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KronoScope-Journal for the Study of Time最新文献

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Time Series and Non-reductive Physicalism 时间序列与非还原物理主义
IF 0.7 Pub Date : 2019-04-10 DOI: 10.1163/15685241-12341428
Matias Slavov
McTaggart famously introduced the A- and B-series as rival metaphysical accounts of time. This paper shall reorient the debate over the original distinction. Instead of treating the series as competing theories about the nature of time, it will be argued that they are different viewpoints on a world that is fundamentally physical. To that end, non-reductive physicalism is proposed to reconcile the series.
麦克塔格特推出了著名的A系列和b系列,作为对立的形而上学的时间描述。本文将重新定位关于原始区分的争论。我们不会把这一系列理论看作是关于时间本质的相互竞争的理论,而是认为它们是对一个本质上是物理的世界的不同观点。为此,提出了非还原物理主义来调和这一系列。
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引用次数: 1
David Mitchell’s Post-Secular World: Buddhism, Belief, and the Urgency of Compassion, written by Rose Harris-Birtill 大卫·米切尔的《后世俗世界:佛教、信仰和同情心的紧迫性》,作者:罗斯·哈里斯-比尔蒂尔
IF 0.7 Pub Date : 2019-04-10 DOI: 10.1163/15685241-12341431
J. Parker
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引用次数: 0
A Temporary Future: The Fiction of David Mitchell, written by Patrick O’Donnell 《暂时的未来:大卫·米切尔的小说》,帕特里克·奥唐纳著
IF 0.7 Pub Date : 2019-04-10 DOI: 10.1163/15685241-12341433
Carol A. Fischer
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引用次数: 0
The Quantum Labyrinth, written by Paul Halpern (2017) 《量子迷宫》,作者:保罗·哈尔彭(2017)
IF 0.7 Pub Date : 2018-09-18 DOI: 10.1163/15685241-12341418
F. Weinert
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引用次数: 0
Contributors 贡献者
IF 0.7 Pub Date : 2018-09-18 DOI: 10.1163/15685241-12341410
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引用次数: 0
Dall’Oggi al Domani. 24 Ore nell’Arte Contemporanea (Overnight. From Today To Tomorrow. “24 Hours Contemporary Art”), edited by Antonella Sbrilli, (2016) 达尔·奥吉尔·多马尼,24岁,当代艺术(通宵)。从今天到明天。《24小时当代艺术》,安东内拉·斯布里利编辑,(2016)
IF 0.7 Pub Date : 2018-09-18 DOI: 10.1163/15685241-12341421
J. Stark
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引用次数: 0
Music in Time: Phenomenology, Perception, Performance: Essays in Honor of Christopher F. Hasty, edited by Suzannah Clark and Alexander Rehding, (2016) 《时代的音乐:现象学、感知、表演:纪念克里斯托弗·f·海斯蒂的随笔》,苏珊娜·克拉克和亚历山大·雷丁编辑,(2016)
IF 0.7 Pub Date : 2018-09-18 DOI: 10.1163/15685241-12341417
Helen Sills
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引用次数: 2
Chronographical Analysis: an Essay in Methodology 时间顺序分析:方法论随笔
IF 0.7 Pub Date : 2018-09-18 DOI: 10.1163/15685241-12341415
R. Steineck
In this essay I discuss the various ways time can be inscribed in texts below the level of explicit propositions about time. I argue that a full chronographical analysis needs to account for the dimensions of the theoretical, the practical, and the aesthetic. Taking Kant’s table of categories as a guide to the fundamental functions of chronographic determination, I propose a methodology of analysis that goes beyond the aspect of quantitative measurement, and includes typological, thetic and modal information about time. Numerous examples from various textual domains such as poetry, historiography, science and law illustrate the wide applicability of the proposed analytical categories. The full matrix of dimensions and determinative functions can be used to describe the chronographic signature of a text, which depends as much on its communicative purpose as on the technologies of calculating and describing time available to its authors.
在这篇文章中,我讨论了在关于时间的明确命题的层次之下,时间可以被刻在文本中的各种方式。我认为,一个完整的时间顺序分析需要考虑到理论、实践和美学的维度。我以康德的范畴表为指导,阐述了时间测定的基本功能,提出了一种超越定量测量的分析方法,包括关于时间的类型、审美和模态信息。来自诗歌、史学、科学和法律等不同文本领域的众多例子说明了所提出的分析类别的广泛适用性。维度和决定函数的完整矩阵可以用来描述文本的时间特征,这既取决于其交流目的,也取决于其作者可用的计算和描述时间的技术。
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引用次数: 2
Daoist Conference 2019: Watch the TIME 2019道教大会:看时间
IF 0.7 Pub Date : 2018-09-18 DOI: 10.1163/15685241-12341423
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引用次数: 0
The Global Transformation of Time, 1870-1950, written by Vanessa Ogle (2015) 《时间的全球转变,1870-1950》,作者:凡妮莎·奥格尔(2015)
IF 0.7 Pub Date : 2018-09-18 DOI: 10.1163/15685241-12341420
Heike Polster
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引用次数: 0
期刊
KronoScope-Journal for the Study of Time
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