Review of: Medieval Monuments of Central Asia: Qarakhanid Architecture of the 11th and 12th Centuries, Richard Piran Mcclary (2020) Edinburgh: Edinburgh University Press, 320 pp., 83 b&w and 161 colour illus., ISBN: 9781474423977, £95 (hardback)
{"title":"Medieval Monuments of Central Asia: Qarakhanid Architecture of the 11th and 12th Centuries, Richard Piran Mcclary (2020)","authors":"B. o'kane","doi":"10.1386/ijia_00105_5","DOIUrl":"https://doi.org/10.1386/ijia_00105_5","url":null,"abstract":"Review of: Medieval Monuments of Central Asia: Qarakhanid Architecture of the 11th and 12th Centuries, Richard Piran Mcclary (2020)\u0000 Edinburgh: Edinburgh University Press, 320 pp., 83 b&w and 161 colour illus., ISBN: 9781474423977, £95 (hardback)","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46394087","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
IJIA’s Dialogues series brings together scholars and practitioners from across varied disciplines for discussions of critical contemporary issues that interrogate the boundaries between architecture, art, anthropology, archaeology, and history. Its second instalment, held as a webinar in January 2022, was hosted by Associate Editor Emily Neumeier and featured Christiane Gruber, Stephennie Mulder, and Fernando Luis Martínez Nespral. Their conversation addressed a number of pressing issues related to the teaching of Islamic art in a wide range of classroom settings. The speakers touched upon the impact of the COVID-19 pandemic, anti-racism and decolonizing initiatives within the field, and the future of several new and ongoing pedagogical endeavours. The following is an edited excerpt from the original discussion.
IJIA的对话系列汇集了来自不同学科的学者和实践者，讨论当代关键问题，质疑建筑、艺术、人类学、考古学和历史之间的界限。它的第二部分于2022年1月以网络研讨会的形式举行，由副主编Emily Neumeier主持，并邀请了Christiane Gruber, Stephennie Mulder和Fernando Luis Martínez Nespral。他们的谈话涉及了与在广泛的课堂环境中教授伊斯兰艺术有关的一些紧迫问题。发言者谈到了2019冠状病毒病大流行的影响、该领域的反种族主义和非殖民化举措，以及几项新的和正在进行的教学工作的未来。以下是经过编辑的原始讨论节选。
{"title":"On Pedagogy: Islamic Art and Architecture in the Classroom","authors":"Emily Neumeier","doi":"10.1386/ijia_00100_7","DOIUrl":"https://doi.org/10.1386/ijia_00100_7","url":null,"abstract":"\u0000 IJIA’s Dialogues series brings together scholars and practitioners from across varied disciplines for discussions of critical contemporary issues that interrogate the boundaries between architecture, art, anthropology, archaeology, and history. Its second instalment, held as a webinar in January 2022, was hosted by Associate Editor Emily Neumeier and featured Christiane Gruber, Stephennie Mulder, and Fernando Luis Martínez Nespral. Their conversation addressed a number of pressing issues related to the teaching of Islamic art in a wide range of classroom settings. The speakers touched upon the impact of the COVID-19 pandemic, anti-racism and decolonizing initiatives within the field, and the future of several new and ongoing pedagogical endeavours. The following is an edited excerpt from the original discussion.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46763837","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Question of Deaccessioning","authors":"Marika Sardar","doi":"10.1386/ijia_00101_7","DOIUrl":"https://doi.org/10.1386/ijia_00101_7","url":null,"abstract":"","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41451634","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: Muslim American City: Gender and Religion in Metro Detroit, Alisa Perkins (2020) New York: New York University Press, 260 pp., 3 b&w illus., ISBN: 9781479892013, $30.00 (paperback)
{"title":"Muslim American City: Gender and Religion in Metro Detroit, Alisa Perkins (2020)","authors":"M. Faleh","doi":"10.1386/ijia_00107_5","DOIUrl":"https://doi.org/10.1386/ijia_00107_5","url":null,"abstract":"Review of: Muslim American City: Gender and Religion in Metro Detroit, Alisa Perkins (2020)\u0000 New York: New York University Press, 260 pp., 3 b&w illus.,\u0000 ISBN: 9781479892013, $30.00 (paperback)","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44207727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Sinan (d.1588) is the most renowned architect of the Ottoman Empire. His buildings, located throughout the eastern Mediterranean, were central to a dynastic and religious architectural heritage that was inherited by a modern and secular Turkish nation state, established in 1923. This article examines how Sinan was refashioned as a national hero in the early decades of the Republic. It focuses on commemorations of Sinan and their major venue: his Süleymaniye Mosque in Istanbul. In my analysis of these commemorations, I draw on a wide and diverse array of primary source materials, including written, photographic, artistic, and other visual materials from the 1930s and 1940s that are located in official, semi-official, and other collections. By doing so, this article reveals how the variety of nationalist approaches to Sinan and his architecture coexisted and competed.
{"title":"Commemorations of Sinan: Creating a National Hero in Turkey in the 1930s","authors":"Ahmet Sezgin","doi":"10.1386/ijia_00096_1","DOIUrl":"https://doi.org/10.1386/ijia_00096_1","url":null,"abstract":"Sinan (d.1588) is the most renowned architect of the Ottoman Empire. His buildings, located throughout the eastern Mediterranean, were central to a dynastic and religious architectural heritage that was inherited by a modern and secular Turkish nation state, established in 1923. This article examines how Sinan was refashioned as a national hero in the early decades of the Republic. It focuses on commemorations of Sinan and their major venue: his Süleymaniye Mosque in Istanbul. In my analysis of these commemorations, I draw on a wide and diverse array of primary source materials, including written, photographic, artistic, and other visual materials from the 1930s and 1940s that are located in official, semi-official, and other collections. By doing so, this article reveals how the variety of nationalist approaches to Sinan and his architecture coexisted and competed.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43612983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: Landed Internationals: Planning Cultures, the Academy and the Making of the Modern Middle East, Burak Erdim (2020) Austin: University of Texas Press, 308 pp., 56 b&w illus., ISBN: 9781477321218, $50 (cloth)
{"title":"Landed Internationals: Planning Cultures, the Academy and the Making of the Modern Middle East, Burak Erdim (2020)","authors":"Si̇bel Bozdoğan","doi":"10.1386/ijia_00108_5","DOIUrl":"https://doi.org/10.1386/ijia_00108_5","url":null,"abstract":"Review of: Landed Internationals: Planning Cultures, the Academy and the Making of the Modern Middle East, Burak Erdim (2020) Austin: University of Texas Press, 308 pp., 56 b&w illus., ISBN: 9781477321218, $50 (cloth)","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43740126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Turkish architect Mualla Eyüboğlu’s career started at the Village Institutes, which were established in the early Republican period (1923–present) to meet Anatolian villages’ needs for modern educational development through hands-on training. As the head and instructor of the Construction Section in the Hasanoğlan Village Institute in 1942, Eyüboğlu worked all over Anatolia, thereby taking part in the construction of modern Turkey. Eyüboğlu’s role as a tutor, designer, and construction supervisor at these Village Institutes was closely linked to broader discussions of national architecture. Since records on this period’s construction processes are rare, this article considers Eyüboğlu’s pedagogical practice, vernacular approach, and criticism of national architecture in the 1940s through the use of Eyüboğlu’s diaries, professional and personal notes, and original drawings from her personal archive. We argue that, despite her position within the Turkish architectural intelligentsia, Eyüboğlu’s experiences with the difficult realities of rural sites led her to question formal training. She did this through her criticism of contemporary architectural and construction practices, which she felt were detached from the concerns and conditions of the villages. Through a hands-on approach to the construction of the Village Institutes, Eyüboğlu believed that national architecture could embrace the needs of people within their geographical and social contexts, as well as regional technological possibilities.
{"title":"Mualla Eyüboğlu’s Work in Village Institutes: A Hands-On Approach to National Architecture in 1940s Turkey","authors":"Işıl Çokuğraş, C. Gençer","doi":"10.1386/ijia_00097_1","DOIUrl":"https://doi.org/10.1386/ijia_00097_1","url":null,"abstract":"Turkish architect Mualla Eyüboğlu’s career started at the Village Institutes, which were established in the early Republican period (1923–present) to meet Anatolian villages’ needs for modern educational development through hands-on training. As the head and instructor of the Construction Section in the Hasanoğlan Village Institute in 1942, Eyüboğlu worked all over Anatolia, thereby taking part in the construction of modern Turkey. Eyüboğlu’s role as a tutor, designer, and construction supervisor at these Village Institutes was closely linked to broader discussions of national architecture. Since records on this period’s construction processes are rare, this article considers Eyüboğlu’s pedagogical practice, vernacular approach, and criticism of national architecture in the 1940s through the use of Eyüboğlu’s diaries, professional and personal notes, and original drawings from her personal archive. We argue that, despite her position within the Turkish architectural intelligentsia, Eyüboğlu’s experiences with the difficult realities of rural sites led her to question formal training. She did this through her criticism of contemporary architectural and construction practices, which she felt were detached from the concerns and conditions of the villages. Through a hands-on approach to the construction of the Village Institutes, Eyüboğlu believed that national architecture could embrace the needs of people within their geographical and social contexts, as well as regional technological possibilities.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42958076","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In 1868, the city of Tehran underwent a new phase of physical transformation and development under the order of the third Qajar king, Naser al-Din Shah (r.1848–96). This article addresses the process of the city’s transformations from the perspective of the local elites in Naseri Tehran, examining how Qajar officials introduced the city’s expansion to the public and the extent to which these efforts measured up to the urban development project as it actually unfolded on the ground. Rooted in primary visual and textual sources, my research provides a historical context for this expansion process and its mechanisms. I demonstrate that the Naseri court projected a vision for Tehran modelled on the rhetoric of European examples. The discourse of turning Tehran into a European-style city was articulated through court chronicles and newspaper articles, especially those written by Mohammad Hasan Khan E’temad al-Saltaneh, a prominent politician and commentator during the Naseri period. By analysing this archival record, maps, and the spatial practices of the city’s residents, I argue that, despite its ultimate formal resemblance to European walled cities, the process of Tehran’s expansion and beautification took a different direction than what Naser al-Din Shah and his court originally envisioned.
{"title":"From Vision to Reality: Tehran’s Urban Expansion Under Naser al-Din Shah (1848–96)","authors":"Samira Fathi","doi":"10.1386/ijia_00095_1","DOIUrl":"https://doi.org/10.1386/ijia_00095_1","url":null,"abstract":"In 1868, the city of Tehran underwent a new phase of physical transformation and development under the order of the third Qajar king, Naser al-Din Shah (r.1848–96). This article addresses the process of the city’s transformations from the perspective of the local elites in Naseri Tehran, examining how Qajar officials introduced the city’s expansion to the public and the extent to which these efforts measured up to the urban development project as it actually unfolded on the ground. Rooted in primary visual and textual sources, my research provides a historical context for this expansion process and its mechanisms. I demonstrate that the Naseri court projected a vision for Tehran modelled on the rhetoric of European examples. The discourse of turning Tehran into a European-style city was articulated through court chronicles and newspaper articles, especially those written by Mohammad Hasan Khan E’temad al-Saltaneh, a prominent politician and commentator during the Naseri period. By analysing this archival record, maps, and the spatial practices of the city’s residents, I argue that, despite its ultimate formal resemblance to European walled cities, the process of Tehran’s expansion and beautification took a different direction than what Naser al-Din Shah and his court originally envisioned.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43020047","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Which Ground Do Your Feet Touch? On the Metaverse, Image, and the Materiality of Architecture","authors":"Ş. Yücel","doi":"10.1386/ijia_00102_7","DOIUrl":"https://doi.org/10.1386/ijia_00102_7","url":null,"abstract":"","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47418600","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Architectural movements such as modernism, postmodernism, and deconstructivism emerged during the twentieth century. These movements drastically affected the discipline of architecture, with such divergences from traditional forms demonstrating how building design could be influenced by architectural history to guide its development. The College of Islamic Studies (CIS), also known as the Minartein, in Doha, Qatar, is an example of how architectural theory can affect building design and create structures that cater to different and novel ideas and philosophies. The unconventional, postmodern, parametric building creates a vital link that unites history, theory, and religion in a modernized form of the traditional Islamic madrasa. This article recounts how the architect, Ali Mangera, has realized the vision of originality, plurality, and contemporaneity through post-deconstructive architecture at the CIS. It also examines how architectural concepts such as abstraction, the juxtaposition of contradicting shapes and forms, surface manipulation and construction, massing techniques, non-rectilinearity, and fragmentation can all contribute to a better understanding of the symbolic significance of the building. The article demonstrates how the use of deconstructive methods for disassembling the architecture of famous madrasas may have influenced the architecture and design complexity of the building.
{"title":"The Rebirth of the Madrasa Through Deconstructive Architecture: The Case of the College of Islamic Studies in Qatar","authors":"Remah Y. Gharib","doi":"10.1386/ijia_00098_1","DOIUrl":"https://doi.org/10.1386/ijia_00098_1","url":null,"abstract":"Architectural movements such as modernism, postmodernism, and deconstructivism emerged during the twentieth century. These movements drastically affected the discipline of architecture, with such divergences from traditional forms demonstrating how building design could be influenced by architectural history to guide its development. The College of Islamic Studies (CIS), also known as the Minartein, in Doha, Qatar, is an example of how architectural theory can affect building design and create structures that cater to different and novel ideas and philosophies. The unconventional, postmodern, parametric building creates a vital link that unites history, theory, and religion in a modernized form of the traditional Islamic madrasa. This article recounts how the architect, Ali Mangera, has realized the vision of originality, plurality, and contemporaneity through post-deconstructive architecture at the CIS. It also examines how architectural concepts such as abstraction, the juxtaposition of contradicting shapes and forms, surface manipulation and construction, massing techniques, non-rectilinearity, and fragmentation can all contribute to a better understanding of the symbolic significance of the building. The article demonstrates how the use of deconstructive methods for disassembling the architecture of famous madrasas may have influenced the architecture and design complexity of the building.","PeriodicalId":41944,"journal":{"name":"International Journal of Islamic Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41412754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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