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The Album of the World Emperor: Cross-Cultural Collecting and the Art of Album-Making in Seventeenth-Century Istanbul, Emine Fetvaci (2019) 《世界皇帝的专辑:17世纪伊斯坦布尔的跨文化收藏和专辑制作艺术》,埃米·菲特瓦奇(2019)
IF 0.2 3区 艺术学 0 ARCHITECTURE Pub Date : 2022-07-01 DOI: 10.1386/ijia_00087_5
C. Woodhead
Review of: The Album of the World Emperor: Cross-Cultural Collecting and the Art of Album-Making in Seventeenth-Century Istanbul, Emine Fetvaci (2019)Princeton: Princeton University Press, 296 pp., 126 colour illus.,ISBN: 9780691189154, $65 (hardback)
评论:《世界皇帝的相册:十七世纪伊斯坦布尔的跨文化收藏和相册制作艺术》,Emine Fetwachi(2019)普林斯顿:普林斯顿大学出版社,296页,126彩色插图。,ISBN:9780691189154,65美元(精装本)
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引用次数: 0
Ex Africa Aliquid Novum [There is something new coming from Africa]: Herman Haan and Aldo van Eyck’s Journeys in a Pseudo-Ethnographic Vein 前非洲液体Novum[有一些新的东西来自非洲]:赫尔曼·哈恩和奥尔多·范·艾克的伪民族志之旅
IF 0.2 3区 艺术学 0 ARCHITECTURE Pub Date : 2022-07-01 DOI: 10.1386/ijia_00084_1
Álvaro Velasco Pérez
To the field of professional architecture in Europe in the aftermath of World War II, the deserts of Western Africa were a margin that was viewed as an exterior to the modern metropolis and as a realm of escapism. However, to the ethnographic practices that had developed since the late 1800s, the notion of a desert hinterland supposed a primordial land, reflected in forms of habitation. For architects Herman Haan (1914–96) and Aldo van Eyck (1918–99), the desert was a tense geography that moved between being outside and at home. Revisiting the diaries from Haan and van Eyck’s journeys and their mediation of ethnographic methodologies alongside their engagement with modernist design, this article proposes that Haan’s impressions connect two seemingly opposite contexts: the Dogon lands on the Niger River, and Rotterdam. I argue that, in the architectural and ethnographic amateurism of Haan, the modernist metropolis and its exteriors were not delimited, distinct realms, but were rather engaged in a fluctuating relationship reflective of the contemporary fascination with post-Eurocentric landscapes in the discipline of architecture. I assert that this process of immersion was in fact a process of internalization of spatial experience.
对于二战后欧洲的专业建筑领域来说,西非的沙漠被视为现代大都市的外部和逃避现实的领域。然而,对于自19世纪后期以来发展起来的民族志实践来说,沙漠腹地的概念被认为是原始的土地,反映在居住形式上。对于建筑师Herman Haan(1914-96)和Aldo van Eyck(1918-99)来说,沙漠是一个紧张的地理环境,在室外和室内之间移动。回顾Haan和van Eyck的旅行日记,以及他们对人种学方法的诠释,以及他们对现代主义设计的参与,本文提出Haan的印象将两个看似相反的背景联系在一起:多根人在尼日尔河上登陆,以及鹿特丹。我认为,在Haan的建筑和民族志业余主义中,现代主义大都市及其外部并不是划定的,不同的领域,而是一种波动的关系,反映了当代对建筑学科中后欧洲中心景观的迷恋。我断言,这种沉浸的过程实际上是空间体验的内化过程。
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引用次数: 0
Iran and the Deccan: Persianate Art, Culture, and Talent in Circulation, Ed. Keelan Overton (2020) 《伊朗与德干:流通中的波斯人艺术、文化和人才》,Keelan Overton编辑(2020)
IF 0.2 3区 艺术学 0 ARCHITECTURE Pub Date : 2022-07-01 DOI: 10.1386/ijia_00086_5
L. Parodi
Review of: Iran and the Deccan: Persianate Art, Culture, and Talent in Circulation, Ed. Keelan Overton (2020)Bloomington: Indiana University Press, 468 pp., 144 colour illus.,ISBN: 9780253048912, $36.00 (paperback) The Architecture of a Deccan Sultanate: Courtly Practice and Royal Authority in Late Medieval India, Pushkar Sohoni (2018; 2021)London and New York: I. B. Tauris, 2018, 320 pp., 121 b&w illus., ISBN: 9781784537944, £28.99 (hardback)London, Oxford, New York, New Delhi and Sydney: Bloomsbury, 2021, ISBN: 9780755606795, £28.99 (paperback)
评论:《伊朗与德干:流通中的波斯人艺术、文化和人才》,Keelan Overton编辑(2020),布卢明顿:印第安纳大学出版社,468页,144色插图。,ISBN:9780253048912,36.00美元(平装本)《德干苏丹国的建筑:中世纪晚期印度的宫廷实践和皇家权威》,Pushkar Sohoni(2018;2021)伦敦和纽约:I.B.Tauris,2018,320页,121页插图。,ISBN:9781784537944,28.99英镑(精装本)伦敦、牛津、纽约、新德里和悉尼:布鲁姆斯伯里,2021,ISBN:9780755606795,28.99美元(平装本)
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引用次数: 3
‘A Place of Our Own’: Puerto Rican Muslims and Their Architectural Responses as Quadruple Minorities “我们自己的地方”:波多黎各穆斯林及其作为四重少数民族的建筑反应
IF 0.2 3区 艺术学 0 ARCHITECTURE Pub Date : 2022-07-01 DOI: 10.1386/ijia_00080_1
Ken Chitwood
This article adopts a horizontally integrative approach to understanding Islamic architecture in the traditionally excluded geography of Puerto Rico. Puerto Rico is literally and figuratively left off the map of the so-called ‘Muslim world’ and there is very little about its mezquitas (mosques) or the Andalusian legacy in its built environment in the published record of Islamic architectures, sites, and responses. I argue, based on my ethnographic fieldwork undertaken in 2015–17 and 2019–21, that Puerto Rican Muslims counter their multiple marginalizations – identifying as Muslim in the Puerto Rican community, Puerto Rican in the Muslim community, and both Muslim and Puerto Rican in the context of the American empire – through various architectural responses. To make this argument, I discuss the physical landscape of Islamic architecture in Puerto Rico, including innovative and adaptive spaces constructed in protest of the elitism found in certain mezquitas, and locales where Andalusian architectural influence is readily visible. This leads to my critical examination of how the diverse, dynamic, and vernacular architectural responses of Puerto Rican Muslims speak to each of their minoritizations.
本文采用横向整合的方法来理解波多黎各传统上被排斥的地理环境中的伊斯兰建筑。波多黎各从字面上和比喻上都被排除在所谓的“穆斯林世界”的地图之外,在伊斯兰建筑、遗址和回应的公开记录中,很少有关于它的清真寺或安达卢西亚遗产的建筑环境。根据我在2015-17年和2019-21年进行的民族志田野调查,我认为波多黎各穆斯林通过各种建筑反应来对抗他们的多重边缘化——在波多黎各社区中被认定为穆斯林,在穆斯林社区中被认定为波多黎各人,在美帝国的背景下被认定为穆斯林和波多黎各人。为了证明这一点,我讨论了波多黎各伊斯兰建筑的自然景观,包括为抗议某些mezquitas中的精英主义而建造的创新和适应性空间,以及安达卢西亚建筑影响显而易见的地方。这导致了我对波多黎各穆斯林的多样化、动态和本土建筑反应如何与他们的每个少数民族说话的批判性研究。
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引用次数: 0
Ideology, Nationalism, and Architecture: Representations of Kurdish Sites in Turkish Art Historiography 意识形态、民族主义和建筑:土耳其艺术史中库尔德遗址的表现
IF 0.2 3区 艺术学 0 ARCHITECTURE Pub Date : 2022-07-01 DOI: 10.1386/ijia_00082_1
Birgül Açıkyıldız
This article discusses how the narrative of Turkish national historiography, crafted by Turkish elites in the 1930s in light of the official doctrine of the Turkish History Thesis and the Sun Language Thesis, attempted to Turkify the patronage of historical buildings constructed by diverse ethnic and religious communities of the country’s eastern region. I focus on the architectural production of the seven Kurdish dynasties that ruled a large area in the Middle East from the tenth to the mid-nineteenth century. Kurdish rulers constructed a large number of urban monuments bearing their names. These sites were appropriated into the Turkish national historiography in a denial of their Kurdish origins. This approach to history has rendered Kurdish material culture all but invisible, pushing the understanding of Kurdish architectural patronage and identity to the academic margins. This study aims to develop an alternative approach to the history of urban and architectural production in eastern and south-eastern Turkey, and opens a discussion for a definition of Kurdish art and architecture.
本文讨论了土耳其精英在20世纪30年代根据土耳其历史论文和太阳语言论文的官方学说精心打造的土耳其民族史学叙事,如何试图将该国东部地区不同种族和宗教社区建造的历史建筑的赞助土耳其化。我关注的是从十世纪到十九世纪中期统治中东大片地区的七个库尔德王朝的建筑作品。库尔德统治者建造了大量以他们名字命名的城市纪念碑。这些遗址被用于土耳其民族史学,否认其库尔德血统。这种历史方法使库尔德的物质文化几乎看不见,将对库尔德建筑赞助和身份的理解推向了学术边缘。本研究旨在为土耳其东部和东南部的城市和建筑生产史提供一种替代方法,并为库尔德艺术和建筑的定义展开讨论。
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引用次数: 0
Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul, Ünver Rüstem (2019) 奥斯曼巴洛克:18世纪伊斯坦布尔的建筑改造,Ünver Rüstem(2019)
IF 0.2 3区 艺术学 0 ARCHITECTURE Pub Date : 2022-07-01 DOI: 10.1386/ijia_00089_5
George Manginis
Review of: Ottoman Baroque: The Architectural Refashioning of Eighteenth-Century Istanbul, Ünver Rüstem (2019)Princeton: Princeton University Press, 324 pp., 44 b&w and 204 colour illus.,ISBN: 9780691181875, $65 (cloth)
评论:《奥斯曼巴洛克:十八世纪伊斯坦布尔的建筑改造》,Ünver Rüstem(2019)普林斯顿:普林斯顿大学出版社,324页,44页,插图为黑白和204色。,ISBN:9780691181875,65美元(布料)
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引用次数: 4
Between Sea and Sky: Blue and White Ceramics from Persia and Beyond, Museum of Fine Arts, Houston, Texas, November 21, 2020–May 31, 2021 海与天之间:波斯及其他地区的青白陶瓷,休斯敦美术馆,2020年11月21日- 2021年5月31日
IF 0.2 3区 艺术学 0 ARCHITECTURE Pub Date : 2022-07-01 DOI: 10.1386/ijia_00092_5
Julie Timte
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引用次数: 0
Regime Change, Historians of Islamic Art Association Biennial Symposium, Online, April 15–18, 2021 政权更迭,伊斯兰艺术协会历史学家双年度研讨会,在线,2021年4月15日至18日
IF 0.2 3区 艺术学 0 ARCHITECTURE Pub Date : 2022-07-01 DOI: 10.1386/ijia_00093_5
Alex Brey
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引用次数: 0
Hinterland Forces: Architectural Responses at the Margins 腹地力量:边缘地带的建筑回应
IF 0.2 3区 艺术学 0 ARCHITECTURE Pub Date : 2022-07-01 DOI: 10.1386/ijia_00078_2
Angela Andersen
Marginalized communities use, adapt, and produce architectures in hinterland spaces in response to geographical, environmental, social, nationalist, and other political forces. Scholarly discourse and approaches to architectural practice may likewise be formed and coerced through marginalization. The hinterland, as the outlying territory beyond the urban or geographical centre, is the physical manifestation of these forces that shape the social margins. At times, architecture is itself a marginalizing actor, and at others, it becomes the site of resistance and negotiation, providing spatial agency and autonomy, and facilitating distributive justice in regard to services and resources. In the hinterland, new architectures are created, pre-existing spaces are destroyed and re-made, and movement, change, and adaptation are given momentum. This article introduces the special issue on hinterland forces. I categorize architectural responses, both in architecture made and used by those in power to control marginal populations, and created by and for marginalized people. This is followed by a summary of the multi-field perspectives and scholarly methods of the contributing authors. The discussion focuses on architectural matters relevant to Islamic societies in several global regions, but the socio-spatial questions and associated responsibilities are relevant to practitioners and scholars in all architectural fields.
边缘化社区在腹地空间使用、改造和生产建筑,以应对地理、环境、社会、民族主义和其他政治力量。学术话语和建筑实践的方法也可能通过边缘化而形成和胁迫。腹地作为城市或地理中心之外的边远地区,是形成社会边缘的这些力量的物理表现。有时,建筑本身就是一个边缘化的行动者,而在另一些时候,它成为了抵抗和谈判的场所,提供了空间代理和自主权,并促进了服务和资源的分配正义。在腹地,新的建筑被创造出来,原有的空间被破坏和重建,运动、变化和适应被赋予了动力。本文介绍了关于内地部队的特刊。我对建筑反应进行了分类,既有当权者为控制边缘人群而制造和使用的建筑,也有边缘人群创造和为边缘人群创造的建筑。接下来是对贡献作者的多领域视角和学术方法的总结。讨论的重点是与全球几个地区的伊斯兰社会有关的建筑问题,但社会空间问题和相关责任与所有建筑领域的从业者和学者有关。
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引用次数: 0
Hinterland of a Hinterland: The Changing Capital Cities of Sultanate and Mughal Bengal 腹地的腹地:苏丹国和莫卧儿孟加拉不断变化的首都
IF 0.2 3区 艺术学 0 ARCHITECTURE Pub Date : 2022-07-01 DOI: 10.1386/ijia_00079_1
J. Wescoat, Rio Fischer
Urban research on Bengal has emphasized colonial Calcutta (postcolonial Kolkata) and its hinterland, paying less attention to precolonial centres and processes of urbanization. Between the thirteenth and the early eighteenth centuries, the trading village of Kalikata lay on the coastal margin of Bengal. The regional capitals of the Sultanate and Mughal periods were located further inland at Gour, Pandua, Rajmahal, Dhaka, and Murshidabad, in the hinterlands of imperial capitals in the Delhi region. Bengal capitals changed frequently with fluvial and geopolitical conditions, which had implications for their economic and architectural development. Coastal trading settlements competed with one another in commercial and military matters, which established a new hinterland by the late eighteenth century, with ‘hinterland’ defined as the economic catchment region of the maritime port of Calcutta. This article retraces these processes from chronicles, revenue records, and archaeological surveys. Our examination concludes with the national eclipse of Calcutta by New Delhi in the early twentieth century, and the prospect of climate-driven retreat to inland capitals in Bengal in a twenty-first-century shift that would resemble urban patterns of the precolonial era.
对孟加拉的城市研究强调了殖民地加尔各答(后殖民地加尔各答)及其腹地,较少关注殖民前的中心和城市化进程。13世纪至18世纪初,贸易村卡利卡塔位于孟加拉沿海。苏丹国和莫卧儿王朝时期的地区首府位于德里地区帝国首都腹地的古尔、潘杜阿、拉杰马哈尔、达卡和穆尔希达巴德。孟加拉的首都经常随着河流和地缘政治条件的变化而变化,这对其经济和建筑发展产生了影响。沿海贸易定居点在商业和军事事务上相互竞争,到18世纪末建立了一个新的腹地,“腹地”被定义为加尔各答海港的经济集水区。本文从编年史、收入记录和考古调查中追溯了这些过程。我们的研究以20世纪初新德里对加尔各答的全蚀以及21世纪气候驱动的孟加拉内陆首府撤退的前景结束,这一转变将类似于前殖民时代的城市模式。
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引用次数: 0
期刊
International Journal of Islamic Architecture
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