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Reclaiming Home in Indigenous Women Poetry of North America 北美土著女性诗歌中的家园开垦
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2021-04-30 DOI: 10.22439/asca.v53i1.6226
M. Krivokapić
The tendency of reclaiming home in Indigenous women poetry of North America is seen as a part of a multilayered decolonizing project, which aims at disclosing, reconstructing, and removing the effects of the colonial policy for self-determination and betterment of the Indigenous peoples. A precondition of reclaiming home is resurrecting tribal knowledge of belonging which situates the Indigenous subject within family and tribe and close connection to natural surroundings. This paper extends the boundaries of the concept of home from a physical space, such as house and homeland, to a representational one, such as community or cultural articulation, in which one finds comfortable identification (cf. Lefebvre 1991). This assumption supports the expansion of Indigenous agency to the realization of home on the global level. The paper takes a multidisciplinary approach and gathers a vast corpus of poetry, coming from different nations Indigenous to North America, and, therefore, from different locations and writing styles. While using the concept of the Indigenous to refer to Native Americans, Alaskans, First Nations, and Chicana/o, I will also briefly introduce the authors’ tribal affiliations to underline the collective pattern of suffering among the diverse groups.
北美土著妇女诗歌中收复家园的趋势被视为多层非殖民化计划的一部分,旨在揭露、重建和消除殖民政策的影响,以实现自决和改善土著人民的生活。恢复家园的一个先决条件是恢复部落的归属知识,这种知识将土著主体置于家庭和部落之中,并与自然环境密切联系。本文将家的概念从物理空间(如房子和家园)扩展到具象空间(如社区或文化衔接),在其中人们可以找到舒适的认同(参见Lefebvre 1991)。这一假设支持将土著机构扩大到在全球一级实现家园。本文采用多学科的方法,收集了大量的诗歌语料库,这些诗歌来自不同的国家,来自北美土著,因此来自不同的地区和写作风格。在使用土著的概念来指代美洲原住民、阿拉斯加人、第一民族和奇卡那人的同时,我还将简要介绍作者的部落关系,以强调不同群体之间的集体苦难模式。
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引用次数: 0
“Lord Save Us from Champions like This”: The Sonny Liston-Muhammad Ali Heavyweight Championship Bouts as Transnational Sporting Culture in 1960s Finland “上帝把我们从这样的冠军中拯救出来”:桑尼·利斯顿-穆罕默德·阿里重量级冠军赛在20世纪60年代芬兰作为跨国体育文化
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2021-04-30 DOI: 10.22439/asca.v53i1.6225
Benita Heiskanen, Hannu Salmi
The two championship bouts between Sonny Liston and Muhammad Ali in 1964 and 1965 are among some of the most controversial events in the history of boxing. While their significance has been interpreted in the United States against the backdrop of the Civil Rights era, this article opens up a pathway for discussing transnational meanings and functions that African American heavyweight champions assumed in faraway lands, such as Finland. Contextualized within a Transnational American Studies research paradigm, the article considers the multiple ways in which Finnish media reporting made sense of and imposed significance on transnational sporting culture in the 1960s. The article argues that prizefighting served as a lens through which reporters negotiated Euro-American relations, national identity, and the global spread of professional sports at the expense of amateurism. In addition to providing a site for negotiating ethnic and racial differentiation, the primary sources analyzed show the ways in which prizefighting offered a locus for constructing performative, class-based sporting whiteness.
1964年和1965年桑尼·利斯顿和穆罕默德·阿里之间的两场冠军赛是拳击史上最具争议的事件之一。虽然它们的意义在美国是在民权时代的背景下被解读的,但这篇文章为讨论非裔美国重量级冠军在遥远的国家(如芬兰)所承担的跨国意义和职能开辟了一条途径。本文以跨国美国研究为背景,考虑了20世纪60年代芬兰媒体报道对跨国体育文化的意义和意义的多种方式。这篇文章认为,职业拳击比赛是记者们以业余为代价谈判欧美关系、国家认同和职业体育在全球传播的一个镜头。除了提供一个谈判种族和种族差异的场所外,分析的主要来源还显示了职业拳击为构建表演性的、基于阶级的体育白人提供了场所的方式。
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引用次数: 1
Roy Morris Jr.'s Gertrude Stein Has Arrived: The Homecoming of a Literary Legend 小罗伊·莫里斯的《格特鲁德·斯坦来了:一个文学传奇的归乡》
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2021-04-30 DOI: 10.22439/asca.v53i1.6527
Marianne Kongerslev
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引用次数: 0
Presidential Rhetoric and Power in a Historical Perspective 历史视野中的总统修辞与权力
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2020-11-01 DOI: 10.22439/asca.v52i2.6504
Magne Dypedahl
This article explores some of the developments of rhetorical leadership over the past century, focusing particularly on the modern presidency, commonly understood as beginning withFranklin D. Roosevelt. The first research question is whether Richard Neustadt’s (1960) seminal book Presidential Power is still valid as a thesis of presidential power in light of the concept of the rhetorical presidency, which became a dominant approach to presidential studies in the 1980s. Although the strategy of “going public” is used increasingly in presidential leadership, the conclusion of this article is that Neustadt’s bargaining theory, or the strategy of “going Washington”, is still valid when it comes to the relationship between the president and Congress, provided popular rhetoric is integrated into a bargaining perspective. The second research question is how the State of the Union Addresses have changed during the course of the modern presidency. This includes an analysis of selected State of the Union Addresses between 1934 and 2020. On the basis of some linguistic features and rhetorical techniques (the use of pronouns, the opening address and the acknowledgment of invited guests) they are considered to illustrate the change of presidential rhetoric into what may seem like a permanent campaign.
本文探讨了过去一个世纪修辞领导力的一些发展,特别关注现代总统任期,通常被理解为始于富兰克林·D·罗斯福。第一个研究问题是,理查德·诺伊施塔特(Richard Neustadt,1960)的开创性著作《总统权力》(Presidential Power)是否仍然是一篇关于总统权力的论文,因为修辞总统的概念在20世纪80年代成为了总统研究的主导方法。尽管“上市”策略在总统领导中越来越多地被使用,但本文的结论是,在总统和国会之间的关系方面,只要将流行的修辞融入谈判视角,诺伊施塔特的谈判理论或“走向华盛顿”策略仍然有效。第二个研究问题是,在现代总统任期内,国情咨文发生了怎样的变化。这包括对1934年至2020年间的部分国情咨文的分析。根据一些语言特征和修辞技巧(代词的使用、开幕词和对受邀嘉宾的认可),它们被认为是为了说明总统言论转变为一场看似永久的竞选。
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引用次数: 0
“The air of impossibility has been removed”: Realist Political Drama(dy) and the Trope of Becoming President “不可能的气氛已经消除”:现实主义政治戏剧(dy)和成为总统的奖杯
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2020-11-01 DOI: 10.22439/asca.v52i2.6501
Antje Dallmann
Over the past ten to fifteen years, film and TV culture have offered new and more complex negotiations of presidential politics through depictions of fictional American presidents. While in the past American popular culture celebrated the president as overwhelmingly positive, larger-than-life figure, recent representations have introduced more complex characters who face, or even trigger, complicated and morally ambiguous conflicts. This article investigates how The West Wing, House of Cards and Veep, three political TV shows, make use of the emerging trope of a brokered nomination convention in order to question one-dimensional fictional representations of the American president and presidential politics.
在过去的10到15年里,电影和电视文化通过对虚构的美国总统的描绘,为总统政治提供了新的、更复杂的谈判。在过去的美国流行文化中,总统被颂扬为绝对积极的、具有传奇色彩的人物,而最近的表现则引入了更复杂的角色,他们面临甚至引发复杂的、道德上模棱两可的冲突。本文调查了《白宫风云》、《纸牌屋》和《副总统》这三部政治电视节目如何利用中间人提名大会这一新兴比喻,来质疑美国总统和总统政治的一维虚构表现。
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引用次数: 0
Allison M. Johnson's The Scars We Carve: Bodies and Wounds in Civil War Print Culture 艾莉森·m·约翰逊的《我们雕刻的伤疤:内战版画文化中的身体和伤口》
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2020-11-01 DOI: 10.22439/asca.v52i2.6511
Changwen Liu
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引用次数: 0
Delegitimization and US presidential electoral campaigns, 1896-1980 非合法化与美国总统竞选,1896-1980
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2020-11-01 DOI: 10.22439/asca.v52i2.6503
R. Baritono
The essay focuses on delegitimization of one’s political opponent as a discursive strategy in US political elections from 1896 to 1980. Starting with a definition of delegitimization as a means of contesting the legitimacy of the opponent’s aspiration to power by turning him/her into an enemy outside the constitutional perimeter, the author highlights the circumstances that conduced to political delegitimization tactics in US presidential campaigns, as well as the stock themes in use over the various periods.
本文主要研究1896年至1980年美国政治选举中的一种话语策略,即政治对手的非合法性。首先,作者将非合法化定义为一种通过将对手变成宪法范围之外的敌人来挑战其权力渴望的合法性的手段。作者强调了导致美国总统竞选中政治非合法化策略的情况,以及在不同时期使用的常见主题。
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引用次数: 0
Tracy Wuster's Mark Twain, American Humorist 特蕾西·伍斯特的马克·吐温,美国幽默作家
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2020-11-01 DOI: 10.22439/asca.v52i2.6510
Lawrence W. Howe
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引用次数: 0
From the Hood to the White House: The Cultural Imaginary of Presidential Blackness in Head of State 从胡德到白宫:黑人总统在国家元首中的文化想象
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2020-11-01 DOI: 10.22439/asca.v52i2.6500
Atalie Gerhard
This article analyzes the film Head of State’s cultural imaginary of presidential blackness that signifies national progress while sublimating social conflict. The plot imagines a black man from the hood successfully running for presidency, living the American dream, and becoming an unconventional national icon. His symbolic blackness comprises two markers of difference: his identification with the disenfranchised hood and the black diaspora. As he challenges racial inequality in the U.S. as well as moral corruption among the élite, he unifies one historical fiction of America. I focus on how the film attributes an anti-establishment legacy to a minority president based on his countercultural identity performances although he remains complicit with foundational institutions of government. While the film projects hopes for future racial and economic equality upon a fictional black president and strategically redefines the American dream, I argue that it appropriates and revives American exceptionalist myths.
本文分析了电影《国家元首》对总统黑人的文化想象,这种想象象征着国家进步,同时升华了社会冲突。故事情节想象一个出身黑人成功竞选总统,实现美国梦,成为一个非传统的国家偶像。他象征性的黑人包括两个不同的标志:他对被剥夺公民权的身份和散居国外的黑人的认同。当他挑战美国的种族不平等以及精英阶层的道德腐败时,他将美国的一部历史小说统一起来。我关注的是,这部电影如何根据一位少数族裔总统的反文化身份表现,将反建制遗产归因于他,尽管他仍然是政府基本机构的同谋。虽然这部电影将未来种族和经济平等的希望投射到一位虚构的黑人总统身上,并从战略上重新定义了美国梦,但我认为它挪用并复活了美国例外主义的神话。
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引用次数: 0
From boots on the ground to followers in the sky:Volunteer mobilization and populist rhetoric in the presidential campaigns of Barack Obama and Donald Trump 从地面上的靴子到空中的追随者:奥巴马和特朗普总统竞选中的志愿者动员和民粹主义言论
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2020-11-01 DOI: 10.22439/asca.v52i2.6505
Anne Mørk
The article analyzes the presidential campaigns of Barack Obama and Donald Trump, with particular focus on their respective uses of the internet and social media communication in mobilizing voters and volunteers and using their way of connecting with voters to emphazise their legitimacy as anti-elitist candidates. In his 2008 campaign, Obama set the precedent for using online strategies to build and support a national movement within the framework of the Democratic Party, Trump, an outsider in the GOP, took the strategy a step further and used social media as his primary tool of voter communication and mobilization with only emphasized his populist message. In their use of online campaigns, both Trump and Obama relied inpopulism rhetorical tools, though from different sides of the political spectrum, adding to contemporary debates of the nature and purpose of populism in the twenty-first century. However, in both candidates’ campaigns mobilization of volunteers through their respective national movement became symbols of their populist appeals.
文章分析了巴拉克·奥巴马和唐纳德·特朗普的总统竞选活动,特别关注他们各自利用互联网和社交媒体传播来动员选民和志愿者,并利用他们与选民的联系方式来强调他们作为反精英候选人的合法性。在2008年的竞选活动中,奥巴马开创了在民主党框架内使用网络策略建立和支持全国运动的先例,而共和党的局外人特朗普则更进一步,将社交媒体作为选民沟通和动员的主要工具,只强调了他的民粹主义信息。在使用网络竞选时,特朗普和奥巴马都依赖民粹主义的修辞工具,尽管来自不同的政治派别,这增加了当代关于21世纪民粹主义性质和目的的辩论。然而,在两位候选人的竞选活动中,通过各自的全国运动动员志愿者成为他们民粹主义诉求的象征。
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引用次数: 1
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AMERICAN STUDIES IN SCANDINAVIA
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