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Iterative amplificatio: a new way to read the “Lame Beggars Sequence” in More’s Epigrammata 迭代放大:莫尔《儿歌》中“跛脚乞丐序列”的一种新解读方法
IF 0.2 Q4 Arts and Humanities Pub Date : 2022-12-01 DOI: 10.3366/more.2022.0127
Erik Z. D. Ellis
Thomas More’s 281 epigrams form a diverse and seemingly haphazard collection of occasional and programmatic pieces written in a variety of meters on diverse topics. Since most of More’s papers disappeared in the years immediately following his death, it is difficult and perhaps impossible to reconstruct on the basis of external evidence the rationale behind the selection and distribution of his epigrams. Despite this challenge, internal evidence provides some clues. Nearly half of the epigrams are translations of Greek originals. Some of these Greek originals serve as the basis for sequences of epigrams, one of which is the “Lame Beggars Sequence.” Through a process of iterative amplificatio, More progressively cultivates eloquence as he extends the meaning of his original to encompass moral and political themes. In turn, he develops the theme into original compositions before producing a final translation that encompasses both the literal and moral senses of the original Greek.
托马斯·莫尔的281首警句组成了一个多样化的、看似随意的集合体,这些警句是用不同的韵律写的,涉及不同的主题。由于莫尔的大部分论文都在他死后的几年中消失了,因此很难,甚至不可能根据外部证据来重建他的警句选择和分发背后的理由。尽管面临这样的挑战,内部证据还是提供了一些线索。将近一半的警句是希腊原文的翻译。其中一些希腊原文作为警句序列的基础,其中之一是“跛脚乞丐序列”。通过一个反复放大的过程,他逐渐培养了口才,因为他扩展了他的原稿的意义,包括道德和政治主题。反过来,他把主题发展成原创作品,然后创作出最终的翻译,包括希腊原文的字面意义和道德意义。
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引用次数: 0
Thomas More on the “usefulness” of liberal education 托马斯·莫尔谈通识教育的“有用性”
IF 0.2 Q4 Arts and Humanities Pub Date : 2022-12-01 DOI: 10.3366/more.2022.0129
Gerard B. Wegemer
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引用次数: 0
Richard Rex, ed., Henry VIII and Martin Luther: The Second Controversy, 1525–1527 理查德·雷克斯主编,《亨利八世和马丁·路德:第二次争论,1525-1527》
IF 0.2 Q4 Arts and Humanities Pub Date : 2022-12-01 DOI: 10.3366/more.2022.0130
Seymour Baker House
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引用次数: 0
Tamquam alter Lucianus: the Lucianic legacy in Thomas More’s Utopia Tamquam alter Lucianus:托马斯·莫尔乌托邦中的Lucianic遗产
IF 0.2 Q4 Arts and Humanities Pub Date : 2022-12-01 DOI: 10.3366/more.2022.0124
Katharina-Maria Schön
In comparison with Lucian, hardly any other author has achieved a similar mastery of the paradox formula of σπουδογέλοιον, the combination of serious moral exhortation with entertainment and delight. These antithetic features made him an appealing point of reference for Renaissance humanists, who not only translated parts of his oeuvre from Greek to Latin, thus casting a particular light on this versatile author and molding his literary identity according to their own tastes, but also inhaled the Lucianic esprit to such an extent that it would frequently resurface in their own writings. This article focuses on Thomas More’s Latin translations of the Greek author and their multifaceted impact on his masterpiece Utopia, ranging from the shaping of the protagonist and the authorial persona to etymological puns, the stylistic devices of irony, parody, and paradox, as well as varying degrees of fictionality that are highly indebted to Lucian.
与卢西安相比,几乎没有其他作者对σπο ν δογ的悖论公式有如此的掌握,这是严肃的道德劝诫与娱乐和愉悦的结合。这些对立的特征使他成为文艺复兴人文主义者的一个有吸引力的参考点,他们不仅将他的部分作品从希腊语翻译成拉丁语,从而为这位多才多艺的作家提供了特别的亮点,并根据自己的口味塑造了他的文学身份,而且还吸收了卢契亚精神,以至于在他们自己的作品中经常出现这种精神。本文主要探讨托马斯·摩尔对这位希腊作家的拉丁文翻译,以及这些翻译对他的代表作《乌托邦》的多方面影响,从主人公和作者人格的塑造到词源双关语,反讽、戏仿和悖论的风格手段,以及不同程度的虚构,这些都很大程度上归功于卢西恩。
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引用次数: 0
Review essay: Drama, counsel, and command in early modern England 评论文章:近代早期英格兰的戏剧、法律与指挥
IF 0.2 Q4 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.3366/more.2022.0120
L. Hebert
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引用次数: 0
The congregation and church of England? William Tyndale’s approach to lexical and ecclesiological reform between 1525 and 1535 英国的会众和教会?威廉·廷代尔1525-1535年间的词汇和教会改革方法
IF 0.2 Q4 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.3366/more.2022.0116
J. Martin
As one of the earliest English religious reformers of the 1520s, William Tyndale sought to influence ecclesiological reform in England through a vernacular printing campaign. Beginning with an English translation of the New Testament, Tyndale extended European ecclesiological controversy into England by offering the English people a distinct and radical ecclesiology that was built upon “a congregation.” This study examines the body of Tyndale’s printed works to illuminate the variety of methodologies he developed and utilized to gain public consensus for his understanding of congregation and church in hopes that lexical reform in English would initiate ecclesiological reform in England. Over time, and perhaps because of Thomas More’s criticisms, Tyndale found that the best way to appeal to the public was by lexical flexibility. Contrary to his historiographical reputation, Tyndale embraced the public’s traditional fondness for church so that he did not have to sacrifice his theological preference for congregation.
作为15世纪20年代最早的英国宗教改革者之一,威廉·廷代尔试图通过白话印刷运动影响英国的教会改革。从《新约》的英译本开始,廷代尔向英国人民提供了一种建立在“会众”基础上的独特而激进的教会学,从而将欧洲教会学的争议扩展到了英国。“这项研究考察了廷代尔印刷作品的主体,以阐明他开发和使用的各种方法,以获得公众对他对会众和教会的理解的共识,希望英语词汇改革能启动英国的教会改革。随着时间的推移,也许是因为托马斯·莫尔的批评,廷代尔发现吸引公众的最佳方式是词汇的灵活性。与他的史学声誉相反,廷代尔接受了公众对教堂的传统喜爱,这样他就不必牺牲他对会众的神学偏好。
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引用次数: 0
More's Life of Pico: a Christian Epicureanism? 莫尔的皮科一生:基督教的伊壁鸠鲁主义?
IF 0.2 Q4 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.3366/more.2022.0117
Veronica Brooks
This essay examines More's engagement with Epicurean philosophy in his Life of Pico. In the Life, More enters the humanist debate on the possibility of a synthesis between Christianity and Epicureanism using Pico as a model. More's method imitates the eudaimonism of his classical sources insofar as it employs human happiness as a standard for examining the best way of life. In his evaluations of Pico, More uses the concept of the summum bonum and a hierarchy of human goods in order to show that Epicureanism mistakes the nature of the greatest good: in positing that the best life entails withdrawal from political community and social duties in order to enjoy the pleasures of philosophy, Epicureanism undermines the equanimity that it aims to achieve. As an alternative, More upholds the life of piety and Christian service as the source of “solid” happiness.
本文考察了莫尔在《皮科的一生》中对伊壁鸠鲁哲学的介入。在《生命》中,莫尔以皮科为榜样,进入了关于基督教与伊壁鸠鲁主义融合可能性的人文主义辩论。莫尔的方法模仿了他经典来源的乐观主义,因为它将人类幸福作为考察最佳生活方式的标准。在对皮科的评价中,莫尔使用了最高利益的概念和人类商品的等级制度,以表明伊壁鸠鲁主义错误地理解了最大利益的本质:认为最好的生活需要退出政治社区和社会责任,才能享受哲学的乐趣,伊壁鸠鲁主义破坏了它旨在实现的平静。作为另一种选择,莫尔坚持将虔诚的生活和基督教服务作为“坚实”幸福的源泉。
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引用次数: 0
Mark Vessey (ed.), Erasmus on Literature: His Ratio or ‘System’ of 1518/1519 Mark Vessey(编辑),《伊拉斯谟论文学:他1518/1519年的比例或“体系”》
IF 0.2 Q4 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.3366/more.2022.0119
T. Scheck
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引用次数: 0
Thomas More, the History of King Richard III, and Elizabeth Shore 托马斯·莫尔,国王理查三世和伊丽莎白·肖尔的历史
IF 0.2 Q4 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.3366/more.2022.0118
T. Thornton
The inclusion of Elizabeth Shore in Thomas More’s History of King Richard III offers important insights into the decisions made by More in shaping his text. This article explores the evidence available to More as he wrote, emphasizing the near-complete absence of Shore from earlier narratives. Shore’s activity in the 1470s and 1480s is examined, along with evidence for her survival and that of her husband, Thomas Lynom, into the 1510s when More was writing. Lynom’s connections are considered, providing an understanding of intersections of his activities with the environment in which More was shaping the History. As a central figure in the events of 1483 who survived into the 1520s, Shore was a prompt to the creation of More’s account—she was not simply a product of More’s literary and philosophical imagination, but part of his effort to respond to the immediate legacies of conflict in politics and society.
伊丽莎白·肖尔(Elizabeth Shore)被收录在托马斯·莫尔(Thomas More)的《理查三世国王的历史》(History of King Richard III)中,这为莫尔在塑造其文本时所做的决定提供了重要的见解。这篇文章探讨了莫尔所写的证据,强调肖尔几乎完全没有出现在早期的叙述中。肖在1470年代和1480年代的活动,以及她和她的丈夫托马斯·勒诺姆在1510年代莫尔写作时幸存下来的证据,都得到了检验。Lynom的关系被考虑在内,提供了对他的活动与More塑造历史的环境的交叉点的理解。作为1483年事件中幸存到1520年代的核心人物,肖尔是莫尔叙述的推动者——她不仅仅是莫尔文学和哲学想象力的产物,也是他应对政治和社会冲突直接遗产的努力的一部分。
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引用次数: 0
Sanctus martyr Thomas Morus: an unknown Neo-Latin More play from the College of Marchiennes 圣殉教者托马斯·摩鲁斯:马尔基翁内学院一部不知名的新拉丁戏剧
IF 0.2 Q4 Arts and Humanities Pub Date : 2022-06-01 DOI: 10.3366/more.2022.0115
Nicholas De Sutter
While the history of Thomas More as a character on stage is long and varied, the humanist made his most regular appearance in Latin school plays across Catholic Europe throughout the seventeenth and eighteenth centuries. Still, only a handful of these plays are known to have survived, all of which were performed on the Jesuit stage. This article sheds light on a newly discovered Neo-Latin More play, which, it argues, was staged at the Benedictine college of Marchiennes in the late-sixteenth or early-seventeenth century. After a brief contextualization and analysis of the manuscript and the tragedy enclosed, the article offers an edition of the Latin text and a study of its intertextual ties with the dramatic oeuvres of Desiderius Erasmus and George Buchanan.
虽然托马斯·莫尔作为一个舞台人物的历史是漫长而多变的,但这位人文主义者在整个17世纪和18世纪天主教欧洲的拉丁学校戏剧中最经常出现。然而,这些戏剧只有少数幸存下来,所有这些都是在耶稣会的舞台上演出的。这篇文章揭示了一个新发现的新拉丁戏剧,它认为,在16世纪末或17世纪初在马尔基翁内的本尼迪克特学院上演。在对手稿和所附的悲剧进行简要的语境化和分析之后,本文提供了拉丁文本的一个版本,并研究了它与伊拉兹谟和布坎南的戏剧作品的互文关系。
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引用次数: 0
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