Pub Date : 2020-05-08DOI: 10.19130/iifl.litmex.2020.31.2.0003
Maricruz Castro Ricalde
This article focuses on Cartucho (1931) by the Mexican writer Nellie Campobello. Through the analysis of three vignettes, I present the destabilization of the traditional representations of the male subject as well as the univocal association of the sex / gender categories. I show how their stories reveal the heterogeneity of prose over the Mexican Revolution, by configuring a spectrum of meaning designed to link the home with the land of their ancestors. The dust and dirt associated with the earth dignify people and confer virile attributes, regardless of whether the characters are male or female. Such displacements and crossings support the arrival of a new social order.
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Pub Date : 2020-05-08DOI: 10.19130/iifl.litmex.2020.31.2.0001
E. Luna
The objective of this article is to analyze the long polemic that surrounds pronunciation as a national identity mark, as some “hommes des lettres” maintained in the pages of the Diario de Mexico. Jacobo de Villaurrutia, editor and collaborator of the newspaper, was the most important voice that led the controversy toward a more open and less normative position.
本文的目的是分析围绕发音作为国家身份标志的长期争论，就像一些“hommes des letters”在《墨西哥日报》(Diario de Mexico)的页面上保持的那样。《纽约时报》的编辑和合作者雅各布·德·维拉鲁蒂亚(Jacobo de Villaurrutia)是将这场争论引向更开放、更不规范立场的最重要的声音。
{"title":"“Jamás deja de ser entendido el orador que pronuncia criollamente”. La disputa por la lengua: la pronunciación como marca de identidad nacional","authors":"E. Luna","doi":"10.19130/iifl.litmex.2020.31.2.0001","DOIUrl":"https://doi.org/10.19130/iifl.litmex.2020.31.2.0001","url":null,"abstract":"The objective of this article is to analyze the long polemic that surrounds pronunciation as a national identity mark, as some “hommes des lettres” maintained in the pages of the Diario de Mexico. Jacobo de Villaurrutia, editor and collaborator of the newspaper, was the most important voice that led the controversy toward a more open and less normative position.","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"31 1","pages":"11-31"},"PeriodicalIF":0.1,"publicationDate":"2020-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.19130/iifl.litmex.2020.31.2.0001","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48945989","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-08DOI: 10.19130/iifl.litmex.2020.31.2.0005
Varinia Nieto Sánchez
The central points around which this article revolves are Artaud’s trip to Mexico in 1936, and its subsequent re-readings, as well as the relationships suggested by the idea of the “dream” in this historical and interdisciplinary journey. First, “the Tarahumara dream” of Artaud that questions the identity of the modern subject. Years later and in the context of postmodernity, J. M. G. Le Clézio writes the text “Antonin Artaud ou le rêve mexicain” (Antonin Artaud or the Mexican dream) and addresses the “Mexican dream” from the cross-culturalism and criticism of the West. In parallel, and guided by the texts of Artaud, the filmmakers Raymonde Carasco and Régis Hébraud made between 1976 and 2003 a series of films about the Tarahumara people and about the shamanic dream from a poetic, anthropological and philosophical perspective.
这篇文章围绕的中心点是阿尔托1936年的墨西哥之行，以及随后的重读，以及这段历史和跨学科之旅中“梦想”概念所暗示的关系。首先，阿尔托的“塔拉胡马拉梦”质疑了现代主体的身份。几年后，在后现代性的背景下，J.M.G.Le Clézio写下了文本“Antonin Artaud ou Le rêve mexicain”（安东尼·阿尔托或墨西哥梦），并从西方的跨文化主义和批评中阐述了“墨西哥梦”。与此同时，电影制作人雷蒙德·卡拉斯科（Raymonde Carasco）和雷吉斯·赫布劳德（Régis Hébraud。
{"title":"El sueño moderno de devenir Otro: tras los pasos de Artaud en la Sierra Tarahumara","authors":"Varinia Nieto Sánchez","doi":"10.19130/iifl.litmex.2020.31.2.0005","DOIUrl":"https://doi.org/10.19130/iifl.litmex.2020.31.2.0005","url":null,"abstract":"The central points around which this article revolves are Artaud’s trip to Mexico in 1936, and its subsequent re-readings, as well as the relationships suggested by the idea of the “dream” in this historical and interdisciplinary journey. First, “the Tarahumara dream” of Artaud that questions the identity of the modern subject. Years later and in the context of postmodernity, J. M. G. Le Clézio writes the text “Antonin Artaud ou le rêve mexicain” (Antonin Artaud or the Mexican dream) and addresses the “Mexican dream” from the cross-culturalism and criticism of the West. In parallel, and guided by the texts of Artaud, the filmmakers Raymonde Carasco and Régis Hébraud made between 1976 and 2003 a series of films about the Tarahumara people and about the shamanic dream from a poetic, anthropological and philosophical perspective.","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.19130/iifl.litmex.2020.31.2.0005","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48996420","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-08DOI: 10.19130/iifl.litmex.2020.31.2.0010
María Huertas González Serrano
{"title":"Rogelio Guedea. Poetas mexicanos del 30: una generación entre el cielo y la tierra. Xalapa, Veracruz: Universidad Veracruzana, 2018 col. Biblioteca).","authors":"María Huertas González Serrano","doi":"10.19130/iifl.litmex.2020.31.2.0010","DOIUrl":"https://doi.org/10.19130/iifl.litmex.2020.31.2.0010","url":null,"abstract":"","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"31 1","pages":"211-214"},"PeriodicalIF":0.1,"publicationDate":"2020-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.19130/iifl.litmex.2020.31.2.0010","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42989419","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-08DOI: 10.19130/iifl.litmex.2020.31.2.0004
Luis Miguel Estrada Orozco
The book Cefero (1961), by Xavier Vargas Pardo, remained unattended by critics until recent years. Reviews right after its publication emphasized its particular use of the rural speech from central Mexico, while contemporary approaches have favored interpretations of the violent deeds described in the eleven short stories of the volume. Next to this violence, another element in the book emerges as a necessary correlative: characters’ vulnerability. This article offers a critical revalorization of Vargas Pardo’s book through the analysis of the conditions of vulnerability in the characters who are both subjects and/or perpetrators of the violence, as well as the acts of retribution by non-human agents who offer an unexpected balance to the absence of justice dominating the book from Michoacan.
{"title":"Vulnerabilidad y retribución: hacia una estética de la cuentística de Xavier Vargas Pardo","authors":"Luis Miguel Estrada Orozco","doi":"10.19130/iifl.litmex.2020.31.2.0004","DOIUrl":"https://doi.org/10.19130/iifl.litmex.2020.31.2.0004","url":null,"abstract":"The book Cefero (1961), by Xavier Vargas Pardo, remained unattended by critics until recent years. Reviews right after its publication emphasized its particular use of the rural speech from central Mexico, while contemporary approaches have favored interpretations of the violent deeds described in the eleven short stories of the volume. Next to this violence, another element in the book emerges as a necessary correlative: characters’ vulnerability. This article offers a critical revalorization of Vargas Pardo’s book through the analysis of the conditions of vulnerability in the characters who are both subjects and/or perpetrators of the violence, as well as the acts of retribution by non-human agents who offer an unexpected balance to the absence of justice dominating the book from Michoacan.","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"31 1","pages":"85-109"},"PeriodicalIF":0.1,"publicationDate":"2020-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.19130/iifl.litmex.2020.31.2.0004","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45729040","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-02DOI: 10.19130/iifl.litmex.31.1.2020.1152
S. Gil
Este ensayo analiza las relaciones entre Alfonso Reyes y el artista argentino Xul Solar en torno a un proyecto resonante: la independencia cultural americana desde la integracion de lo local y lo universal. Proponemos el trazado de lineas imaginarias entre Vision de Anahuac y una seleccion de acuarelas de Solar con foco en la actualizacion del pasado americano perimido por la Conquista y la Colonizacion y la resignificacion de herramientas culturales provenientes de la tradicion occidental. Esperamos establecer una matriz comun, donde la interrogacion sobre el presente y la busqueda de un arte y una literatura autonomos propician la imaginacion del pasado prehispanico mediante experimentaciones formales, en alguna medida, equivalentes en la escritura y la pintura.
{"title":"La parte y el todo. Latinoamérica en la imaginación de Alfonso Reyes y Xul Solar","authors":"S. Gil","doi":"10.19130/iifl.litmex.31.1.2020.1152","DOIUrl":"https://doi.org/10.19130/iifl.litmex.31.1.2020.1152","url":null,"abstract":"Este ensayo analiza las relaciones entre Alfonso Reyes y el artista argentino Xul Solar en torno a un proyecto resonante: la independencia cultural americana desde la integracion de lo local y lo universal. Proponemos el trazado de lineas imaginarias entre Vision de Anahuac y una seleccion de acuarelas de Solar con foco en la actualizacion del pasado americano perimido por la Conquista y la Colonizacion y la resignificacion de herramientas culturales provenientes de la tradicion occidental. Esperamos establecer una matriz comun, donde la interrogacion sobre el presente y la busqueda de un arte y una literatura autonomos propician la imaginacion del pasado prehispanico mediante experimentaciones formales, en alguna medida, equivalentes en la escritura y la pintura.","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"31 1","pages":"43-65"},"PeriodicalIF":0.1,"publicationDate":"2019-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.19130/iifl.litmex.31.1.2020.1152","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41373267","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-02DOI: 10.19130/iifl.litmex.31.1.2020.1179
Diego Mejía Estévez
{"title":"Victoriano Salado Álvarez. Obras III. Episodios nacionales mexicanos, I. De Santa Anna a la Reforma, 1. Coordinación, estudio preliminar y advertencia editorial de Alejandro Sacbé Shuttera. México: Universidad Nacional Autónoma de México / Instituto de Investigaciones Filológicas, 2018.","authors":"Diego Mejía Estévez","doi":"10.19130/iifl.litmex.31.1.2020.1179","DOIUrl":"https://doi.org/10.19130/iifl.litmex.31.1.2020.1179","url":null,"abstract":"","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"31 1","pages":"239-242"},"PeriodicalIF":0.1,"publicationDate":"2019-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.19130/iifl.litmex.31.1.2020.1179","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45863096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-02DOI: 10.19130/iifl.litmex.31.1.2020.1143
P. Alday
Current narrative chronicles have some particularities that make their study interesting, and also force us, as scholars, to rethink our analytical strategies and tools. On this hypothesis, in this text we study a series of contemporary Mexican chronicles, which thematize the different edges of violence and evil, to propose an interdisciplinary critical reading, which is what we believe this type of texts requires. Having as a comparative axis the classic horror stories, we will focus here on two of the most striking aspects of these chronicles: at the thematic level, the re-elaboration of the motive of the “bad place”; and at the level of the structure, the value of silences and gaps, both narrative and referential.
{"title":"Crónica narrativa contemporánea: enfoques, deslindes y desafíos metodológicos","authors":"P. Alday","doi":"10.19130/iifl.litmex.31.1.2020.1143","DOIUrl":"https://doi.org/10.19130/iifl.litmex.31.1.2020.1143","url":null,"abstract":"Current narrative chronicles have some particularities that make their study interesting, and also force us, as scholars, to rethink our analytical strategies and tools. On this hypothesis, in this text we study a series of contemporary Mexican chronicles, which thematize the different edges of violence and evil, to propose an interdisciplinary critical reading, which is what we believe this type of texts requires. Having as a comparative axis the classic horror stories, we will focus here on two of the most striking aspects of these chronicles: at the thematic level, the re-elaboration of the motive of the “bad place”; and at the level of the structure, the value of silences and gaps, both narrative and referential.","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"31 1","pages":"133-153"},"PeriodicalIF":0.1,"publicationDate":"2019-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.19130/iifl.litmex.31.1.2020.1143","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45791302","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-02DOI: 10.19130/iifl.litmex.31.1.2020.1198
Isaac Magaña Gcanton
{"title":"Francisco Ramírez Santacruz. Sor Juana Inés de la Cruz. La resistencia del deseo. Madrid: Cátedra, 2019.","authors":"Isaac Magaña Gcanton","doi":"10.19130/iifl.litmex.31.1.2020.1198","DOIUrl":"https://doi.org/10.19130/iifl.litmex.31.1.2020.1198","url":null,"abstract":"","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"31 1","pages":"243-248"},"PeriodicalIF":0.1,"publicationDate":"2019-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.19130/iifl.litmex.31.1.2020.1198","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45939061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-02DOI: 10.19130/iifl.litmex.31.1.2020.1196
Felipe Reyes Palacios
{"title":"Isabel Sáinz Barián. Poder, fasto y teatro: la Comedia de san Francisco de Borja (1640), de Matías de Bocanegra, en su contexto festivo. Miguel Zugasti (pról.). Alicante: Universidad de Alicante, 2017 (Cuadernos de América sin Nombre, 40)","authors":"Felipe Reyes Palacios","doi":"10.19130/iifl.litmex.31.1.2020.1196","DOIUrl":"https://doi.org/10.19130/iifl.litmex.31.1.2020.1196","url":null,"abstract":"","PeriodicalId":41450,"journal":{"name":"Literatura Mexicana","volume":"31 1","pages":"227-232"},"PeriodicalIF":0.1,"publicationDate":"2019-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.19130/iifl.litmex.31.1.2020.1196","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44585068","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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