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The Montpellier Codex. The Final Fascicle. Contents, Contexts, Chronologies , by Catherine A. Bradley and Karen Desmond (Eds.) 蒙彼利埃法典。最后的筋膜。Catherine A.Bradley和Karen Desmond(编辑)
Q2 Arts and Humanities Pub Date : 2022-12-15 DOI: 10.1163/18712428-10203002
M. Fassler
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引用次数: 0
Scribal Collaboration and Gender in a Middle Dutch Song Manuscript and a Rapiarium of the Devotio Moderna 中世纪荷兰歌曲手稿中的抄写合作与性别与现代祈祷的Rapiarium
Q2 Arts and Humanities Pub Date : 2022-12-15 DOI: 10.1163/18712428-bja10043
Cécile de Morrée
This article discusses two important representatives of the manuscript culture of the Devotio Moderna in the late medieval eastern Low Countries (c. 1500): a vernacular devout song manuscript (Berlin, Staatsbibliothek zu Berlin—Preussischer Kulturbesitz mgo 185) and a Middle Dutch rapiarium or collection of various short religious texts (Zwolle, Historisch Centrum Overijssel, Collectie Emmanuelshuizen 13). Both religious multi-text codices, the material similarities between both types of manuscripts have frequently been pointed out but were never studied in detail. These particular manuscripts, however, offer fertile grounds for such a comparison, since both were in part copied by the same—probably female—scribes. Examining the nature and extent of their efforts and collaborations, this article further develops questions and arguments raised in previous scholarship on the production processes of song manuscripts and rapiaria.
本文讨论了中世纪晚期东部低地国家(约1500年)的现代宗教手稿文化的两个重要代表:一个是本土虔诚的歌曲手稿(柏林,Staatsbibliothek zu Berlin——Preussischer Kulturbesitz mgo 185),另一个是荷兰中部的一个收藏馆或各种简短宗教文本的收藏馆(兹沃勒,Overijssel历史中心,Emmanuelshuizen收藏13)。这两部宗教多文本法典,两种手稿之间的材料相似性经常被指出,但从未被详细研究过。然而,这些特殊的手稿为这种比较提供了肥沃的土壤,因为两者在一定程度上都是由同一位——可能是女性——抄写员抄写的。通过考察他们的努力和合作的性质和程度,本文进一步发展了以往学术界对歌曲手稿和强奸曲制作过程提出的问题和争论。
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引用次数: 0
Bellarmino e i Gesuiti a Montepulciano. Studi in occasione del IV centenario della morte di San Roberto (1621–2021) , by Manlio Sodi and Anna Glusiuk (Eds.) 贝拉尔米诺和蒙特普尔恰诺的耶稣会士。Manlio Sodi和Anna Glusiuk(编辑)在圣罗伯托第四个百年纪念活动中的研究(1621-2021)
Q2 Arts and Humanities Pub Date : 2022-12-15 DOI: 10.1163/18712428-10203011
A. Hamilton
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引用次数: 0
A Companion to the Reformation in Geneva , by Jon Balserak (Ed.) 《日内瓦宗教改革之伴》,乔恩·巴尔塞拉克著(编)
Q2 Arts and Humanities Pub Date : 2022-12-15 DOI: 10.1163/18712428-10203009
Karen E. Spierling
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引用次数: 0
De hoge vlucht van het vlugschrift. Brochures als medium in het negentiende-eeuwse debat in Nederland over de moderne theologie , by Ineke Smit 快速飞行。小册子作为19世纪荷兰关于现代神学的辩论的媒介,作者内克·斯密特
Q2 Arts and Humanities Pub Date : 2022-12-15 DOI: 10.1163/18712428-10203014
Leo Kenis
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引用次数: 0
Preaching before a Manly King 在国王面前传教
Q2 Arts and Humanities Pub Date : 2022-12-15 DOI: 10.1163/18712428-bja10052
B. Roest
This article analyses a peculiar misogynist sermon held in 1702 by an unknown, probably Franciscan preacher at the court of Friedrich August, alias August ‘der Starke’, prince-elector of Saxony (r. 1694–1733) and king of Poland (r. 1697–1704/6 & 1709–1733). This sermon, held in the year that Poland faced a Swedish military invasion, laments the many problems of the Polish king and the kingdom of Poland, and puts the blame squarely on the shoulders of the king’s mistresses. This article tries to recreate the immediate context in which this sermon can be situated, and provides an analysis of the argument of the preacher, also as a type of typical anti-feminine discourse in early modern Franciscan pastoral care. At the very end is included a transcript and draft translation of the sermon itself, based on its apparently only surviving text witness included in Ms. iurid. 39 of the Universitäts- und Landesbibliothek Kassel.
本文分析了1702年一位不知名的、可能是方济各会传教士在弗里德里希·奥古斯特(别名奥古斯特·德·斯塔克)、萨克森选帝侯(1694–1733年在位)和波兰国王(1697–1704/6和1709–1733年间在位)的宫廷中举行的一次独特的厌女布道。这场布道是在波兰面临瑞典军事入侵的那一年举行的,它哀叹波兰国王和波兰王国的许多问题,并将责任完全归咎于国王的情妇。本文试图重现这篇布道所处的直接语境,并对传教士的论点进行分析,这也是现代早期方济各会牧师关怀中典型的反女性话语。最后还附上了一份布道本身的文字记录和翻译草稿,基于iurid女士中显然唯一幸存的文本见证。卡塞尔大学的39名学生。
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引用次数: 0
‘The Comfort for the Sick’ as ars moriendi 《病人的慰藉》饰arsmoriendi
Q2 Arts and Humanities Pub Date : 2022-12-15 DOI: 10.1163/18712428-bja10047
Erik de Boer
During the Protestant Reformation of the Churches in the Low Countries the sacrament of extreme unction and rituals surrounding burial were eliminated. The ever-present reality of illness and approaching death, however, kept demanding pastoral care and comfort for the dying. In the 1570s a text was published, Den Siecken Troost (Comfort for the Sick), which found its way into the Reformed books of liturgy. This article researches the author’s identity and itinerary, and also the publication history of his booklet. Although no ecclesiastical body seems to have consented to the inclusion in the liturgical book, its lasting presence until the twenty first century begs the question how the ‘Comfort for the Sick’ came to such prominence.
在低地国家教会的新教改革期间,极端涂油的圣礼和围绕葬礼的仪式被取消了。然而,疾病和接近死亡的现实始终存在,不断要求牧师照顾和安慰垂死的人。1570年代出版了一篇文章《病人的安慰》(Den Siecken Troost),这篇文章被纳入了改革宗的礼拜书中。本文研究了作者的身份和行程,以及他的小册子的出版历史。虽然没有教会团体似乎同意将其包含在礼仪书中,但直到21世纪,它的持续存在都回避了一个问题,即“病人的安慰”是如何变得如此突出的。
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引用次数: 0
Meaning-Making in an Imperial and Papal Context 帝国与教皇语境下的意义建构
Q2 Arts and Humanities Pub Date : 2022-12-15 DOI: 10.1163/18712428-bja10044
Mariëtte Verhoeven
From a diachronic perspective, and considering both textual and visual evidence, this article traces the relic cult of SS Gregory Nazianzen and John Chrysostom. It focuses on two historical contexts, hitherto not compared with each other, in which both the relics and the architectural frame in which they were placed acquired significant additional meaning and value: tenth-century Constantinople and sixteenth- century Rome. I will show how Emperor Constantine VII, in the Holy Apostles, and Pope Gregory XIII, in St. Peter’s, used the same relics as an instrument in a process of meaning-making, thereby asserting their own authority and prestige.
本文从历时的角度,结合文本证据和视觉证据,追溯了SS Gregory Nazianzen和John Chrysostom的遗迹崇拜。它聚焦于两个迄今为止尚未相互比较的历史背景,在这两个历史背景中,文物和它们所处的建筑框架都获得了重要的附加意义和价值:10世纪的君士坦丁堡和16世纪的罗马。我将展示《圣使徒行传》中的君士坦丁七世皇帝和《圣彼得大教堂》中的教皇格雷戈里十三世如何在创造意义的过程中使用相同的遗迹作为工具,从而维护自己的权威和威望。
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引用次数: 0
Who Shaped the Dutch Liturgy? 谁塑造了荷兰的礼拜仪式?
Q2 Arts and Humanities Pub Date : 2022-12-15 DOI: 10.1163/18712428-bja10045
Klaas-Willem de Jong
About 125 years ago, the question of whether a synod established the handed-down classical Reformed Liturgy, and if so, which one, was hotly debated. The answer to this question was important in determining which text should be considered authoritative in the church. It is now clear that the answer has only limited relevance. On the one hand, the text of the Liturgy has certainly been handed down in a broadly correct manner. On the other hand, there is a large number of variations, most of which, however, are of minor importance. The influence of church assemblies on all this is only one factor. This article, therefore, chooses to ask what factors influenced the shape of the Liturgy as it developed in the second half of the sixteenth and the first half of the seventeenth centuries. It names six factors in addition to the (both provincial and national) synods, namely the government, some prominent pastors, local church councils, printers, buyers’ tastes, and local practice.
大约125年前,宗教会议是否建立了传世的经典改革宗礼拜仪式,如果是,是哪一个,这个问题曾引起激烈的争论。这个问题的答案对于决定哪一段经文应该被认为是教会的权威是很重要的。现在很清楚,这个答案的相关性很有限。一方面,礼仪的文本当然以一种大致正确的方式流传下来。另一方面,有大量的变化,然而,其中大多数是次要的。教会集会对这一切的影响只是一个因素。因此,本文将探讨,在16世纪下半叶和17世纪上半叶,是什么因素影响了礼拜仪式的形态。除了(省级和全国性的)主教会议外,它还列出了六个因素,即政府、一些著名的牧师、地方教会理事会、印刷商、买家的品味和当地习俗。
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引用次数: 0
Among Catalogues, Bindings, and Sacred Economies 目录、装订和神圣经济
Q2 Arts and Humanities Pub Date : 2022-07-04 DOI: 10.1163/18712428-bja10040
Mauricio Oviedo Salazar
This article centres on the emblem book Jesus en de Ziel, Een Geestelycke Spiegel voor ’t Gemoed, first published in Amsterdam in 1678, with texts and images composed by Jan Luyken. From the time of its first publication, the book was part of the literary devotional life of the Dutch Republic, undergoing numerous editions and reprints, at least until the final decades of the eighteenth century. Using the information provided by Book Sales Catalogues, the article explores different modes in which Jesus en de Ziel was consumed, paying attention to the material conditions under which the object was provided and acquired by the consumer. The emblem book, as a religious object, was constantly reconfigured and mobilized by their manufacturers, their providers, and by the consumers themselves. I argue that these patterns of consumption, elucidated by the catalogues, can make a fundamental contribution for historical and cultural research on religious practices.
本文以1678年在阿姆斯特丹首次出版的徽章书《Jesus en de Ziel,Een Geestelycke Spiegel voor’t Gemoed》为中心,其文本和图像由Jan Luyken创作。从第一次出版起,这本书就是荷兰共和国文学奉献生活的一部分,经历了无数次的版本和重印,至少直到18世纪的最后几十年。本文利用《图书销售目录》提供的信息,探讨了Jesus en de Ziel的不同消费模式,并关注了消费者提供和获得物品的物质条件。徽章书作为一种宗教物品,不断被制造商、供应商和消费者重新配置和动员。我认为,目录所阐明的这些消费模式可以为宗教实践的历史和文化研究做出根本贡献。
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引用次数: 0
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Church History and Religious Culture
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