This paper reflects on immediate and general criticism of newspaper supplements, with the aim of revealing some of the different limits, functions and duties of the literary critic, among others, the place from which it is written, the identification of the public or its journalistic function. To do this, emphasis is placed on a series of conditioning factors that weigh on the critic, especially the meaning and possibilities of his own criticism, framed in a chronic financial crisis and a model for the written press. The assumption of intellectual risk and the acceptance of a primary responsibility by the critic goes through redefining the panorama of the contemporary.
{"title":"Función de la crítica inmediata","authors":"J. M. Nadal","doi":"10.15174/rv.vi26.541","DOIUrl":"https://doi.org/10.15174/rv.vi26.541","url":null,"abstract":"This paper reflects on immediate and general criticism of newspaper supplements, with the aim of revealing some of the different limits, functions and duties of the literary critic, among others, the place from which it is written, the identification of the public or its journalistic function. To do this, emphasis is placed on a series of conditioning factors that weigh on the critic, especially the meaning and possibilities of his own criticism, framed in a chronic financial crisis and a model for the written press. The assumption of intellectual risk and the acceptance of a primary responsibility by the critic goes through redefining the panorama of the contemporary.","PeriodicalId":40683,"journal":{"name":"Valenciana","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42118671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
espanolEl trabajo muestra la relevancia de una importante corriente de marxistas que han comenzado a pensar de forma determinante a los modos de circulacion y distribucion, frente a un marxismo que siempre privilegio la comprension del sistema capitalista desde los modos de produccion. En este sentido, se muestra la operacion circulatoria del capital y el capitalismo en la configuracion de una particular espacialidad social, su permanente ensayo de la violencia y su despliegue ficcional como realidad de segundo grado. EnglishThese paper shows the relevance of an important part of Marxism, who have begun to think in the crucial role of the circulation and distribution of commodities against the privileged understanding of capitalism through modes of production. In this context, I work on the ideas of value, surplus value and mercantile form. I hold that circulation of capital and capitalism can show, so much better, the actual configu-ration of a particular social spatiality. At the end of the paper, I think in two aspects of the capitalized and commodified life in the capitalism: the permanent essays of violence and its fictional way as a second-degree reality.
{"title":"Dinero y plus-valor. Circulación y producción de capitales","authors":"Carlos Oliva Mendoza","doi":"10.15174/rv.vi25.482","DOIUrl":"https://doi.org/10.15174/rv.vi25.482","url":null,"abstract":"espanolEl trabajo muestra la relevancia de una importante corriente de marxistas que han comenzado a pensar de forma determinante a los modos de circulacion y distribucion, frente a un marxismo que siempre privilegio la comprension del sistema capitalista desde los modos de produccion. En este sentido, se muestra la operacion circulatoria del capital y el capitalismo en la configuracion de una particular espacialidad social, su permanente ensayo de la violencia y su despliegue ficcional como realidad de segundo grado. EnglishThese paper shows the relevance of an important part of Marxism, who have begun to think in the crucial role of the circulation and distribution of commodities against the privileged understanding of capitalism through modes of production. In this context, I work on the ideas of value, surplus value and mercantile form. I hold that circulation of capital and capitalism can show, so much better, the actual configu-ration of a particular social spatiality. At the end of the paper, I think in two aspects of the capitalized and commodified life in the capitalism: the permanent essays of violence and its fictional way as a second-degree reality.","PeriodicalId":40683,"journal":{"name":"Valenciana","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45903812","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
espanolEn La estructura de la historia mundial (edicion japonesa 2010; edicion inglesa 2014), senale la necesidad de transponer la nocion central de “modos de produccion” por la de “modos de intercambio”. En este trabajo quiero explicar esto. Atraves de una metafora arquitectonica, la ortodoxia marxista ha explicado la historia de las formaciones sociales en terminos de los modos de produccion, que existen como base economica (fundamento) y por los cuales se determina la superestructura politica-ideal. Un modo de produccion se constituye por las fuerza productivas, que estan constituidas por las relaciones entre el ser humano y la naturaleza, y las relaciones de produccion, que provienen de las relaciones entre los seres humanos. Yo no me opongo a la idea de que la historia de las formas sociales esta determinada por la base economica, pero, desde mi punto de vista, esta base no esta en los modos de produccion, sino en los modos de intercambio. Lo que yo llamo modos de intercambio incluye a ambas relaciones, entre la naturaleza y los seres humanos, y entre entre los propios seres humanos. EnglishIn The Structure of World History (2010; english edition 2014), I proposed the notion of switching “from modes of production to modes of exchange”. Here, I would like to provide a simple explanation of this. Orthodox Marxist theory, using an architectural metaphor, explains the history of social forms in terms of modes of production, which form the economic base (foundation), and of the political or ideational su-perstructures that are determined by that base. A mode of production consists of the productive forces, which arise from the relations between humans and nature, and the relations of production, which are consti-tuted by the relations between humans. I do not oppose the idea that the history of social forms is determined by the economic base, but in my view that base consists not of modes of production, but rather modes of exchange. What I call modes of exchange includes both relations be-tween nature and humans and relations between humans.
{"title":"Introducción a la teoría de los modos de intercambio","authors":"Kojin Karatani","doi":"10.15174/rv.vi25.503","DOIUrl":"https://doi.org/10.15174/rv.vi25.503","url":null,"abstract":"espanolEn La estructura de la historia mundial (edicion japonesa 2010; edicion inglesa 2014), senale la necesidad de transponer la nocion central de “modos de produccion” por la de “modos de intercambio”. En este trabajo quiero explicar esto. Atraves de una metafora arquitectonica, la ortodoxia marxista ha explicado la historia de las formaciones sociales en terminos de los modos de produccion, que existen como base economica (fundamento) y por los cuales se determina la superestructura politica-ideal. Un modo de produccion se constituye por las fuerza productivas, que estan constituidas por las relaciones entre el ser humano y la naturaleza, y las relaciones de produccion, que provienen de las relaciones entre los seres humanos. Yo no me opongo a la idea de que la historia de las formas sociales esta determinada por la base economica, pero, desde mi punto de vista, esta base no esta en los modos de produccion, sino en los modos de intercambio. Lo que yo llamo modos de intercambio incluye a ambas relaciones, entre la naturaleza y los seres humanos, y entre entre los propios seres humanos. EnglishIn The Structure of World History (2010; english edition 2014), I proposed the notion of switching “from modes of production to modes of exchange”. Here, I would like to provide a simple explanation of this. Orthodox Marxist theory, using an architectural metaphor, explains the history of social forms in terms of modes of production, which form the economic base (foundation), and of the political or ideational su-perstructures that are determined by that base. A mode of production consists of the productive forces, which arise from the relations between humans and nature, and the relations of production, which are consti-tuted by the relations between humans. I do not oppose the idea that the history of social forms is determined by the economic base, but in my view that base consists not of modes of production, but rather modes of exchange. What I call modes of exchange includes both relations be-tween nature and humans and relations between humans.","PeriodicalId":40683,"journal":{"name":"Valenciana","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42967689","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
espanolEn este articulo, se intenta ilustrar el vinculo existente entre Viena: otra ficcion de Andreas Kurz, y el concepto de ensayismo formulado por el tambien escritor austriaco Robert Musil en textos ensayisticos y tambien en su novela El hombre sin atributos. Para Kurz como para Musil, la escritura ensayistica conjuga a partes iguales y con identico rigor la dimension autobiografica y el analisis historico, la literatura y la historiografia, de ahi que se torne colmado de sentido el intento de establecer una analogia entre ambas escrituras que se inscriben, ademas, en la aneja y luminosa tradicion intelectual austriaca. El fin ultimo de esta aproximacion investigativa seria abonar a una reflexion de largo aliento que tiene lugar acerca del papel que la memoria juega en la redefinicion de los limites intelectuales y eticos de la escritura ensayistica. EnglishThis article analyzes what is the connection between Vienna: another fiction of Andreas Kurz, and the concept of essayism enunci-ated by the Austrian writer Robert Musil in his essays papers and his novel The Man without Qualities. Both Kurz and Musil consider that in essay writing combine by half and with the same rigor, biographical di-mension and historical analysis, literature and historiography, therefore the attempt to establish an analogy between both scriptures that are in-scribed becomes full of meaning, in addition, in the aged and luminous Austrian intellectual tradition. The finally purpose from this paper is add to lengthy reflection that exist about role of memory in the redefinition of intellectual and etic limits of essay writing.
{"title":"Memoria y ficción: una aproximación al ensayismo de Andreas Kurz a partir de la obra de Robert Musil","authors":"César Mario Islas Flores","doi":"10.15174/rv.vi25.431","DOIUrl":"https://doi.org/10.15174/rv.vi25.431","url":null,"abstract":"espanolEn este articulo, se intenta ilustrar el vinculo existente entre Viena: otra ficcion de Andreas Kurz, y el concepto de ensayismo formulado por el tambien escritor austriaco Robert Musil en textos ensayisticos y tambien en su novela El hombre sin atributos. Para Kurz como para Musil, la escritura ensayistica conjuga a partes iguales y con identico rigor la dimension autobiografica y el analisis historico, la literatura y la historiografia, de ahi que se torne colmado de sentido el intento de establecer una analogia entre ambas escrituras que se inscriben, ademas, en la aneja y luminosa tradicion intelectual austriaca. El fin ultimo de esta aproximacion investigativa seria abonar a una reflexion de largo aliento que tiene lugar acerca del papel que la memoria juega en la redefinicion de los limites intelectuales y eticos de la escritura ensayistica. EnglishThis article analyzes what is the connection between Vienna: another fiction of Andreas Kurz, and the concept of essayism enunci-ated by the Austrian writer Robert Musil in his essays papers and his novel The Man without Qualities. Both Kurz and Musil consider that in essay writing combine by half and with the same rigor, biographical di-mension and historical analysis, literature and historiography, therefore the attempt to establish an analogy between both scriptures that are in-scribed becomes full of meaning, in addition, in the aged and luminous Austrian intellectual tradition. The finally purpose from this paper is add to lengthy reflection that exist about role of memory in the redefinition of intellectual and etic limits of essay writing.","PeriodicalId":40683,"journal":{"name":"Valenciana","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43793586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
espanolCon el fin de explorar los aportes de Kierkegaard a la teoria literaria en conexion con la filosofia, este estudio aborda dos cuestiones: el modo especifico como Goethe introduce en Los anos de aprendizaje de Wilhelm Meister el drama shakesperiano Hamlet, como una forma paradigmatica de la Bildungsroman. Este antecedente permite valorar la propuesta de Kierkegaard sobre lo que denomino «ironia dominada», en la cual Shakespeare tiene tambien un papel relevante. Mi objetivo es hacer una lectura de Hamlet, no exhaustiva pero si detallada, desde los rasgos mas especificos de la ironia kierkegaardiana. EnglishIn order to explore Kierkegaard’s contributions to literary theory in connection with philosophy, this study addresses two issues: how Goethe introduces Wilhelm Meister’s Apprenticeship into the Shake-spearean drama Hamlet, as a paradigmatic form of the Bildungsroman. This background allows us to assess Kierkegaard’s proposal on what he called “Irony as a Controlled Element” in which Shakespeare also plays an important role. My objective is to present a reading of Hamlet, not exhaustive but detailed, from the most specific features of the Kierkeg-aardian irony.
为了探讨克尔凯郭尔对哲学文学理论的贡献，本研究探讨了两个问题:歌德在威廉·梅斯特的学徒生涯中引入莎士比亚戏剧《哈姆雷特》作为成长小说的典范的具体方式。在这种背景下，克尔凯郭尔提出了我称之为“主导反讽”的建议，莎士比亚在其中也扮演了重要角色。我的目标是从克尔凯郭尔讽刺的最具体特征出发，对《哈姆雷特》进行解读，不是详尽的，而是详细的。EnglishIn以便探讨Kierkegaard’s董事会to literary theory in connection with philosophy, this study addresses两个问题:如何歌德当威廉·梅斯特尔’s本省into the Shake-spearean戏剧哈姆雷特,as a paradigmatic form of the Bildungsroman。This背景allows us to评估Kierkegaard’s关于what我called“Irony as a出口管制Element in which莎士比亚也plays”起到重要的作用。我的目的是给大家读一篇关于哈姆雷特的文章，不是详尽的，而是详细的，关于克尔凯格-亚迪安讽刺的最具体的特征。
{"title":"Hamlet como ironía dominada. Una lectura desde Kierkegaard y la Bildungsroman","authors":"M. Guerrero","doi":"10.15174/rv.vi25.458","DOIUrl":"https://doi.org/10.15174/rv.vi25.458","url":null,"abstract":"espanolCon el fin de explorar los aportes de Kierkegaard a la teoria literaria en conexion con la filosofia, este estudio aborda dos cuestiones: el modo especifico como Goethe introduce en Los anos de aprendizaje de Wilhelm Meister el drama shakesperiano Hamlet, como una forma paradigmatica de la Bildungsroman. Este antecedente permite valorar la propuesta de Kierkegaard sobre lo que denomino «ironia dominada», en la cual Shakespeare tiene tambien un papel relevante. Mi objetivo es hacer una lectura de Hamlet, no exhaustiva pero si detallada, desde los rasgos mas especificos de la ironia kierkegaardiana. EnglishIn order to explore Kierkegaard’s contributions to literary theory in connection with philosophy, this study addresses two issues: how Goethe introduces Wilhelm Meister’s Apprenticeship into the Shake-spearean drama Hamlet, as a paradigmatic form of the Bildungsroman. This background allows us to assess Kierkegaard’s proposal on what he called “Irony as a Controlled Element” in which Shakespeare also plays an important role. My objective is to present a reading of Hamlet, not exhaustive but detailed, from the most specific features of the Kierkeg-aardian irony.","PeriodicalId":40683,"journal":{"name":"Valenciana","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48209276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Reseña del libro El expresionismo poético de Alejandra Pizarnik.
亚历杭德拉·皮萨尼克的诗歌表现主义书评。
{"title":"El expresionismo poético de Alejandra Pizarnik","authors":"F. Hernández","doi":"10.15174/rv.vi25.508","DOIUrl":"https://doi.org/10.15174/rv.vi25.508","url":null,"abstract":"Reseña del libro El expresionismo poético de Alejandra Pizarnik.","PeriodicalId":40683,"journal":{"name":"Valenciana","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44433396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
espanolEn el presente articulo se revisan algunos textos de la produccion periodistica de la escritora mexicana Elena Garro en los que aborda el tema de los campesinos de Morelos y su lucha por visibilizar un conflicto agrario, asi como la colusion del gobierno en turno y los terratenientes. Garro se convierte en la portavoz y activista que denuncia a traves del ejercicio periodistico y sus estrategias discursivas el despojo de tierras; este contacto con el espacio campesino y su memoria cultural le sirven a la autora como material literario en ulteriores textos de ficcion. La narradora recurre al periodismo y a su experiencia personal para construir su propia version sobre el conflicto campesino a inicios de los anos cincuenta del siglo pasado como una contribucion en la que dejo registro de un tema local que tuvo resonancias a nivel nacional, sobre todo a partir del asesinado del lider campesino Ruben Jaramillo en 1962. EnglishIn the present article some texts of the journalistic production of the Mexican writer Elena Garro in which she addresses the issue of the peasants in Morelos and their struggle to make visible an agrarian conflict and the collusion of the Government in office and the land-owners are reviewed. Garro becomes the spokeswoman and activist who denounces through journalistic exercise and its discursive strategies the land dispossession; this contact with the peasant space and its cultural memory serves the author as literary material in subsequent fiction texts. The narrator uses journalism and her personal experience to construct her own version of the peasant conflict in the early fifties of the last century as a contribution in which she recorded a local issue that had resonances at the national level, especially after of the assassination of the peasant leader Ruben Jaramillo in 1962.
在这篇文章中，我们回顾了墨西哥作家埃琳娜·加罗(Elena Garro)的一些文章，她在文章中谈到了莫雷洛斯的农民，以及他们为揭露土地冲突而进行的斗争，以及政府和地主之间的勾结。加罗成为发言人和活动家，通过新闻活动和话语策略谴责土地掠夺;这种与农民空间的接触和她的文化记忆为作者后来的小说文本提供了文学材料。叙事者转向当地新闻及其对冲突的个人经历来建造自己的版本里面,上世纪初的50像一颗奉献的,离开当地主题的记录有共振在国家一级,特别是在1962年从农民领袖鲁本Jaramillo谋杀。墨西哥作家埃琳娜·加罗(Elena Garro)的一些新闻作品，她在其中谈到了莫雷洛斯农民的问题和他们为使土地冲突变得明显而进行的斗争，以及政府在办公室和土地所有者之间的勾结。加罗成为通过新闻活动及其论述策略谴责土地剥夺的发言人和活动家;this contact with the农民协会space and its memory可提交人作为literary物质文化in以后低俗小说texts。The narrator个人用journalism and her experience to construct her own version of The农民协会conflict in The early fifties of The century), 2003年作为对in which她recorded当地问题,为此resonances at The national level,特别是after of The assassination of The leader鲁本Jaramillo in 1962年农民协会。
{"title":"Elena Garro y la visión del movimiento campesino en Morelos a través de su periodismo","authors":"Gerardo Bustamante Bermúdez","doi":"10.15174/rv.vi25.432","DOIUrl":"https://doi.org/10.15174/rv.vi25.432","url":null,"abstract":"espanolEn el presente articulo se revisan algunos textos de la produccion periodistica de la escritora mexicana Elena Garro en los que aborda el tema de los campesinos de Morelos y su lucha por visibilizar un conflicto agrario, asi como la colusion del gobierno en turno y los terratenientes. Garro se convierte en la portavoz y activista que denuncia a traves del ejercicio periodistico y sus estrategias discursivas el despojo de tierras; este contacto con el espacio campesino y su memoria cultural le sirven a la autora como material literario en ulteriores textos de ficcion. La narradora recurre al periodismo y a su experiencia personal para construir su propia version sobre el conflicto campesino a inicios de los anos cincuenta del siglo pasado como una contribucion en la que dejo registro de un tema local que tuvo resonancias a nivel nacional, sobre todo a partir del asesinado del lider campesino Ruben Jaramillo en 1962. EnglishIn the present article some texts of the journalistic production of the Mexican writer Elena Garro in which she addresses the issue of the peasants in Morelos and their struggle to make visible an agrarian conflict and the collusion of the Government in office and the land-owners are reviewed. Garro becomes the spokeswoman and activist who denounces through journalistic exercise and its discursive strategies the land dispossession; this contact with the peasant space and its cultural memory serves the author as literary material in subsequent fiction texts. The narrator uses journalism and her personal experience to construct her own version of the peasant conflict in the early fifties of the last century as a contribution in which she recorded a local issue that had resonances at the national level, especially after of the assassination of the peasant leader Ruben Jaramillo in 1962.","PeriodicalId":40683,"journal":{"name":"Valenciana","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67311971","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
espanolEn el presente trabajo se analiza El obsceno pajaro de la noche desde el dialogo transtextual entre Jose Donoso y Henry James Sr. a partir del epigrafe de la novela, de tal manera que esta se constituye como simbolica al dar cuenta de la tragedia del hombre moderno, encarnado en la figura del personaje “el Mudito”. Como escritores modernos, del romanticismo –James– y de la modernidad hispanoamericana –Donoso–, comparten puntos de encuentro que le permiten al chileno dialogar textualmente con el teologo, y, mas importante aun, transformar sus palabras con una nueva significacion. El dialogo, desde la modernidad, muestra la imperfectabilidad del hombre y la consciencia de su fisura ontologica, conflictos que intentan socavarse con James mediante la espiritualidad y la esperanza en la salvacion; mientras que Donoso, desde un punto de vista literario, proyecta una realidad descarnada al no poder huir de la tragedia. EnglishIn the present work El obsceno pajaro de la noche is analyzed from the transtextual dialogue between Jose Donoso and Henry James Sr. from the epigraph of the novel –which corresponds to the latter–, in such a way that it is constituted as symbolic when accounting for the tragedy of modern man, embodied in the figure of the character “el Mudito”. As modern writers, of romanticism –James– and of Span-ish-American modernity –Donoso–, they share points of contact that allow the Chilean to dialogue with the theologian, and, more impor-tantly, to transform his words with a new meaning. The dialogue, from modernity, shows the imperfectability of man and the awareness of his ontological fissure, conflicts that try to undermine with James through spirituality and hope in salvation; while Donoso, from a literary point of view, projects a stark reality by not being able to flee from tragedy.
espanolEn本工作分析淫秽的鸟的黑夜从对话transtextual何塞的突破点和亨利·詹姆斯epigrafe日起a先生这样的小说,这是当simbolica干掉现代男人的悲剧人物形象,化身“哑吧。”在他的作品中，我们可以看到，在他的作品中，在他的作品中，在他的作品中，在他的作品中，在他的作品中，在他的作品中，在他的作品中，在他的作品中，在他的作品中，在他的作品中，在他的作品中，在他的作品中。对话，从现代性，显示了人类的不完美和意识到他的本体论裂痕，冲突试图通过灵性和救赎的希望来破坏与詹姆斯的冲突;而多诺索，从文学的角度来看，投射了一个无法逃离悲剧的赤裸裸的现实。EnglishIn目前work淫秽的鸟的黑夜is analyzed from the transtextual dialogue何塞优雅与亨利·詹姆斯from the epigraph of the阶段—which corresponds先生,后一—如a way that it is as symbolic任职当会计for the tragedy of modern man,违反in the列出of the查阅“哑吧。”作为现代作家，浪漫主义(詹姆斯)和西班牙-美国现代主义(多诺索)，他们有共同的接触点，使智利与神学家对话，更重要的是，使他的话语具有新的意义。现代性的对话显示了人类的不完美和对其本体论裂痕的认识，试图通过灵性和救赎的希望来破坏与詹姆斯的冲突;多诺索，从文学的角度来看，他的作品是一个残酷的现实，而不是一个悲剧。
{"title":"El obsceno pájaro de la noche: José Donoso y Henry James, la modernidad en diálogo","authors":"Laura Judith Becerril Nava","doi":"10.15174/rv.vi25.457","DOIUrl":"https://doi.org/10.15174/rv.vi25.457","url":null,"abstract":"espanolEn el presente trabajo se analiza El obsceno pajaro de la noche desde el dialogo transtextual entre Jose Donoso y Henry James Sr. a partir del epigrafe de la novela, de tal manera que esta se constituye como simbolica al dar cuenta de la tragedia del hombre moderno, encarnado en la figura del personaje “el Mudito”. Como escritores modernos, del romanticismo –James– y de la modernidad hispanoamericana –Donoso–, comparten puntos de encuentro que le permiten al chileno dialogar textualmente con el teologo, y, mas importante aun, transformar sus palabras con una nueva significacion. El dialogo, desde la modernidad, muestra la imperfectabilidad del hombre y la consciencia de su fisura ontologica, conflictos que intentan socavarse con James mediante la espiritualidad y la esperanza en la salvacion; mientras que Donoso, desde un punto de vista literario, proyecta una realidad descarnada al no poder huir de la tragedia. EnglishIn the present work El obsceno pajaro de la noche is analyzed from the transtextual dialogue between Jose Donoso and Henry James Sr. from the epigraph of the novel –which corresponds to the latter–, in such a way that it is constituted as symbolic when accounting for the tragedy of modern man, embodied in the figure of the character “el Mudito”. As modern writers, of romanticism –James– and of Span-ish-American modernity –Donoso–, they share points of contact that allow the Chilean to dialogue with the theologian, and, more impor-tantly, to transform his words with a new meaning. The dialogue, from modernity, shows the imperfectability of man and the awareness of his ontological fissure, conflicts that try to undermine with James through spirituality and hope in salvation; while Donoso, from a literary point of view, projects a stark reality by not being able to flee from tragedy.","PeriodicalId":40683,"journal":{"name":"Valenciana","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44340476","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
espanolEn este articulo la nocion de archivo no es abordada en tanto simple forma de registro, sino como una serie de practicas esteticas y etico-politicas destinadas a incidir en el entramado de la memoria y la historia, que incluso ha llegado a conformarse en paradigma. Mediante un breve recorrido conceptual de corte historico-genealogico, se sugiere una ruta teorica para interrogarse acerca de las bases eticas y epistemologicas de las practicas del archivo en el contexto contemporaneo. EnglishIn this paper the concept of archive is not treated just as a sim-ple form of register, but rather as a series of aesthetic and ethical-political practices that are aimed to influence upon the memory/history frame-work that has come to conform a paradigm. Through a brief histori-cal-genealogical conceptual trip, a theoretical route is suggested in order to be able to interrogate ourselves about the ethical and epistemological bases of the archive practices in the contemporary context.
{"title":"El archivo melancólico","authors":"Rodrigo García de la Sienra","doi":"10.15174/rv.vi25.456","DOIUrl":"https://doi.org/10.15174/rv.vi25.456","url":null,"abstract":"espanolEn este articulo la nocion de archivo no es abordada en tanto simple forma de registro, sino como una serie de practicas esteticas y etico-politicas destinadas a incidir en el entramado de la memoria y la historia, que incluso ha llegado a conformarse en paradigma. Mediante un breve recorrido conceptual de corte historico-genealogico, se sugiere una ruta teorica para interrogarse acerca de las bases eticas y epistemologicas de las practicas del archivo en el contexto contemporaneo. EnglishIn this paper the concept of archive is not treated just as a sim-ple form of register, but rather as a series of aesthetic and ethical-political practices that are aimed to influence upon the memory/history frame-work that has come to conform a paradigm. Through a brief histori-cal-genealogical conceptual trip, a theoretical route is suggested in order to be able to interrogate ourselves about the ethical and epistemological bases of the archive practices in the contemporary context.","PeriodicalId":40683,"journal":{"name":"Valenciana","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47101159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
El autor expone el problema del pensamiento y la practica del mundo occidental posmoderno, donde coinciden la violencia y el abandono de todo soporte natural de los valores. Para buscar una posible solucion examina el concepto de "cuerpo", que cambia de una sociedad a otra marcando el estilo de cada cultura. Traza su evolucion hasta la primera mitad del siglo XX, cuando se sometio el cuerpo al mercado y se promovio la ideologia de la muerte del sujeto. Califica como "desgarramiento del cuerpo" al actual deterioro fisico y simbolico de los individuos y las sociedades. Propone como instrumento de cambio un concepto filosofico alternativo de "cuerpo", que integra en un solo sistema los aspectos visibles e invisibles del ser humano, a fin de fundar los valores en una teoria dinamica de la naturaleza humana, que permita recuperar al "cuerpo que somos" en este siglo XXI.
{"title":"El desgarramiento del cuerpo postmoderno","authors":"Arturo Rico Bovio","doi":"10.15174/rv.vi25.438","DOIUrl":"https://doi.org/10.15174/rv.vi25.438","url":null,"abstract":"El autor expone el problema del pensamiento y la practica del mundo occidental posmoderno, donde coinciden la violencia y el abandono de todo soporte natural de los valores. Para buscar una posible solucion examina el concepto de \"cuerpo\", que cambia de una sociedad a otra marcando el estilo de cada cultura. Traza su evolucion hasta la primera mitad del siglo XX, cuando se sometio el cuerpo al mercado y se promovio la ideologia de la muerte del sujeto. Califica como \"desgarramiento del cuerpo\" al actual deterioro fisico y simbolico de los individuos y las sociedades. Propone como instrumento de cambio un concepto filosofico alternativo de \"cuerpo\", que integra en un solo sistema los aspectos visibles e invisibles del ser humano, a fin de fundar los valores en una teoria dinamica de la naturaleza humana, que permita recuperar al \"cuerpo que somos\" en este siglo XXI.","PeriodicalId":40683,"journal":{"name":"Valenciana","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48715241","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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