Koca Sinan Pasha Mosque is one of the oldest classical mosques built in Kosova during the reign of the Ottoman Empire (1389-1912). The mosque bore the name of its donor and was completed in 1594/95. It is located in a small town in the southern part of the country, in Kaçanik. Regarding its compositional scheme, the monument belongs to the examples of Ottoman-style mosques in the Balkans with local elements. Its compositional scheme comprises a prayer hall, portico, and a minaret. The paper focuses on a brief history of the Koca Sinan Pasha, the history of the mosque, architecture, pictorial and sculptural decorations, current condition, and the monument's surroundings. By doing so, the paper helps identify the challenges that the mosque faced during its existence, as well as changes in the structure of the building and its decorations that occurred with time. The study relies on the existing monument as the primary source of information. However, the documentation of the Institute for the Protection of Cultural Monuments of Kosova and the relevant literature that directly or indirectly deals with the issue in question has also been used. The study is accompanied by architectural visualization and photographs of the mosque's exterior and interior. The Paper aims to help study, promote and display the mosque's value to a wider audience
{"title":"Architectural Study of Koca Sinan Pasha Mosque at Kaçanik, Kosova","authors":"Orges Drançolli","doi":"10.18860/jia.v7i2.17609","DOIUrl":"https://doi.org/10.18860/jia.v7i2.17609","url":null,"abstract":"Koca Sinan Pasha Mosque is one of the oldest classical mosques built in Kosova during the reign of the Ottoman Empire (1389-1912). The mosque bore the name of its donor and was completed in 1594/95. It is located in a small town in the southern part of the country, in Kaçanik. Regarding its compositional scheme, the monument belongs to the examples of Ottoman-style mosques in the Balkans with local elements. Its compositional scheme comprises a prayer hall, portico, and a minaret. The paper focuses on a brief history of the Koca Sinan Pasha, the history of the mosque, architecture, pictorial and sculptural decorations, current condition, and the monument's surroundings. By doing so, the paper helps identify the challenges that the mosque faced during its existence, as well as changes in the structure of the building and its decorations that occurred with time. The study relies on the existing monument as the primary source of information. However, the documentation of the Institute for the Protection of Cultural Monuments of Kosova and the relevant literature that directly or indirectly deals with the issue in question has also been used. The study is accompanied by architectural visualization and photographs of the mosque's exterior and interior. The Paper aims to help study, promote and display the mosque's value to a wider audience","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86661071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
S. Dwidar, H. Sirror, Amani Derbali, D. Abdelgawad, A. Abdelsattar
The architecture of Masjids has spread in areas with harsh climates and natural conditions. In previous decades, the Masjid's design was a large flat area with an inner courtyard in the middle. This architectural design of the Masjid was appropriate to the nature of the hot climate. Recently, the design of Masjids became closed and flat areas that lack ventilation and good lighting. The research paper is based on an analytical descriptive study to determine the importance of internal courtyards in historical Masjids in Egypt and the elements that affect the significance of the courtyard in contemporary Masjids. The results show the importance of using the inner courtyard when designing a modern Masjid, which achieves many positive results, regarding the climatic and social aspects, by increasing the thermal and psychological comfort of the prayers.
{"title":"Importance of Internal Courtyards in Designing Historical and Contemporary Masjid","authors":"S. Dwidar, H. Sirror, Amani Derbali, D. Abdelgawad, A. Abdelsattar","doi":"10.18860/jia.v7i2.16065","DOIUrl":"https://doi.org/10.18860/jia.v7i2.16065","url":null,"abstract":"The architecture of Masjids has spread in areas with harsh climates and natural conditions. In previous decades, the Masjid's design was a large flat area with an inner courtyard in the middle. This architectural design of the Masjid was appropriate to the nature of the hot climate. Recently, the design of Masjids became closed and flat areas that lack ventilation and good lighting. The research paper is based on an analytical descriptive study to determine the importance of internal courtyards in historical Masjids in Egypt and the elements that affect the significance of the courtyard in contemporary Masjids. The results show the importance of using the inner courtyard when designing a modern Masjid, which achieves many positive results, regarding the climatic and social aspects, by increasing the thermal and psychological comfort of the prayers.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88682133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Great Mosque of Yogyakarta was built in 1773. This mosque has a traditional architectural style. This study investigates the relationship between the mosque's architectural form, the activities inside it, and its acoustic characteristics. It employed quantitative and qualitative methods, including sound pressure level (SPL) measurement, reverberation time, and architectural and activity observations. Acoustic measurements, architectural observations, and activities are conducted inside and outside the mosque from morning to night for one week. The research finding is a spatial continuity pattern identified as the gradation of SPL value. Consistent continuity of SPL values in accordance with the nature of activities hierarchy. The result of this study is to improve mosque noise control by arranging outdoor and indoor spaces in a sustainable manner.
{"title":"Sustainability Relationship Between Space Configuration, Activity Patterns, and Mosque Acoustics Quality","authors":"N. Syamsiyah, Atyanto Dharoko, S. Utami, A. Ayob","doi":"10.18860/jia.v7i2.15121","DOIUrl":"https://doi.org/10.18860/jia.v7i2.15121","url":null,"abstract":"The Great Mosque of Yogyakarta was built in 1773. This mosque has a traditional architectural style. This study investigates the relationship between the mosque's architectural form, the activities inside it, and its acoustic characteristics. It employed quantitative and qualitative methods, including sound pressure level (SPL) measurement, reverberation time, and architectural and activity observations. Acoustic measurements, architectural observations, and activities are conducted inside and outside the mosque from morning to night for one week. The research finding is a spatial continuity pattern identified as the gradation of SPL value. Consistent continuity of SPL values in accordance with the nature of activities hierarchy. The result of this study is to improve mosque noise control by arranging outdoor and indoor spaces in a sustainable manner.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73299389","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Intan Khasumarlina Mohd Khalid, N. Ismail, O. M. Tahir
The fast-changing growth of new developments in a Malay Royal Town to create new attractions with various forms of architectural expressions has given a direct impression on the street level, affecting the survival of the buildings along a heritage area. As a result, it will tarnish the original character of the place and disappear the image. A deficit of visual representation for injecting place attachment through the traditional plant motif symbolizes cultural value. This paper aims to identify the qualitative responses to the visual representation of plant motifs in enhancing the royal Town of Kuala Kangsar, conducted semi-structured interview participants based on purposive sampling, including professionals, policymakers, and skilled practitioners categories. The data was analyzed through qualitative coding using Atlas Ti 8.0. The significant findings reveal that the Kalumpang Flower motif, the Melur Flower Motif, and the Motif of Asam Batu leaf is the plant's motif element categorized under the royal image motif, which has a specific meaning related to the historical and cultural background. Most importantly, this finding contributes to assessing the details of the plants' motif representation to assist the city council in preserving the unique and valuable historical heritage of the place image of the Royal Town Kuala Kangsar, Perak.
马来皇家小镇的新发展迅速发展，创造了各种形式的建筑表现形式的新景点，在街道上给人留下了直接的印象，影响了遗产地区建筑的生存。因此，它会玷污地方的原有特征，使图像消失。通过传统的植物主题注入地方依恋的视觉表现的缺失象征着文化价值。本文旨在确定对植物图案视觉表现的定性反应，以增强吉隆坡康沙皇家城，进行了半结构化的访谈参与者，包括专业人士，政策制定者和熟练从业者类别。数据采用Atlas Ti 8.0进行定性编码分析。研究结果表明，Kalumpang Flower motif、Melur Flower motif和Asam Batu leaf motif是属于皇家意象motif的植物motif元素，具有与历史文化背景相关的特定意义。最重要的是，这一发现有助于评估植物主题代表的细节，以协助市议会保护霹雳州皇家城吉隆坡康萨的独特和宝贵的历史遗产。
{"title":"The Synergy of the Traditional Plant Motif and Its Cultural Values in Enhancing Place Identity of the Muslim Royal Town","authors":"Intan Khasumarlina Mohd Khalid, N. Ismail, O. M. Tahir","doi":"10.18860/jia.v7i2.14081","DOIUrl":"https://doi.org/10.18860/jia.v7i2.14081","url":null,"abstract":"The fast-changing growth of new developments in a Malay Royal Town to create new attractions with various forms of architectural expressions has given a direct impression on the street level, affecting the survival of the buildings along a heritage area. As a result, it will tarnish the original character of the place and disappear the image. A deficit of visual representation for injecting place attachment through the traditional plant motif symbolizes cultural value. This paper aims to identify the qualitative responses to the visual representation of plant motifs in enhancing the royal Town of Kuala Kangsar, conducted semi-structured interview participants based on purposive sampling, including professionals, policymakers, and skilled practitioners categories. The data was analyzed through qualitative coding using Atlas Ti 8.0. The significant findings reveal that the Kalumpang Flower motif, the Melur Flower Motif, and the Motif of Asam Batu leaf is the plant's motif element categorized under the royal image motif, which has a specific meaning related to the historical and cultural background. Most importantly, this finding contributes to assessing the details of the plants' motif representation to assist the city council in preserving the unique and valuable historical heritage of the place image of the Royal Town Kuala Kangsar, Perak.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74643050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Morocco is living in a sustainable transition that touches all the fields. The urban transition seems to take a quick turn, especially after 2014, with the establishment of various eco-cities research projects, eco-neighborhoods, and the construction of green cities such as Benguerir, Bouskoura, and Ze-nata. This paper describes some research into sustainability, the parameters behind green urbanism, and the transition effects. It also explains the Moroc-can urbanism transition witnessed after colonization and the sustainability introduction to the country. This research compares two green cities, Benguerir in the south and Zenata on the Atlantic coast. Both cities are constructed by publicly owned and funded companies, providing a common ground for comparison. This paper analyses sustainability parameters target-ed by the study cases.
{"title":"Moroccan New Green Cities, Towards a Green Urban Transition","authors":"Noussaiba Rharbi, M. Inceoğlu","doi":"10.18860/jia.v7i2.17222","DOIUrl":"https://doi.org/10.18860/jia.v7i2.17222","url":null,"abstract":"Morocco is living in a sustainable transition that touches all the fields. The urban transition seems to take a quick turn, especially after 2014, with the establishment of various eco-cities research projects, eco-neighborhoods, and the construction of green cities such as Benguerir, Bouskoura, and Ze-nata. This paper describes some research into sustainability, the parameters behind green urbanism, and the transition effects. It also explains the Moroc-can urbanism transition witnessed after colonization and the sustainability introduction to the country. This research compares two green cities, Benguerir in the south and Zenata on the Atlantic coast. Both cities are constructed by publicly owned and funded companies, providing a common ground for comparison. This paper analyses sustainability parameters target-ed by the study cases.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77792209","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
H. Yusof, Izudinshah Abd Wahab, A. Sabil, N. Hanapi
Woodcarving can be influenced by numerous aspects, including religions and beliefs, which may be comprised of the selections of motifs and also wood-carving panels. In Johor, Malay is one of the major ethnic groups and is considered the majority of the state's population, contributing to the significant heritage, including architecture. Traditional Malay houses in Johor have in-stilled woodcarving into some placements of the houses, including windows on jerejak panels. This paper aims to identify the typology of woodcarvings panels and the percentage of usage among the panels found in Johor Malay houses to identify its influence. 72 Johor traditional Malay houses with distinctive woodcarvings were selected to do inventory, photographed, and analyzed. Interviews were conducted while the samples taken were discussed and verified by woodcarving experts. Results show five-piece panels take the highest percentage while six-piece panels come in second in the overall statistic where it is concluded that the Pillars of Islam/Rukun Islam and Pillars of Faith/Rukun Iman have been the influence on the findings. The findings show that the Islamic religion is the most significant influence contributing to the justification of choice. This study can bring recognition to Johor woodcarvings and contribute valuable guides for woodcarvers to apply these panel typologies to their future works to sustain and cherish the Johor houses' wood-carving identity
{"title":"Woodcarving Panels in Johor Traditional Malay Houses Influenced by the Islamic Principle","authors":"H. Yusof, Izudinshah Abd Wahab, A. Sabil, N. Hanapi","doi":"10.18860/jia.v7i2.17659","DOIUrl":"https://doi.org/10.18860/jia.v7i2.17659","url":null,"abstract":"Woodcarving can be influenced by numerous aspects, including religions and beliefs, which may be comprised of the selections of motifs and also wood-carving panels. In Johor, Malay is one of the major ethnic groups and is considered the majority of the state's population, contributing to the significant heritage, including architecture. Traditional Malay houses in Johor have in-stilled woodcarving into some placements of the houses, including windows on jerejak panels. This paper aims to identify the typology of woodcarvings panels and the percentage of usage among the panels found in Johor Malay houses to identify its influence. 72 Johor traditional Malay houses with distinctive woodcarvings were selected to do inventory, photographed, and analyzed. Interviews were conducted while the samples taken were discussed and verified by woodcarving experts. Results show five-piece panels take the highest percentage while six-piece panels come in second in the overall statistic where it is concluded that the Pillars of Islam/Rukun Islam and Pillars of Faith/Rukun Iman have been the influence on the findings. The findings show that the Islamic religion is the most significant influence contributing to the justification of choice. This study can bring recognition to Johor woodcarvings and contribute valuable guides for woodcarvers to apply these panel typologies to their future works to sustain and cherish the Johor houses' wood-carving identity","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82813727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
N. Utaberta, Mohd tajuddin Mohd rasdi, Teoh Chee Keong, Lee Yun Sheng
This research paper aims to examine the architectural design and the publicness of a state mosque in Malaysia while taking into consideration the social inclusiveness and national identity among religious buildings within the compound and beyond the framework of religion. The research objective is to evaluate the architectural design elements in a mosque on publicness. The methodology used in this research is by reviewing literature and evaluating the Negeri Sembilan State Mosque; Seremban Mosque, as a case study of its social publicness. The finding from the research concludes that the state mosque can do more to achieve inclusivity and friendliness through architectural design elements such as perception, permeability, and territoriality of the building in relation to its context and religious adherents, as well as the larger Malaysian population. Furthermore, the significance of the finding identified that religion and religious buildings play a crucial role in sustaining unity and harmony among all ethnicity in a community with such a diverse society in order to promote further the manifestation of social inclusiveness and national unity among religious buildings and diminish the conflict in race and religion.
{"title":"Evaluation of Architectural Publicness Design Elements on Seremban State Mosque of Negeri Sembilan","authors":"N. Utaberta, Mohd tajuddin Mohd rasdi, Teoh Chee Keong, Lee Yun Sheng","doi":"10.18860/jia.v7i2.15756","DOIUrl":"https://doi.org/10.18860/jia.v7i2.15756","url":null,"abstract":"This research paper aims to examine the architectural design and the publicness of a state mosque in Malaysia while taking into consideration the social inclusiveness and national identity among religious buildings within the compound and beyond the framework of religion. The research objective is to evaluate the architectural design elements in a mosque on publicness. The methodology used in this research is by reviewing literature and evaluating the Negeri Sembilan State Mosque; Seremban Mosque, as a case study of its social publicness. The finding from the research concludes that the state mosque can do more to achieve inclusivity and friendliness through architectural design elements such as perception, permeability, and territoriality of the building in relation to its context and religious adherents, as well as the larger Malaysian population. Furthermore, the significance of the finding identified that religion and religious buildings play a crucial role in sustaining unity and harmony among all ethnicity in a community with such a diverse society in order to promote further the manifestation of social inclusiveness and national unity among religious buildings and diminish the conflict in race and religion.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91071860","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Malaysia is the world's 43rd most populous country comprising multi-ethnic and multicultural societies. About half the population is ethnically Malay, with minorities of Chinese, Indians, and indigenous peoples. From this number, Chinese Muslims are minorities in Malaysia, and only 2 per cent of ethnic Chinese are Muslims. Nevertheless, there is a growing trend of accommodating Chinese cultural elements in Islamic preaching in Malaysia. Due to this recent emergence of Chinese Muslim cultural identities, Chinese cultural symbols and Islamic messages are combined to produce a new notion in Malaysian society that 'Chineseness' and Islam are compatible. For that reason, the Chinese Muslim association and dakwah movement in Malaysia, like MACMA (Malaysia Chinese Muslim Association), promulgate a cultural dakwah approach aiming to universalize Islam to spread the Islamic messages and invite non-Muslims to get closer to the Islamic faith. One of the approaches is building Chinese-style mosques throughout Malaysia as a symbol of preaching Islam through Chinese cultural signs and practices. However, no comprehensive studies have elucidated how mosques patronized by the MACMA universalize Islam for Muslims and non-Muslims. Therefore, this paper aims to identify and analyze how MACMA Islamic ideology influences the architectural design elements found in the MACMA mosques as a symbol of cultural dakwah to propagate and teach the values of Islam. This study used the hermeneutic method through the interpretivism paradigm. The two indicators of mosques, form-making, and spatial elements, act as a sign of Islamic values to propagate religious tolerance. The findings indicate how Islamic values and ideology involving the practising of Islah, Ikram, and Ihsan are translated into Mosque architectural elements as a symbol of dakwah to display communal-friendly mosque design. Based on these findings, this study will outline the best mosque design guidelines for designers that can function as a religious sign and symbol for transnational dimensions of cultural dakwah towards unity, equality, and spiritual rejuvenation.
{"title":"MACMA Islamic Ideology in Chinese Muslim Mosques Towards Universalizing Islam in Malaysia","authors":"Alice Sabrina Ismail, Nurul Syaheera Aziz","doi":"10.18860/jia.v7i2.15777","DOIUrl":"https://doi.org/10.18860/jia.v7i2.15777","url":null,"abstract":"Malaysia is the world's 43rd most populous country comprising multi-ethnic and multicultural societies. About half the population is ethnically Malay, with minorities of Chinese, Indians, and indigenous peoples. From this number, Chinese Muslims are minorities in Malaysia, and only 2 per cent of ethnic Chinese are Muslims. Nevertheless, there is a growing trend of accommodating Chinese cultural elements in Islamic preaching in Malaysia. Due to this recent emergence of Chinese Muslim cultural identities, Chinese cultural symbols and Islamic messages are combined to produce a new notion in Malaysian society that 'Chineseness' and Islam are compatible. For that reason, the Chinese Muslim association and dakwah movement in Malaysia, like MACMA (Malaysia Chinese Muslim Association), promulgate a cultural dakwah approach aiming to universalize Islam to spread the Islamic messages and invite non-Muslims to get closer to the Islamic faith. One of the approaches is building Chinese-style mosques throughout Malaysia as a symbol of preaching Islam through Chinese cultural signs and practices. However, no comprehensive studies have elucidated how mosques patronized by the MACMA universalize Islam for Muslims and non-Muslims. Therefore, this paper aims to identify and analyze how MACMA Islamic ideology influences the architectural design elements found in the MACMA mosques as a symbol of cultural dakwah to propagate and teach the values of Islam. This study used the hermeneutic method through the interpretivism paradigm. The two indicators of mosques, form-making, and spatial elements, act as a sign of Islamic values to propagate religious tolerance. The findings indicate how Islamic values and ideology involving the practising of Islah, Ikram, and Ihsan are translated into Mosque architectural elements as a symbol of dakwah to display communal-friendly mosque design. Based on these findings, this study will outline the best mosque design guidelines for designers that can function as a religious sign and symbol for transnational dimensions of cultural dakwah towards unity, equality, and spiritual rejuvenation.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72556662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Sustainable architecture seeks to minimize the negative environmental impact of buildings by efficiency and moderation in the use of materials, energy, development space and the ecosystem at large. It adopts a conscious approach to energy and ecological conservation in designing the built environment. This conscious process involves the embodiment of phenomenology as embedded in the critical regionalism approach that explains 'human experiences as being' in the built environment. In this sense, the aesthetics of sustainable architecture may be accomplished when three factors (the visual perception of space, spatial, experiential perceptions, and the cognition of the natural environment) are incorporated together. This paper aims to identify and unveil how the critical regionalism approach contributes to sustainable architectural design based upon five determinants - placemaking, genius loci, the phenomenology of senses, climatic and environment responsiveness, and communal and humanity tectonic. In Malaysia, the critical regionalism approach is not widely explored and defined due to a lack of value application and awareness amongst local designers in public building design. Hence, it resulted in public building design like Mosque that emphasizes only superficial aesthetics, which lacks importance on the user's needs. The study used the hermeneutic method through the interpretivism paradigm to understand this. As a case study, the two indicators of architectural elements, form making and spatial elements of mosque buildings, are analyzed to document the value of critical Regionalism that embraces adaptability, reinterpretation and realization of reality. This study will benefit many parties in providing recommendations for mosque design, referring to the critical regionalism approach toward sustainable architecture. This critical regionalism approach can foster the formation of a national identity architecture that can contribute to the unity of society and strengthen the sentiment of nationalism in the present Muslim and multi-racial society. In addition, by having a better-quality design, the built form can readily be accepted and adopted in terms of functions for the benefit of the entire community.
{"title":"Critical Regionalism Approach for Djami Mosque Design Towards the Aesthetics of Sustainability","authors":"Mohd Hanif Masridin, Alice Sabrina Ismail","doi":"10.18860/jia.v7i2.17135","DOIUrl":"https://doi.org/10.18860/jia.v7i2.17135","url":null,"abstract":"Sustainable architecture seeks to minimize the negative environmental impact of buildings by efficiency and moderation in the use of materials, energy, development space and the ecosystem at large. It adopts a conscious approach to energy and ecological conservation in designing the built environment. This conscious process involves the embodiment of phenomenology as embedded in the critical regionalism approach that explains 'human experiences as being' in the built environment. In this sense, the aesthetics of sustainable architecture may be accomplished when three factors (the visual perception of space, spatial, experiential perceptions, and the cognition of the natural environment) are incorporated together. This paper aims to identify and unveil how the critical regionalism approach contributes to sustainable architectural design based upon five determinants - placemaking, genius loci, the phenomenology of senses, climatic and environment responsiveness, and communal and humanity tectonic. In Malaysia, the critical regionalism approach is not widely explored and defined due to a lack of value application and awareness amongst local designers in public building design. Hence, it resulted in public building design like Mosque that emphasizes only superficial aesthetics, which lacks importance on the user's needs. The study used the hermeneutic method through the interpretivism paradigm to understand this. As a case study, the two indicators of architectural elements, form making and spatial elements of mosque buildings, are analyzed to document the value of critical Regionalism that embraces adaptability, reinterpretation and realization of reality. This study will benefit many parties in providing recommendations for mosque design, referring to the critical regionalism approach toward sustainable architecture. This critical regionalism approach can foster the formation of a national identity architecture that can contribute to the unity of society and strengthen the sentiment of nationalism in the present Muslim and multi-racial society. In addition, by having a better-quality design, the built form can readily be accepted and adopted in terms of functions for the benefit of the entire community.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84010453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Lakmah Mosque, which is known as Aḥmad Hādī Al-Yāmani Mosque, is consid-ered one of the distinctive Yemeni mosques that reflects the shape of small cubical mosques in the Yemeni villages. This mosque is distinguished by its distinctive decorations and inscriptions. The research aims to shed light on the personality of the founder of the mosque, as he was one of the important individuals in the history of Rīmah governorate. In addition, the research sheds light on the mosque's style and design. The importance of the research lies in documenting this mosque, its artistic decorations, and its distinctive inscriptions recorded in the magnificent Ṯūluṯ script with its historical information and important cultural content. It also represents the publication for the first time of this mosque, which no one has studied before. The researcher followed the descriptive, analytical and inductive approach through several historical documents and endowment papers. The researcher reached several results, including knowledge of the date of the building of the mosque and knowing the founder's name, and his cultural and historical status, as he is considered one of the prominent political persons in the history of Rīmah governorate during the Ottoman era. The study also focused on the architectural style of the mosque and knowing its architectural origins. The researcher studied the wonderful inscriptions that decorate the ceiling of the mosque. These inscriptions provided us with much important historical information.
{"title":"An Artistic and Archeological Study of Lakmah Mosque in the Village of Al-Ḥāql, Yāman, Rīmah Governorate – Yemen","authors":"Mohamed Enab","doi":"10.18860/jia.v7i2.15456","DOIUrl":"https://doi.org/10.18860/jia.v7i2.15456","url":null,"abstract":"Lakmah Mosque, which is known as Aḥmad Hādī Al-Yāmani Mosque, is consid-ered one of the distinctive Yemeni mosques that reflects the shape of small cubical mosques in the Yemeni villages. This mosque is distinguished by its distinctive decorations and inscriptions. The research aims to shed light on the personality of the founder of the mosque, as he was one of the important individuals in the history of Rīmah governorate. In addition, the research sheds light on the mosque's style and design. The importance of the research lies in documenting this mosque, its artistic decorations, and its distinctive inscriptions recorded in the magnificent Ṯūluṯ script with its historical information and important cultural content. It also represents the publication for the first time of this mosque, which no one has studied before. The researcher followed the descriptive, analytical and inductive approach through several historical documents and endowment papers. The researcher reached several results, including knowledge of the date of the building of the mosque and knowing the founder's name, and his cultural and historical status, as he is considered one of the prominent political persons in the history of Rīmah governorate during the Ottoman era. The study also focused on the architectural style of the mosque and knowing its architectural origins. The researcher studied the wonderful inscriptions that decorate the ceiling of the mosque. These inscriptions provided us with much important historical information. ","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88894341","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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