concepto depersonaa lo largo de la edad media y la modernidad, asi como revisar el concepto de soberaniaen la teoria politica moderna. Por otro lado, estudiaremos la nocion de decisionen la obra de Carl Schmitt, nocion que el gran jurista aleman utilizo para definir su propia concepcion de la soberania. A partir de estas precisiones, intentaremos establecer la relacion existente entre la nocion de personay la de decisionen el seno de la concepcion schmittiana de la soberania tomando como hilo conductor los presupuestos teologicos implicitos en ella. Como veremos, tales presupuestos nos remitiran a la obra del pensador danes Soren Kierkegaard, cuyas doctrinas nos mostraran todo el alcance del planteamiento schmittiano. De esta manera, podemos concluir que el concepto de personasubyacente al decisionismoschmittiano ha sido transformado, en primer termino, en el de existenciapolitica, nocion determinada por la relacion de enemistad; y, en segundo lugar, en el de unidad de la personalidad, concepto determinado por la actualizacion de la dimension espiritual al interior de la condicion humana.","PeriodicalId":40683,"journal":{"name":"Valenciana","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47694945","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract: The kiss is not a very common subject in Quevedo’s love poetry, at least in comparison with its Italian models. When it appears, it is generally an apparent or imaginary kiss, and only takes place in the lover’s imagination. This article classifies and comments philologically the kiss poems in the Musa Erato, fourth muse in El Parnaso espanol, which collects most of Quevedo’s love poetry. Key words: Quevedo, kiss, phantom, love, imagination
{"title":"El beso en la Musa Erato de Quevedo","authors":"P. Mora","doi":"10.15174/rv.vi26.507","DOIUrl":"https://doi.org/10.15174/rv.vi26.507","url":null,"abstract":"Abstract: The kiss is not a very common subject in Quevedo’s love poetry, at least in comparison with its Italian models. When it appears, it is generally an apparent or imaginary kiss, and only takes place in the lover’s imagination. This article classifies and comments philologically the kiss poems in the Musa Erato, fourth muse in El Parnaso espanol, which collects most of Quevedo’s love poetry. \u0000Key words: Quevedo, kiss, phantom, love, imagination","PeriodicalId":40683,"journal":{"name":"Valenciana","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44582835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The work of Mexican writer Amparo Davila (b. 1928) has been read and studied intermittently over the past sixty years. Thanks to the publication of her Cuentos reunidos (2009) by Fondo de Cultura Economica, the author from the State of Zacatecas, has obtained new readers, as national and international critics have once again taken an interest in her narrative. However, little has been done to explore the link between her stories and philosophy. This work proposes to establish a dialogue between "Fragment of a Diary", one of the tales included in Tiempo destrozado (1959), and the philosophy of Immanuel Kant, Longino and Eugenio Trias about the beautiful, the sublime, and the sinister, also considering Sigmund Freud's contributions about the uncanny.
墨西哥作家安帕罗·达维拉（生于1928年）的作品在过去的六十年里被断断续续地阅读和研究。由于来自萨卡特卡斯州的作者Fondo de Cultura Economica出版了《重聚》（2009），她获得了新的读者，因为国内和国际评论家再次对她的叙述感兴趣。然而，关于她的故事和哲学之间的联系，人们几乎没有做什么探索。这部作品提出了在《蒂恩波·德斯特罗扎多》（1959）中的故事之一《日记片段》与伊曼纽尔·康德、朗吉诺和尤金尼奥·特里亚斯关于美丽、崇高和邪恶的哲学之间建立对话，同时也考虑到西格蒙德·弗洛伊德对神秘的贡献。
{"title":"Lo bello, lo sublime y lo siniestro en “Fragmento de un diario”, de Amparo Dávila","authors":"C. Espinosa","doi":"10.15174/rv.vi26.498","DOIUrl":"https://doi.org/10.15174/rv.vi26.498","url":null,"abstract":"The work of Mexican writer Amparo Davila (b. 1928) has been read and studied intermittently over the past sixty years. Thanks to the publication of her Cuentos reunidos (2009) by Fondo de Cultura Economica, the author from the State of Zacatecas, has obtained new readers, as national and international critics have once again taken an interest in her narrative. However, little has been done to explore the link between her stories and philosophy. This work proposes to establish a dialogue between \"Fragment of a Diary\", one of the tales included in Tiempo destrozado (1959), and the philosophy of Immanuel Kant, Longino and Eugenio Trias about the beautiful, the sublime, and the sinister, also considering Sigmund Freud's contributions about the uncanny.","PeriodicalId":40683,"journal":{"name":"Valenciana","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48578777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Antonio Munoz Molina began his literacy race as a cultural journalist at the Diario de Granada, in which he published his urban chronicles between 1982 and 1983. A year after those chronicles became his first book: El Robinson urbano (1984). In the prologue of the Seix Barral 1993 reissue, Pere Gimferrer warned about the stylistic care of Munoz Molina´s prose and suggests that the urban Granada from the Beatus ille and Winter in Lisbon author could be any city or none. Both works are the ends of a trajectory marked by the flâneur, that figure that took form with Baudelaire, was interpret by Benjamin and became part of a literary tradition of walkers that tour the modern city with an amazed, receptive and critical look. Both, Un andar solitario entre la gente and El Robinson urbano, have a common integration of fictional elements in a referential genre like the journalistic chronicle. In this article I will try to highlight the links between these two literary works and relate them to which I consider the most relevant in this proposal that Munoz Molina presents at this peculiar urban story form the XXI century.
安东尼奥·穆尼奥斯·莫利纳（Antonio Munoz Molina）在《格拉纳达日记》（Diario de Granada）担任文化记者，开始了他的扫盲竞赛，他在1982年至1983年间出版了自己的城市编年史。一年后，这些编年史成为他的第一本书：El Robinson urbano（1984）。在1993年重新发行的Seix Barral的序言中，Pere Gimferrer对穆尼奥斯·莫利纳散文的风格关怀提出了警告，并认为《里斯本的冬天》中的城市格拉纳达作者可能是任何城市，也可能不是任何城市。这两部作品都是以灵魂为标志的轨迹的终点，这个人物与波德莱尔一起形成，由本杰明诠释，并成为步行者文学传统的一部分，他们以惊讶、接受和批判的眼光游览现代城市。《Un andar solitario entre la gente》和《El Robinson urbano》都将虚构元素融入了新闻编年史等参考类型中。在这篇文章中，我将试图强调这两部文学作品之间的联系，并将它们联系起来，我认为这是穆尼奥斯·莫利纳在21世纪这个独特的城市故事中提出的建议中最相关的。
{"title":"Todos y ninguno. Crónica urbana y reciclaje en la obra de Antonio Muñoz Molina","authors":"T. Arce","doi":"10.15174/rv.vi26.506","DOIUrl":"https://doi.org/10.15174/rv.vi26.506","url":null,"abstract":"Antonio Munoz Molina began his literacy race as a cultural journalist at the Diario de Granada, in which he published his urban chronicles between 1982 and 1983. A year after those chronicles became his first book: El Robinson urbano (1984). In the prologue of the Seix Barral 1993 reissue, Pere Gimferrer warned about the stylistic care of Munoz Molina´s prose and suggests that the urban Granada from the Beatus ille and Winter in Lisbon author could be any city or none. Both works are the ends of a trajectory marked by the flâneur, that figure that took form with Baudelaire, was interpret by Benjamin and became part of a literary tradition of walkers that tour the modern city with an amazed, receptive and critical look. Both, Un andar solitario entre la gente and El Robinson urbano, have a common integration of fictional elements in a referential genre like the journalistic chronicle. In this article I will try to highlight the links between these two literary works and relate them to which I consider the most relevant in this proposal that Munoz Molina presents at this peculiar urban story form the XXI century.","PeriodicalId":40683,"journal":{"name":"Valenciana","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46983596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
El auge del poema autorretrato en el modernismo alcanzó con “Yo soy aquel…” de Darío el esplendor del “yo artista”. Bajo este dominio del “yo” el poeta empieza a incorporar cada vez más elementos de su cotidianidad artística en el texto. En la medida que se percata de su ensimismamiento en la torre de marfil se dirige al mundo, iniciando el largo encuentro del poeta con la expresión cotidiana desde su estatus de artista registrado decididamente en su obra. Los modernistas fueron los primeros en acercarse a las calles a las que los vanguardistas se entregaron en todo su afán de conquistarlas. Este hecho le permite al poeta modernista convertir su propia persona en motivo central mediante la composición de autorretratos. Este trabajo explora ese “yo artista” a partir de “Yo soy aquel…” como poema paradigmático del modernismo, que se describe en función de su creación, de su capacidad para proponerse en el centro de la construcción poética, de la figura del artista como ese “otro” que se configura en el poema autorretrato y que logra convertirse en el centro de la composición en la que triunfa el “yo poeta” perpetuado en el poema
{"title":"“Yo soy aquel…” o la construcción del artista en el poema autorretrato modernista","authors":"Esnedy Zuluaga","doi":"10.15174/rv.vi26.480","DOIUrl":"https://doi.org/10.15174/rv.vi26.480","url":null,"abstract":"El auge del poema autorretrato en el modernismo alcanzó con “Yo soy aquel…” de Darío el esplendor del “yo artista”. Bajo este dominio del “yo” el poeta empieza a incorporar cada vez más elementos de su cotidianidad artística en el texto. En la medida que se percata de su ensimismamiento en la torre de marfil se dirige al mundo, iniciando el largo encuentro del poeta con la expresión cotidiana desde su estatus de artista registrado decididamente en su obra. Los modernistas fueron los primeros en acercarse a las calles a las que los vanguardistas se entregaron en todo su afán de conquistarlas. Este hecho le permite al poeta modernista convertir su propia persona en motivo central mediante la composición de autorretratos. Este trabajo explora ese “yo artista” a partir de “Yo soy aquel…” como poema paradigmático del modernismo, que se describe en función de su creación, de su capacidad para proponerse en el centro de la construcción poética, de la figura del artista como ese “otro” que se configura en el poema autorretrato y que logra convertirse en el centro de la composición en la que triunfa el “yo poeta” perpetuado en el poema","PeriodicalId":40683,"journal":{"name":"Valenciana","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67312177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
En este artículo se revisan algunas constantes entre la personalidad del escritor Porfirio Barba Jacob, algunos momentos de su poesía y el tono en los contenidos de su trabajo periodístico. El ánimo acre y furibundo sirve como hilo conductor que permite dar cuenta de su forma de estar en el mundo: airada y rebelde. Y revela, a la distancia, la importancia de ciertos juicios políticos.
{"title":"Porfirio Barba Jacob: la ira sostenida","authors":"Lilia Solórzano Esqueda","doi":"10.15174/rv.vi26.540","DOIUrl":"https://doi.org/10.15174/rv.vi26.540","url":null,"abstract":"En este artículo se revisan algunas constantes entre la personalidad del escritor Porfirio Barba Jacob, algunos momentos de su poesía y el tono en los contenidos de su trabajo periodístico. El ánimo acre y furibundo sirve como hilo conductor que permite dar cuenta de su forma de estar en el mundo: airada y rebelde. Y revela, a la distancia, la importancia de ciertos juicios políticos.","PeriodicalId":40683,"journal":{"name":"Valenciana","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67312501","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
El presente artículo medita sobre algunos particulares de la evolución que a lo largo de lo de los últimos decenios ha experimentado la grafomanía y con ella la crítica literaria al ser considerada como “fuente secundaria”. Además se pone en relación esta idea de crítica como literatura vicaria con el proceso saturación crítica contemporánea. Movimientos que, sin duda, han desplazado también la posición del crítico hacia zonas de indeterminación complicando el sentido final de la propia crítica literaria y su ubicación errática ya desplazada del eje central de reflexión sobre la literatura en la era digital
{"title":"Por un sentido de la Crítica Literaria","authors":"Francisco Estévez Regidor","doi":"10.15174/rv.vi26.537","DOIUrl":"https://doi.org/10.15174/rv.vi26.537","url":null,"abstract":"El presente artículo medita sobre algunos particulares de la evolución que a lo largo de lo de los últimos decenios ha experimentado la grafomanía y con ella la crítica literaria al ser considerada como “fuente secundaria”. Además se pone en relación esta idea de crítica como literatura vicaria con el proceso saturación crítica contemporánea. Movimientos que, sin duda, han desplazado también la posición del crítico hacia zonas de indeterminación complicando el sentido final de la propia crítica literaria y su ubicación errática ya desplazada del eje central de reflexión sobre la literatura en la era digital","PeriodicalId":40683,"journal":{"name":"Valenciana","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67312429","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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