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Quaerendo-A Journal Devoted to Manuscripts and Printed Books最新文献

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An Unknown Dutch Incunable Recovered 未知的荷兰人无法挽回
IF 0.2 0 LITERATURE Pub Date : 2021-09-08 DOI: 10.1163/15700690-12341478
I. Kok
This article discusses and reproduces a unique copy of a hitherto unknown Dutch incunable. It was recovered at a Belgian auction after 164 years and bought by the Athenaeum Library in Deventer, the Netherlands. Thus, the book returned to the city where it was printed by Jacobus de Breda, between 27 October 1495 and 16 April 1496.
这篇文章讨论并复制了一个迄今为止不为人知的荷兰公司的独特副本。164年后,它在比利时的一次拍卖会上被发现,并被荷兰德文特的雅典图书馆买下。因此,这本书回到了1495年10月27日至1496年4月16日由雅各布斯·德·布雷达印刷的城市。
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引用次数: 0
Buying and Selling. The Business of Books in Early Modern Europe, edited by Shanti Graheli 买卖。《近代早期欧洲的图书商业》,香蒂·格拉赫利编辑
IF 0.2 0 LITERATURE Pub Date : 2021-09-08 DOI: 10.1163/15700690-12341492
F. Janssen
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引用次数: 0
Image, Knife, and Gluepot. Early Assemblage in Manuscript and Print, written by Kathryn M. Rudy 图像,刀和胶锅。《手稿和印刷品的早期汇编》,凯瑟琳·m·鲁迪著
IF 0.2 0 LITERATURE Pub Date : 2021-09-08 DOI: 10.1163/15700690-12341494
Saskia H. Van Bergen
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引用次数: 0
Incunabula in Communities of Canonesses Regular and Tertiaries Related to the Devotio Moderna 与现代灵修有关的修女、正规修女和三级修女团体中的圣职
IF 0.2 0 LITERATURE Pub Date : 2021-09-08 DOI: 10.1163/15700690-12341488
A. Dlabačová, P. Stoop
This contribution discusses the hitherto overlooked ownership of the earliest printed books (incunabula) by Netherlandish female religious communities of tertiaries and canonesses regular connected to the religious reform movement of the Devotio moderna. Studies of book ownership and book collections in these communities have tended to focus on manuscripts. From the last decades of the fifteenth century onwards, however, these religious women increasingly came in contact with printed books, even though the involvement of the Devotio moderna with the printing press was limited. The discussion focuses on the channels via which tertiaries and canonesses acquired books produced by commercially operating printers, the ways in which incunabula affected what these (semi-)religious women read, as well as the ratio between printed books in Latin and the vernacular, and their function(s) within these communities. Thus the essay intends to sketch a preliminary image of the role of incunabula in female convents, and advocates a more inclusive approach of female religious book ownership.
这篇文章讨论了迄今为止被忽视的荷兰女性宗教团体对最早印刷书籍(incunabula)的所有权,这些书籍通常与现代宗教改革运动有关。对这些社区的图书所有权和图书收藏的研究往往集中在手稿上。然而,从15世纪的最后几十年开始,这些宗教女性越来越多地接触印刷书籍,尽管现代人对印刷机的参与有限。讨论的重点是国王和牧师获得商业运营的印刷商生产的书籍的渠道,incunabula影响这些(半)宗教女性阅读的方式,以及拉丁语和白话文印刷书籍之间的比例,以及它们在这些社区中的作用。因此,本文试图勾勒出incunabula在女性修道院中的角色的初步形象,并倡导一种更具包容性的女性宗教书籍所有权方法。
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引用次数: 2
Splendour of the Burgundian Netherlands. Southern Netherlandish Illuminated Manuscripts in Dutch Collections, written by Anne Margreet W. As-Vijvers & Anne S. Korteweg 荷兰勃艮第的辉煌。荷兰收藏的荷兰南部彩绘手稿,由Anne Margreet W. As-Vijvers和Anne S. Korteweg撰写
IF 0.2 0 LITERATURE Pub Date : 2021-09-08 DOI: 10.1163/15700690-12341493
Emily N. Savage
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引用次数: 0
Singing the News of Punishment The Execution Ballad in Europe, 1550-1900 唱出惩罚的消息:欧洲的死刑民谣,1550-1900
IF 0.2 0 LITERATURE Pub Date : 2021-05-07 DOI: 10.1163/15700690-12341485
Una McIlvenna, Siv Gøril Brandtzæg, J. Gomis
This article explores the pan-European phenomenon of the execution ballad, songs that told the news of true crimes and their punishment by public execution. Looking at examples across nine languages, from the sixteenth through the nineteenth century, this comparison reveals that these ballads share multiple features in textual content and format: a recognisable, formulaic narrative; sensationalist and emotive language; and a conservative perspective that confirms that the condemned is guilty and that 'justice' is being served. We also note key regional differences, such as in the use (or not) of contrafactum, the setting of new lyrics to familiar melodies, in the use of the first versus third person voice, and in the depiction of graphic violence, both of the crime committed and the execution. Ultimately, we argue for the existence of an almost universal tradition in Europe of how to sing the news of punishment.
本文探讨了泛欧的处决歌谣现象,讲述真实罪行的歌曲以及公开处决对他们的惩罚。从十六世纪到十九世纪的九种语言的例子来看,这种比较表明,这些民谣在文本内容和格式上有着多重特征:可识别的、公式化的叙事;耸人听闻和情绪化的语言;以及一种保守的观点,即确认被判刑者有罪,“正义”正在得到伸张。我们还注意到关键的地区差异,例如在使用(或不使用)反事实、将新歌词设置为熟悉的旋律、使用第一人称与第三人称的声音,以及在描述所犯罪行和执行过程中的图形暴力方面。最终,我们主张在欧洲存在一个几乎普遍的传统,即如何唱出惩罚的消息。
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引用次数: 0
Narrative Fiction in Early Modern Europe 近代早期欧洲的叙事小说
IF 0.2 0 LITERATURE Pub Date : 2021-05-07 DOI: 10.1163/15700690-12341486
Rita Schlusemann, K. Wierzbicka-Trwoga
The article presents a corpus of European fictional narratives, which were continuously printed in at least six European languages from the beginning of printing until the end of the eighteenth century. It analyses the denominations of the works in European literary histories in a comparative way in order to show the impact of the different national traditions in literary history, and provides a survey of the contemporary terms for the works used in European vernaculars. In early modern Europe there was an awareness of the congruence of these narratives and a similar choice of genre attributions in different European vernaculars whereas, as a consequence of the development of nationalism and national studies, the denomination of the genre and their studies has become much more tattered. We therefore propose to use the term ‘narrative fiction’ for the genre and the term ‘fictional narrative’ for the works themselves.
这篇文章介绍了一个欧洲虚构故事的语料库,从印刷之初到18世纪末,这些故事一直用至少六种欧洲语言印刷。通过对欧洲文学史上作品名称的比较分析,揭示不同民族传统对文学史的影响,并对欧洲白话作品的当代用语进行了考察。在现代早期的欧洲,人们意识到这些叙事的一致性,并在不同的欧洲方言中选择了相似的类型归属,而由于民族主义和民族研究的发展,这一类型的名称及其研究变得更加支离破碎。因此,我们建议将“叙事小说”一词用于该类型,将“虚构叙事”一词用作作品本身。
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引用次数: 0
The Dissemination of European Popular Print: Exploring Comparative Approaches 欧洲通俗印刷品的传播:比较方法的探索
IF 0.2 0 LITERATURE Pub Date : 2021-05-07 DOI: 10.1163/15700690-12341482
J. Salman
This article discusses the prospects of a comparative approach within the field of the dissemination of European popular print. Currently, it is still hard to find studies that address distribution of popular print with a Europe-wide scope. After an introduction about the main concepts, models and approaches, the article discusses some topic related issues, questions, approaches and sources. Social and professional categorisations are explored, as well as the differences between urban and rural distribution, the impact of regional and international networks, the effects of trade regulations and the collaborative features of distribution practices. What became clear is that a wide-ranging study that includes all European countries is urgently needed but not within reach soon, due to a lack of fundamental research and assessible sources. We should therefore first start to collect data systematically and conduct a series of comparative case studies in which we explore important questions and approaches.
本文讨论了在欧洲通俗印刷品传播领域采用比较方法的前景。目前,还很难找到在欧洲范围内研究流行印刷品分布的研究。在介绍了主要的概念、模型和方法之后,文章讨论了一些与主题相关的问题、方法和来源。探讨了社会和专业分类,以及城乡分布之间的差异,区域和国际网络的影响,贸易法规的影响以及分布实践的协作特征。显而易见的是,一项包括所有欧洲国家的广泛研究是迫切需要的,但由于缺乏基础研究和可评估的来源,这一研究无法很快实现。因此,我们首先应该开始系统地收集数据,并进行一系列比较案例研究,在这些研究中,我们探索重要的问题和方法。
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引用次数: 0
Popular Print under the Press 大众印刷
IF 0.2 0 LITERATURE Pub Date : 2021-05-07 DOI: 10.1163/15700690-12341481
Laura Carnelos
Mistakes, printing defects, reused woodcuts and low-quality paper are often the result of strategies enabled by printers and publishers to offer printed material at a low price while balancing profit/loss in their daily activities. It was precisely due to these strategies that a wider class of population could read, sing, learn and enjoy life in early modern Europe. This essay illustrates the preliminary results of a comparative analysis aimed at investigating the production phase of cheap books and prints all over Europe. With a focus on editorial strategies, printing practices and materials commonly adopted and used in these publications, it demonstrates that European publishers and printers followed very similar patterns while producing cheap products.
印刷错误、印刷缺陷、重复使用的木刻和低质量的纸张往往是印刷商和出版商在日常活动中平衡盈亏的同时,以低价提供印刷品的策略的结果。正是由于这些策略,在近代早期的欧洲,更广泛的人群能够阅读、唱歌、学习和享受生活。本文阐述了一项旨在调查全欧洲廉价书籍和印刷品生产阶段的比较分析的初步结果。报告着重于这些出版物普遍采用和使用的编辑策略、印刷做法和材料,表明欧洲出版商和印刷商在生产廉价产品时遵循非常相似的模式。
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引用次数: 1
Readers and Consumers of Popular Print 大众印刷品的读者与消费者
IF 0.2 0 LITERATURE Pub Date : 2021-05-07 DOI: 10.1163/15700690-12341483
Shanti Graheli
This article explores the theoretical strands and methodological possibilities for the study of the consumption of popular print in the pre-modern age. The first section explores general approaches and cross-disciplinary angles to the field. The second section looks at core methodologies in approaching the multi-faceted issue of consumption of popular print. The third section offers a comparative discussion of pan-European themes, including literacy and schooling, the sociality of reading and consumption, the weight of restrictions and emancipation in regulating access to print, and the materialities of consumption as a physical, multisensory experience.
本文探讨了前现代时代流行印刷品消费研究的理论线索和方法可能性。第一部分探讨了该领域的一般方法和跨学科角度。第二部分着眼于在接近流行印刷品消费的多方面问题的核心方法。第三部分提供了泛欧主题的比较讨论,包括识字和学校教育,阅读和消费的社会性,限制和解放在规范印刷品获取中的重要性,以及消费作为一种物理的,多感官体验的物质性。
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引用次数: 1
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Quaerendo-A Journal Devoted to Manuscripts and Printed Books
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