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Mark Shackleton's (Ed.) International Adoption in North American Literature and Culture: Transnational, Transracial, and Transcultural Narratives 马克·沙克尔顿的(编)在北美文学和文化的国际收养:跨国,跨种族,和跨文化的叙事
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2018-01-30 DOI: 10.22439/ASCA.V50I1.5705
L. Kella
Review of Mark Shackleton, ed. International Adoption in North American Literature and Culture: Transnational, Transracial, and Transcultural Narratives
马克·沙克尔顿主编《北美文学与文化的国际收养:跨国、跨种族和跨文化叙事》
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引用次数: 0
Whose North America is it? “Nobody owns it. It owns itself.” 它是谁的北美?“没有人拥有它。它拥有自己。”
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2018-01-30 DOI: 10.22439/ASCA.V50I1.5698
Margaret Connell-Szasz
Responding to the question, “Whose North America is it?,” this essay argues North America does not belong to anyone. As a Sonoran Desert Tohono O’odham said of the mountain: “Nobody owns it. It owns itself.” Contrasting Native American and Euro-American views of the natural world, the essay maintains that European immigrants introduced the startling concept of Cartesian duality. Accepting a division between spiritual and material, they viewed the natural world as physical matter, devoid of spirituality. North America’s First People saw it differently: they perceived the Earth/Universe as a spiritual community of reciprocal relationships bound by intricate ties of kinship and respect. This clash has shaped American history. From the sixteenth century forward, many European immigrants envisioned land ownership as a dream. Creators of the Declaration of Independence and US Constitution thrust “happiness”/“property” into the nation’s mythology. Southern Euro-Americans claimed “ownership” of African Americans, defining them as “property”; Native Americans resisted Euro-Americans’ enforcement of land ownership ideology; by the late 1800s, Euro-Americans’ view of the natural world as physical matter spurred massive extraction of natural resources. The Cartesian duality persisted, but, given its dubious legacy, Native Americans question the wisdom of this interpretation of the natural world.
在回答“这是谁的北美?”这个问题时,这篇文章认为北美不属于任何人。正如托霍诺·奥德姆(Tohono O'odham)在谈到这座山时所说:“没有人拥有它。它拥有自己。”这篇文章对比了美洲原住民和欧美人对自然世界的看法,认为欧洲移民引入了笛卡尔二元性的惊人概念。他们接受了精神和物质之间的划分,将自然世界视为物质,缺乏精神。北美的第一民族对此有不同的看法:他们将地球/宇宙视为一个由错综复杂的亲属关系和尊重联系在一起的互惠关系的精神共同体。这场冲突塑造了美国历史。从16世纪开始,许多欧洲移民将土地所有权视为一种梦想。《独立宣言》和《美国宪法》的缔造者将“幸福”/“财产”融入了这个国家的神话。南欧裔美国人声称对非裔美国人拥有“所有权”,并将其定义为“财产”;美洲原住民抵制欧洲裔美国人对土地所有权意识形态的强制执行;到19世纪末,欧美人将自然世界视为物质,这促使了对自然资源的大规模开采。笛卡尔二元性仍然存在,但鉴于其可疑的遗产,美洲原住民质疑这种对自然世界的解释是否明智。
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引用次数: 0
"He Mought, en Den Again He Moughtent": The Ambiguous Man in Toni Morrison's Tar Baby “他哭了,又哭了”:托尼·莫里森《柏油婴儿》中的暧昧男人
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2018-01-30 DOI: 10.22439/ASCA.V50I1.5694
Tuula Kolehmainen
In this article, I discuss Toni Morrison’s 1981 novel, Tar Baby, through the lens of a trickster tale on which the novel is loosely based. Tar Baby invites one to choose sides between Jadine, the African American female protagonist with a European education and worldviews, or Son, the bearer of a more traditional African American cultural heritage and values. Son is initially constructed as other, and his representation is based on negative stereotypical notions of the African American male. First impressions need to be revised later, as the text plays with the readers’ sympathies about Son. Even his survival is left open at the end of the novel and the range of options of how to categorize Son would seem to reflect the readers’ perceptions back on themselves. In this way, Morrison sets up a trap in which any reader making too easy or essentialist definitions of the character will fall. Thus, the most important expression of the trickster tale is the novel’s name: the novel itself is the tar baby. Moreover, the most important construction of tar lies in the ambiguous representation of Son.
在这篇文章中,我通过一个骗子故事的镜头来讨论托尼·莫里森1981年的小说《焦油宝贝》,这部小说是松散地建立在这个故事的基础上的。Tar Baby邀请人们在受过欧洲教育和世界观的非裔美国女主角Jadine和拥有更传统的非裔美国人文化遗产和价值观的Son之间选边站队。儿子最初被塑造成其他人,他的形象是基于对非裔美国男性的负面刻板印象。第一印象需要在以后修改,因为文本玩弄了读者对儿子的同情。甚至在小说的结尾,他的生存也悬而未决,如何对儿子进行分类的选择范围似乎反映了读者对自己的看法。通过这种方式,莫里森设置了一个陷阱,任何读者对角色的定义过于简单或本质主义,都会落入陷阱。因此,骗子故事最重要的表达是小说的名字:小说本身就是焦油婴儿。此外,焦油最重要的构造在于对儿子的模糊表示。
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引用次数: 0
Vincenzo Bavaro, Gianna Fusco, Serena Fusco, and Donatella Izzo's (Eds.) Harbors, Flows, and Migrations. The USA in/and the World Vincenzo Bavaro、Gianna Fusco、Serena Fusco和Donatella Izzo(编辑)的《港口、流动和移民》。美国与世界
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2018-01-30 DOI: 10.22439/ASCA.V50I1.5702
J. Ekstam
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引用次数: 1
Leigh Eric Schmidt's Village Atheists. How America’s Unbelievers Made Their Way in a Godly Nation 利·埃里克·施密特的乡村无神论者。美国的非信徒是如何在一个虔诚的国家里走出来的
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2018-01-30 DOI: 10.22439/ASCA.V50I1.5704
T. Hovi
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引用次数: 0
The border difference: The Anishinaabeg, Benevolence, and state Indigenous policy in the nineteenth-century great lakes basin 边界差异:19世纪大湖流域的阿尼什纳贝格、仁慈和国家土著政策
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2018-01-30 DOI: 10.22439/ASCA.V50I1.5696
S. Gray
After the War of 1812, British and American authorities attempted to sequester the Anishinaabeg—the Three Fires of the Ojibwes (Chippewas), Odawas (Ottawas), and Boodewadamiis (Potawatomis)—on one side of the Canada-US border or the other. The politics of the international border thus intersected with evolving federal/state and imperial/provincial Native American/First Nations policies and practices. American officials pursued land cessions through treaties followed by removals of Indigenous peoples west of the Mississippi. Their British counterparts also strove to clear Upper Canada (Ontario) of Indigenous title, but instead of removal from the province attempted to concentrate the Anishinaabeg on Manitoulin and other smaller islands in northern Lake Huron. Most affected by these policies were the Odawas, whose homeland was bisected by the international border. Their responses included two colonies underwritten by missionary and government support, one in Michigan and the other on Manitoulin Island, led by members of the same family intent on providing land and educational opportunities for their people. There were real, if subtle, differences, however, in the languages of resistance and networks of potential white allies then available to Indigenous people in Canada and the US. The career trajectories and writings of two cousins, sons of the brothers who helped to craft the Odawa cross-border undertaking exemplify these cross-border differences.
1812年战争后,英国和美国当局试图将anishinaabeg - Ojibwes (Chippewas), Odawas(渥太华)和boodewadamis (Potawatomis)的三场大火隔离在加拿大和美国边境的一边或另一边。因此,国际边界的政治与不断发展的联邦/州和帝国/省印第安人/第一民族的政策和实践相交叉。美国官员通过条约将土地割让出去,随后将密西西比河以西的土著居民驱逐出去。他们的英国同行也努力清除上加拿大(安大略省)的土著头衔,但不是从该省驱逐,而是试图将Anishinaabeg集中在Manitoulin和休伦湖北部的其他较小岛屿上。受这些政策影响最大的是奥达瓦人,他们的家园被国际边界一分为二。他们的回应包括在传教士和政府的支持下建立了两个殖民地,一个在密歇根,另一个在马尼图林岛,由同一个家族的成员领导,意图为他们的人民提供土地和教育机会。然而,在抵抗的语言和潜在的白人盟友网络中,加拿大和美国的土著人民可以使用的语言是真实的,如果微妙的话。两位表兄弟的职业轨迹和作品,也就是帮助打造小田跨界事业的兄弟的儿子,都是这些跨界差异的例证。
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引用次数: 0
Mark Luccarelli's The Eclipse of Urbanism and the Greening of Public Space: Image Making and the Search for a Commons in the United States, 1682–1885 Mark Luccarelli的《城市主义的衰落与公共空间的绿化:1682-1885年美国的图像制作与公共空间的寻找》
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2018-01-30 DOI: 10.22439/ASCA.V50I1.5700
Matti O. Hannikainen
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引用次数: 0
Richard J. Schneider's Civilizing Thoreau: Human Ecology and the Emerging Social Sciences in the Major Works 理查德·J·施耐德的《文明化梭罗:主要著作中的人类生态学与新兴社会科学》
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2017-10-31 DOI: 10.22439/ASCA.V49I2.5682
Małgorzata Poks
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引用次数: 0
Shakespeare from a Minority Point of View: Ted Lange’s Othello 少数派视角下的莎士比亚:泰德·兰格的《奥赛罗》
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2017-10-31 DOI: 10.22439/ASCA.V49I2.5675
Seunghyun Hwang
Othello (1989) is a little-known independent film directed and produced by Ted Lange. Released at the end of the 1980s, a decade of mounting racial tension in the United States, the film offers an interpretation of Shakespeare from a minority point of view. This examination of the director’s motives and directorial choices reveals the strategies employed by Lange to make Shakespeare relevant and more available to a non-traditional audience, especially to African-Americans. In addition, delving into the acceptance and distribution difficulties that Ted Lange faced gives insight into the issue of discriminatory assumptions related to applying a minority point of view to a traditionally highbrow domain.
《奥赛罗》(1989)是一部鲜为人知的独立电影,由泰德·兰格执导和制作。这部电影于20世纪80年代末上映,这是美国种族紧张局势加剧的十年,它从少数人的角度诠释了莎士比亚。这项对导演动机和导演选择的研究揭示了兰格所采用的策略,即让莎士比亚更贴近非传统观众,尤其是非裔美国人。此外,深入研究Ted Lange面临的接受和分配困难,可以深入了解与将少数人的观点应用于传统高雅领域有关的歧视性假设问题。
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引用次数: 0
Richard Alan Ryerson's John Adams’s Republic: The One, the Few, and the Many 理查德·艾伦·瑞尔森的《约翰·亚当斯的共和国:一个,少数和许多》
IF 0.1 4区 社会学 Q4 Arts and Humanities Pub Date : 2017-10-31 DOI: 10.22439/ASCA.V49I2.5684
Ari Helo
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引用次数: 0
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