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Formation of the Modern Detective Novel and the Imagination of Crime Narratives in Korea and China in the Early 20th Century 现代侦探小说的形成与20世纪初中韩两国犯罪叙事的想象
IF 0.1 Pub Date : 2022-12-01 DOI: 10.1353/seo.2022.0012
Jinyoung Park
Abstract:The first modern detective novels created in Korea and China were Haejo Yi's Twin Jade Flutes and Simian Lü's Chinese Female Detectives, respectively. Both introduce female detectives and present new narratives distinct from pre-existing family narratives or patriarchal ideology. These texts were followed by Lengfo Wang's Chuna shi, a novelization of an unsolved murder case in China that reflected a new vision and attitude toward dealing with female crimes in the modern transitional period. Its Korean translation, Geonsik Yang's Suspicious Scandal, is a pioneering case of quick translation of a Chinese popular novel. However, because the detective's narrative was abridged in the translation in colonial Korea, the criticism of patriarchy and political aspirations in the original work could not but be eliminated. Through these novels, historical elements and changes in imagination can be reevaluated from a new perspective, thereby gaining insight into the popularization of modern detective novels in East Asia in the early twentieth century.
摘要:韩、中两国最早的现代侦探小说分别是易的《双玉笛》和吕思勉的《中国女侦探》。两者都引入了女侦探,并呈现了不同于先前存在的家庭叙事或父权意识形态的新叙事。这些文本之后是冷佛王的《春花诗》,这是一部关于中国悬案的小说,反映了现代转型时期处理女性犯罪的新视野和新态度。它的韩文译本,杨的《可疑丑闻》,是中国通俗小说快速翻译的一个开创性案例。然而,由于这位侦探的叙述在殖民地朝鲜的翻译中被删节,原著中对父权制和政治抱负的批评不得不被消除。通过这些小说,可以从一个新的角度重新评估历史元素和想象力的变化,从而深入了解20世纪初东亚现代侦探小说的普及情况。
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引用次数: 0
Carving Status at Kŭmgangsan: Elite Graffiti in Premodern Korea by Maya K. H. Stiller (review) 雕塑现状Kŭmgangsan:玛雅·k·h·斯蒂勒(Maya K. H. Stiller)的前现代韩国精英涂鸦(回顾)
IF 0.1 Pub Date : 2022-12-01 DOI: 10.1353/seo.2022.0015
Yoonjung Seo
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引用次数: 1
Attribution of Sijo Song Authorship to Historical Figures: Sijo of Late Goryeo and Early Joseon 《四条歌》作者与历史人物的关系——高丽晚期和朝鲜早期的《四条》
IF 0.1 Pub Date : 2022-12-01 DOI: 10.1353/seo.2022.0013
Jaemin Park
Abstract:This study examines the authenticity of sijo songs attributed to the late Goryeo (918–1392) and early Joseon (1392–1897) periods. These sijo songs primarily adhere to themes of loyalty to the ruined Goryeo dynasty, or to the tragic execution of King Danjong (r. 1452–1455) in the early Joseon period. The former is typically represented by Jeong Mongju 鄭夢周 and Gil Jae 吉再, and the latter by Wang Bangyeon 王邦衍 and Seong Sammun 成三問. The background stories and attributed authorship of sijo songs are not always aligned with historical facts and often contradict official records. The background stories first emerged in unofficial history books in the seventeenth century, though the original sijo texts predate these narratives. At the time, the sarim 士林 (Neo-Confucian literati without political power) class played a pivotal role in developing these background stories. They yearned to restore the loyalists' honor and consolidate their ideological and political power; thus, they disseminated sijo songs associated with stories of loyalty through unofficial historical texts. Later, the compilers of public songbooks affirmed the sijo–author relationship in songbooks that proliferated in the eighteenth and nineteenth centuries. Consequently, the myths of early sijo and loyalty were formed and solidified.
摘要:本研究考察了高丽晚期(918-1392)和朝鲜早期(1392-1897)时期的四弦歌的真实性。这些sijo歌曲的主题主要是对灭亡的高丽王朝的忠诚,或者是朝鲜早期丹宗(1452-1455)被处决的悲剧。前者的典型代表是郑梦珠和吉在,后者则是王邦延和成三门。sijo歌曲的背景故事和归属作者并不总是与历史事实一致,经常与官方记录相矛盾。背景故事最早出现在17世纪的非官方历史书中,尽管原始的sijo文本早于这些叙述。当时,士大夫阶层(没有政治权力的新儒家文人)在这些背景故事的发展中发挥了关键作用。他们渴望恢复保皇派的荣誉,巩固他们的思想和政治权力;因此,他们通过非正式的历史文献传播了与忠诚故事有关的sijo歌曲。后来,公共歌曲集的编纂者肯定了歌曲集中sijo-author的关系,这种关系在18世纪和19世纪激增。因此,早期sijo和忠诚的神话形成并固化。
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引用次数: 0
Guest Editors' Introduction 客座编辑介绍
IF 0.1 Pub Date : 2022-07-14 DOI: 10.1353/seo.2022.0000
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引用次数: 0
Note from the Editor 编辑器的注释
IF 0.1 Pub Date : 2022-07-14 DOI: 10.1353/seo.2022.0001
S. Vermeersch
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引用次数: 0
Soju: A Global History by Hyunhee Park (review) 《烧酒的世界历史》,朴贤熙著(书评)
IF 0.1 Pub Date : 2022-06-01 DOI: 10.1353/seo.2022.0010
J. Frankl
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引用次数: 1
A Hypothesis on the Hen-Dragon (Gyeryong) of Silla 新罗鸡龙假说
IF 0.1 Pub Date : 2022-06-01 DOI: 10.1353/seo.2022.0006
M. Riotto
Abstract:In a field such as Korean Studies, where Gyeongju is considered by many the eastern arrival point of the various "Silk Roads" (both land and maritime), and a "multicultural" approach to the various topics is strongly encouraged (although still extremely rare are the scholars able to follow this encouragement), this article is an invitation to consider the possibility, hitherto never explored, that elements of European/Mediterranean derivation may have influenced Korean mythology. In particular, the author examines the myth of the birth of Aryeong, the female progenitor of Silla, and, above all, the figure of the hen-dragon (gyeryong), whose existence in Korea seems absolutely episodic and limited to the cultural context of Silla only. Taking the cue from the fact that the hendragon is instead very well known in the West, where indeed it has a long history, both on a literary and an artistic level, the author therefore hypothesizes, on the basis of the concordance of various elements, that the basilisk of the Western tradition may have influenced the Korean myth of the hen-dragon, ending up creating a new version to be added to the indigenous ones.
摘要:在韩国研究这样的领域,许多人认为庆州是各种“丝绸之路”(包括陆地和海洋)的东部到达点,并强烈鼓励对各种主题采取“多元文化”的方法(尽管能够遵循这种鼓励的学者仍然极为罕见),迄今为止从未探索过欧洲/地中海起源的元素可能影响了韩国神话。特别是,作者考察了新罗的女祖先雅利安的出生神话,最重要的是,母鸡龙(gyeryong)的形象,它在韩国的存在似乎完全是偶然的,仅限于新罗的文化背景。因此,作者在各种元素的一致性基础上假设,西方传统的蛇怪可能影响了韩国的母鸡龙神话,最终创建了一个新版本以添加到土著版本中。
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引用次数: 0
The Fault in Our Stars? Korea's Strategy for Survival and Germany's Rise, 1876–1910 我们的星星有错吗?韩国的生存战略与德国的崛起(1876-1910
IF 0.1 Pub Date : 2022-06-01 DOI: 10.1353/seo.2022.0007
D. Motin
Abstract:Observers often attribute the disappearance of Korea in 1910 to the failure of Korean elites to modernize the country. Yet, this explanation overlooks both Korea's foreign policy and the international power shift ongoing during the early twentieth century. Accordingly, this study uses international relations theory to shed new light on the Japanese annexation of Korea. First, it shows that the international strategy of Joseon and the Korean Empire corresponds to buck-passing, a cost-effective strategy for weak states. Second, it argues that the rise of German power during the 1900s forced the great powers to focus their attention on Europe. In doing so, they left Korea with no one to catch its buck and vulnerable to a Japanese takeover. Therefore, this article enriches both Korean historiography and the understanding of the strategies of small states.
摘要:观察家们经常将1910年朝鲜的消失归因于朝鲜精英未能实现国家现代化。然而,这种解释忽略了韩国的外交政策以及20世纪初正在进行的国际权力转移。因此,本研究运用国际关系理论对日本吞并朝鲜半岛问题进行了新的阐释。首先,这表明朝鲜和大韩帝国的国际战略与“推卸责任”相对应,这是一种对弱国来说具有成本效益的战略。其次,该书认为,20世纪初德国实力的崛起迫使列强将注意力集中在欧洲。在这样做的过程中,他们让韩国没有人来承担责任,容易受到日本收购的影响。因此,本文既丰富了朝鲜史学,又丰富了对小国战略的认识。
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引用次数: 0
Transnational Proximity and Universality in Korean Culture: Analysis of Squid Game and BTS 韩国文化中的跨国邻近性与普遍性——《鱿鱼游戏》与BTS分析
IF 0.1 Pub Date : 2022-06-01 DOI: 10.1353/seo.2022.0002
D. Jin
Abstract:By utilizing transnational proximity as a primary theoretical framework, I analyze the reasons why global audiences beyond Asia prefer contemporary Korean popular culture to other cultural products. I investigate several distinctive cultural programs and Korean screen spheres—BTS and Squid Game (2021) in particular—as well as fan communities. I mainly discuss whether "transnational proximity" based on similar socio-cultural experiences, including social inequality and social injustice, which are rampant in late capitalist society, works as a new theoretical frame in comprehending the global success of Hallyu. Finally, I discuss whether transnational proximity plays a pivotal role in determining the growth of local popular culture in the global cultural sphere.
摘要:本文以跨国接近为主要理论框架,分析了亚洲以外的全球受众偏好当代韩国流行文化而非其他文化产品的原因。我研究了几个独特的文化节目和韩国屏幕领域——尤其是防弹少年团和鱿鱼游戏(2021)——以及粉丝社区。我主要讨论基于相似的社会文化经验的“跨国接近”,包括资本主义社会晚期猖獗的社会不平等和社会不公正,是否可以作为理解韩流全球成功的新理论框架。最后,我讨论了跨国接近是否在决定当地流行文化在全球文化领域的发展中起着关键作用。
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引用次数: 1
Tradition as Strategy: An Analytic Narrative of Hahoe Village's Transition to Modernity 传统为策略:哈荷村向现代性过渡的分析叙事
IF 0.1 Pub Date : 2022-06-01 DOI: 10.1353/seo.2022.0008
C. Kim, T. Park, J. Yim
Abstract:In this study, we examine how tradition and sustainability were preserved in Hahoe Village over the course of modernization, using the analytic narrative method. Combining historical and ethnographic narratives with game theoretic analysis, we try to understand the distinctive character of Hahoe Village, resulting from systems of norms, beliefs, and checks and balances between traditional, semi-traditional, and modern institutions for managing its tangible and intangible cultural and natural resources. In the game theory analysis, we assume that Hahoe Village's current condition resulted from repeated interactions between two groups of individuals: tradition-oriented agents and market-oriented agents. We formulate the payoff structure underlying responses to the social dilemma of managing Hahoe Village's common resources based on the affordability hypothesis and shared mental model hypothesis. We find that the preservation of Hahoe Village's traditions was closely connected to the successful institutionalization of tradition and sustainability through what can be termed the "tradition game." We specify the characteristics of Hahoe Village's sustainable institutions and argue that their sustainability gradually shifted from embedded sustainability to institutional sustainability.
摘要:在本研究中,我们采用分析叙事的方法,考察了哈霍村在现代化过程中如何保持传统和可持续性。将历史和民族志叙事与博弈论分析相结合,我们试图理解哈霍村的独特特征,这是由传统、半传统和现代制度之间的规范、信仰和制衡体系所产生的,这些制度用于管理其有形和无形的文化和自然资源。在博弈论分析中,我们假设Hahoe村的现状是两组个体之间反复互动的结果:传统导向的代理人和市场导向的代理人。基于可负担性假设和共享心理模型假设,我们制定了应对Hahoe村公共资源管理社会困境的报酬结构。我们发现,通过所谓的“传统游戏”,哈霍村传统的保护与传统和可持续性的成功制度化密切相关。
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Seoul Journal of Korean Studies
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