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Quaerendo-A Journal Devoted to Manuscripts and Printed Books最新文献

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Introduction 介绍
IF 0.2 0 LITERATURE Pub Date : 2021-05-07 DOI: 10.1163/15700690-12341480
M. Grenby, E. Marazzi, J. Salman
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引用次数: 0
Tall Tales for a Mass Audience 面向大众的荒诞故事
IF 0.2 0 LITERATURE Pub Date : 2021-05-07 DOI: 10.1163/15700690-12341484
J. Gomis, J. Salman
In this article we compare Dutch penny prints with Spanish Aleluyas, focusing on three specific functions of this premodern mass medium: popularising and adapting theatre plays; standardising (folk/fairy) tales; adapting and popularising literary classics. Via these functions we address the discrepancies between the two countries considering the materiality of the penny prints, the growth of the production, but also the transition from a predominantly religious, towards a more profane content. Striking was the lack of educative and edifying initiatives in Spain in contrast to the Dutch ideological strategies. We observed some interesting similarities as well. Although in both countries penny prints often conformed to current ideologies and institutions, there were instances in which penny prints and aleluyas were used as instruments of social satire or resistance. A few similar strange twists in the adaptations of literary classics, seem to suggest some form of transnational exchange or at least imitation.
在这篇文章中,我们将荷兰便士版画与西班牙Aleluyas进行了比较,重点讨论了这种前现代大众媒介的三个具体功能:普及和改编戏剧;规范(民间/童话)故事;改编和普及文学经典。通过这些功能,我们解决了两国之间的差异,考虑到便士印刷品的物质性、生产的增长,以及从主要的宗教内容向更世俗的内容的转变。与荷兰的意识形态策略相比,西班牙缺乏教育性和启发性的举措。我们也观察到了一些有趣的相似之处。尽管在这两个国家,便士版画往往符合当前的意识形态和制度,但也有一些例子表明,便士版画和阿列路亚被用作社会讽刺或抵抗的工具。文学经典改编中的一些类似的奇怪转折似乎暗示了某种形式的跨国交流,或者至少是模仿。
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引用次数: 0
Children and Cheap Print from a Transnational Perspective 跨国视角下的儿童与廉价印刷品
IF 0.2 0 LITERATURE Pub Date : 2021-05-07 DOI: 10.1163/15700690-12341487
Laura Carnelos, E. Marazzi
From their earliest existence cheap printed texts were intended to be read by a mixed-age audience, young people included. Research on children’s literature has flourished in the last decades, nonetheless the role that cheap and ephemeral print played in early modern children’s lives has been largely overlooked. Based on both existing literature and new research in various European areas, this article asks how, where, and when a market for a distinctively children’s cheap print took shape and how transnational this phenomenon was. It demonstrates that children were avid consumers of cheap print even before they were openly addressed to in titlepages and paratexts, and that a market for them developed at different paces in early modern European countries. In some areas, books for children were produced even before the so-called birth of modern children’s literature. Furthermore, this essays shows how the evolution of printing techniques and especially the introduction of colour changed this market, making a wider range of printed products more widely affordable by juvenile audiences as well as more appealing to young eyes.
从最早的时候起,廉价的印刷文本就被包括年轻人在内的混合年龄受众所阅读。在过去的几十年里,对儿童文学的研究蓬勃发展,尽管如此,廉价而短暂的印刷品在现代早期儿童生活中所扮演的角色在很大程度上被忽视了。基于现有文献和欧洲各个地区的新研究,本文询问了一个独特的儿童廉价印刷品市场是如何、在哪里、何时形成的,以及这种现象是如何跨国的。这表明,即使在标题页和副文中公开提及儿童之前,儿童就已经是廉价印刷品的狂热消费者,而且在现代早期的欧洲国家,儿童市场的发展速度也不同。在一些地区,甚至在所谓的现代儿童文学诞生之前,就已经为儿童制作了书籍。此外,这篇文章展示了印刷技术的演变,尤其是色彩的引入如何改变了这个市场,使更广泛的印刷产品更容易被青少年观众所接受,也更吸引年轻人的眼球。
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引用次数: 2
Petrus Lansselius and a New Edition of Plantin’s Polyglot Bible 彼得鲁斯·兰塞利乌斯与普兰廷《波里格洛特圣经》的新版
IF 0.2 0 LITERATURE Pub Date : 2021-03-24 DOI: 10.1163/15700690-12341471
D. Imhof
As of 1620 Balthasar Moretus I envisioned a new edition of the famous polyglot Bible that his grandfather Christopher Plantin had printed in Antwerp in the years 1568-1572. While he searched for the necessary type, he had the Jesuit Petrus Lansselius stay in Antwerp for several years to prepare a revised text and commentaries. After seven years of preparation it became clear that he would never be able to complete his project. The appearance of the first volume of the Parisian Polyglot in 1628 made it clear that he was too late and that he had to abandon the entire project. With this article I will demonstrate the importance of having strong support for prestigious editions. Even if a publisher had gathered enough financial means and all the type and paper that were necessary for printing his desired publication, without external backing it was extremely difficult to realize his dream.
1620年,巴尔塔萨·莫雷图斯设想出一本新版本的著名的多语言圣经,这本圣经是他的祖父克里斯托弗·普兰丁于1568年至1572年在安特卫普印刷的。当他寻找必要的类型时,他让耶稣会士彼得鲁斯·兰塞留斯在安特卫普呆了几年,准备修订文本和注释。经过七年的准备,很明显他将永远无法完成他的计划。1628年《巴黎多语集》第一卷的问世表明,他来得太晚了,不得不放弃整个计划。在本文中,我将展示为知名版本提供强大支持的重要性。即使一个出版商有足够的资金和印刷他想要的出版物所需的所有字体和纸张,没有外部支持,实现他的梦想是极其困难的。
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引用次数: 0
A Not So Harmless Drudge 不是那么无害的苦力
IF 0.2 0 LITERATURE Pub Date : 2020-11-26 DOI: 10.1163/15700690-12341476
Cis van Heertum
This article discusses the survival of Adriaen Koerbagh’s Bloemhof, a controversial work confidently claimed to be rare in bibliographies and in antiquarian booksellers’ catalogues. So far, more than 70 copies have been found worldwide, in libraries and in private collections. Contemporary annotations provide additional biographical information on Koerbagh’s arrest and imprisonment. The reception of Bloemhof in Dutch and—mainly—German bibliographies is also discussed in the article. An appendix with surviving copies has been added.
这篇文章讨论了Adriaen Koerbagh的《Bloemhof》的幸存,这是一部充满争议的作品,自信地声称在参考书目和古董书商的目录中是罕见的。到目前为止,在世界各地的图书馆和私人收藏中发现了70多本。当代注释提供了关于科尔巴格被捕和监禁的额外传记信息。本文还讨论了布隆霍夫在荷兰和主要是德国书目中的接受情况。已添加了一个附录,其中包含幸存的副本。
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引用次数: 0
Bibliography of the Exact Sciences in the Low Countries from ca. 1470 to the Golden Age (1700), written by K. Hoogendoorn 约1470年至黄金时代(1700年)的低地精确科学书目,K.Hoogendoorn著
IF 0.2 0 LITERATURE Pub Date : 2020-11-26 DOI: 10.1163/15700690-12341475
K. Ommen
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引用次数: 0
The Bookshop of the World. Making and Trading Books in the Dutch Golden Age, written by Andrew Pettegree & Arthur der Weduwen 世界书店。《荷兰黄金时代的制作和交易书籍》,作者:Andrew Pettegree和Arthur der Weduwen
IF 0.2 0 LITERATURE Pub Date : 2020-11-26 DOI: 10.1163/15700690-12341453
F. Janssen
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引用次数: 0
Books Before Print, written by Erik Kwakkel 《印刷之前的书》,作者Erik Kwakkel
IF 0.2 0 LITERATURE Pub Date : 2020-11-26 DOI: 10.1163/15700690-12341454
N. Pouls
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引用次数: 0
The Library of Jacob de Wilde 雅各布·德·王尔德图书馆
IF 0.2 0 LITERATURE Pub Date : 2020-11-26 DOI: 10.1163/15700690-12341469
F. Janssen
Like many wealthy citizens in the Dutch Golden Age, the Amsterdam civil servant Jacob de Wilde collected coins, gems, and small sculptures from Antiquity. Much has already been written about these collections, but De Wilde’s book collection has been largely neglected. This article focuses on his library.
像荷兰黄金时代的许多富裕公民一样,阿姆斯特丹公务员雅各布·德·王尔德从古董店收集硬币、宝石和小型雕塑。关于这些藏品,人们已经写了很多文章,但王尔德的藏书在很大程度上被忽视了。这篇文章的重点是他的图书馆。
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引用次数: 0
Monumental German Faust Editions in International Circulation and Multimedia Modernity 德国浮士德纪念版国际流通与多媒体现代性
IF 0.2 0 LITERATURE Pub Date : 2020-11-26 DOI: 10.1163/15700690-12341473
É. Stead
The article (developing a paper presented at 2010 SHARP international conference) investigates the ways grand Faust editions from the 1850s and 1870s make sense as equivocal cultural objects migrating within and beyond Germany. Scholars have focused on these imposing tomes to herald the play as expression of a nation-centred claim, with Faust as heroic myth. This interpretation relied on costly plates and external characteristics for principal evidence. This article instead draws attention to circulation, transformations and fuller readings of these items, combining first-hand research in many collections. On the one hand, it looks into the editorial versions as adjustable to different audiences and cultures, using editorial data, reception evidence, and image analysis. On the other, it shows how fuller readings of a tome, based on material, symbolic and archival evidence, tell two different stories. This study of a text’s print apparel and circulation, at odds with its significance as a national myth, has implications well beyond this singular work.
这篇文章(开发了一篇在2010年SHARP国际会议上发表的论文)调查了19世纪50年代和19世纪70年代的浮士德大版本作为在德国内外迁移的模棱两可的文化对象的意义。学者们将注意力集中在这些气势恢宏的大部头上,以预示该剧表达了以国家为中心的主张,浮士德是英雄神话。这种解释依赖于昂贵的板块和主要证据的外部特征。相反,这篇文章将注意力集中在这些物品的流通、转变和更全面的阅读上,结合了许多收藏中的第一手研究。一方面,它利用编辑数据、接受证据和图像分析,将编辑版本视为可根据不同的受众和文化进行调整。另一方面,它展示了基于材料、象征性和档案证据的对一本大部头书的更全面阅读如何讲述两个不同的故事。这项对文本的印刷服装和发行量的研究,与它作为一个国家神话的意义不一致,其意义远远超出了这项单一的工作。
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引用次数: 0
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Quaerendo-A Journal Devoted to Manuscripts and Printed Books
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