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Bildspuren – Sprachspuren. Postkarten als Quellen zur Mehrsprachigkeit in der späten Habsburger Monarchie 说点什么卡片是在哈布斯堡王朝末期的多语现象的传承手段
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2021-11-01 DOI: 10.1515/slaw-2021-0035
Emmerich Kelih
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引用次数: 1
Der Religionsdisput in Feofan Prokopovyčs Vladimir 在十字架Prokopovy Religionsdisputčs Vladimir
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2021-11-01 DOI: 10.1515/slaw-2021-0031
Norbert P. Franz
Summary Usually Feofan Prokopovyč’s tragedokomedija Vladimir is considered an early example of the author’s ecclesiastical reform concerns, which he realized in the Russian Empire from 1716 onwards. However, a detailed analysis of the religious dispute, which is at the center of the play, and its literary sources gives rise to a more biographical reading, according to which the young author recommended himself to the Kyiv-Mohyla Academy for his work as a professor in rhetoric. He, the former supporter of the Union, emphasizes the Greek roots of Eastern Christianity and presents himself as a loyal representative of Moscow-orientated Orthodoxy. There is no evidence that he disagreed with Hetman Mazepa on the political position of Ukraine at the time.
通常,Feofan prokopovyje的悲剧《Vladimir》被认为是作者关注教会改革的早期例子,他从1716年起在俄罗斯帝国实现了改革。然而,对戏剧中心的宗教争端及其文学来源进行详细分析后,更倾向于传记式的阅读,这位年轻的作者向基辅莫希拉学院推荐了他作为修辞学教授的工作。他曾是欧盟的支持者,他强调东方基督教的希腊根源,并把自己描绘成以莫斯科为导向的东正教的忠实代表。没有证据表明他不同意Hetman Mazepa当时对乌克兰政治立场的看法。
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引用次数: 0
Frontmatter Frontmatter
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2021-11-01 DOI: 10.1515/slaw-2021-frontmatter4
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引用次数: 0
Georgien zwischen Eigenstaatlichkeit und russischer Okkupation. Die Wurzeln des Konflikts vom 18. Jh. bis 1924 格鲁吉亚处于国家地位和俄罗斯占领之间。18年冲突的根源。c至1924年
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2021-11-01 DOI: 10.1515/slaw-2021-0034
Martin-Paul Buchholz
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引用次数: 0
The status of the oblique possessor in BE-possessives: Evidence from Russian and Hungarian 斜位所有格在be -所有格中的地位:来自俄语和匈牙利语的证据
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2021-11-01 DOI: 10.1515/slaw-2021-0029
G. Dalmi
Summary This comparative syntactic study claims that the possessor of Russian and Hungarian BE-possessives neither originates nor lands in [Spec,VoiceP], the designated structural position of external arguments since Kratzer (1996). Possessive sentences universally describe a state with two eventuality participants, the possessor and the possessee (Stassen 2009). BE-possessives are built on dyadic-unaccusative existential BE. Neither of its two eventuality participants passes the agent/cause tests provided by Alexiadou, Anagnostopoulou & Schäfer (2015). It is claimed here that possessive BE-sentences in Russian and Hungarian pattern with the piacere-subclass of psych-predicates, inasmuch as the possessor bears the oblique case and the theme appears in the nominative in them. In the cartographic model, the oblique experiencer of the piacere-type of psych-predicates targets a position higher than canonical, agent/cause subjects do (see Cardinaletti 1997, 2004; Rizzi 1997, 2004 for Italian). This paves the way for oblique possessors and non-canonical subjects to appear in positions left-adjacent to the designated position for canonical, nominative subjects (see Cardinaletti 1997, 2004 for Italian; Benedicto 1995; Livitz 2006, 2012 for Russian; Dalmi 2000, 2005 for Hungarian). Possessive BE-predicates in Russian and Hungarian share a number of syntactic and semantic properties with existential BE (see Partee & Borschev 2008 for Russian and Szabolcsi 1992, 1994 for Hungarian). Nonetheless, BE-possessives and BE-existentials differ in the two languages in their clausal architecture, due to the fact that EPP is fulfilled in different ways in them.
摘要这项比较句法研究声称,俄语和匈牙利语BE所有格的拥有者既不起源也不存在于[Spec,VoiceP],这是自Kratzer(1996)以来外部论点的指定结构位置。占有句普遍描述了一种状态,有两个可能的参与者,占有者和占有者(Stassen,2009)。BE所有格是建立在二元非使用性存在BE之上的。其两个可能性参与者都没有通过Alexiadou、Anagnostopoulou和Schäfer(2015)提供的动因/原因测试。这里声称,俄语和匈牙利语模式中的所有格BE句子带有心理谓词的piacere子类,因为所有格带有斜格,主题出现在其中的主格中。在地图模型中,piacere类型心理谓词的倾斜体验者的目标位置高于规范的主体/原因主体(见Cardinaletti 19972004;Rizzi 19972004,意大利语)。这为倾斜拥有者和非规范主体出现在规范主格主体指定位置附近的位置铺平了道路(意大利语见Cardinaletti 19972004;Benedicto 1995;俄语见Livitz 20062012;匈牙利语见Dalmi 20002005)。俄语和匈牙利语中的所有物BE谓词与存在BE具有许多句法和语义特性(俄语见Partee&Borschev 2008,匈牙利语见Szabolcsi 19921994)。尽管如此,由于EPP在两种语言中以不同的方式实现,BE所有格和BE存在主义在其从句结构上有所不同。
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引用次数: 0
Varianz im Russischen 俄罗斯的多样性
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2021-11-01 DOI: 10.1515/slaw-2021-0033
Anna-Maria Sonnemann
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引用次数: 0
In memoriam Gerhard Giesemann (14.7.1937–21.4.2021) 纪念Gerhard Giesemann(1937年7月14日至2021年2月21日)
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2021-11-01 DOI: 10.1515/slaw-2021-0032
Ulrike Jekutsch, Ulrich Steltner
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引用次数: 0
What Russian University Stands for: Analyzing Socially Embedded Vision and Values 俄罗斯大学的立场:分析社会嵌入的愿景和价值观
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2021-08-01 DOI: 10.1515/slaw-2021-0020
V. Chernyavskaya, O. Kamshilova
Summary The present investigation is a response to the discourse analytical methodology expanded by corpus linguistic techniques. Within a discursive approach the university’s identity is seen as existing in and being constructed through discourse. The research interest is in how ideology and the obligation models set by the state construct the university’s self-image and university-based research as its core mission. The study is generally consistent with current trends in social constructivism where identity is considered as the process of identity construction rather than a rigid category. It is presumed that key factors are developed within a definite socio-cultural practice, which then shape the concept of collective identity. Detecting and analyzing such factors on the basis of Russian realities and modern Russian university is becoming a new research objective. The focus of the given article is on how certain values can be foregrounded in texts representing university strategies to the public. The research employs corpus linguistic methods in discourse analysis. The organization of the paper is as follows. First, it outlines the socio-political context in which the transformation of academic values and organizational principles of Russian national universities are embedded. Second, it discusses corpus findings obtained from an original research corpus which includes mission statements posted on the websites of Russian national research and federal universities. Conclusions concerning the university mission statements reflect ongoing transformations of the universities’ role in the society. The rhetoric of the statements is declarative and foregrounding new values. The linguistic data analysis shows their socially constructive nature as they build a framework for currently relevant uniformed ideas and concepts.
本研究是对语料库语言学技术扩展的语篇分析方法的回应。在话语方法中,大学的身份被视为存在于话语中,并通过话语构建。研究兴趣在于国家设定的意识形态和义务模式如何构建大学的自我形象,并将基于大学的研究作为其核心使命。这项研究总体上符合当前社会建构主义的趋势,即身份被视为身份建构的过程,而不是一个僵化的范畴。据推测,关键因素是在特定的社会文化实践中发展起来的,从而形成了集体身份的概念。在俄罗斯现实和现代俄罗斯大学的基础上检测和分析这些因素正成为一个新的研究目标。这篇文章的重点是如何在向公众展示大学战略的文本中预见某些价值观。本研究采用语料库语言学方法进行语篇分析。论文的组织结构如下。首先,它概述了俄罗斯国立大学学术价值观和组织原则转变的社会政治背景。其次,它讨论了从原始研究语料库中获得的语料库发现,其中包括俄罗斯国家研究和联邦大学网站上发布的任务声明。关于大学使命宣言的结论反映了大学在社会中角色的不断转变。这些声明的修辞是宣言性的,预示着新的价值观。语言数据分析显示了它们的社会建设性,因为它们为当前相关的统一思想和概念构建了一个框架。
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引用次数: 1
Autopsie einer Graphic Novel: Dostoevskijs Prestuplenie i nakazanie (1866) in der Adaption von Alain Korkos und David Zane Mairowitz (2008) 平面小说的尸检:阿兰·科尔科斯和大卫·赞恩·迈罗维茨(2008)改编的陀思妥耶夫斯基的《前任》(1866)
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2021-08-01 DOI: 10.1515/slaw-2021-0018
B. Schultze, Beata Weinhagen
Summary This study offers a comprehensive comparative analysis between F. M. Dostoevskij’s classic Prestuplenie i nakazanie (PSS 6, 1973) and the black-and-white adaptation Crime and Punishment created by Alain Korkos and David Zane Mairowitz (2008). According to author and artist, the adaptation is meant for recipients acquainted with the novel and first readers of the graphic novel alike. With 417 pages of close-printed canonic text turned into a picture-dominated graphic novel of 118 pages, the adaptation – paying attention to the sequence of crucial fictional scenes – follows the storyline from the beginning of the canonic text to the Epilogue. About 95 % of the precisely and densely formulated verbal material contained in captions can easily be traced back to Dostoevskij’s classic. In this respect, the adaptation is „true to the source material“ (Kick 2012). However, as large portions of text concerning Sonja or Sonja and Raskol’nikov are – discernibly purposefully – eliminated, the adaptation turns out to be a revised version of the canonic novel. E.g., Sonja neither reads the Lazarus-chapter to Raskol’nikov nor follows him to Siberia. In contrast to Sonja, Raskol’nikov – with his emotional-mental instability, rebellion against the state of the world, self-authorization to commit crimes – is represented in accordance with the source text. The hermeneutic gain caused through verbal-pictorial reproduction of the classic text – i. e. through meaningful handling of panels and graphic design within the panels – is significantly enlarged through verbal-pictorial material not inspired by the classic text, e. g. a poster showing Edvard Munch’s graphics The Cry. In view of the 21st century’s preference for visual and multimedial presentation, the study encourages the coexistence and ‚co-reception‘ of the literary classic and the graphic novel as well as further forms of cultural processing.
本研究对陀思妥耶夫斯基的经典小说《Prestuplenie i nakazanie》(PSS 6, 1973)与阿兰·科尔科斯和大卫·赞恩·迈罗维茨创作的黑白改编小说《罪与罚》(2008)进行了全面的比较分析。根据作者和艺术家的说法,改编的目的是为熟悉小说的读者和漫画小说的第一次读者。417页的密密麻麻的经典文本变成了118页的以图片为主的漫画小说,改编——注意到关键的虚构场景的顺序——从经典文本的开始到尾声都遵循着故事情节。在标题中包含的精确而密集的语言材料中,大约95%可以很容易地追溯到陀思妥耶夫斯基的经典。在这方面,改编是“忠于原著”(Kick 2012)。然而,由于关于索尼娅或索尼娅和拉斯科尔尼科夫的大部分文本被有意地删去了,改编结果是经典小说的修订版。例如,索尼娅既没有给拉斯科尔尼科夫读《拉撒路》一章,也没有跟着他去西伯利亚。与索尼娅相反,拉斯科尔尼科夫的情绪和精神不稳定,对世界状态的反叛,对犯罪的自我授权,都是按照原文来表现的。通过对经典文本的文字图像复制(即通过有意义地处理面板和面板内的平面设计)所获得的解释学收益,通过不受经典文本启发的文字图像材料显着扩大,例如展示爱德华·蒙克图形的海报呐喊。鉴于21世纪对视觉和多媒体呈现的偏好,本研究鼓励文学经典和图形小说以及其他文化处理形式的共存和共同接受。
{"title":"Autopsie einer Graphic Novel: Dostoevskijs Prestuplenie i nakazanie (1866) in der Adaption von Alain Korkos und David Zane Mairowitz (2008)","authors":"B. Schultze, Beata Weinhagen","doi":"10.1515/slaw-2021-0018","DOIUrl":"https://doi.org/10.1515/slaw-2021-0018","url":null,"abstract":"Summary This study offers a comprehensive comparative analysis between F. M. Dostoevskij’s classic Prestuplenie i nakazanie (PSS 6, 1973) and the black-and-white adaptation Crime and Punishment created by Alain Korkos and David Zane Mairowitz (2008). According to author and artist, the adaptation is meant for recipients acquainted with the novel and first readers of the graphic novel alike. With 417 pages of close-printed canonic text turned into a picture-dominated graphic novel of 118 pages, the adaptation – paying attention to the sequence of crucial fictional scenes – follows the storyline from the beginning of the canonic text to the Epilogue. About 95 % of the precisely and densely formulated verbal material contained in captions can easily be traced back to Dostoevskij’s classic. In this respect, the adaptation is „true to the source material“ (Kick 2012). However, as large portions of text concerning Sonja or Sonja and Raskol’nikov are – discernibly purposefully – eliminated, the adaptation turns out to be a revised version of the canonic novel. E.g., Sonja neither reads the Lazarus-chapter to Raskol’nikov nor follows him to Siberia. In contrast to Sonja, Raskol’nikov – with his emotional-mental instability, rebellion against the state of the world, self-authorization to commit crimes – is represented in accordance with the source text. The hermeneutic gain caused through verbal-pictorial reproduction of the classic text – i. e. through meaningful handling of panels and graphic design within the panels – is significantly enlarged through verbal-pictorial material not inspired by the classic text, e. g. a poster showing Edvard Munch’s graphics The Cry. In view of the 21st century’s preference for visual and multimedial presentation, the study encourages the coexistence and ‚co-reception‘ of the literary classic and the graphic novel as well as further forms of cultural processing.","PeriodicalId":41834,"journal":{"name":"ZEITSCHRIFT FUR SLAWISTIK","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45222308","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nachruf auf Professor Dr. Hans Rothe (5. Mai 1928–31. März 2021) 《罗马书》(英语)5月1928-31 .2021年3月)
IF 0.2 4区 文学 Q2 Arts and Humanities Pub Date : 2021-08-01 DOI: 10.1515/slaw-2021-0022
L. Udolph
{"title":"Nachruf auf Professor Dr. Hans Rothe (5. Mai 1928–31. März 2021)","authors":"L. Udolph","doi":"10.1515/slaw-2021-0022","DOIUrl":"https://doi.org/10.1515/slaw-2021-0022","url":null,"abstract":"","PeriodicalId":41834,"journal":{"name":"ZEITSCHRIFT FUR SLAWISTIK","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45446980","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
期刊
ZEITSCHRIFT FUR SLAWISTIK
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