Pub Date : 2019-09-26DOI: 10.22439/asca.v51i2.5990
P. Kilpeläinen
{"title":"Stephanie Li's Pan-African American Literature: Signifyin(g) Immigrants in the 21st Century","authors":"P. Kilpeläinen","doi":"10.22439/asca.v51i2.5990","DOIUrl":"https://doi.org/10.22439/asca.v51i2.5990","url":null,"abstract":"","PeriodicalId":40729,"journal":{"name":"AMERICAN STUDIES IN SCANDINAVIA","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42328271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-09-26DOI: 10.22439/asca.v51i2.5996
G. Sherman
{"title":"Michael Hoberman's A Hundred Acres of America: The Geography of Jewish American Literary History","authors":"G. Sherman","doi":"10.22439/asca.v51i2.5996","DOIUrl":"https://doi.org/10.22439/asca.v51i2.5996","url":null,"abstract":"","PeriodicalId":40729,"journal":{"name":"AMERICAN STUDIES IN SCANDINAVIA","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47158001","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-09-26DOI: 10.22439/ASCA.V51I2.5973
S. Kekki
Dillon S. Myer (1891–1982) has been framed as the lone villain in incarcerating and dispersing the Japanese Americans during WWII (as director of the War Relocation Authority) and terminating and relocating Native American tribes in the 1950s (as Commissioner of Indian Affairs). This view is almost solely based on the 1987 biography Keeper of Concentration Camps: Dillon S. Myer and American Racism by Richard Drinnon. Little more has been written about Myer and his views, and a comprehensive comparison of the programs is yet to be published. This article compares the aims of the assimilation and relocation policies, especially through Myer’s public speeches. They paint a picture of a bureaucrat who was committed to his job, who held strongly onto the ideals of Americanization and assimilation, and who saw “mainstream” white American culture as something for all to strive after, but who was hardly an utter racist.
狄龙·s·迈尔(Dillon S. Myer, 1891-1982)被认为是二战期间监禁和驱逐日裔美国人(作为战争迁移管理局局长)和20世纪50年代终止和迁移美洲土著部落(作为印第安事务专员)的唯一恶棍。这种观点几乎完全是基于1987年理查德·德里农的传记《集中营看守人:狄龙·s·迈尔和美国种族主义》。关于迈尔和他的观点的文章很少，对这两个项目的全面比较还有待发表。本文通过梅尔的公开演讲，比较了同化政策和迁居政策的目的。他们描绘了这样一个官员的形象:他忠于自己的工作，坚定地坚持美国化和同化的理想，把“主流”美国白人文化视为所有人都应该努力追求的东西，但他很难说是一个彻头彻尾的种族主义者。
{"title":"Entangled Histories of Assimilation: Dillon S. Myer and the Relocation of Japanese Americans and Native Americans (1942–1953)","authors":"S. Kekki","doi":"10.22439/ASCA.V51I2.5973","DOIUrl":"https://doi.org/10.22439/ASCA.V51I2.5973","url":null,"abstract":"Dillon S. Myer (1891–1982) has been framed as the lone villain in incarcerating and dispersing the Japanese Americans during WWII (as director of the War Relocation Authority) and terminating and relocating Native American tribes in the 1950s (as Commissioner of Indian Affairs). This view is almost solely based on the 1987 biography Keeper of Concentration Camps: Dillon S. Myer and American Racism by Richard Drinnon. Little more has been written about Myer and his views, and a comprehensive comparison of the programs is yet to be published. This article compares the aims of the assimilation and relocation policies, especially through Myer’s public speeches. They paint a picture of a bureaucrat who was committed to his job, who held strongly onto the ideals of Americanization and assimilation, and who saw “mainstream” white American culture as something for all to strive after, but who was hardly an utter racist.","PeriodicalId":40729,"journal":{"name":"AMERICAN STUDIES IN SCANDINAVIA","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45612897","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-09-26DOI: 10.22439/asca.v51i2.5970
Isabel Alonso-Breto
Sunil Yapa’s politically engaged first novel vindicates the massive pacific protests that occurred during five days in Seattle in November-December 1999. These protests were summoned against the World Trade Organization summit. The novel responds to the wish to inscribe in the history of fiction a crucial event which would inspire and inflect the later anti-globalization movement and protests, and which according to some has not yet received the attention it deserves by media or criticism. This article discusses Yapa’s work in the light of the Ethics of Care, and develops an exegesis, which, incorporating elements of Hardt and Negri’s ideas about the Multitude, understands the novel mainly as a reflection of the crucial preoccupation thathumans have for other human beings, and the innate wish to actively take care of the Other and improve his or her life conditions.
{"title":"Sunil Yapa’s Your Heart is a Muscle the Size of a Fist: Protest, Fiction and the Ethics of Care","authors":"Isabel Alonso-Breto","doi":"10.22439/asca.v51i2.5970","DOIUrl":"https://doi.org/10.22439/asca.v51i2.5970","url":null,"abstract":"Sunil Yapa’s politically engaged first novel vindicates the massive pacific protests that occurred during five days in Seattle in November-December 1999. These protests were summoned against the World Trade Organization summit. The novel responds to the wish to inscribe in the history of fiction a crucial event which would inspire and inflect the later anti-globalization movement and protests, and which according to some has not yet received the attention it deserves by media or criticism. This article discusses Yapa’s work in the light of the Ethics of Care, and develops an exegesis, which, incorporating elements of Hardt and Negri’s ideas about the Multitude, understands the novel mainly as a reflection of the crucial preoccupation thathumans have for other human beings, and the innate wish to actively take care of the Other and improve his or her life conditions.","PeriodicalId":40729,"journal":{"name":"AMERICAN STUDIES IN SCANDINAVIA","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41799853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-09-26DOI: 10.22439/asca.v51i2.5977
T. Sommer
This article discusses motherhood in James M. Cain’s Mildred Pierce (1941). It argues that academic criticism so far has neglected the important contribution Cain’s text makes to debates concerning motherhood norms in the post-Depression years. The article takes as its central concern the fraught relationship between Mildred and her daughter, Veda. Building on Sianne Ngai’s theory of “ugly feelings,” the article claims that Mildred’s ambivalent emotional responses to her daughter reveal how social norms obstruct mothers’ agency. Rather than categorically rejecting Veda’s bad behavior, Mildred’s anger, pain, fear, and jealousy are retracted immediately after they surface. As such, Mildred’s maternal emotions are ambivalent and should be perceived as ugly feelings that have the potential to diagnose situations of obstructed agency. This article thus argues for the complexity of Cain’s representation of motherhood and shows how mothers’ ambivalent emotions reveal limited agency in their navigation of social norms.
{"title":"“I Take Everything Back That I Said”: Ambivalence and Motherhood in Mildred Pierce","authors":"T. Sommer","doi":"10.22439/asca.v51i2.5977","DOIUrl":"https://doi.org/10.22439/asca.v51i2.5977","url":null,"abstract":"This article discusses motherhood in James M. Cain’s Mildred Pierce (1941). It argues that academic criticism so far has neglected the important contribution Cain’s text makes to debates concerning motherhood norms in the post-Depression years. The article takes as its central concern the fraught relationship between Mildred and her daughter, Veda. Building on Sianne Ngai’s theory of “ugly feelings,” the article claims that Mildred’s ambivalent emotional responses to her daughter reveal how social norms obstruct mothers’ agency. Rather than categorically rejecting Veda’s bad behavior, Mildred’s anger, pain, fear, and jealousy are retracted immediately after they surface. As such, Mildred’s maternal emotions are ambivalent and should be perceived as ugly feelings that have the potential to diagnose situations of obstructed agency. This article thus argues for the complexity of Cain’s representation of motherhood and shows how mothers’ ambivalent emotions reveal limited agency in their navigation of social norms.","PeriodicalId":40729,"journal":{"name":"AMERICAN STUDIES IN SCANDINAVIA","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44006869","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-09-26DOI: 10.22439/asca.v51i2.5988
Aleksi Huhta
{"title":"Erika K. Jackson's Scandinavians in Chicago: The Origins of White Privilege in America","authors":"Aleksi Huhta","doi":"10.22439/asca.v51i2.5988","DOIUrl":"https://doi.org/10.22439/asca.v51i2.5988","url":null,"abstract":"","PeriodicalId":40729,"journal":{"name":"AMERICAN STUDIES IN SCANDINAVIA","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48797069","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-09-26DOI: 10.22439/asca.v51i2.5976
Ciaran O'rourke
This paper examines the poetics of perception and the accompanying moral commitments of William Carlos Williams’s poetry, paying attention in particular to the visual ethos of his work. If in his early years Williams conceptualized the poet’s function as “lifting to the imagination those things which lie under the direct scrutiny of the senses.” One of the chief arguments here is that this emphasis be understood as an expansive and ethically implicating one, rather than in creatively circumscribing terms. “Such war, as the arts live and breathe by,” Williams asserts in 1944, “is continuous.” After establishing the ethical basis for Williams’s poetics, this paper assesses the perceptual politics of his work of the 1940s specifically, and in a number of literary and historical contexts, including: his revisionary engagement with William Wordsworth and the Romantic tradition; his infamous poetic “exultation” at the bombing of London in 1941 and his elegy for President Franklin Delano Roosevelt; and his politically complex and often incendiary poems of social observation in these years. As such, this article both reveals and interrogates the sometimes contradictory ethical engagements and creative procedures that define Williams’s work in a period of profound political crisis.
{"title":"“The world too much with us? Rot!”: William Carlos Williams and the Ethics of Literary Perception","authors":"Ciaran O'rourke","doi":"10.22439/asca.v51i2.5976","DOIUrl":"https://doi.org/10.22439/asca.v51i2.5976","url":null,"abstract":"This paper examines the poetics of perception and the accompanying moral commitments of William Carlos Williams’s poetry, paying attention in particular to the visual ethos of his work. If in his early years Williams conceptualized the poet’s function as “lifting to the imagination those things which lie under the direct scrutiny of the senses.” One of the chief arguments here is that this emphasis be understood as an expansive and ethically implicating one, rather than in creatively circumscribing terms. “Such war, as the arts live and breathe by,” Williams asserts in 1944, “is continuous.” After establishing the ethical basis for Williams’s poetics, this paper assesses the perceptual politics of his work of the 1940s specifically, and in a number of literary and historical contexts, including: his revisionary engagement with William Wordsworth and the Romantic tradition; his infamous poetic “exultation” at the bombing of London in 1941 and his elegy for President Franklin Delano Roosevelt; and his politically complex and often incendiary poems of social observation in these years. As such, this article both reveals and interrogates the sometimes contradictory ethical engagements and creative procedures that define Williams’s work in a period of profound political crisis.","PeriodicalId":40729,"journal":{"name":"AMERICAN STUDIES IN SCANDINAVIA","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46105377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-09-26DOI: 10.22439/ASCA.V51I2.5997
Marinette Grimbeek
{"title":"Margaret Ronda's Remainders: American Poetry at Nature’s End","authors":"Marinette Grimbeek","doi":"10.22439/ASCA.V51I2.5997","DOIUrl":"https://doi.org/10.22439/ASCA.V51I2.5997","url":null,"abstract":"","PeriodicalId":40729,"journal":{"name":"AMERICAN STUDIES IN SCANDINAVIA","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46981361","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-09-26DOI: 10.22439/asca.v51i2.5989
L. Salvarani
{"title":"Philathia Bolton, Cassander L. Smith, and Lee Bebout's (eds.) Teaching with Tension: Race, Resistance, and Reality in the Classroom","authors":"L. Salvarani","doi":"10.22439/asca.v51i2.5989","DOIUrl":"https://doi.org/10.22439/asca.v51i2.5989","url":null,"abstract":"","PeriodicalId":40729,"journal":{"name":"AMERICAN STUDIES IN SCANDINAVIA","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49458392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-03-02DOI: 10.22439/asca.v51i1.5791
M. Jensen
This article is a contextualist reading of the television serial The Wire (2002-2008). Drawing on Grace Hale’s A Nation of Outsiders (2011), this article examines the tension between how the paratexts of The Wire embrace an outsider rhetoric while the serial itself tries to dero-manticize the trope of the outsider. The article argues that the producers of the serial embrace an outsider rhetoric in an effort to gain legitimacy for themselves which is at odds with how the serial debunks the charisma of the outsider. This deromanticization of the outsider is an important part of the serial’s politics as this is a part of The Wire’s “sociological gaze.” The Wire is shown not to accept the notion of a free space beyond the restrictions of contemporary society that the romance of the outsider depends on.
本文是对电视连续剧《火线》(2002-2008)的语境主义解读。本文借鉴格蕾丝·黑尔(Grace Hale)的《局外人的国家》(A Nation of Outsiders, 2011)，探讨了《火线》的主人公们是如何接受局外人的修辞的，而该剧本身却试图去美化局外人的修辞。文章认为，该系列的制片人接受了局外人的修辞，以努力为自己获得合法性，这与该系列如何揭穿局外人的魅力不一致。局外人的这种非浪漫化是该系列政治的重要组成部分，因为这是《火线》“社会学视角”的一部分。《火线》不接受超越当代社会限制的自由空间的概念，这是局外人的浪漫所依赖的。
{"title":"The Wire and the Disenchantment of the Outsider","authors":"M. Jensen","doi":"10.22439/asca.v51i1.5791","DOIUrl":"https://doi.org/10.22439/asca.v51i1.5791","url":null,"abstract":"This article is a contextualist reading of the television serial The Wire (2002-2008). Drawing on Grace Hale’s A Nation of Outsiders (2011), this article examines the tension between how the paratexts of The Wire embrace an outsider rhetoric while the serial itself tries to dero-manticize the trope of the outsider. The article argues that the producers of the serial embrace an outsider rhetoric in an effort to gain legitimacy for themselves which is at odds with how the serial debunks the charisma of the outsider. This deromanticization of the outsider is an important part of the serial’s politics as this is a part of The Wire’s “sociological gaze.” The Wire is shown not to accept the notion of a free space beyond the restrictions of contemporary society that the romance of the outsider depends on.","PeriodicalId":40729,"journal":{"name":"AMERICAN STUDIES IN SCANDINAVIA","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41274030","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：