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Una teoría crítica de la propiedad. Sobre el diálogo entre María Julia Bertomeu y Nuria Sánchez Madrid 《财产批判理论》。关于maria Julia Bertomeu和Nuria sanchez Madrid之间的对话
IF 0.1 0 PHILOSOPHY Pub Date : 2020-12-10 DOI: 10.5281/ZENODO.4304128
Macarena Marey
En este trabajo intento hacer algunos aportes al dialogo entre Maria Julia Bertomeu y Nuria Sanchez Madrid publicado en  Con-Textos Kantianos  en 2019. Me interesa establecer que la teoria kantiana de la propiedad es una teoria critica que no justifica los derechos de propiedad privada y las relaciones de propiedad existentes sino que sirve para senalar el caracter no absoluto de los derechos de propiedad privada y la necesidad normativa de modificar las relaciones de propiedad existentes.
在这项工作中,我试图对Maria Julia Bertomeu和Nuria Sanchez Madrid之间的对话做出一些贡献,这篇对话发表在2019年的康德文本中。我感兴趣的是建立财产理论kantiana理论批评的是他没有证明私有财产权和现有财产关系不仅适合senalar绝对字符没有私人财产权的法律需要修改现有的所有权关系。
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引用次数: 0
“uma certa falta de urbanidade”. As hesitações de Kant a respeito da música “有点不礼貌”。康德对音乐的犹豫
IF 0.1 0 PHILOSOPHY Pub Date : 2020-12-10 DOI: 10.5281/ZENODO.4304092
Maria João Violante Branco
This paper explores Kant’s ambivalent views on music. It aims to show, on the one hand, how these ambivalences are in line with the modern philosophical reflection on this art; on the other hand, to show their place within Kantian aesthetics, a place that justifies Kant’s hesitations as whether to classify music as beautiful or agreeable, art or mere enjoyment, free or dependent beauty, culture or nature.
本文探讨了康德对音乐的矛盾观点。一方面,它旨在展示这些矛盾心理是如何与现代哲学对这门艺术的反思相一致的;另一方面,为了展示它们在康德美学中的地位,这个地方证明了康德的犹豫是将音乐归类为美丽还是令人愉快、艺术还是纯粹的享受、自由还是依赖的美、文化还是自然。
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引用次数: 0
La estética kantiana como paradigma de la fenomenología de la donación de Jean-Luc Marion 康德美学作为让-吕克·马里恩捐赠现象学的范式
IF 0.1 0 PHILOSOPHY Pub Date : 2020-12-10 DOI: 10.5281/ZENODO.4304124
Stéphan Vinolo
La fenomenologia de la donacion de Jean-Luc Marion presenta, en tanto que fenomenologia, raices husserlianas y heideggerianas incontestables. No obstante, es de recordar que los dos conceptos fundamentales de esta fenomenologia -el don y la saturacion de los fenomenos- provienen de Kant, y mas precisamente de su estetica. Mediante un analisis de la estetica kantiana, el autor muestra el legado kantiano de la fenomenologia de la donacion estableciendo un vinculo entre el fenomeno de revelacion -o saturacion de la saturacion- y lo sublime en Kant. Asi, Marion encuentra en la estetica kantiana la posibilidad de presentar negatividades de manera positiva y por lo tanto la evidencia de su donacion.
让-吕克·马里恩的捐赠现象与现象学一样,具有无可争议的胡塞尔根源和海德格尔根源。然而,值得记住的是,这种现象学的两个基本概念——现象的天赋和饱和——来自康德,更确切地说来自他的美学。通过对康德美学的分析,作者通过在启示现象或饱和现象与康德的崇高现象之间建立联系,展示了捐赠现象学的康德遗产。因此,马里恩在康德美学中找到了以积极的方式呈现消极的可能性,从而找到了他捐赠的证据。
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引用次数: 0
Aesthetic Normativity in Kant’s Account: A Regulative Model 康德阐释中的审美规范性:一种调节模式
IF 0.1 0 PHILOSOPHY Pub Date : 2020-12-10 DOI: 10.5281/ZENODO.4304063
Serena Feloj
The notion of normativity has been key to an actualizing reading of the subjective universality that for Kant characterizes the aesthetic judgment. However, in the scholarly literature little discussion is made, somehow unsurprisingly, of what exactly we should understand by normativity when it comes to Kant’s aesthetics. Recent trends show indeed the tendency to take normativity very broadly to the point of nuancing most of its core meaning. Based on how we speak about normativity in aesthetics, we seem indeed to have accepted that every kind of evaluative process is normative. I will argue that the sentimentalist elements of Kant's account call for a revision of its normative interpretations, for a better framing of its subjective universalism, and finally for a reconsideration of aesthetic normativity in favour of regulativity.
规范性的概念是实现对康德审美判断所特有的主观普遍性的解读的关键。然而,在学术文献中,很少有人讨论康德美学的规范性究竟应该理解什么,这并不奇怪。最近的趋势确实显示出一种趋势,即将规范性非常宽泛地扩展到赋予其大部分核心含义的地步。基于我们在美学中如何谈论规范性,我们似乎确实接受了每一种评价过程都是规范的。我认为,康德的叙述中的感伤主义元素要求对其规范性解释进行修订,更好地构建其主观普遍主义,并最终重新考虑审美规范性,以支持规范性。
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引用次数: 0
Conciencia, ética y derecho 意识、道德和法律
IF 0.1 0 PHILOSOPHY Pub Date : 2020-12-10 DOI: 10.5281/ZENODO.4304164
Vojtěch Kolomý
Resena de: Vigo, Alejandro G.,  Conciencia, etica y derecho. Estudios sobre Kant, Fichte y Hegel , Reason and Normativity, Volume 15, Hildesheim/Zurich/New York, Olms, 2020. 491 pp. ISBN 978-3-487-15929-4.
Resena de:Vigo,Alejandro G.,良心,道德和法律。康德、费希特和黑格尔研究,理性与规范,第15卷,希尔德斯海姆/苏黎世/纽约,奥尔姆斯,2020年。491页。ISBN 978-3-487-15929-4。
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引用次数: 0
Del deber moral a la acción humanizadora: Kant y Levinas 从道德义务到人性化行动:康德和列维纳斯
IF 0.1 0 PHILOSOPHY Pub Date : 2020-12-10 DOI: 10.5281/ZENODO.4304162
A. M. A. Romanillos
Resena de: Tenreiro Rodriguez, Victoria,  Creer en el Otro: La motivacion moral a partir de Kant y Levinas , Valencia, Apeiron Ediciones, 2017, 437 pp. ISBN: 978-84- 17182-51-9.
Resena de:Tenreiro Rodriguez,Victoria,相信他人:康德和列维纳斯的道德动机,瓦伦西亚,Apeiron Edicions,2017,437页。ISBN:978-84-17182-51-9。
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引用次数: 0
Lista de evaluados / List of Reviewers 评估列表/评审人列表
IF 0.1 0 PHILOSOPHY Pub Date : 2020-12-10 DOI: 10.5281/ZENODO.4304168
Ctk Ctk
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引用次数: 0
Normas para autores 作者规则
IF 0.1 0 PHILOSOPHY Pub Date : 2020-12-10 DOI: 10.5281/ZENODO.4304172
Ctk Ctk
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引用次数: 0
Aesthetic Normativity and Knowing How to Go On 审美规范与知道如何继续
IF 0.1 0 PHILOSOPHY Pub Date : 2020-12-10 DOI: 10.5281/ZENODO.4304056
Hannah Ginsborg
This paper addresses a problem about aesthetic normativity raised by Kant. Can aesthetic experiences be appropriate or inappropriate to their objects? And, if so, how is that possible given that, according to Kant, aesthetic experience is not objective? Kant thought the answer to the first question was yes. But his official answer to the second question, in terms of the free play of the faculties, is obscure. The paper offers a clearer answer, inspired by Kant, which invokes Wittgenstein’s notion of “knowing how to go on.” Aesthetic normativity is problematic only on the assumption that claims to the normativity of one’s responses to things must be based on the recognition of objective properties of those things. However, Wittgenstein’s discussion shows that we need not accept that assumption. There can be legitimate claims to the normativity of one’s responses which do not rely on those responses’ reflecting appreciation of objective facts.
本文论述了康德提出的审美规范性问题。审美体验对其对象来说是合适的还是不合适的?如果是这样,那这怎么可能呢根据康德的观点,审美经验不是客观的?康德认为第一个问题的答案是肯定的。但他对第二个问题的官方回答,就能力的自由发挥而言,是模糊的。这篇论文提供了一个更清晰的答案,受到康德的启发,他引用了维特根斯坦的“知道如何继续下去”的概念。审美规范性只有在这样的假设下才会有问题即一个人对事物的反应的规范性必须建立在对这些事物客观属性的认识之上。然而,维特根斯坦的讨论表明,我们不需要接受这种假设。对于一个人的反应的规范性,可以有合法的主张,而不依赖于这些反应对客观事实的反映。
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引用次数: 1
Sobre abismos, pontes e travessias 越过深渊、桥梁和十字路口
IF 0.1 0 PHILOSOPHY Pub Date : 2020-12-10 DOI: 10.5281/ZENODO.4304068
V. Figueiredo
Following the guiding thread given by the metaphors used in the title of this paper and which are recurrent in the texts of the philosopher Immanuel Kant himself as well as in most of his commentators’, I selected some themes that the Critique of the Power of Judgment offers us to think about and which remain relevant today: system, critique, reflection, the sublime, and a certain concept of humanity. I have prioritized both Portuguese and Brazilian interpreters without disregarding French authors, everlasting allies, who inspire me since the beginning of my studies.
根据本文标题中使用的隐喻所提供的指导线索,以及在哲学家伊曼努尔·康德本人以及他的大多数评论家的文本中反复出现的隐喻,我选择了《判断力批判》提供给我们思考的一些主题,这些主题在今天仍然相关:系统,批判,反思,崇高和某种人类概念。我优先考虑葡萄牙语和巴西语的翻译,但没有忽视法国作家,他们是我永远的盟友,从我开始学习起就激励着我。
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引用次数: 0
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Con-textos Kantianos-International Journal of Philosophy
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