Pub Date : 2022-05-01DOI: 10.1215/15982661-9767222
Abstract:Zhang Shi 張栻 (1133–80), a Confucian scholar of the Southern Song dynasty, has been considered as yielding to Zhu Xi's 朱熹 (1130–1200) ideas in most cases, his own thought exhibiting no specific features. This essay is an attempt to examine the differences between Zhu Xi's and Zhang Shi's supreme pivot (taiji 太極) and nature (xing 性) theories. The features of Zhang Shi's thought and his influence on the neo-Confucianism of the Southern Song dynasty should be reexamined. Some contemporary scholars, including Zhang Shi, have been ignored to a certain degree since Zhu Xi was praised as the representative scholar of neo-Confucianism. This study shows the diversity of neo-Confucianism in the Southern Song dynasty.
{"title":"The Diversity of Confucianism in the Southern Song Dynasty: A Comparative Study of Zhu Xi's and Zhang Shi's Views on Taiji and Human Nature","authors":"","doi":"10.1215/15982661-9767222","DOIUrl":"https://doi.org/10.1215/15982661-9767222","url":null,"abstract":"Abstract:Zhang Shi 張栻 (1133–80), a Confucian scholar of the Southern Song dynasty, has been considered as yielding to Zhu Xi's 朱熹 (1130–1200) ideas in most cases, his own thought exhibiting no specific features. This essay is an attempt to examine the differences between Zhu Xi's and Zhang Shi's supreme pivot (taiji 太極) and nature (xing 性) theories. The features of Zhang Shi's thought and his influence on the neo-Confucianism of the Southern Song dynasty should be reexamined. Some contemporary scholars, including Zhang Shi, have been ignored to a certain degree since Zhu Xi was praised as the representative scholar of neo-Confucianism. This study shows the diversity of neo-Confucianism in the Southern Song dynasty.","PeriodicalId":41529,"journal":{"name":"Sungkyun Journal of East Asian Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45917162","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-01DOI: 10.1215/15982661-9326239
Loretta E. Kim
{"title":"The Diary of 1636: The Second Manchu Invasion of Korea by Na Man’gap (review)","authors":"Loretta E. Kim","doi":"10.1215/15982661-9326239","DOIUrl":"https://doi.org/10.1215/15982661-9326239","url":null,"abstract":"","PeriodicalId":41529,"journal":{"name":"Sungkyun Journal of East Asian Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44323192","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-01DOI: 10.1215/15982661-9326189
Hyun Joo Lee
Abstract:The Water-Moon form of Avalokiteśvara arose in China during the process of nativization of Buddhism in Tang China. Extant images of Water-Moon Avalokiteśvara tend to have been painted in either China or Korea, but there is an odd dislocation in the changes of style, with the colorful Koryŏ dynasty images paralleling not contemporary Song trends but rather those from hundreds of years earlier. That this effect might simply be a delay caused by geographical distance seems unlikely given the active cultural exchange between the two realms. Dramatic changes occurred in the Tang-Song era, including the rise of plebeian culture and Zen Buddhism. This carried over to a more minimalist style of art in China. Meanwhile, in Koryŏ, Buddhism continued to receive royal sponsorship and remain influential. This article argues that the differences in images and techniques between Koryŏ and Song-Yuan paintings of Water-Moon Avalokiteśvara were caused by the time difference in the social transformations of China and Korea.
{"title":"Time Difference in the Social Transformation of China and Korea: A Case Study of Water-Moon Avalokiteśvara Paintings of the Song and Yuan Dynasties and the Koryŏ Dynasty","authors":"Hyun Joo Lee","doi":"10.1215/15982661-9326189","DOIUrl":"https://doi.org/10.1215/15982661-9326189","url":null,"abstract":"Abstract:The Water-Moon form of Avalokiteśvara arose in China during the process of nativization of Buddhism in Tang China. Extant images of Water-Moon Avalokiteśvara tend to have been painted in either China or Korea, but there is an odd dislocation in the changes of style, with the colorful Koryŏ dynasty images paralleling not contemporary Song trends but rather those from hundreds of years earlier. That this effect might simply be a delay caused by geographical distance seems unlikely given the active cultural exchange between the two realms. Dramatic changes occurred in the Tang-Song era, including the rise of plebeian culture and Zen Buddhism. This carried over to a more minimalist style of art in China. Meanwhile, in Koryŏ, Buddhism continued to receive royal sponsorship and remain influential. This article argues that the differences in images and techniques between Koryŏ and Song-Yuan paintings of Water-Moon Avalokiteśvara were caused by the time difference in the social transformations of China and Korea.","PeriodicalId":41529,"journal":{"name":"Sungkyun Journal of East Asian Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43879360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-01DOI: 10.1215/15982661-9326249
R. Mcbride
{"title":"Zhipan’s Account of the History of Buddhism in China: vol. 1, “Fozu tonghi,” juan 34–38: From the Times of the Buddha to the Nanbeichao Era by Thomas Jülch (review)","authors":"R. Mcbride","doi":"10.1215/15982661-9326249","DOIUrl":"https://doi.org/10.1215/15982661-9326249","url":null,"abstract":"","PeriodicalId":41529,"journal":{"name":"Sungkyun Journal of East Asian Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44391313","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-01DOI: 10.1215/15982661-9326259
R. Mcbride
{"title":"The “Zhenzheng lun” by Xuanyi: A Buddhist Apologetic Scripture of Tang China by Thomas Jülch (review)","authors":"R. Mcbride","doi":"10.1215/15982661-9326259","DOIUrl":"https://doi.org/10.1215/15982661-9326259","url":null,"abstract":"","PeriodicalId":41529,"journal":{"name":"Sungkyun Journal of East Asian Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46191582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-01DOI: 10.1215/15982661-9326229
Ye Xu
Abstract:The aim of this article is to discuss how the Chinese loanword fó (佛) was incorporated into pre-Old Korean (pre-OK), Old Korean (OK), and Western Old Japanese (WOJ) on the basis of textual research using various primary sources from China, Korea, and Japan. The author proposes that two routes exist to explain the borrowing of the Chinese word fó (佛) into pre-OK, OK, and WOJ: one route from the Six Dynasties to the Korean Three Kingdoms period to Japan’s pre-Nara period, and one from the Sui and Tang dynasties to the Unified Silla and Koryŏ periods.
{"title":"Fó (佛), Pwuche (仏体), and Hotoke (保止氣)","authors":"Ye Xu","doi":"10.1215/15982661-9326229","DOIUrl":"https://doi.org/10.1215/15982661-9326229","url":null,"abstract":"Abstract:The aim of this article is to discuss how the Chinese loanword fó (佛) was incorporated into pre-Old Korean (pre-OK), Old Korean (OK), and Western Old Japanese (WOJ) on the basis of textual research using various primary sources from China, Korea, and Japan. The author proposes that two routes exist to explain the borrowing of the Chinese word fó (佛) into pre-OK, OK, and WOJ: one route from the Six Dynasties to the Korean Three Kingdoms period to Japan’s pre-Nara period, and one from the Sui and Tang dynasties to the Unified Silla and Koryŏ periods.","PeriodicalId":41529,"journal":{"name":"Sungkyun Journal of East Asian Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46570210","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-01DOI: 10.1215/15982661-9326219
Christina Han
Abstract:This article investigates the dynamic intersections of Literary Sinitic and vernacular Korean and their impact on the innovations in poetry and song in fifteenth-through nineteenth-century Chosŏn Korea. More specifically, it traces the evolution of poetry or song discourse and explores the different strategies employed by Chosŏn poets and songwriters to render oral songs into text. It also investigates the differing views on the function of poetry and song, musical and textual preservation, and emotional and lyrical immediacy, which influenced the composition and translation of song-poems. The article probes the creative collaboration and competition between Literary Sinitic and vernacular Korean, and the fluid relations between translation and vernacularization. On the whole, it explores the ways in which the evolution of poetry-song discourse and the ensuing literary innovations contributed to Chosŏn’s complex linguistic ecology.
{"title":"Turning Songs into Poems and Poems into Songs: Intersections of Literary Sinitic and Vernacular Korean in Chosŏn Literature","authors":"Christina Han","doi":"10.1215/15982661-9326219","DOIUrl":"https://doi.org/10.1215/15982661-9326219","url":null,"abstract":"Abstract:This article investigates the dynamic intersections of Literary Sinitic and vernacular Korean and their impact on the innovations in poetry and song in fifteenth-through nineteenth-century Chosŏn Korea. More specifically, it traces the evolution of poetry or song discourse and explores the different strategies employed by Chosŏn poets and songwriters to render oral songs into text. It also investigates the differing views on the function of poetry and song, musical and textual preservation, and emotional and lyrical immediacy, which influenced the composition and translation of song-poems. The article probes the creative collaboration and competition between Literary Sinitic and vernacular Korean, and the fluid relations between translation and vernacularization. On the whole, it explores the ways in which the evolution of poetry-song discourse and the ensuing literary innovations contributed to Chosŏn’s complex linguistic ecology.","PeriodicalId":41529,"journal":{"name":"Sungkyun Journal of East Asian Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44216839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-01DOI: 10.1215/15982661-9326209
Jiao Kun
Abstract:As an influential scholar, the Ming 明 Neo-Confucian master Wang Yangming 王陽明(1472–1529) was also active in the political world. While showing philosophical ingenuity, Wang launched an ideological movement which reached beyond Neo-Confucian discourse and into the social and political spheres. By promoting his xinxue 心學 teachings, Wang aimed to change Ming political life through fostering a moral retrenchment among future officials. To achieve his goals, Wang Yangming implemented several strategies, such as turning to humble local literati for a following, teaching them as a sitting official, and supporting nonofficial academies with his political power. These strategies succeeded to some extent, in part because the Ming court had relaxed the ideological intolerance of the early Ming. The real-world background of Wang Yangming’s success can be further explored by comparing Wang with his two predecessors, Xue Xuan 薛瑄 (1389–1464) and Wu Yubi 吳與弼 (1391–1469).
{"title":"The Learning of the Mind as an Ideological Movement: Probing the Historical Origins of the School of Wang Yangming","authors":"Jiao Kun","doi":"10.1215/15982661-9326209","DOIUrl":"https://doi.org/10.1215/15982661-9326209","url":null,"abstract":"Abstract:As an influential scholar, the Ming 明 Neo-Confucian master Wang Yangming 王陽明(1472–1529) was also active in the political world. While showing philosophical ingenuity, Wang launched an ideological movement which reached beyond Neo-Confucian discourse and into the social and political spheres. By promoting his xinxue 心學 teachings, Wang aimed to change Ming political life through fostering a moral retrenchment among future officials. To achieve his goals, Wang Yangming implemented several strategies, such as turning to humble local literati for a following, teaching them as a sitting official, and supporting nonofficial academies with his political power. These strategies succeeded to some extent, in part because the Ming court had relaxed the ideological intolerance of the early Ming. The real-world background of Wang Yangming’s success can be further explored by comparing Wang with his two predecessors, Xue Xuan 薛瑄 (1389–1464) and Wu Yubi 吳與弼 (1391–1469).","PeriodicalId":41529,"journal":{"name":"Sungkyun Journal of East Asian Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41812828","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-11-01DOI: 10.1215/15982661-9326199
M. Riotto
Abstract:The issue of trickster in old Korean literature has yet to be discussed in a broadly comparative way in a scientific context. Using a structuralist approach, this article addresses the anthropological theme of the “divine trickster” in some stories from ancient Korea and the ancient West. In particular, by examining three famous episodes from Korean folklore alongside three cases from Western fantastic literature, this article investigates the strategies aimed at acquiring the feminine element as represented by high-ranking foreign women. Starting with the hunting mentality of prehistoric society, where man tries to prevail with intelligence over his prey, the article reviews literary episodes from different anthropological contexts (Indo-European societies, Semitic societies of the Near East, and ancient Korean society), underlining their similarities and differences, but always highlighting and emphasizing the presence of a divine trickster. Ultimately, together with the common denominator of the progressive masculinization of the various societies, we note a more passive role of women in the Korean stories, which appear to be of more recent codification than their Western counterparts, and therefore seem more inspired by cultural patterns of patriarchal orientation.
{"title":"Play a Trick and Get a Queen: “Divine Tricksters” in Ancient Korea (and Beyond)","authors":"M. Riotto","doi":"10.1215/15982661-9326199","DOIUrl":"https://doi.org/10.1215/15982661-9326199","url":null,"abstract":"Abstract:The issue of trickster in old Korean literature has yet to be discussed in a broadly comparative way in a scientific context. Using a structuralist approach, this article addresses the anthropological theme of the “divine trickster” in some stories from ancient Korea and the ancient West. In particular, by examining three famous episodes from Korean folklore alongside three cases from Western fantastic literature, this article investigates the strategies aimed at acquiring the feminine element as represented by high-ranking foreign women. Starting with the hunting mentality of prehistoric society, where man tries to prevail with intelligence over his prey, the article reviews literary episodes from different anthropological contexts (Indo-European societies, Semitic societies of the Near East, and ancient Korean society), underlining their similarities and differences, but always highlighting and emphasizing the presence of a divine trickster. Ultimately, together with the common denominator of the progressive masculinization of the various societies, we note a more passive role of women in the Korean stories, which appear to be of more recent codification than their Western counterparts, and therefore seem more inspired by cultural patterns of patriarchal orientation.","PeriodicalId":41529,"journal":{"name":"Sungkyun Journal of East Asian Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49063536","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-01DOI: 10.1215/15982661-8873892
Seunghye Lee
Abstract:The establishment of a museum in the precinct of Ch'anggyŏnggung Palace in 1909 marked an important moment in the historiography of Korean art. Although recent studies have examined the founding, organization, and financing of the first Korean museum, the formation of its Buddhist art collection and its historical implications remain unexamined. Given that not a single Buddhist temple was allowed to exist within the capital city, the entry of these objects into the palace demonstrates a radical paradigm shift in the royal court's relation to Buddhist icons. The museum's Buddhist art collection reveals what was available in the art market of the time and what was considered worthy of being collected in a royal museum. Through close examination of Korea's first museum and its collection, this study traces the recontextualization of religious icons into art objects and the historical implications behind the category of "Buddhist statues."
{"title":"Korea's First Museum and the Categorization of \"Buddhist Statues\"","authors":"Seunghye Lee","doi":"10.1215/15982661-8873892","DOIUrl":"https://doi.org/10.1215/15982661-8873892","url":null,"abstract":"Abstract:The establishment of a museum in the precinct of Ch'anggyŏnggung Palace in 1909 marked an important moment in the historiography of Korean art. Although recent studies have examined the founding, organization, and financing of the first Korean museum, the formation of its Buddhist art collection and its historical implications remain unexamined. Given that not a single Buddhist temple was allowed to exist within the capital city, the entry of these objects into the palace demonstrates a radical paradigm shift in the royal court's relation to Buddhist icons. The museum's Buddhist art collection reveals what was available in the art market of the time and what was considered worthy of being collected in a royal museum. Through close examination of Korea's first museum and its collection, this study traces the recontextualization of religious icons into art objects and the historical implications behind the category of \"Buddhist statues.\"","PeriodicalId":41529,"journal":{"name":"Sungkyun Journal of East Asian Studies","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43438374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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