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Should Kant Be Viewed as a Public Philosopher? 康德应该被视为公共哲学家吗?
IF 0.1 0 PHILOSOPHY Pub Date : 2023-07-06 DOI: 10.5209/kant.88692
Zachary Vereb
Immanuel Kant is rarely appreciated for his contributions to public philosophy. This is unsurprising, given his dry, technical style, criticism of the popular German philosophy movement, and prolonged silence on religious topics following censorship threats from Frederick William II. Yet Kant’s underappreciation vis-à-vis public philosophy is curious: Not only was he a vocal supporter of the early French Revolution, but he also said much on the public and political value of enlightenment. These ideas come across indirectly in his systematic writings and explicitly in writings for the learned public. This paper focuses on the question as to whether Kant should be viewed as a public philosopher, drawing from recent contributions in Kant scholarship to argue for the affirmative, though in an admittedly qualified sense.
伊曼努尔·康德很少因其对公共哲学的贡献而受到赞赏。考虑到他干巴巴的技术风格,对德国流行哲学运动的批评,以及在腓特烈·威廉二世的审查威胁下对宗教话题的长期沉默,这并不奇怪。然而,康德对-à-vis公共哲学的低估令人好奇:他不仅是早期法国大革命的直言不讳的支持者,而且还对启蒙运动的公共和政治价值发表了许多看法。这些思想间接地出现在他的系统著作中,也明确地出现在他为有学问的公众所写的著作中。本文关注的问题是康德是否应该被视为一个公共哲学家,从康德学术最近的贡献中得出肯定的结论,尽管在一个公认的限定意义上。
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引用次数: 0
Kant und das Projekt der Aufklärung heute Kant和启蒙工作吗
IF 0.1 0 PHILOSOPHY Pub Date : 2023-07-06 DOI: 10.5209/kant.88701
M. Willaschek
Nach einer kurzen Rekapitulation der wichtigsten Aspekte der kantischen Konzeption der Aufklärung und einem Seitenblick auf die Aufklärungskritik Horkheimers und Adornos geht dieser Beitrag der Frage nach, ob Kants Aufklärungskonzeption im Zeitalter von Fake News, Facebook und Filterblasen noch aktuell ist. Ausgangspunkt ist die Frage, was den Impfskeptiker Kant von heutigen radikalen Impfgegnern unterscheidet. Mit Blick auf Kants Aufklärungskonzept wirft das zwei Fragen auf: erstens, was für die Fähigkeit zum Selbstdenken mehr erforderlich ist als der Mut, sich seines Verstandes selbständig zu bedienen; und zweitens, was für den gesellschaftlichen Prozess der Aufklärung mehr erforderlich ist als Meinungs- und Pressefreiheit. Beide Fragen haben eine Kant-kritische Spitze, denn sie richten sich gegen zwei explizite Behauptungen Kants, nämlich dass Unmündigkeit auf einem Mangel des Mutes beruht und dass Aufklärung nicht mehr erfordert als Meinungs- und Pressefreiheit. Doch wie sich zeigen wird, stellt Kant selbst diese Verkürzungen im weiteren Verlauf seiner Überlegungen richtig. Tatsächlich gibt er auf unsere beiden Fragen jeweils dieselbe Antwort, nämlich dass Selbstdenken darin besteht, vernünftigen, allgemein nachvollziehbaren Gründen zu folgen.
本文对霍克海默和阿托品搜索的批评进行了简短的重述,然后询问在虚拟新闻、Facebook和过滤泡沫的时代,肯的教育设计是否依然有效。我们试图在一些问题上找到对疫苗怀疑论者和今天的激进疫苗对手的区别。就拿肯的教育计划来说,它引出了两个问题:第一,比起智力独立运作,什么是能力更需要的?第二,是确保言论及出版自由的全社会所需要的这两个问题都是针对康德提出的两项言论——畸形是缺乏勇气的产物,教育所需要的只是言论和出版自由。但是我们会发现,康德本人后来的计算结果是对的。事实上,他对我们提出的两个问题都有共同的答案,就是自我思考意味着提出合理的、普遍合理的理由。
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引用次数: 0
Una reevaluación de la Dialéctica transcendental 先验辩证法的重新评价
IF 0.1 0 PHILOSOPHY Pub Date : 2023-07-06 DOI: 10.5209/kant.88707
L. Scaglia
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引用次数: 0
Genialidad ilustrada 神奇的插图
IF 0.1 0 PHILOSOPHY Pub Date : 2023-07-06 DOI: 10.5209/kant.88708
Borja Villanueva
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引用次数: 0
Provisionalidad, prudencia y resolución: el espíritu del escepticismo académico en las críticas de Hume y Kant a la metafísica tradicional 暂时性、谨慎与决断:休谟与康德对传统形而上学批判中的学术怀疑论精神
IF 0.1 0 PHILOSOPHY Pub Date : 2023-07-06 DOI: 10.5209/kant.88704
Santiago Roa
Provisionalidad, prudencia y resolución: el espíritu del escepticismo académico en las críticas de Hume y Kant a la metafísica tradicional
暂时性、谨慎与决断:休谟与康德对传统形而上学批判中的学术怀疑论精神
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引用次数: 0
El método en la Teoría pura del Derecho de Kelsen en diálogo con Kant, el Neokantismo y la modernidad 凯尔森与康德、新康德主义与现代性对话中的纯法律理论方法
IF 0.1 0 PHILOSOPHY Pub Date : 2023-07-06 DOI: 10.5209/kant.88696
M. Herszenbaun
El presente trabajo se propone estudiar el método utilizado por Kelsen en su Teoría pura del Derecho. El objetivo es tomarlo como un elemento central para esclarecer la filiación filosófica de Kelsen, particularmente, su relación con Kant, el neokantismo y la tradición moderna y a través de esto comprender aspectos fundamentales de su programa filosófico. Además, sostengo que el método utilizado por Kelsen explica tensiones de su sistema. La utilización de los métodos trascendental y sintético (o análisis conceptual) son incompatibles con el estudio dinámico del Derecho y supone, por tanto, una tensión insalvable entre estática y dinámica y validez y eficacia. Así, sostendré que la tensión mencionada es responsabilidad de un método que sólo puede utilizarse en la esfera estática y cuyos resultados se ven contradichos por las conclusiones obtenidas en la esfera dinámica.
本文的目的是研究凯尔森在他的纯法律理论中所使用的方法。目的是把它作为一个中心元素来澄清凯尔森的哲学从属关系,特别是他与康德、新康德主义和现代传统的关系,并通过它来理解他的哲学计划的基本方面。此外,我认为凯尔森使用的方法解释了他的系统的张力。先验和综合方法(或概念分析)的使用与法律的动态研究是不相容的,因此在静态与动态、有效性与效能之间存在着不可逾越的张力。因此,我认为上述应力是一种方法的责任,这种方法只能在静态球中使用,其结果与在动态球中得到的结论相矛盾。
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引用次数: 0
Philosophy in cosmic sense and human reason in Kant 宇宙哲学与康德的人类理性
IF 0.1 0 PHILOSOPHY Pub Date : 2023-07-06 DOI: 10.5209/kant.88706
Jessica Segesta
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引用次数: 0
Kant y las consecuencias 康德与后果
IF 0.1 0 PHILOSOPHY Pub Date : 2023-07-06 DOI: 10.5209/kant.88762
Osman Choque-Aliaga
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引用次数: 0
Questioning the formalist facet of Kant's approach to music - an application to Mussorgsky, a comparison with Hanslick and a response to Samantha Matherne 质疑康德音乐方法的形式主义方面——对穆索尔斯基的应用,与汉斯利克的比较以及对萨曼莎·马瑟恩的回应
IF 0.1 0 PHILOSOPHY Pub Date : 2023-07-06 DOI: 10.5209/kant.88697
Tiago Sousa
In this article I explore the formalist facet of Kant's theory of music and how this facet can be reconciled with sensory gratification and emotional expression. I argue that 1) Kant does not give us an adequate notion of musical form, 2) the status that Kant gives to sensations in music is not plausible, and 3) the presence of an emotionally expressive component introduces inconsistencies within Kant’s text. Remarks about the status that Kant assigns to sensations in music are illustrated by analyzing a work by Mussorgsky later orchestrated by Ravel. Kant's formalist facet is problematized through a comparison with Eduard Hanslick's musical formalism. I conclude by examining Samantha Matherne's (2014) proposal to reconcile the aforementioned dimensions. I argue that Matherne's "expressive formalism" does not resolve all the inconsistencies and implausibilities it tries to resolve
在这篇文章中,我探讨了康德音乐理论的形式主义方面,以及这方面如何与感官满足和情感表达相协调。我认为,1)康德没有给我们一个关于音乐形式的充分概念,2)康德给予音乐中感觉的地位是不合理的,3)情感表达成分的存在在康德的文本中引入了不一致的地方。关于康德赋予音乐中感觉的地位的评论,可以通过分析穆索尔斯基后来由拉威尔编曲的一部作品来说明。康德的形式主义方面通过与爱德华·汉斯立克的音乐形式主义的比较而受到质疑。最后,我检查了Samantha Matherne(2014)提出的调和上述维度的建议。我认为,马瑟恩的“表现形式主义”并没有解决它试图解决的所有矛盾和不可信
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引用次数: 0
Happiness in Kant’s Practical Philosophy: Morality, Indirect Duties, and Welfare Rights 康德实践哲学中的幸福:道德、间接义务与福利权利
IF 0.1 0 PHILOSOPHY Pub Date : 2023-07-06 DOI: 10.5209/kant.88703
B. Lueck
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引用次数: 0
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Con-textos Kantianos-International Journal of Philosophy
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