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Yi Ok 李鈺 and His Iŏn 俚諺 (Folk Vernacular) 李玉和他的方言
IF 0.1 4区 社会学 Pub Date : 2023-11-01 DOI: 10.1215/15982661-10773098
Young Kyun Oh
Abstract:Yi Ok 李鈺 (1760–1815) was a prolific writer who lived in Hanyang (modern Seoul) during the late eighteenth and early nineteenth centuries. Among the massive pile of writings he left behind, his Iŏn 俚諺 (Folk Vernacular) best reveals his broad and multifaceted linguistic and literary knowledge, which in turn epitomizes the cultural complexity of late Chosŏn. In its three introductory treatises, as well as in the ensuing sixty-six pentasyllabic Sinitic quatrains written in female voices, Yi Ok illustrates why and how he writes poems about how “heaven and earth and the ten thousand things” (ch’ŏnji manmul 天地萬物) speak through him. This article combines a scholarly introduction to Yi Ok’s life and oeuvre with a philological translation of his Iŏn that unpacks the complexity of Yi Ok’s age to gain a fuller understanding of the last stage of Literary Sinitic (hanmun) literature in traditional Korea.
摘要:李玉(1760-1815 年)是一位多产作家,十八世纪末十九世纪初生活在汉阳(今首尔)。在他留下的大量著作中,他的《民间白话》(Iŏn 俚諺)最能体现他广博和多方面的语言和文学知识,而这也是朝鲜晚期文化复杂性的缩影。在三篇引言和随后的六十六首用女声写成的五音节汉文四言诗中,李玉说明了他为什么以及如何写出 "天地万物 "如何通过他说话的诗。本文通过对李玉生平和作品的学术性介绍,结合对其作品《易经》的语言学翻译,揭示了李玉所处时代的复杂性,从而更全面地了解韩国传统汉文文学的最后阶段。
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引用次数: 0
Translating Baihua Grammatical Elements in a Fifteenth-Century Korean Buddhist Text: Linguistic and Cultural Notes on the Mongsan hwasang pŏbŏ yangnok ŏnhae 翻译十五世纪韩国佛教典籍中的白话语法要素:蒙山华藏经》的语言和文化注释
IF 0.1 4区 社会学 Pub Date : 2023-11-01 DOI: 10.1215/15982661-10773068
Itō Hideto
Abstract:This article examines the fifteenth-century Korean ŏnhae 諺解 exegesis of the Mongsan hwasang pŏbŏ yangnok 蒙山和尙法語略錄 to determine the translation strategies used to render so-called baihua or vernacular Sinitic in vernacular Korean. In particular, the article aims first to clarify the linguistic features of the baihua materials from the late Southern Song period found in this text, and then to clarify the baihua comprehension and translation abilities of a fifteenth-century Buddhist intellectual who was not a trained specialist in spoken Chinese. It finds that, because Korean Buddhist temples were no longer bilingual Korean-Chinese spaces by early Chosŏn, and Korean Buddhist monks no longer had exposure to spoken Chinese, the Korean translator approached the baihua materials as if they were written in orthodox Literary Sinitic. As a result, he made a number of errors and mistranslations, especially when it came to translating vernacular Sinitic tense-aspect particles in vernacular Korean. The article concludes by briefly comparing and contrasting glossing strategies in Japan and Korea.
摘要:本文研究了十五世纪韩国ŏnhae諺解训诂蒙山和尙法略语录,以确定将所谓的白话或白话漢語翻译成白话韩国语时所使用的翻译策略。具体而言,文章首先旨在阐明该文本中发现的南宋末年白话材料的语言特点,然后阐明一位十五世纪佛教知识分子的白话理解和翻译能力,他并非受过训练的汉语口语专家。研究发现,由于朝鲜早期的韩国佛教寺庙已不再是韩汉双语空间,韩国佛教僧侣也不再有机会接触汉语口语,因此这位韩国译者在处理白话文材料时,就好像这些材料是用正统的文学汉文书写的一样。因此,他出现了许多错误和误译,尤其是在用韩语翻译白话汉文时态参量时。文章最后简要对比了日本和韩国的词汇策略。
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引用次数: 0
Vernacular Visions in North and South Korea: Interlingual Translations of Unyŏng chŏn (The Tale of Unyŏng) and Ideologies of National Literature 南北朝鲜的乡土愿景:云中物语》的跨语言翻译与民族文学意识形态
IF 0.1 4区 社会学 Pub Date : 2023-11-01 DOI: 10.1215/15982661-10773088
Daniel Pieper
Abstract:This article focuses on two translations of The Tale of Unyŏng (Unyŏng chŏn 雲英傳, early seventeenth century) into vernacular Korean in South Korea (1960) and North Korea (1966). Looking beyond the classical paradigm of interlingual and intralingual translation as “translation proper” and “rewording,” respectively, the article argues that translations of classical Korean fiction from Literary Sinitic into vernacular Korean represented a form of transitional intralingual translation as each nation navigated away from active membership in the Sinographic Cosmopolis and attempted to establish a new national literature and literary medium. Whereas the South Korean translation is tethered closely to the Literary Sinitic original in terms of lexicon, orthography, and representation of classical allusions and perpetuates three tiers of literacy, the North Korean translation hews much more closely to spoken vernacular and traditional kungmun manuscript versions of classical fiction and embodies the overriding North Korean policy of sinograph abolition and han’gŭl promotion.
摘要:本文主要讨论了《云英传》(Unyŏng chŏn 雲英传,十七世纪初)在南朝鲜(1960 年)和北朝鲜(1966 年)被翻译成白话朝鲜语的两个译本。文章超越了语际翻译和语内翻译分别作为 "翻译本体 "和 "改写 "的经典范式,认为韩国古典小说从文言汉译为白话韩文代表了一种过渡性的语内翻译形式,因为每个国家都在摆脱汉学大都会的积极成员身份,并试图建立新的民族文学和文学媒介。南朝鲜的译本在词汇、正字法和古典典故的表现方面都与文学漢語原著紧密相连,并延续了三层文化,而北朝鲜的译本则更加贴近白话口语和传统的古典小说宫门手抄本,体现了北朝鲜废除汉文、推广汉文的首要政策。
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引用次数: 0
Inscriptional Repertoires and the Problem of Intra- versus Interlingual Translation in Traditional Korea 传统韩国的铭文汇辑和语内与语际翻译问题
IF 0.1 4区 社会学 Pub Date : 2023-11-01 DOI: 10.1215/15982661-10773078
Ross King
Abstract:This article brings together a series of examples demonstrating the wide range of inscriptional practices in premodern Korea and the ways in which they force us to reconsider modern and Eurocentric notions of translation. The premodern inscriptional spectrum in Chosŏn Korea was not a simple binary of cosmopolitan orthodox Literary Sinitic versus vernacular Korean in the form of ŏnhae exegeses but was a range of inscriptional styles that included idu and kugyŏl. The ways in which texts were inscribed, reinscribed, and transliterated between these different inscriptional styles, as well as the ways in which Chosŏn literati themselves understood the notion of yŏk (譯, “translation”) challenge modern-day notions of translation, on the one hand, but also invite an understanding of them as rather more intralingual than interlingual. They also force us to ask whether LS was conceived as a “foreign” language for literate Koreans in Chosŏn. The premodern Korean cases forces us to add script and inscriptional repertoire (including notions of orthography, notational system, munch’e 文體, etc.) to the list of the main factors that influence intralingual translation.
摘要:这篇文章汇集了一系列实例,展示了朝鲜前现代广泛的题词实践,以及它们迫使我们重新考虑现代和欧洲中心主义翻译观念的方式。朝鲜前现代的碑刻范围并不是简单的世界主义正统文学新语与浙海训诂形式的白话朝鲜语的二元对立,而是包括伊都(idu)和库吉耶尔(kugyŏl)在内的一系列碑刻风格。文本在这些不同的刻本风格之间的刻写、重刻和音译方式,以及朝鲜文人自己对 "译"(yŏk,"翻译")概念的理解方式,一方面对现代的翻译概念提出了挑战,另一方面也促使我们将其理解为更多的内部语言而非语言间的翻译。它们还迫使我们追问,对于朝鲜的识字朝鲜人来说,通晓语言是否是一种 "外来 "语言。前现代朝鲜文的案例迫使我们在影响内部翻译的主要因素清单中增加文字和碑文(包括正字法、符号系统、蒙文体等概念)。
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引用次数: 0
A Reinterpretation of Chosŏn-Qing Foreign Relations through an Analysis of Chosŏn and Later Jin Bilateral Relations 从Chosŏn及后晋双边关系的分析看Chosŏn-Qing对外关系的再解读
IF 0.1 4区 社会学 Pub Date : 2023-05-01 DOI: 10.1215/15982661-10336292
L. Yuh, Jung-hoon Jang
Abstract:Existing research tends to treat the transition from Chosŏn-Ming relations to Chosŏn-Qing relations as an uninterrupted process and the two relations as equivalent to each other. This article will show, from Chosŏn's perspective, how relations between Chosŏn and Later Jin evolved between 1605 and 1636 and later influenced Chosŏn-Qing relations. While Chosŏn initially treated Later Jin as barbarians and not as an official state, after the establishment of Later Jin, equal interstate relations were established through the exchange of royal letters (kuksŏ 國書) and envoys (sinsa 信使) during the years 1627–29. Negotiations continued until the Second Manchu Invasion in 1636, during which time interactions with the Ming continued as usual but discussions with Later Jin through royal letters established bilateral relations. After 1636 and the establishment of the Qing dynasty, diplomatic documents followed the same format as Chosŏn-Ming relations, but Chosŏn still considered the Qing as barbarians and continued to express their loyalty to the Ming through covert actions affirming the Ming as the Heavenly Dynasty. Thus, Chosŏn-Ming relations and Chosŏn-Qing relations were qualitatively different and cannot be considered the same.
摘要:现有研究倾向于将Chosŏn-Ming关系向Chosŏn-Qing关系的过渡视为一个不间断的过程,将两者等同起来。本文将从Chosŏn的角度展示Chosŏn与后金的关系在1605年至1636年间的演变,以及后来对Chosŏn-Qing关系的影响。虽然Chosŏn最初将后金视为野蛮人而不是官方国家,但在后金建立后,通过1627年至1629年间的皇家信函和使臣的交换,建立了平等的州际关系。谈判一直持续到1636年第二次满清入侵,在此期间,与明朝的互动一如既往,但通过皇家信函与后金的讨论建立了双边关系。1636年清王朝建立后,外交文件沿用了Chosŏn-Ming关系的格式,但Chosŏn仍视清为蛮族,继续通过暗地行动承认明朝为天朝,表达对明朝的忠诚。因此,Chosŏn-Ming关系和Chosŏn-Qing关系在性质上是不同的,不能认为是相同的。
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引用次数: 0
Iberian Sources on the Imjin War: The Relação do fim e remate que teve a guerra da Corea (1599) 伊美尔人关于伊姆金战争的消息来源:朝鲜战争的结局和枪决的回归(1599)
IF 0.1 4区 社会学 Pub Date : 2023-05-01 DOI: 10.1215/15982661-10336282
Giuseppe Marino, Rebekah Clements
Abstract:Combining Iberian and East Asian primary source documents can provide a fresh perspective on sixteenth-century East Asian history. This is particularly true of the Imjin War (1592–98), the largest war in the world during the sixteenth century. Involving China, Korea, and Japan, it attracted close observation from Jesuit missionaries, who wrote a number of as yet largely unstudied accounts of the conflict and its implications for the Jesuit mission. We analyze one such manuscript, which is particularly detailed and unique in its scope: the Relação do fim e remate que teve a guerra da Corea, crossreferenced with Chinese, Japanese, and Korean accounts.
摘要:将伊比利亚和东亚原始文献相结合,可以为16世纪东亚历史提供一个新的视角。伊姆金战争(1592-98)尤其如此,这是16世纪世界上最大的战争。它涉及中国、韩国和日本,吸引了耶稣会传教士的密切观察,他们写了许多关于这场冲突及其对耶稣会使命的影响的报道,这些报道大多尚未经过研究。我们分析了一份这样的手稿,它的范围特别详细和独特:Relação do fim e remate que teve a guerra da Corea,与中国、日本和韩国的账目交叉引用。
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引用次数: 0
Doctrine beyond Borders: The Sinographic Cosmopolis and Religious Classics in Vietnam from the Tenth to the Fourteenth Centuries 超越国界的教义:十至十四世纪越南的汉学宇宙与宗教经典
IF 0.1 4区 社会学 Pub Date : 2023-05-01 DOI: 10.1215/15982661-10336272
Trọng-Dương Trần
Abstract:This article studies the transmission of the Three Teachings 三教 (Buddhism, Confucianism, and Taoism) from China to Vietnam in the tenth to fourteenth centuries. Using the primary sources written in Sinitic, I argue that Vietnam in the pre-national period was a type of multireligious political community, in which sinographs, Literary Sinitic, and the classics of the Three Teachings created a threefold structure in the political culture of Vietnam. Visits to the Chinese imperial court by delegations from the Great Việt were conceived as pilgrimages to the center of civilization and the origin of different schools of thought. The canonical texts brought back to the country were considered to be an endorsement of Vietnam as a "Domain of Manifest Civility" (文獻之邦), a symbol of recognized political power, and a tool to expand education and spread ruling power.
摘要:本文研究了十世纪至十四世纪中国“三教”(佛教、儒教和道教)在越南的传播。我利用中文的原始资料,认为建国前的越南是一种多宗教的政治共同体,其中汉书、中文文学和三教经典在越南的政治文化中创造了三重结构。大Việt的代表团访问中国朝廷被认为是对文明中心和不同思想流派起源的朝圣。被带回越南的经典文本被认为是对越南作为“文明国度”的认可,这是公认的政治权力的象征,也是扩大教育和传播统治权力的工具。
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引用次数: 0
Scripting a Multicultural Future: The Chinese and Korean Songs of the Northeast Anti-Japanese United Army 书写多元文化的未来:东北抗日联军的汉朝歌曲
IF 0.1 4区 社会学 Pub Date : 2023-05-01 DOI: 10.1215/15982661-10336302
Lehyla G. Heward
Abstract:Hundreds of military songs are credited to the Northeast Anti-Japanese United Army (NAUA). The NAUA was a coalition of Chinese and Korean guerrilla armies that operated in Northeast China during the Manchukuo period (1932–45). The NAUA used songs to teach and inculcate new behaviors in line with socialist and communist ideologies. Most importantly, the songs worked on an emotional level, meaning that they conveyed collective sentiments while also directing their appropriate expression in order to foster camaraderie and boost morale. Drawing from concepts formulated by historians of emotions, I argue that the NAUA became what Barbara Rosenwein terms an "emotional community." As such, the NAUA defied strict nationalist sentiments primarily due to the discursive power and easy dissemination of the military songs. The Chinese and Korean songs, along with their aesthetic features, have not been studied comprehensively. As literary products of a tumultuous era, the NAUA songs deliver historical evidence of the transnational and transcultural ideologies present in resistance groups across the Japanese empire.
摘要:东北抗日联军创作了数百首军歌。NAUA是满洲国时期(1932–45)在中国东北地区活动的中国和朝鲜游击队联盟。NAUA用歌曲来教授和灌输符合社会主义和共产主义意识形态的新行为。最重要的是,这些歌曲在情感层面上发挥了作用,这意味着它们传达了集体情感,同时也引导了适当的表达,以培养友谊和鼓舞士气。根据情感历史学家提出的概念,我认为NAUA成为了Barbara Rosenwein所说的“情感社区”。因此,NAUA反抗严格的民族主义情绪,主要是因为军歌的话语权和易于传播。中韩歌曲及其美学特征尚未得到全面的研究。作为动荡时代的文学产物,NAUA歌曲提供了日本帝国抵抗团体中存在的跨国和跨文化意识形态的历史证据。
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引用次数: 0
"I Am a Wanderer": Paek Sinae (1908–1939) and Writing Travel “我是一个流浪者”:白思奈(1908–1939)与旅行写作
IF 0.1 4区 社会学 Pub Date : 2023-05-01 DOI: 10.1215/15982661-10336312
Ji-Eun Lee
Abstract:Paek Sinae (1908–39) was a modern woman writer whose career was cut short by an early death. She lived in the era of New Women, but unlike most of her peer woman writers, Paek had little formal education or connections to the literary establishment (mundan). This background, combined with her modest output of fictional works, resulted in Paek Sinae being seen by critics during her lifetime and scholars long after her death as a provincial writer, thus affording her only limited recognition. This article challenges such dismissals and seeks an approach that would allow a more comprehensive appreciation of Paek Sinae and woman writers more broadly. First, the article looks closely at Paek's life based in her hometown away from the social center of Kyŏngsŏng (present-day Seoul) and considers how geographical and linguistic aspects of Paek's locale were misunderstood by critics. Next, with a focus on Paek's travels and her travelogues, cosmofeminism and global-local connections are examined as a key to understanding the complexities of being a modern woman writer in Paek's day. At the same time, by putting a spotlight on the "lesser" literary genre of the travelogue, this article also gestures toward a more inclusive approach to research on woman writers whose aesthetic or literary qualities were often judged only by their works of fiction (sosŏl) or poetry, while other important works like autobiographical or sociopolitical essays tended to be overlooked. Paek Sinae's life and work add breadth to the already complex definition of New Women and early feminism, and through her example, this article urges a more comprehensive consideration of works by Korean women writers in the early twentieth century.
摘要:白思内(1908–39)是一位因早逝而中断其创作生涯的现代女作家。她生活在新女性时代,但与大多数同行的女作家不同,佩克几乎没有受过正规教育,也没有与文学界(mundan)建立联系。这种背景,再加上她少量的虚构作品,导致佩克·思内在她作为一名省级作家去世后很长一段时间内被评论家和学者所关注,从而使她获得了有限的认可。这篇文章对这种否定提出了质疑,并寻求一种方法,使人们能够更全面地欣赏佩克·西内和更广泛的女性作家。首先,这篇文章仔细观察了白在远离社会中心的家乡(今首尔)的生活,并考虑了白所在地的地理和语言方面是如何被批评者误解的。接下来,通过关注派克的旅行和她的游记,宇宙女权主义和全球与地方的联系被视为理解派克时代现代女作家复杂性的关键。与此同时,通过将焦点放在游记中“次要”的文学类型上,这篇文章也表明了对女性作家的研究采取一种更具包容性的方法,这些女性作家的审美或文学品质往往只通过小说或诗歌来评判,而其他重要作品,如自传体或社会政治散文,往往被忽视。白思奈的生活和工作为本已复杂的新女性和早期女权主义的定义增添了广度,本文通过她的例子,敦促对20世纪初韩国女性作家的作品进行更全面的思考。
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引用次数: 0
Sinicizing European Languages: Lexicographical and Literary Practices of Pidgin English in Nineteenth-Century China 欧洲语言汉化:19世纪中国洋泾浜英语的词典编纂和文学实践
IF 0.1 4区 社会学 Pub Date : 2022-11-01 DOI: 10.1215/15982661-10040867
Yuqing Liu
Abstract:This article reconsiders the social, economic, and literary significance of Chinese Pidgin English (CPE) in Chinese society by exploring lexicographical and literary practices of pidgin in nineteenth-century China. Resituating the history of CPE in Chinese language history, this article problematizes the concept of pidgin and pursues three arguments. First, the author maintains that CPE arose from the marginalized status of the Euro-American traders who were restricted from learning the Chinese language in Canton. Second, by exploring foreign-language glossaries, this article foregrounds the key role of sinographs and Chinese topolects in mediating and remolding foreign languages. Last, by examining the appropriation of foreign sounds in Cantonese folk songs and Pan Youdu's poetry, this article demonstrates the complex flow of these sounds among different languages and the power of pidgin in transgressing linguistic boundaries.
摘要:本文通过考察19世纪中国洋泾浜英语的词典编纂和文学实践,重新审视洋泾浜英语在中国社会的社会、经济和文学意义。本文从汉语历史的角度,对洋泾浜的概念进行了质疑,并提出了三个论点。首先,作者认为CPE产生于欧美商人在广州被限制学习汉语的边缘化地位。其次,本文通过对外语词汇的探索,展望了汉书和汉语词汇在中介和重塑外语中的关键作用。最后,本文通过考察粤语民歌和潘有度诗歌中外来音的挪用,展示了这些外来音在不同语言之间的复杂流动,以及洋泾浜语在跨越语言界限方面的力量。
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引用次数: 1
期刊
Sungkyun Journal of East Asian Studies
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