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“Awakening the Racial Spirit”: Indians, Sámi, and the Politics of Ethnographic Representation, 1930s–1940s “唤醒种族精神”:印第安人,Sámi,和民族志代表的政治,1930 - 1940
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2019-03-02 DOI: 10.22439/asca.v51i1.5789
Erik Hieta
The article focuses on the efforts by scholars and activists in the 1930s–1940s to reinvigorate discussions of cultural preservation for indigenous peoples at the transnational level. It focuses in particular on the correspondence between, and overlap in, the efforts of ethnographers in the United States and Finland to secure homelands for the indigenous Sámi and American Indians as the cornerstone of cultural preservation efforts. The title, “awakening the racial spirit,” a term used by U.S. Commissioner of Indian Affairs John Collier (1934–1945), highlights the extent to which ethnographic representations of the time built on racialized and stereotyped images from the past to project onto indigenous peoples a distinctive future. Increasingly, both Sámi and American Indians engaged with and disrupted such representations. The impacts of the efforts to document and demarcate a distinctive indigenous past continue to underpin and inform indigenous rights discussions to this day.
这篇文章的重点是20世纪30年代至40年代学者和活动家为在跨国层面重新启动土著人民文化保护的讨论所做的努力。它特别关注美国和芬兰的民族志学家为确保土著萨米人和美洲印第安人的家园作为文化保护工作的基石所做的努力之间的一致性和重叠性。标题“唤醒种族精神”是美国印第安人事务专员约翰·科利尔(1934–1945)使用的一个术语,强调了建立在过去种族化和刻板印象基础上的时代民族志表现在多大程度上向土著人民投射了一个独特的未来。萨米人和美国印第安人越来越多地参与并破坏了这种代表。记录和界定独特的土著历史的努力所产生的影响至今仍在为土著权利讨论提供基础和信息。
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引用次数: 0
The Chinese Junk Keying and American Racialization of Chinese 中国的垃圾键控与美国的汉语种族化
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2019-03-02 DOI: 10.22439/ASCA.V51I1.5792
Tao Zhang
As the first Chinese wooden boat that ever reached the United States, the Keying, with its 40 Chinese sailors who composed the hitherto largest group of Chinese in America, not only satisfied Americans’ curiosity at Chinese junks and Chinese people, but prompted a nationwide attempt at racializing Chinese from 1847 to 1848. This prototypical Chinese racialization features a configuration in which Chinese were triangulated vis-a-vis American whites and nonwhites. Whites occupied the upper corner of the triangle, commanding discursive tools of mass publications to position Chinese relative to whites themselves and other minority groups on America’s racial ladder. Chinese were defined as an inferior, pitiable racial other that resembled Indians in appearance and stood somewhere in between Mexicans and blacks in terms of racial advancement. The triangular paradigm continued to function in American racialization of Chinese even after the departure of the Keying for Britain in February 1848, though with noticeable modifications.
作为有史以来第一艘到达美国的中国木船,柯营号拥有40名中国船员,他们组成了迄今为止美国最大的华人群体,不仅满足了美国人对中国游艇和中国人的好奇心,而且在1847年至1848年期间,引发了一场全国性的华人种族化尝试。这种典型的中国种族化特征是,中国人相对于美国白人和非白人被三角化。白人占据了三角形的上角,他们掌握着大众出版物的话语工具,将中国人相对于白人自己和美国种族阶梯上的其他少数群体进行定位。中国人被定义为一个低劣的、可怜的种族,在外表上与印度人相似,在种族进步方面介于墨西哥人和黑人之间。即使在1848年2月Keying离开英国后,三角范式仍在美国对中国人的种族化中发挥作用,尽管有明显的修改。
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引用次数: 0
Rupturing Salem, Reconsidering Subjectivity: Tituba, the Witch of Infinity in Maryse Condé’s I, Tituba, Black Witch of Salem 撕裂塞勒姆,重新思考主体性:玛丽斯·孔戴《我》中的无限女巫蒂图巴,塞勒姆黑女巫
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2019-03-02 DOI: 10.22439/ASCA.V51I1.5790
Junghyun Hwang
The Salem witch-hunt, invoking the “red hunt” analogy of the McCarthy era, has been a persistent metaphor for persecution, a symbol of fanatic excess in policing the community boundaries. In American cultural history, however, Salem is regarded American only insofar as it proves un-American—as an exception to American exceptionalism. In particular, Tituba, the only non-white “witch” of the trials to whom the unleashing of the hysteria itself has often been attributed, embodies what is negated in Salem against which Americanness is to be affirmed. Maryse Condé’s 1986 novel, I, Tituba, Black Witch of Salem recuperates Tituba from this darkness not only to reconfigure American identity but ultimately to reconsider human subjectivity. In Condé’s Salem, New England Puritanism showcases the primal scene of American identity formation, in which the personal, national, and religious subjectivities are fused to form the American self as the autonomous self-possessed individual. Tituba, in contrast, exemplifies an alternative subjectivity as an embodied being constituted in relation to others. Similar to Emmanuel Levinas’s ethical subject, Condé’s Tituba highlights the primacy of the other in the formation of the human subject, ultimately rupturing the totality of history with a counter-history of silenced voices or the infinity of the other.
塞勒姆的政治迫害,援引麦卡锡时代的“红色狩猎”比喻,一直是迫害的象征,是狂热分子过度监管社区边界的象征。然而,在美国文化史上,只有当塞勒姆被证明不是美国人时,他才被视为美国人——这是美国例外论的例外。特别是,蒂图巴,审判中唯一一个非白人的“女巫”,歇斯底里的爆发本身经常被归因于她,体现了塞勒姆所否定的东西,美国性应该得到肯定。玛丽斯·孔戴(Maryse Condé)1986年的小说《我,蒂图巴,塞勒姆的黑女巫》(I,Tituba,Black Witch of Salem)让蒂图巴从黑暗中恢复过来,不仅是为了重新配置美国人的身份,而且最终是为了重新考虑人的主体性。在孔的《塞勒姆》中,新英格兰清教主义展示了美国人身份形成的原始场景,在这个场景中,个人、国家和宗教的主体性融合在一起,形成了作为自主个体的美国人自我。相比之下,蒂图巴体现了另一种主体性,作为一种与他人相关的具体存在。与埃马纽埃尔·莱维纳斯的伦理主题类似,孔的《蒂图巴》强调了他者在人类主体形成中的首要地位,最终用沉默的声音或他者的无限性的反历史打破了历史的整体。
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引用次数: 0
Miroslava Chávez-García's Migrant Longing. Letter Writing Across the U.S. – Mexico Borderlands Miroslava Chávez García的移民渴望。在美国和墨西哥边境地区写信
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2019-03-02 DOI: 10.22439/ASCA.V51I1.5799
Jadwiga Maszewska
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引用次数: 0
Jeffrey C. Stewart's The New Negro. The Life of Alain Locke 杰弗里·c·斯图尔特的《新黑人》阿兰·洛克的一生
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2019-03-02 DOI: 10.22439/ASCA.V51I1.5800
David Östlund
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引用次数: 0
Michel S. Beaulieu, David K. Ratz and Ronald N. Harpelle's (eds.) Hard Work Conquers All: Building the Finnish Community in Canada Michel S. Beaulieu, David K. Ratz和Ronald N. Harpelle主编。努力工作征服一切:在加拿大建立芬兰人社区
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2019-03-02 DOI: 10.22439/ASCA.V51I1.5797
Roman Kushnir
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引用次数: 0
Jeffrey Herlihy-Mera's After American Studies: Rethinking the Legacies of Transnational Exceptionalism 杰弗里·赫里希·梅拉的“后美国研究”:跨国例外主义遗产的再思考
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2019-03-02 DOI: 10.22439/ASCA.V51I1.5794
Jena L. Habegger-Conti
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引用次数: 0
Race War Flares Up: Chicago’s Swedish Press, the Great Migration, and the 1919 Riots 种族战争爆发:芝加哥的瑞典出版社、大迁徙和1919年的骚乱
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2019-03-02 DOI: 10.22439/ASCA.V51I1.5788
Ulf Jonas Bjork
This study of the three large Swedish-language weeklies in Chicago examines how they covered the city’s African-American community during the latter half of the 1910s, a time when blacks migrated to the North in huge numbers. In Chicago, the result was that the African-American population almost tripled between 1910 and 1920. Little of that was visible in the columns of the weeklies, however, with only a handful of items telling readers that blacks were arriving in record numbers. What news there was about African-Americans, moreover, tended to portray them as criminals. Consequently, the riots that shook Chicago in late July 1919 seemed to take the editors of the weeklies by surprise. A major explanation for the Swedish weeklies’ coverage was that they relied almost exclusively on the city’s English-language dailies for news that did not concern their own ethnic group and thus mirrored the negative way the dailies portrayed African-Americans.
这项对芝加哥三家大型瑞典语周刊的研究考察了它们在20世纪10年代后半期如何报道该市的非裔美国人社区,当时黑人大量移民到北方。在芝加哥,结果是非裔美国人的人口在1910年到1920年间几乎增加了两倍。然而,在这些周报的专栏中几乎看不到这一点,只有少数几篇文章告诉读者,黑人的数量达到了创纪录的水平。此外,有关非裔美国人的新闻往往把他们描绘成罪犯。因此,1919年7月下旬震撼芝加哥的骚乱似乎让周刊的编辑们大吃一惊。瑞典周刊报道的一个主要解释是,他们几乎完全依赖该市的英语日报,而这些新闻与他们自己的种族无关,因此反映了日报对非洲裔美国人的负面描述。
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引用次数: 0
Adam Hjorthén's Cross-border Commemorations: Celebrating Swedish Settlement in America Adam Hjorthén的跨境纪念活动:庆祝瑞典人在美国定居
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2019-03-02 DOI: 10.22439/ASCA.V51I1.5798
R. Nichols
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引用次数: 0
Rani-Henrik Andersson's A Whirlwind Passed Through Our Country: Lakota Voices of the Ghost Dance 拉尼-亨里克·安德森的《旋风吹过我们的国家:幽灵之舞的拉科塔之声》
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2019-03-02 DOI: 10.22439/ASCA.V51I1.5795
Tiffany Hale
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引用次数: 0
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