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Quaerendo-A Journal Devoted to Manuscripts and Printed Books最新文献

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De Worde, Beardsley, and the Complicated Chivalry of the Round Table 德、比尔兹利与圆桌会议的复杂骑士精神
IF 0.2 0 LITERATURE Pub Date : 2022-12-12 DOI: 10.1163/15700690-20221143
Larissa van Vianen
Aubrey Beardsley’s ink drawings for J.M. Dent’s 1894 edition were the first modern set of illustrations of Thomas Malory’s Morte d’Arthur published after the anonymous woodcuts in the 1498 edition printed by Wynkyn de Worde. Since their publication, Beardsley’s illustrations have been criticised for their supposed unfaithfulness to Malory’s text. This article argues however that Beardsley’s illustrations of Morte d’Arthur bear great resemblance to the 1498 woodcuts. It discusses how both sets of illustrations react to Malory’s complicated understanding of chivalry and dictate a reading of Morte d’Arthur that places emphasis on the importance of Camelot’s women and Malory’s criticism of chivalry.
Aubrey Beardsley为J.M.Dent 1894年版绘制的水墨画是继Wynkyn de Worde印刷的1498年版匿名木刻之后出版的托马斯·马洛里的《亚瑟王》的第一套现代插图。自出版以来,比尔兹利的插图一直因其对马洛里文本的不忠而受到批评。然而,本文认为比尔兹利的《亚瑟王》插图与1498年的木刻非常相似。它讨论了两组插图对马洛里对骑士精神的复杂理解的反应,并口述了对《亚瑟王》的解读,强调了卡梅洛特的女性的重要性和马洛里对侠义精神的批评。
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引用次数: 0
News, Business and Public Information. Advertisements and Announcements in Dutch and Flemish Newspapers, 1620–1675, written by Arthur der Weduwen and Andrew Pettegree 新闻、商业和公共信息。荷兰和佛兰德报纸上的广告和公告,1620年至1675年,Arthur der Weduwen和Andrew Petdegree著
IF 0.2 0 LITERATURE Pub Date : 2022-12-12 DOI: 10.1163/15700690-20221505
Alessandra De Mulder
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引用次数: 0
The Bibliotheca Philosophica Hermetica: Reunited in Amsterdam and Recognized 哲学文献馆:在阿姆斯特丹重聚并得到认可
IF 0.2 0 LITERATURE Pub Date : 2022-12-12 DOI: 10.1163/15700690-20221510
Stijn van Rossem
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引用次数: 0
Producing Ovid’s ‘Metamorphoses’ in the Early Modern Low Countries, written by John Tholen 在近代早期低地国家制作奥维德的《变形记》,由约翰·索伦撰写
IF 0.2 0 LITERATURE Pub Date : 2022-12-12 DOI: 10.1163/15700690-20221508
M. Verweij
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引用次数: 0
Tabula Cebetis Printed in Vienna Cebetis表格在维也纳印刷
IF 0.2 0 LITERATURE Pub Date : 2022-12-12 DOI: 10.1163/15700690-20221152
Justyna Kiliańczyk-Zięba
The article focuses on an edition of Tabula Cebetis printed in 1517 in Vienna represented by a unique copy (preserved in a Sammelband) that is furnished with a full-page woodcut dated 1515. The inquiry lays emphasis on the design and appearance of the 1517 edition. These are analyzed as reflecting the book’s potential audience, but also as suggesting the former existence of an edition of the Tabula (Vienna, 1515) that is presently not available in a surviving copy. Concurrently, since issuing the dialogue in Vienna was connected to the activities of itinerant poets, scholars, printers and they patrons, who worked towards integrating the humanist curriculum into the local education, this study provides insight into the intellectual networks of those who were involved with the Tabula’s publication and who constituted the contemporary audience in Central Europe both for this and other humanistic texts.
这篇文章的重点是1517年在维也纳印刷的一本《Cebetis表格》,其代表是一本独特的副本(保存在Sammelband中),并配有1515年的全页木刻。调查的重点是1517年版本的设计和外观。这些被分析为反映了这本书的潜在读者,但也暗示了《表格》(维也纳,1515年)的前一版本的存在,目前还没有幸存的副本。与此同时,由于在维也纳发表对话与巡回诗人、学者、印刷商及其赞助人的活动有关,他们致力于将人文主义课程融入当地教育,这项研究深入了解了参与《塔布拉报》出版的人的知识网络,以及中欧当代读者对这本书和其他人文主义文本的看法。
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引用次数: 0
Artist’s Book Award for Beldan Sezen Beldan Sezen艺术家图书奖
IF 0.2 0 LITERATURE Pub Date : 2022-12-12 DOI: 10.1163/15700690-20221509
Paul van Capelleveen
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引用次数: 0
The Huntington Library Hours of Isabella of Portugal, Simon Bening, and the Confection of a Manuscript for an Iberian Empress in the First Half of the Sixteenth Century 葡萄牙的伊莎贝拉、西蒙·贝宁的亨廷顿图书馆时光,以及16世纪上半叶伊比利亚女皇手稿的忏悔
IF 0.2 0 LITERATURE Pub Date : 2022-09-23 DOI: 10.1163/15700690-20221144
G. T. Clark
When, where, and by whom was Isabella of Portugal’s Huntington Library Hours (HM.1162) written and decorated? The author proposes here that the body of the manuscript, written in Toledo, and 15 small miniatures painted in the 1510s by Simon Bening of Bruges were sent to the southern Netherlands. There associates of the Morgan 491 Master provided the Bening illuminations with decorative enframements and accompanying devotional texts; two new half-page miniatures were also painted. All of that handiwork was then integrated into the manuscript before its dispatch back to Spain shortly before Isabella’s marriage to the emperor Charles V in 1526.
葡萄牙伊莎贝拉的《亨廷顿图书馆时间》(HM.1162)是什么时候、在哪里、由谁写的?作者在这里提出,在托莱多写的手稿主体和15幅由布鲁日的西蒙·贝宁在1510年代绘制的小型微缩画被送往荷兰南部。在那里,摩尔根大师的伙伴们为北京的灯饰提供了装饰的环境和伴随的祈祷文本;还画了两幅新的半页微缩画。在1526年伊莎贝拉与查理五世结婚前不久,所有这些手工作品都被整合到手稿中,然后被送回西班牙。
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引用次数: 1
Of Poets, Prophets, and Printers 诗人、先知和印刷家
IF 0.2 0 LITERATURE Pub Date : 2022-09-23 DOI: 10.1163/15700690-20221145
Leigh T. I. Penman
This article identifies the personalities and circumstances behind two previously unknown heterodox religious publishing projects of the seventeenth century. The first was based in Leiden in the United Provinces, while the second originated in Dresden in Electoral Saxony. The Leiden project was likely led by the German jurist Johann Angelius Werdenhagen, who in 1628 had Jacob Böhme’s Weg zu Christo and Anna Ovena Hoyer’s Gespräch Eines Kindes mit seiner Mutter printed in Leiden at the presses of Govert Basson. This project demonstrates Werdenhagen’s centrality in the early distribution of Böhme’s theosophical doctrines in the United Provinces. The Dresden project was funded by Rosine Vogtin, who from 1642 commissioned the office of Gimel Bergen to print works by Jacob Böhme and Ludwig Friedrich Gifftheil.
这篇文章确定了17世纪两个以前不为人知的异端宗教出版项目背后的人物和环境。第一个总部设在联合省的莱顿,而第二个总部设在萨克森州的德累斯顿。莱顿项目很可能是由德国法学家Johann Angelius Werdenhagen领导的,他于1628年在莱顿的Govert Basson出版社印刷了Jacob Böhme的《Weg zu Christo》和Anna Ovena Hoyer的《Gespräch Eines Kindes mit seiner Mutter》。该项目展示了韦登哈根在伯姆神智学说早期在美国各省分布中的中心地位。德累斯顿项目由Rosine Vogtin资助,她从1642年起委托Gimel Bergen办公室印刷Jacob Böhme和Ludwig Friedrich Gifftheil的作品。
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引用次数: 0
A Sammelband of Incunabula of British Provenance Held at the Diocesan Library of Córdoba Containing the Only Known Copy of Elegantiae terminorum ex Laurentio Valla et aliis collectae, Antwerp: Gerard Leeu, 7.XI.1487 (GW M35200) 英国普罗旺斯Incunabula的Sammelband在科尔多瓦教区图书馆举行,收藏了唯一已知的Elegantiae terminoum ex Laurentio Valla et aliis收藏,安特卫普:Gerard Leeu,7.XI.1487(GW M35200)
IF 0.2 0 LITERATURE Pub Date : 2022-06-08 DOI: 10.1163/15700690-20221136
Julián Solana Pujalte
In this article, we analyse a sammelband of incunabula held at the Diocesan Library of Córdoba, which we believe belonged to William Hewster († 1492), a clergyman and professor at Oxford. It contains six incunabula from Antwerp, Leuven, Paris and Oxford, printed in the workshops of Gerard Leeu (3), John of Westphalia, Antoine Caillaut, and Theodoric Rood & Thomas Hunte. Among the works is the only known copy of Elegantiae terminorum ex Laurentio Valla et aliis collectae, Antwerp: Gerard Leeu, 7.XI.1487 (GW M35200) and the only complete copy of Ars memorativa by Jacobus Publicius [Paris: Antoine Caillaut, 1483–90] (GW M36439).
在这篇文章中,我们分析了科尔多瓦教区图书馆保存的一本incunabula的sammelband,我们认为它属于牛津大学牧师兼教授William Hewster(†1492)。它包含六个来自安特卫普、鲁汶、巴黎和牛津的incunabula,印刷于Gerard Leeu(3)、威斯特伐利亚的John、Antoine Caillaut和Theodoric Rood&Thomas Hunte的工作室。作品中有唯一已知的Elegantiae terminoum ex Laurentio Valla et aliis collectae的复制品,安特卫普:Gerard Leeu,7.XI.1487(GW M35200),以及Jacobus Publicius的Ars大事记的唯一完整复制品[巴黎:Antoine Caillaut,1483–90](GW M36439)。
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引用次数: 2
A Bibliography of J.P. Gumbert after Quærendo’s Special Issue (2003) 继屈特刊(2003)之后的J.P.甘伯特参考书目
IF 0.2 0 LITERATURE Pub Date : 2022-06-08 DOI: 10.1163/15700690-20221142
N. Pouls, E. van der Vlist
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引用次数: 0
期刊
Quaerendo-A Journal Devoted to Manuscripts and Printed Books
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