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Echoes of Latin comedy in More’s Epigrams 莫尔墓志铭中的拉丁喜剧回响
IF 0.2 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2022-12-01 DOI: 10.3366/more.2022.0125
C. Cabrillana
This paper aims at an accurate and detailed analysis of some of the main echoes of the Latin comedy of Plautus and Terence in Morean epigrams. The fundamental Greek background from which More’s epigrams spring is somehow enriched by the Latin contributions by virtue, among other factors, of the cultural legacy of the language in which the humanist chose to write them. A contextualized analysis of the clearest echoes found allows distributing them in a general way in two global types: (1) those of a more formal nature (morphological, lexical-semantic, syntactic) and (2) those that convey a debt of content, concept, or topic; it is shown that both types can occasionally be interrelated in a particular and original way.
本文旨在准确而详细地分析莫伦警句中普拉图斯和特伦斯的拉丁喜剧的一些主要回声。莫尔警句产生的基本希腊背景在某种程度上丰富了拉丁语的贡献,这得益于人文主义者选择用语言书写警句的文化遗产等因素。对发现的最清晰的回声进行上下文分析,可以将它们以两种全局类型的一般方式分布:(1)更正式的回声(形态、词汇语义、句法)和(2)传达内容、概念或主题的回声;研究表明,这两种类型偶尔会以一种特殊而原始的方式相互关联。
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引用次数: 1
The charmed circle: identity in Utopia, unethical practices, and Augustine’s two cities 迷人的圈子:乌托邦中的身份、不道德的行为和奥古斯丁的两座城市
IF 0.2 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2022-12-01 DOI: 10.3366/more.2022.0126
T. Decook
This article considers Utopia’s unethical practices alongside The City of God’s understanding of the earthly polity’s relationship to eschatology. In Augustine’s view, within the earthly city every person could potentially become a friend of the heavenly city in time, and the existing political situation must always be rendered partial and incomplete against the telos of eternity. These convictions stand in conspicuous contrast with Utopia. The Utopian system is in important ways founded on institutionalized practices which not only exclude non-Utopians (or ex-Utopians), but also habituate them to vice. Examining Utopia alongside The City of God illuminates how this ethical problem in Utopia is not just a matter of individual practices or institutions, but rather derives from a more fundamental metaphysical and theological outlook. Not only is Utopia invested in a Utopian/non-Utopian distinction; more significantly, this distinction has a tacit eschatological role, since Utopian thinking implies that degradation of one’s capacity for virtue decreases one’s potential to be saved.
本文将乌托邦的不道德行为与《上帝之城》对世俗政体与末世论关系的理解结合起来。在奥古斯丁看来,在世俗的城市中,每个人都有可能在时间上成为这座天堂城市的朋友,而现有的政治局势必须始终与永恒的telos对立起来。这些信念与乌托邦形成鲜明对比。乌托邦制度在很大程度上是建立在制度化实践之上的,这些实践不仅排斥非乌托邦主义者(或前乌托邦主义者),而且使他们习惯于罪恶。与《上帝之城》一起审视乌托邦,说明乌托邦中的这个伦理问题不仅仅是个人实践或制度的问题,而是源于更基本的形而上学和神学观。乌托邦不仅被投资于乌托邦/非乌托邦的区别;更重要的是,这种区别具有隐含的末世论作用,因为乌托邦思想意味着一个人美德能力的退化会降低一个人被拯救的潜力。
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引用次数: 0
Formation of judgment in Thomas More’s Letter 106 to Margaret 托马斯·莫尔致玛格丽特的第106封信中判断的形成
IF 0.2 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2022-12-01 DOI: 10.3366/more.2022.0128
J. Boyle
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引用次数: 0
Iterative amplificatio: a new way to read the “Lame Beggars Sequence” in More’s Epigrammata 迭代放大:莫尔《儿歌》中“跛脚乞丐序列”的一种新解读方法
IF 0.2 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2022-12-01 DOI: 10.3366/more.2022.0127
Erik Z. D. Ellis
Thomas More’s 281 epigrams form a diverse and seemingly haphazard collection of occasional and programmatic pieces written in a variety of meters on diverse topics. Since most of More’s papers disappeared in the years immediately following his death, it is difficult and perhaps impossible to reconstruct on the basis of external evidence the rationale behind the selection and distribution of his epigrams. Despite this challenge, internal evidence provides some clues. Nearly half of the epigrams are translations of Greek originals. Some of these Greek originals serve as the basis for sequences of epigrams, one of which is the “Lame Beggars Sequence.” Through a process of iterative amplificatio, More progressively cultivates eloquence as he extends the meaning of his original to encompass moral and political themes. In turn, he develops the theme into original compositions before producing a final translation that encompasses both the literal and moral senses of the original Greek.
托马斯·莫尔的281首警句组成了一个多样化的、看似随意的集合体,这些警句是用不同的韵律写的,涉及不同的主题。由于莫尔的大部分论文都在他死后的几年中消失了,因此很难,甚至不可能根据外部证据来重建他的警句选择和分发背后的理由。尽管面临这样的挑战,内部证据还是提供了一些线索。将近一半的警句是希腊原文的翻译。其中一些希腊原文作为警句序列的基础,其中之一是“跛脚乞丐序列”。通过一个反复放大的过程,他逐渐培养了口才,因为他扩展了他的原稿的意义,包括道德和政治主题。反过来,他把主题发展成原创作品,然后创作出最终的翻译,包括希腊原文的字面意义和道德意义。
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引用次数: 0
Thomas More on the “usefulness” of liberal education 托马斯·莫尔谈通识教育的“有用性”
IF 0.2 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2022-12-01 DOI: 10.3366/more.2022.0129
Gerard B. Wegemer
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引用次数: 0
Richard Rex, ed., Henry VIII and Martin Luther: The Second Controversy, 1525–1527 理查德·雷克斯主编,《亨利八世和马丁·路德:第二次争论,1525-1527》
IF 0.2 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2022-12-01 DOI: 10.3366/more.2022.0130
Seymour Baker House
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引用次数: 0
Tamquam alter Lucianus: the Lucianic legacy in Thomas More’s Utopia Tamquam alter Lucianus:托马斯·莫尔乌托邦中的Lucianic遗产
IF 0.2 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2022-12-01 DOI: 10.3366/more.2022.0124
Katharina-Maria Schön
In comparison with Lucian, hardly any other author has achieved a similar mastery of the paradox formula of σπουδογέλοιον, the combination of serious moral exhortation with entertainment and delight. These antithetic features made him an appealing point of reference for Renaissance humanists, who not only translated parts of his oeuvre from Greek to Latin, thus casting a particular light on this versatile author and molding his literary identity according to their own tastes, but also inhaled the Lucianic esprit to such an extent that it would frequently resurface in their own writings. This article focuses on Thomas More’s Latin translations of the Greek author and their multifaceted impact on his masterpiece Utopia, ranging from the shaping of the protagonist and the authorial persona to etymological puns, the stylistic devices of irony, parody, and paradox, as well as varying degrees of fictionality that are highly indebted to Lucian.
与卢西安相比,几乎没有其他作者对σπο ν δογ的悖论公式有如此的掌握,这是严肃的道德劝诫与娱乐和愉悦的结合。这些对立的特征使他成为文艺复兴人文主义者的一个有吸引力的参考点,他们不仅将他的部分作品从希腊语翻译成拉丁语,从而为这位多才多艺的作家提供了特别的亮点,并根据自己的口味塑造了他的文学身份,而且还吸收了卢契亚精神,以至于在他们自己的作品中经常出现这种精神。本文主要探讨托马斯·摩尔对这位希腊作家的拉丁文翻译,以及这些翻译对他的代表作《乌托邦》的多方面影响,从主人公和作者人格的塑造到词源双关语,反讽、戏仿和悖论的风格手段,以及不同程度的虚构,这些都很大程度上归功于卢西恩。
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引用次数: 0
Review essay: Drama, counsel, and command in early modern England 评论文章:近代早期英格兰的戏剧、法律与指挥
IF 0.2 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2022-06-01 DOI: 10.3366/more.2022.0120
L. Hebert
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引用次数: 0
The congregation and church of England? William Tyndale’s approach to lexical and ecclesiological reform between 1525 and 1535 英国的会众和教会?威廉·廷代尔1525-1535年间的词汇和教会改革方法
IF 0.2 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2022-06-01 DOI: 10.3366/more.2022.0116
J. Martin
As one of the earliest English religious reformers of the 1520s, William Tyndale sought to influence ecclesiological reform in England through a vernacular printing campaign. Beginning with an English translation of the New Testament, Tyndale extended European ecclesiological controversy into England by offering the English people a distinct and radical ecclesiology that was built upon “a congregation.” This study examines the body of Tyndale’s printed works to illuminate the variety of methodologies he developed and utilized to gain public consensus for his understanding of congregation and church in hopes that lexical reform in English would initiate ecclesiological reform in England. Over time, and perhaps because of Thomas More’s criticisms, Tyndale found that the best way to appeal to the public was by lexical flexibility. Contrary to his historiographical reputation, Tyndale embraced the public’s traditional fondness for church so that he did not have to sacrifice his theological preference for congregation.
作为15世纪20年代最早的英国宗教改革者之一,威廉·廷代尔试图通过白话印刷运动影响英国的教会改革。从《新约》的英译本开始,廷代尔向英国人民提供了一种建立在“会众”基础上的独特而激进的教会学,从而将欧洲教会学的争议扩展到了英国。“这项研究考察了廷代尔印刷作品的主体,以阐明他开发和使用的各种方法,以获得公众对他对会众和教会的理解的共识,希望英语词汇改革能启动英国的教会改革。随着时间的推移,也许是因为托马斯·莫尔的批评,廷代尔发现吸引公众的最佳方式是词汇的灵活性。与他的史学声誉相反,廷代尔接受了公众对教堂的传统喜爱,这样他就不必牺牲他对会众的神学偏好。
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引用次数: 0
More's Life of Pico: a Christian Epicureanism? 莫尔的皮科一生:基督教的伊壁鸠鲁主义?
IF 0.2 0 MEDIEVAL & RENAISSANCE STUDIES Pub Date : 2022-06-01 DOI: 10.3366/more.2022.0117
Veronica Brooks
This essay examines More's engagement with Epicurean philosophy in his Life of Pico. In the Life, More enters the humanist debate on the possibility of a synthesis between Christianity and Epicureanism using Pico as a model. More's method imitates the eudaimonism of his classical sources insofar as it employs human happiness as a standard for examining the best way of life. In his evaluations of Pico, More uses the concept of the summum bonum and a hierarchy of human goods in order to show that Epicureanism mistakes the nature of the greatest good: in positing that the best life entails withdrawal from political community and social duties in order to enjoy the pleasures of philosophy, Epicureanism undermines the equanimity that it aims to achieve. As an alternative, More upholds the life of piety and Christian service as the source of “solid” happiness.
本文考察了莫尔在《皮科的一生》中对伊壁鸠鲁哲学的介入。在《生命》中,莫尔以皮科为榜样,进入了关于基督教与伊壁鸠鲁主义融合可能性的人文主义辩论。莫尔的方法模仿了他经典来源的乐观主义,因为它将人类幸福作为考察最佳生活方式的标准。在对皮科的评价中,莫尔使用了最高利益的概念和人类商品的等级制度,以表明伊壁鸠鲁主义错误地理解了最大利益的本质:认为最好的生活需要退出政治社区和社会责任,才能享受哲学的乐趣,伊壁鸠鲁主义破坏了它旨在实现的平静。作为另一种选择,莫尔坚持将虔诚的生活和基督教服务作为“坚实”幸福的源泉。
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引用次数: 0
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