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The Chinese Junk Keying and American Racialization of Chinese 中国的垃圾键控与美国的汉语种族化
IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-03-02 DOI: 10.22439/ASCA.V51I1.5792
Tao Zhang
As the first Chinese wooden boat that ever reached the United States, the Keying, with its 40 Chinese sailors who composed the hitherto largest group of Chinese in America, not only satisfied Americans’ curiosity at Chinese junks and Chinese people, but prompted a nationwide attempt at racializing Chinese from 1847 to 1848. This prototypical Chinese racialization features a configuration in which Chinese were triangulated vis-a-vis American whites and nonwhites. Whites occupied the upper corner of the triangle, commanding discursive tools of mass publications to position Chinese relative to whites themselves and other minority groups on America’s racial ladder. Chinese were defined as an inferior, pitiable racial other that resembled Indians in appearance and stood somewhere in between Mexicans and blacks in terms of racial advancement. The triangular paradigm continued to function in American racialization of Chinese even after the departure of the Keying for Britain in February 1848, though with noticeable modifications.
作为有史以来第一艘到达美国的中国木船,柯营号拥有40名中国船员,他们组成了迄今为止美国最大的华人群体,不仅满足了美国人对中国游艇和中国人的好奇心,而且在1847年至1848年期间,引发了一场全国性的华人种族化尝试。这种典型的中国种族化特征是,中国人相对于美国白人和非白人被三角化。白人占据了三角形的上角,他们掌握着大众出版物的话语工具,将中国人相对于白人自己和美国种族阶梯上的其他少数群体进行定位。中国人被定义为一个低劣的、可怜的种族,在外表上与印度人相似,在种族进步方面介于墨西哥人和黑人之间。即使在1848年2月Keying离开英国后,三角范式仍在美国对中国人的种族化中发挥作用,尽管有明显的修改。
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引用次数: 0
The Wire and the Disenchantment of the Outsider 《电线与局外人的觉醒
IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-03-02 DOI: 10.22439/asca.v51i1.5791
M. Jensen
This article is a contextualist reading of the television serial The Wire (2002-2008). Drawing on Grace Hale’s A Nation of Outsiders (2011), this article examines the tension between how the paratexts of The Wire embrace an outsider rhetoric while the serial itself tries to dero-manticize the trope of the outsider. The article argues that the producers of the serial embrace an outsider rhetoric in an effort to gain legitimacy for themselves which is at odds with how the serial debunks the charisma of the outsider. This deromanticization of the outsider is an important part of the serial’s politics as this is a part of The Wire’s “sociological gaze.” The Wire is shown not to accept the notion of a free space beyond the restrictions of contemporary society that the romance of the outsider depends on.
本文是对电视连续剧《火线》(2002-2008)的语境主义解读。本文借鉴格蕾丝·黑尔(Grace Hale)的《局外人的国家》(A Nation of Outsiders, 2011),探讨了《火线》的主人公们是如何接受局外人的修辞的,而该剧本身却试图去美化局外人的修辞。文章认为,该系列的制片人接受了局外人的修辞,以努力为自己获得合法性,这与该系列如何揭穿局外人的魅力不一致。局外人的这种非浪漫化是该系列政治的重要组成部分,因为这是《火线》“社会学视角”的一部分。《火线》不接受超越当代社会限制的自由空间的概念,这是局外人的浪漫所依赖的。
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引用次数: 0
Rupturing Salem, Reconsidering Subjectivity: Tituba, the Witch of Infinity in Maryse Condé’s I, Tituba, Black Witch of Salem 撕裂塞勒姆,重新思考主体性:玛丽斯·孔戴《我》中的无限女巫蒂图巴,塞勒姆黑女巫
IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-03-02 DOI: 10.22439/ASCA.V51I1.5790
Junghyun Hwang
The Salem witch-hunt, invoking the “red hunt” analogy of the McCarthy era, has been a persistent metaphor for persecution, a symbol of fanatic excess in policing the community boundaries. In American cultural history, however, Salem is regarded American only insofar as it proves un-American—as an exception to American exceptionalism. In particular, Tituba, the only non-white “witch” of the trials to whom the unleashing of the hysteria itself has often been attributed, embodies what is negated in Salem against which Americanness is to be affirmed. Maryse Condé’s 1986 novel, I, Tituba, Black Witch of Salem recuperates Tituba from this darkness not only to reconfigure American identity but ultimately to reconsider human subjectivity. In Condé’s Salem, New England Puritanism showcases the primal scene of American identity formation, in which the personal, national, and religious subjectivities are fused to form the American self as the autonomous self-possessed individual. Tituba, in contrast, exemplifies an alternative subjectivity as an embodied being constituted in relation to others. Similar to Emmanuel Levinas’s ethical subject, Condé’s Tituba highlights the primacy of the other in the formation of the human subject, ultimately rupturing the totality of history with a counter-history of silenced voices or the infinity of the other.
塞勒姆的政治迫害,援引麦卡锡时代的“红色狩猎”比喻,一直是迫害的象征,是狂热分子过度监管社区边界的象征。然而,在美国文化史上,只有当塞勒姆被证明不是美国人时,他才被视为美国人——这是美国例外论的例外。特别是,蒂图巴,审判中唯一一个非白人的“女巫”,歇斯底里的爆发本身经常被归因于她,体现了塞勒姆所否定的东西,美国性应该得到肯定。玛丽斯·孔戴(Maryse Condé)1986年的小说《我,蒂图巴,塞勒姆的黑女巫》(I,Tituba,Black Witch of Salem)让蒂图巴从黑暗中恢复过来,不仅是为了重新配置美国人的身份,而且最终是为了重新考虑人的主体性。在孔的《塞勒姆》中,新英格兰清教主义展示了美国人身份形成的原始场景,在这个场景中,个人、国家和宗教的主体性融合在一起,形成了作为自主个体的美国人自我。相比之下,蒂图巴体现了另一种主体性,作为一种与他人相关的具体存在。与埃马纽埃尔·莱维纳斯的伦理主题类似,孔的《蒂图巴》强调了他者在人类主体形成中的首要地位,最终用沉默的声音或他者的无限性的反历史打破了历史的整体。
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引用次数: 0
Jeffrey C. Stewart's The New Negro. The Life of Alain Locke 杰弗里·c·斯图尔特的《新黑人》阿兰·洛克的一生
IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-03-02 DOI: 10.22439/ASCA.V51I1.5800
David Östlund
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引用次数: 0
Miroslava Chávez-García's Migrant Longing. Letter Writing Across the U.S. – Mexico Borderlands Miroslava Chávez García的移民渴望。在美国和墨西哥边境地区写信
IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-03-02 DOI: 10.22439/ASCA.V51I1.5799
Jadwiga Maszewska
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引用次数: 0
Michel S. Beaulieu, David K. Ratz and Ronald N. Harpelle's (eds.) Hard Work Conquers All: Building the Finnish Community in Canada Michel S. Beaulieu, David K. Ratz和Ronald N. Harpelle主编。努力工作征服一切:在加拿大建立芬兰人社区
IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-03-02 DOI: 10.22439/ASCA.V51I1.5797
Roman Kushnir
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引用次数: 0
Jeffrey Herlihy-Mera's After American Studies: Rethinking the Legacies of Transnational Exceptionalism 杰弗里·赫里希·梅拉的“后美国研究”:跨国例外主义遗产的再思考
IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-03-02 DOI: 10.22439/ASCA.V51I1.5794
Jena L. Habegger-Conti
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引用次数: 0
Race War Flares Up: Chicago’s Swedish Press, the Great Migration, and the 1919 Riots 种族战争爆发:芝加哥的瑞典出版社、大迁徙和1919年的骚乱
IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-03-02 DOI: 10.22439/ASCA.V51I1.5788
Ulf Jonas Bjork
This study of the three large Swedish-language weeklies in Chicago examines how they covered the city’s African-American community during the latter half of the 1910s, a time when blacks migrated to the North in huge numbers. In Chicago, the result was that the African-American population almost tripled between 1910 and 1920. Little of that was visible in the columns of the weeklies, however, with only a handful of items telling readers that blacks were arriving in record numbers. What news there was about African-Americans, moreover, tended to portray them as criminals. Consequently, the riots that shook Chicago in late July 1919 seemed to take the editors of the weeklies by surprise. A major explanation for the Swedish weeklies’ coverage was that they relied almost exclusively on the city’s English-language dailies for news that did not concern their own ethnic group and thus mirrored the negative way the dailies portrayed African-Americans.
这项对芝加哥三家大型瑞典语周刊的研究考察了它们在20世纪10年代后半期如何报道该市的非裔美国人社区,当时黑人大量移民到北方。在芝加哥,结果是非裔美国人的人口在1910年到1920年间几乎增加了两倍。然而,在这些周报的专栏中几乎看不到这一点,只有少数几篇文章告诉读者,黑人的数量达到了创纪录的水平。此外,有关非裔美国人的新闻往往把他们描绘成罪犯。因此,1919年7月下旬震撼芝加哥的骚乱似乎让周刊的编辑们大吃一惊。瑞典周刊报道的一个主要解释是,他们几乎完全依赖该市的英语日报,而这些新闻与他们自己的种族无关,因此反映了日报对非洲裔美国人的负面描述。
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引用次数: 0
Adam Hjorthén's Cross-border Commemorations: Celebrating Swedish Settlement in America Adam Hjorthén的跨境纪念活动:庆祝瑞典人在美国定居
IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-03-02 DOI: 10.22439/ASCA.V51I1.5798
R. Nichols
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引用次数: 0
Rani-Henrik Andersson's A Whirlwind Passed Through Our Country: Lakota Voices of the Ghost Dance 拉尼-亨里克·安德森的《旋风吹过我们的国家:幽灵之舞的拉科塔之声》
IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2019-03-02 DOI: 10.22439/ASCA.V51I1.5795
Tiffany Hale
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引用次数: 0
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