The mosque's architecture was built to reflect the physical environment in which Muslim communities manifest their religious devotion and way of life. This study tries to reveal the community's sociological and cultural picture in traditional mosques' architecture. It analyzes the people's devotion and religious beliefs in designing and constructing traditional mosques. The case study method applied consisted of building measurements in the field, field observations, and interviews with expert informants at the Kajoran Mosque, Klaten. Based on the research results on the Kajoran Mosque's architecture, it can be seen that the architecture of the Kajoran Mosque in Klaten facilitates social activities for the community around the Kajoran Klaten Mosque. The presence of a mosque porch is used for religious activities such as tahlilan, sodaqohan, prayer together, and routine worship.
{"title":"Architecture of the Kajoran Cultural Heritage Mosque Building Complex and Community Life Around the Building Area","authors":"Ahmad Mahbub Hamdani, A. Suprapti, S. Rukayah","doi":"10.18860/jia.v7i2.16525","DOIUrl":"https://doi.org/10.18860/jia.v7i2.16525","url":null,"abstract":"The mosque's architecture was built to reflect the physical environment in which Muslim communities manifest their religious devotion and way of life. This study tries to reveal the community's sociological and cultural picture in traditional mosques' architecture. It analyzes the people's devotion and religious beliefs in designing and constructing traditional mosques. The case study method applied consisted of building measurements in the field, field observations, and interviews with expert informants at the Kajoran Mosque, Klaten. Based on the research results on the Kajoran Mosque's architecture, it can be seen that the architecture of the Kajoran Mosque in Klaten facilitates social activities for the community around the Kajoran Klaten Mosque. The presence of a mosque porch is used for religious activities such as tahlilan, sodaqohan, prayer together, and routine worship.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":"92 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86974823","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The phenomena of the Acehnese traditional houses philosophy functioned as dwelling houses have shifted into simple educational building design concepts, particularly for the people who live in suburban. The concept is able to be implemented by modern society in Aceh in order to design government buildings, banking offices, and other public buildings. This study aims to identify and analyze how the philosophies of the Acehnese traditional dwelling are transformed into a modest educational facility. The focus area of study is educational facilities owned by the local community located in the suburbs. Is the level of comfort suitable for its function? The study used three stages of research methodology: (1) observation which was carried out by using a typomorphological approach; (2) analysis of elements of Acehnese traditional house construction; and (3) simulation of the factors that determine the comfort of the building. The results of this study indicate the possibility of adapting the traditional Acehnese house design concept into an educational facility. The front porch (Seuramoe Keue) of the space division in Rumoh Aceh can be transformed as Balai Pengajian Quran using wood as primary materials for construction and building.
{"title":"The Transformation of Rumoh Aceh Philosophy in Educational Facilities of Balai Pengajian Quran in Aceh Besar","authors":"Z. Sahputra, E. N. Rauzi, M. H. A. Edytia","doi":"10.18860/jia.v7i2.15328","DOIUrl":"https://doi.org/10.18860/jia.v7i2.15328","url":null,"abstract":"The phenomena of the Acehnese traditional houses philosophy functioned as dwelling houses have shifted into simple educational building design concepts, particularly for the people who live in suburban. The concept is able to be implemented by modern society in Aceh in order to design government buildings, banking offices, and other public buildings. This study aims to identify and analyze how the philosophies of the Acehnese traditional dwelling are transformed into a modest educational facility. The focus area of study is educational facilities owned by the local community located in the suburbs. Is the level of comfort suitable for its function? The study used three stages of research methodology: (1) observation which was carried out by using a typomorphological approach; (2) analysis of elements of Acehnese traditional house construction; and (3) simulation of the factors that determine the comfort of the building. The results of this study indicate the possibility of adapting the traditional Acehnese house design concept into an educational facility. The front porch (Seuramoe Keue) of the space division in Rumoh Aceh can be transformed as Balai Pengajian Quran using wood as primary materials for construction and building.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":"45 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84928226","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Al-Wustho Mangkunegaran Mosque is one of the historical mosques in Surakarta, located in the Mangkunegaran Palace area. Kanjeng Gusti Pangeran Adipati Arya Mangkunegara-I initiated the construction. The mosque belongs to Mangkunegaran palace and is protected as a cultural heritage building. The purpose of this research is to find 1). the historical value of the building, 2). various philosophical values that underlie the shape/embodiment of the structure (spatial planning, building form, decorative arts), 3). contextual matters related to the function and condition of the Al-Wustho Mangkunegaran Mosque. The methods used are 1. historical plot tracing, building artifacts tracing through primary and secondary sources, 2. Interviews with mosque/marbot holders, community users, and community leaders. 3. Reference studies, analysis, and synthesis. The historical values are indicated by the existence of the palace mosque which is a cultural heritage building. The King besides being a ruler is also a religious leader (panatagama). The philosophical values are reflected in the design, construction, symbols, and ornamentation of mosques that contain Islamic philosophy. Located on a three-stack tajug roof, calligraphic ornamentation on gates, doors, windows, and columns is a reminder to be closer to Allah. The contextual values of the building are seen in the blending style of Javanese, European and Islamic cultures. The mosque also functions for the benefit of the people as the embodiment of rahmatan lil Alamin.
al - wutho Mangkunegaran清真寺是泗水市历史悠久的清真寺之一，位于Mangkunegaran宫殿地区。Kanjeng Gusti Pangeran Adipati Arya Mangkunegara-I发起了建设。这座清真寺属于Mangkunegaran宫殿，作为文化遗产建筑受到保护。本研究的目的是发现1).建筑的历史价值，2).结构的形状/体现背后的各种哲学价值(空间规划，建筑形式，装饰艺术)，3).与al - wutho Mangkunegaran清真寺的功能和条件相关的语境问题。使用的方法有:1。1 .历史情节溯源，建筑文物溯源;与清真寺/集市持有者、社区用户和社区领袖的访谈。3.参考研究、分析和综合。作为文化遗产建筑的宫殿清真寺的存在表明了其历史价值。国王除了是统治者，也是宗教领袖。哲学价值体现在清真寺的设计、建筑、符号和装饰中，这些都包含着伊斯兰哲学。它位于三层塔瓦格屋顶上，门、窗和柱子上都有书法装饰，提醒人们更接近真主。建筑的语境价值体现在爪哇、欧洲和伊斯兰文化的融合风格中。清真寺也为人民的利益发挥作用，作为rahmatan lil Alamin的化身。
{"title":"Historical, Philosophical, and Contextual Values in Al-Wustho Mangkunegaran Mosque, Surakarta","authors":"Widyastuti Nurjayanti","doi":"10.18860/jia.v7i2.15609","DOIUrl":"https://doi.org/10.18860/jia.v7i2.15609","url":null,"abstract":"Al-Wustho Mangkunegaran Mosque is one of the historical mosques in Surakarta, located in the Mangkunegaran Palace area. Kanjeng Gusti Pangeran Adipati Arya Mangkunegara-I initiated the construction. The mosque belongs to Mangkunegaran palace and is protected as a cultural heritage building. The purpose of this research is to find 1). the historical value of the building, 2). various philosophical values that underlie the shape/embodiment of the structure (spatial planning, building form, decorative arts), 3). contextual matters related to the function and condition of the Al-Wustho Mangkunegaran Mosque. The methods used are 1. historical plot tracing, building artifacts tracing through primary and secondary sources, 2. Interviews with mosque/marbot holders, community users, and community leaders. 3. Reference studies, analysis, and synthesis. The historical values are indicated by the existence of the palace mosque which is a cultural heritage building. The King besides being a ruler is also a religious leader (panatagama). The philosophical values are reflected in the design, construction, symbols, and ornamentation of mosques that contain Islamic philosophy. Located on a three-stack tajug roof, calligraphic ornamentation on gates, doors, windows, and columns is a reminder to be closer to Allah. The contextual values of the building are seen in the blending style of Javanese, European and Islamic cultures. The mosque also functions for the benefit of the people as the embodiment of rahmatan lil Alamin.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":"10 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75800943","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper investigates the architecture of the Dezzak Grand Mosque in Saravan City for the first time to the best of our knowledge. One of the most important research problems was the lack of sufficient information about the Dezzak Mosque. Considering that some of the Islamic geographers had sporadically mentioned an old mosque in the southeast of Iran, comprehensive field research was not done in this regard. This study compares Dezzak Mosque the oldest mosque in South East of Iran with the Prophet Mohmmad Mosque in Medina and other mosques of Early Islam in Iran such as Fahraj Tarikhane Damghan mosques in Iran from the perspective of style and architectural features. With the arrival of the Muslim Arabs to Iran and acceptance of the new religion, Islam, Iranian Muslims were engaged in the construction of mosques in this country. The Dezzak Mosque was one of them. The mosque has a square plan with a corridor, which is surrounded by circular columns and arches around the courtyard with clay raw. The columns have a diameter of 1.5 meters around the courtyard, which is most on the South Side. Raw bricks for the construction of the building and palm trees are used to cover the roof. Recent studies show that the Dezzak Mosque in terms of stylistic influences of the Khorasani style is the first Islamic-Iranian style. Dezzak Mosque is similar to the Prophet Mosque in Medina in case of plan, materials, and architectural features, and also it has been influenced by Tarikhane Damghan and Fahraj as the oldest mosques In Iranian Plateau.
{"title":"The Architecture of Dezzak Grand Mosque, Iranian Baluchestan With Reference To Prophet Mohammad Mosque in Medina","authors":"Hossein Sarhaddi-dadian, Saber Malekzadeh, Zuliskandar Ramli","doi":"10.18860/jia.v7i2.17018","DOIUrl":"https://doi.org/10.18860/jia.v7i2.17018","url":null,"abstract":"This paper investigates the architecture of the Dezzak Grand Mosque in Saravan City for the first time to the best of our knowledge. One of the most important research problems was the lack of sufficient information about the Dezzak Mosque. Considering that some of the Islamic geographers had sporadically mentioned an old mosque in the southeast of Iran, comprehensive field research was not done in this regard. This study compares Dezzak Mosque the oldest mosque in South East of Iran with the Prophet Mohmmad Mosque in Medina and other mosques of Early Islam in Iran such as Fahraj Tarikhane Damghan mosques in Iran from the perspective of style and architectural features. With the arrival of the Muslim Arabs to Iran and acceptance of the new religion, Islam, Iranian Muslims were engaged in the construction of mosques in this country. The Dezzak Mosque was one of them. The mosque has a square plan with a corridor, which is surrounded by circular columns and arches around the courtyard with clay raw. The columns have a diameter of 1.5 meters around the courtyard, which is most on the South Side. Raw bricks for the construction of the building and palm trees are used to cover the roof. Recent studies show that the Dezzak Mosque in terms of stylistic influences of the Khorasani style is the first Islamic-Iranian style. Dezzak Mosque is similar to the Prophet Mosque in Medina in case of plan, materials, and architectural features, and also it has been influenced by Tarikhane Damghan and Fahraj as the oldest mosques In Iranian Plateau.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":"277 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80057868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A. Pramono, T. I. W. Primadani, Y. Kusumawati, B. Kurniawan, F. Pratama
Humanity's activities cause the destruction that occurs in the world as a caliphate, as stated in Surah Ar-Rum (30), verse 41 of the Quran. One of the products that might harm the ecosystem is waste. Various countries, including the Indonesian Government, have competed with numerous initiatives and policies to save environmental sustainability. The author of this study provided training on how to conserve the environment by processing trash, particularly fabric waste. Bina Nusantara University's community development initiative invites numerous assisted MSMEs to participate in a waste management training session. Participants are instructed on how to transform fabric waste into useful interior products. The techniques conducted start from joining fabric waste with patchwork, quilting, and applique connection techniques. From the connection results, the product's value can be increased again by adding a digital screen printing technique. Islamic Art is one of the many motifs that can be used. Implementing Islamic geometric patterns and floral, vegetal, and calligraphy designs on interior accessories are some examples of Islamic art motifs. Apart from being able to decorate the interior of the home, particularly by giving it an Islamic feel, the objective of creating this product is to conserve the environment through upcycling technology.
{"title":"Upcycling Fabric Waste for Home Decoration by Implementing Islamic Art Approach","authors":"A. Pramono, T. I. W. Primadani, Y. Kusumawati, B. Kurniawan, F. Pratama","doi":"10.18860/jia.v7i2.15795","DOIUrl":"https://doi.org/10.18860/jia.v7i2.15795","url":null,"abstract":"Humanity's activities cause the destruction that occurs in the world as a caliphate, as stated in Surah Ar-Rum (30), verse 41 of the Quran. One of the products that might harm the ecosystem is waste. Various countries, including the Indonesian Government, have competed with numerous initiatives and policies to save environmental sustainability. The author of this study provided training on how to conserve the environment by processing trash, particularly fabric waste. Bina Nusantara University's community development initiative invites numerous assisted MSMEs to participate in a waste management training session. Participants are instructed on how to transform fabric waste into useful interior products. The techniques conducted start from joining fabric waste with patchwork, quilting, and applique connection techniques. From the connection results, the product's value can be increased again by adding a digital screen printing technique. Islamic Art is one of the many motifs that can be used. Implementing Islamic geometric patterns and floral, vegetal, and calligraphy designs on interior accessories are some examples of Islamic art motifs. Apart from being able to decorate the interior of the home, particularly by giving it an Islamic feel, the objective of creating this product is to conserve the environment through upcycling technology.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":"197 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83097070","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Third Places refers to managed gathering spaces outside the home and work where people can engage in social interaction voluntarily. These places are known to decrease stress and build a sense of community. However, third places are currently developed in a western cultural context. This paper investigates the role of third places in the context of eastern culture, specifically with Islamic values. Using a qualitative approach, the data was gathered using semi-structured interviews with young Muslim visitors of a coffeehouse in Bandung City. The results illustrate that the coffeehouse is considered a third place. Not only because of its availability for conversation and laughter but also its architectural features that support Islamic practices like praying and maintaining certain proximity with the opposite gender. This study concluded that the cultural framework in which a third place is created is critical.
{"title":"The Appropriate Third Places: A Perspective from the Muslim Youth","authors":"Fath Nadizti, H. Hanan, F. Firmansyah","doi":"10.18860/jia.v7i2.17180","DOIUrl":"https://doi.org/10.18860/jia.v7i2.17180","url":null,"abstract":"Third Places refers to managed gathering spaces outside the home and work where people can engage in social interaction voluntarily. These places are known to decrease stress and build a sense of community. However, third places are currently developed in a western cultural context. This paper investigates the role of third places in the context of eastern culture, specifically with Islamic values. Using a qualitative approach, the data was gathered using semi-structured interviews with young Muslim visitors of a coffeehouse in Bandung City. The results illustrate that the coffeehouse is considered a third place. Not only because of its availability for conversation and laughter but also its architectural features that support Islamic practices like praying and maintaining certain proximity with the opposite gender. This study concluded that the cultural framework in which a third place is created is critical.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":"14 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74908190","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Koca Sinan Pasha Mosque is one of the oldest classical mosques built in Kosova during the reign of the Ottoman Empire (1389-1912). The mosque bore the name of its donor and was completed in 1594/95. It is located in a small town in the southern part of the country, in Kaçanik. Regarding its compositional scheme, the monument belongs to the examples of Ottoman-style mosques in the Balkans with local elements. Its compositional scheme comprises a prayer hall, portico, and a minaret. The paper focuses on a brief history of the Koca Sinan Pasha, the history of the mosque, architecture, pictorial and sculptural decorations, current condition, and the monument's surroundings. By doing so, the paper helps identify the challenges that the mosque faced during its existence, as well as changes in the structure of the building and its decorations that occurred with time. The study relies on the existing monument as the primary source of information. However, the documentation of the Institute for the Protection of Cultural Monuments of Kosova and the relevant literature that directly or indirectly deals with the issue in question has also been used. The study is accompanied by architectural visualization and photographs of the mosque's exterior and interior. The Paper aims to help study, promote and display the mosque's value to a wider audience
{"title":"Architectural Study of Koca Sinan Pasha Mosque at Kaçanik, Kosova","authors":"Orges Drançolli","doi":"10.18860/jia.v7i2.17609","DOIUrl":"https://doi.org/10.18860/jia.v7i2.17609","url":null,"abstract":"Koca Sinan Pasha Mosque is one of the oldest classical mosques built in Kosova during the reign of the Ottoman Empire (1389-1912). The mosque bore the name of its donor and was completed in 1594/95. It is located in a small town in the southern part of the country, in Kaçanik. Regarding its compositional scheme, the monument belongs to the examples of Ottoman-style mosques in the Balkans with local elements. Its compositional scheme comprises a prayer hall, portico, and a minaret. The paper focuses on a brief history of the Koca Sinan Pasha, the history of the mosque, architecture, pictorial and sculptural decorations, current condition, and the monument's surroundings. By doing so, the paper helps identify the challenges that the mosque faced during its existence, as well as changes in the structure of the building and its decorations that occurred with time. The study relies on the existing monument as the primary source of information. However, the documentation of the Institute for the Protection of Cultural Monuments of Kosova and the relevant literature that directly or indirectly deals with the issue in question has also been used. The study is accompanied by architectural visualization and photographs of the mosque's exterior and interior. The Paper aims to help study, promote and display the mosque's value to a wider audience","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":"37 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86661071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
S. Dwidar, H. Sirror, Amani Derbali, D. Abdelgawad, A. Abdelsattar
The architecture of Masjids has spread in areas with harsh climates and natural conditions. In previous decades, the Masjid's design was a large flat area with an inner courtyard in the middle. This architectural design of the Masjid was appropriate to the nature of the hot climate. Recently, the design of Masjids became closed and flat areas that lack ventilation and good lighting. The research paper is based on an analytical descriptive study to determine the importance of internal courtyards in historical Masjids in Egypt and the elements that affect the significance of the courtyard in contemporary Masjids. The results show the importance of using the inner courtyard when designing a modern Masjid, which achieves many positive results, regarding the climatic and social aspects, by increasing the thermal and psychological comfort of the prayers.
{"title":"Importance of Internal Courtyards in Designing Historical and Contemporary Masjid","authors":"S. Dwidar, H. Sirror, Amani Derbali, D. Abdelgawad, A. Abdelsattar","doi":"10.18860/jia.v7i2.16065","DOIUrl":"https://doi.org/10.18860/jia.v7i2.16065","url":null,"abstract":"The architecture of Masjids has spread in areas with harsh climates and natural conditions. In previous decades, the Masjid's design was a large flat area with an inner courtyard in the middle. This architectural design of the Masjid was appropriate to the nature of the hot climate. Recently, the design of Masjids became closed and flat areas that lack ventilation and good lighting. The research paper is based on an analytical descriptive study to determine the importance of internal courtyards in historical Masjids in Egypt and the elements that affect the significance of the courtyard in contemporary Masjids. The results show the importance of using the inner courtyard when designing a modern Masjid, which achieves many positive results, regarding the climatic and social aspects, by increasing the thermal and psychological comfort of the prayers.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":"113 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88682133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Great Mosque of Yogyakarta was built in 1773. This mosque has a traditional architectural style. This study investigates the relationship between the mosque's architectural form, the activities inside it, and its acoustic characteristics. It employed quantitative and qualitative methods, including sound pressure level (SPL) measurement, reverberation time, and architectural and activity observations. Acoustic measurements, architectural observations, and activities are conducted inside and outside the mosque from morning to night for one week. The research finding is a spatial continuity pattern identified as the gradation of SPL value. Consistent continuity of SPL values in accordance with the nature of activities hierarchy. The result of this study is to improve mosque noise control by arranging outdoor and indoor spaces in a sustainable manner.
{"title":"Sustainability Relationship Between Space Configuration, Activity Patterns, and Mosque Acoustics Quality","authors":"N. Syamsiyah, Atyanto Dharoko, S. Utami, A. Ayob","doi":"10.18860/jia.v7i2.15121","DOIUrl":"https://doi.org/10.18860/jia.v7i2.15121","url":null,"abstract":"The Great Mosque of Yogyakarta was built in 1773. This mosque has a traditional architectural style. This study investigates the relationship between the mosque's architectural form, the activities inside it, and its acoustic characteristics. It employed quantitative and qualitative methods, including sound pressure level (SPL) measurement, reverberation time, and architectural and activity observations. Acoustic measurements, architectural observations, and activities are conducted inside and outside the mosque from morning to night for one week. The research finding is a spatial continuity pattern identified as the gradation of SPL value. Consistent continuity of SPL values in accordance with the nature of activities hierarchy. The result of this study is to improve mosque noise control by arranging outdoor and indoor spaces in a sustainable manner.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":"254 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73299389","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Intan Khasumarlina Mohd Khalid, N. Ismail, O. M. Tahir
The fast-changing growth of new developments in a Malay Royal Town to create new attractions with various forms of architectural expressions has given a direct impression on the street level, affecting the survival of the buildings along a heritage area. As a result, it will tarnish the original character of the place and disappear the image. A deficit of visual representation for injecting place attachment through the traditional plant motif symbolizes cultural value. This paper aims to identify the qualitative responses to the visual representation of plant motifs in enhancing the royal Town of Kuala Kangsar, conducted semi-structured interview participants based on purposive sampling, including professionals, policymakers, and skilled practitioners categories. The data was analyzed through qualitative coding using Atlas Ti 8.0. The significant findings reveal that the Kalumpang Flower motif, the Melur Flower Motif, and the Motif of Asam Batu leaf is the plant's motif element categorized under the royal image motif, which has a specific meaning related to the historical and cultural background. Most importantly, this finding contributes to assessing the details of the plants' motif representation to assist the city council in preserving the unique and valuable historical heritage of the place image of the Royal Town Kuala Kangsar, Perak.
马来皇家小镇的新发展迅速发展，创造了各种形式的建筑表现形式的新景点，在街道上给人留下了直接的印象，影响了遗产地区建筑的生存。因此，它会玷污地方的原有特征，使图像消失。通过传统的植物主题注入地方依恋的视觉表现的缺失象征着文化价值。本文旨在确定对植物图案视觉表现的定性反应，以增强吉隆坡康沙皇家城，进行了半结构化的访谈参与者，包括专业人士，政策制定者和熟练从业者类别。数据采用Atlas Ti 8.0进行定性编码分析。研究结果表明，Kalumpang Flower motif、Melur Flower motif和Asam Batu leaf motif是属于皇家意象motif的植物motif元素，具有与历史文化背景相关的特定意义。最重要的是，这一发现有助于评估植物主题代表的细节，以协助市议会保护霹雳州皇家城吉隆坡康萨的独特和宝贵的历史遗产。
{"title":"The Synergy of the Traditional Plant Motif and Its Cultural Values in Enhancing Place Identity of the Muslim Royal Town","authors":"Intan Khasumarlina Mohd Khalid, N. Ismail, O. M. Tahir","doi":"10.18860/jia.v7i2.14081","DOIUrl":"https://doi.org/10.18860/jia.v7i2.14081","url":null,"abstract":"The fast-changing growth of new developments in a Malay Royal Town to create new attractions with various forms of architectural expressions has given a direct impression on the street level, affecting the survival of the buildings along a heritage area. As a result, it will tarnish the original character of the place and disappear the image. A deficit of visual representation for injecting place attachment through the traditional plant motif symbolizes cultural value. This paper aims to identify the qualitative responses to the visual representation of plant motifs in enhancing the royal Town of Kuala Kangsar, conducted semi-structured interview participants based on purposive sampling, including professionals, policymakers, and skilled practitioners categories. The data was analyzed through qualitative coding using Atlas Ti 8.0. The significant findings reveal that the Kalumpang Flower motif, the Melur Flower Motif, and the Motif of Asam Batu leaf is the plant's motif element categorized under the royal image motif, which has a specific meaning related to the historical and cultural background. Most importantly, this finding contributes to assessing the details of the plants' motif representation to assist the city council in preserving the unique and valuable historical heritage of the place image of the Royal Town Kuala Kangsar, Perak.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":"4 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74643050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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