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Rus’ within and without the lists of peoples in the Primary Rus’ Chronicle 罗斯人在《罗斯初级编年史》的民族名单内和外
IF 0.1 Q4 HISTORY Pub Date : 2020-01-01 DOI: 10.21638/spbu19.2020.107
Tatyana Leonidovna Vilkul
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引用次数: 0
Such different Latysh: the variability of the meaning of the ethnonym in Russian documents of the 16th–17th centuries 如此不同的Latysh:在16 - 17世纪的俄罗斯文献中,民族名称意义的变化
IF 0.1 Q4 HISTORY Pub Date : 2020-01-01 DOI: 10.21638/spbu19.2020.108
Dmitriy Vladimirovich Verkhovtsev
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引用次数: 0
«A completely new means of agitation»: the German «national postcard» in Austria-Hungary at the turn of the 19th and 20th centuries “一种全新的鼓动手段”:19世纪和20世纪初奥匈帝国的德国“国家明信片”
IF 0.1 Q4 HISTORY Pub Date : 2020-01-01 DOI: 10.21638/spbu19.2018.205
A. Medyakov
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引用次数: 0
Unknown epistle to Tsar’ Fedor Ivanovich from Constantinople 君士坦丁堡写给沙皇费多尔·伊万诺维奇的匿名信
IF 0.1 Q4 HISTORY Pub Date : 2020-01-01 DOI: 10.21638/spbu19.2018.206
M. V. Korogodina
The research was supported by the Russian Foundation for Basic Research, project № 18-512-18006 Болг_а «Migration of the texts in cultural area of the Slavia Orthodoxa».
该研究得到了俄罗斯基础研究基金会的支持,项目№18-512-18006 Болг_а“斯拉夫东正教文化区文本的迁移”。
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引用次数: 0
On the ethnographic understanding of materiality 论对物质性的民族志理解
IF 0.1 Q4 HISTORY Pub Date : 2020-01-01 DOI: 10.21638/spbu19.2018.203
D. A. Baranov
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引用次数: 0
Transformation of the Nemanichi’s ideology in the monuments of the Milutin era (1282–1321) in the conquered Macedonian territories 米卢廷时代(1282-1321)在被征服的马其顿领土上的纪念碑中涅曼日人意识形态的转变
IF 0.1 Q4 HISTORY Pub Date : 2020-01-01 DOI: 10.21638/spbu19.2020.206
Elena A. Nemykina
This article is devoted to the problem of the influence of ideological attitudes on the iconographic programs of the medieval Macedonian monuments at the end of the 13th – the first quarter of the 14th century. This period is associated with the reign of the Serbian king Milutin (1282–1321), who conquered a number of Macedonian territories from Byzantium and married the daughter of the Byzantine emperor Andronicus II Palaeologus (1282–1328). Close kinship with the imperial family and Milutin’s active policy towards Byzantium become the key factors for the reorientation of Serbian ideology from a national platform to an imperial one.This article is devoted to the problem of the influence of ideological attitudes on the iconographic programs of the medieval Macedonian monuments at the end of the 13th – the first quarter of the 14th century. This period is associated with the reign of the Serbian king Milutin (1282–1321), who conquered a number of Macedonian territories from Byzantium and married the daughter of the Byzantine emperor Andronicus II Palaeologus (1282–1328). Close kinship with the imperial family and Milutin’s active policy towards Byzantium become the key factors for the reorientation of Serbian ideology from a national platform to an imperial one.The process of «byzantinization» affects all the areas of the life of the Serbian kingdom, including art. Establishing his presence in Macedonia, Milutin, with the help of the Greek masters, actively builds and restores churches, rebuilds the Greek buildings and invites the Greek artists, Michael and Eutychios, belonging to the progressive artistic movement to paint churches. Thus, the architectural and pictorial ensembles of this time arise within the framework of the Byzantine artistic tradition and correspond to the main currents of the Byzantine art. Fresco paintings are created in accordance with the stylistic principles of the advanced trends of the Paleologian Renaissance and are replete with fresh iconographic solutions, new semantic accents and compositions. Good preservation of the most of Milutin’s monuments ensured close attention of the researchers. However, with a thorough study of the Byzantine traditions in the Serbian cultural paradigm, the fact of embedding national specifics into the Byzantine imperial theme remained unnoticed, as evidenced by a number of the iconographic features of the monumental paintings considered in this article.Keywords: imperial theme, iconography, medieval fresco painting, national specifics, Milutin, ideology of Nemanichi, Macedonia, Serbian Kingdom, art, cultural studies, cultura of Medieval Ages.
这篇文章致力于研究意识形态态度对13世纪末至14世纪上半叶中世纪马其顿纪念碑肖像画计划的影响问题。这一时期与塞尔维亚国王米卢廷(1282–1321)的统治有关,他从拜占庭征服了马其顿的一些领土,并娶了拜占庭皇帝安德洛尼库斯二世的女儿Paleologus(1282-1328)为妻。与皇室的密切关系以及米卢廷积极的拜占庭政策成为塞尔维亚意识形态从国家纲领转向帝国纲领的关键因素。这篇文章致力于研究意识形态态度对13世纪末至14世纪上半叶中世纪马其顿纪念碑肖像画计划的影响问题。这一时期与塞尔维亚国王米卢廷(1282–1321)的统治有关,他从拜占庭征服了马其顿的一些领土,并娶了拜占庭皇帝安德洛尼库斯二世的女儿Paleologus(1282-1328)为妻。与皇室的密切关系以及米卢廷积极的拜占庭政策成为塞尔维亚意识形态从国家纲领转向帝国纲领的关键因素。“拜占庭化”的过程影响了塞尔维亚王国生活的所有领域,包括艺术。米卢廷在马其顿建立了自己的存在,在希腊大师的帮助下,积极建造和修复教堂,重建希腊建筑,并邀请属于进步艺术运动的希腊艺术家迈克尔和尤蒂奇奥斯绘制教堂。因此,这一时期的建筑和绘画组合出现在拜占庭艺术传统的框架内,与拜占庭艺术的主流相对应。壁画是根据古罗马文艺复兴的先进趋势的风格原则创作的,充满了新的图像解决方案、新的语义口音和构图。米卢廷大部分纪念碑的完好保存确保了研究人员的密切关注。然而,随着对塞尔维亚文化范式中拜占庭传统的深入研究,将国家细节嵌入拜占庭帝国主题的事实仍然没有被注意到,本文所考虑的纪念画的一些图像特征就是明证。关键词:帝国主题,图像学,中世纪壁画,民族特色,米卢廷,涅马尼奇意识形态,马其顿,塞尔维亚王国,艺术,文化研究,中世纪文化。
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引用次数: 0
The «Prague empire» and the Lędzianie: Reflexions on the emergence of the Slavic identity in Eastern Europe “布拉格帝国”和Lędzianie:对东欧斯拉夫身份出现的反思
IF 0.1 Q4 HISTORY Pub Date : 2020-01-01 DOI: 10.21638/spbu19.2018.207
D. Alimov
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引用次数: 0
The role of the Lausanne Peace Conference in the history of the Patriarchate of Constantinople as reflected in the 20th-century Greek historiography: stereotypes and realities 洛桑和会在20世纪希腊史学中反映的君士坦丁堡牧首历史中的作用:刻板印象和现实
IF 0.1 Q4 HISTORY Pub Date : 2020-01-01 DOI: 10.21638/spbu19.2018.212
P. Ermilov, Anastasiya A. Chibisova
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引用次数: 0
How to study the history of Eastern Europe today? 如何研究今天的东欧历史?
IF 0.1 Q4 HISTORY Pub Date : 2020-01-01 DOI: 10.21638/spbu19.2020.101
A. Filyushkin
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引用次数: 0
«A sign accessible to our senses», or Historians in Search of Epistemological Arguments 《我们的感官可以接触到的符号》或《寻找认识论论证的历史学家
IF 0.1 Q4 HISTORY Pub Date : 2019-12-01 DOI: 10.21638/11701/SPBU19.2019.201
L. Repina
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引用次数: 0
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