RESUMEN: En este artículo se analizan las referencias espaciales y temporales de la Nueva filosofía de la naturaleza del hombre (1587), obra compuesta de siete diálogos. A pesar de que este tipo de indicaciones no son indispensables en el diálogo, aquellas que presenta el texto de Sabuco sirven para reforzar dos características esenciales del género: por un lado, ayudan a simular el transcurso de una conversación real; por otro, junto a otros elementos ficcionales, se colocan al servicio del proceso argumentativo. ABSTRACT: This article analyses the references to space and time in Sabuco’s New Philosophy of Human Nature (1587), a book composed of seven dialogues. Despite these specifications not being necessarily required in dialogues, those of Sabuco’s text serve to reinforce two essential features of this genre: on the one hand, they help simulate the illusion of a real conversation taking place; on the other hand, along with other fictional elements, they are subordinated to the argumentative process.
{"title":"El espacio y el tiempo en la Nueva filosofía de la naturaleza del hombre (1587), de Oliva o Miguel Sabuco","authors":"Catalina García-Posada Rodríguez","doi":"10.51472/jeso20211031","DOIUrl":"https://doi.org/10.51472/jeso20211031","url":null,"abstract":"RESUMEN: \u0000En este artículo se analizan las referencias espaciales y temporales de la Nueva filosofía de la naturaleza del hombre (1587), obra compuesta de siete diálogos. A pesar de que este tipo de indicaciones no son indispensables en el diálogo, aquellas que presenta el texto de Sabuco sirven para reforzar dos características esenciales del género: por un lado, ayudan a simular el transcurso de una conversación real; por otro, junto a otros elementos ficcionales, se colocan al servicio del proceso argumentativo. \u0000\u0000ABSTRACT: \u0000This article analyses the references to space and time in Sabuco’s New Philosophy of Human Nature (1587), a book composed of seven dialogues. Despite these specifications not being necessarily required in dialogues, those of Sabuco’s text serve to reinforce two essential features of this genre: on the one hand, they help simulate the illusion of a real conversation taking place; on the other hand, along with other fictional elements, they are subordinated to the argumentative process.","PeriodicalId":42019,"journal":{"name":"Janus-Estudios Sobre El Siglo de Oro","volume":"222 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75629339","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
RESUMEN: Se estudia la caracterización genérica de Fineza contra fineza, una fiesta cortesana de Calderón estrenada en 1671. Aunque su condición de comedia mitológica resulta evidente por la aparición del dios Cupido, el tiempo mítico de la acción y su ubicación en la Grecia clásica, en su trama se registran abundantes elementos palatinos (personajes nobles, un amor cortés y refinado, una exigente ética del honor, el conflicto entre lealtad, amistad y amor, y diversas fórmulas de enredo: confusión de identidades, fingimientos, disimulaciones, secretos) y de capa y espada (un paso de “fantasma”, la función cómica de los personajes nobles y escenas de metateatro jocoso). Ello muestra el extraordinario dominio de las convenciones de los distintos géneros dramáticos por parte de Calderón, pues fue capaz de combinarlas sabiamente en esta comedia. ABSTRACT: This paper studies the generic characterization of Fineza contra fineza, a Calderón´s courtly festival performed for the first time in 1671. Although the classification as a mythological comedy is evident from the appearance of the god Cupid, the mythical time of action and the location in classical Greece, in the plot there are many palatine elements (noble characters, a courtly and refined love, a demanding ethic of honour, the conflict between loyalty, friendship and love, and some techniques of entanglement: identity confusion, simulations, dissimulations, secrets) and also typical features of cloak and sword plays (a “fantasma” scene, the comic role of noble characters and humorous metatheatre). This shows the extraordinary command of the conventions of all dramatic genres by Calderón, since he was wisely able to combine them in this comedy.
摘要:本文研究了calderon 1671年首演的宫廷盛宴《Fineza contra Fineza》的一般特征。虽然其喜剧神话的地位似乎明显出现的神箭,行动的虚构时间和地点在古典希腊、在他的故事情节发生大量palatinos元素(崇高的人物,一个爱彬彬有礼和细化,严格的道德荣誉、忠诚、友谊和爱之间的冲突和多种并发症公式:身份、伪装、伪装、秘密的混乱)和斗篷和剑(“幽灵”的一步，高贵人物的喜剧功能和幽默的元剧场场景)。这显示了calderon对不同戏剧流派的惯例的非凡掌握，因为他能够在这部喜剧中明智地将它们结合起来。ABSTRACT: This paper》《对精致,精致的通用characterization德龙´s courtly节日方面for the first time in 1671。尽管分类作为mythological comedy is evident from the appearance of the god Cupid, the mythical action and the location in time of classical希腊,许多palatine in the plot there are elements (characters高尚、courtly and refined爱demanding荣ethic, the conflict loyalty,友谊与爱,和某些技术entanglement:identity混乱,simulations dissimulations、机密)和也typical特写of cloak and剑plays(鬼场景,漫画role of高贵characters and humorous metatheatre)。这是卡尔德龙所有戏剧流派的特别命令，因为他可以在这个喜剧中把它们结合起来。
{"title":"Elementos mitológicos, palatinos y de capa y espada en Fineza contra fineza, una fiesta cortesana de Calderón","authors":"María José Tobar Quintanar","doi":"10.51472/jeso20211030","DOIUrl":"https://doi.org/10.51472/jeso20211030","url":null,"abstract":"RESUMEN: \u0000Se estudia la caracterización genérica de Fineza contra fineza, una fiesta cortesana de Calderón estrenada en 1671. Aunque su condición de comedia mitológica resulta evidente por la aparición del dios Cupido, el tiempo mítico de la acción y su ubicación en la Grecia clásica, en su trama se registran abundantes elementos palatinos (personajes nobles, un amor cortés y refinado, una exigente ética del honor, el conflicto entre lealtad, amistad y amor, y diversas fórmulas de enredo: confusión de identidades, fingimientos, disimulaciones, secretos) y de capa y espada (un paso de “fantasma”, la función cómica de los personajes nobles y escenas de metateatro jocoso). Ello muestra el extraordinario dominio de las convenciones de los distintos géneros dramáticos por parte de Calderón, pues fue capaz de combinarlas sabiamente en esta comedia. \u0000\u0000ABSTRACT: \u0000This paper studies the generic characterization of Fineza contra fineza, a Calderón´s courtly festival performed for the first time in 1671. Although the classification as a mythological comedy is evident from the appearance of the god Cupid, the mythical time of action and the location in classical Greece, in the plot there are many palatine elements (noble characters, a courtly and refined love, a demanding ethic of honour, the conflict between loyalty, friendship and love, and some techniques of entanglement: identity confusion, simulations, dissimulations, secrets) and also typical features of cloak and sword plays (a “fantasma” scene, the comic role of noble characters and humorous metatheatre). This shows the extraordinary command of the conventions of all dramatic genres by Calderón, since he was wisely able to combine them in this comedy.","PeriodicalId":42019,"journal":{"name":"Janus-Estudios Sobre El Siglo de Oro","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75326575","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
RESUMEN: Víctor Infantes (1950-2016), con evidentes tintes autobiográficos, afirmó que “[a]l bibliófilo […] le van sanando (siempre momentáneamente) como dosis terapéuticas las piezas acumuladas y [que] al final de su vida puede decirse que cuantas más dosis ha consumido más feliz [ha sido]” (2016: 12). Pero él no pudo, como ningún otro bibliófilo del pasado (o del futuro), ingerir “la farmacopea [bibliográfica] universal”, es más, en uno de sus últimos trabajos se seguía lamentando de haber tenido “una espina clavada” durante décadas, la de no haberse visto las caras con el fotógrafo y también bibliófilo José Sancho Rayón (1830-1900), uno de los personajes a los que consagró muchos (y apasionantes) años de estudio. En esta nota-homenaje, se recuerda esa búsqueda vital y se salda (simbólicamente) esa deuda bibliográfica con la identificación del desconocido rostro. ABSTRACT: Víctor Infantes (1950-2016), with evident autobiographical traits, affirmed that “the bibliophile is momentarily cured by the accumulated pieces, which are like therapeutic doses, and at the end of his life one can say that he has been happier if more doses he has consumed” (2016: 12). But he was unable, like no other bibliophile of the past (or of the future), to ingest “the universal bibliographic pharmacopoeia”; in fact, in one of his last works he lamented having had “a thorn in his side” for decades, that of not having seen the face of the photographer and bibliophile José Sancho Rayón (1830-1900), one of the figures to whom he devoted many years of study. This note-tribute recalls this vital search and symbolically settles this bibliographical debt with the identification of the only photograph of Sancho Rayón known to date.
{"title":"Saldando una deuda pendiente con Víctor Infantes: la desconocida fotografía de José Sancho Rayón","authors":"Jon Zabala","doi":"10.51472/jeso20211029","DOIUrl":"https://doi.org/10.51472/jeso20211029","url":null,"abstract":"RESUMEN: \u0000Víctor Infantes (1950-2016), con evidentes tintes autobiográficos, afirmó que “[a]l bibliófilo […] le van sanando (siempre momentáneamente) como dosis terapéuticas las piezas acumuladas y [que] al final de su vida puede decirse que cuantas más dosis ha consumido más feliz [ha sido]” (2016: 12). Pero él no pudo, como ningún otro bibliófilo del pasado (o del futuro), ingerir “la farmacopea [bibliográfica] universal”, es más, en uno de sus últimos trabajos se seguía lamentando de haber tenido “una espina clavada” durante décadas, la de no haberse visto las caras con el fotógrafo y también bibliófilo José Sancho Rayón (1830-1900), uno de los personajes a los que consagró muchos (y apasionantes) años de estudio. En esta nota-homenaje, se recuerda esa búsqueda vital y se salda (simbólicamente) esa deuda bibliográfica con la identificación del desconocido rostro. \u0000\u0000ABSTRACT: \u0000Víctor Infantes (1950-2016), with evident autobiographical traits, affirmed that “the bibliophile is momentarily cured by the accumulated pieces, which are like therapeutic doses, and at the end of his life one can say that he has been happier if more doses he has consumed” (2016: 12). But he was unable, like no other bibliophile of the past (or of the future), to ingest “the universal bibliographic pharmacopoeia”; in fact, in one of his last works he lamented having had “a thorn in his side” for decades, that of not having seen the face of the photographer and bibliophile José Sancho Rayón (1830-1900), one of the figures to whom he devoted many years of study. This note-tribute recalls this vital search and symbolically settles this bibliographical debt with the identification of the only photograph of Sancho Rayón known to date.","PeriodicalId":42019,"journal":{"name":"Janus-Estudios Sobre El Siglo de Oro","volume":"111 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91392689","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
RESUMEN: A partir de los avances realizados en los estudios de cultura visual a lo largo de los últimos treinta años, se describen las técnicas ecfrásticas adoptadas por Salas Barbadillo en El curioso y sabio Alejandro, fiscal y juez de vidas ajenas (1634), una colección de seis relatos insertados en un marco narrativo representado por una galería de retratos. Al disponer solamente de los epítomes que describen los personajes retratados, se estudiará cómo las relaciones semánticas que se establecen entre textualidad y visualidad, y los procesos de verbalización visual estimulan la estipulación de un pacto de comunicación y colaboración entre el autor y el público lector. ABSTRACT: Starting from the advances carried out in the visual culture studies over the last thirty years, the article deals with the ecphrastic techniques adopted by Salas Barbadillo in El curioso y sabio Alejandro, fiscal y juez de vidas ajenas (1634), that is a collection of six short stories inserted in a narrative framework represented by a gallery of portraits. Since we only have the epitomes related to the painted characters, this work studies the semantic relationships established between textuality and visuality, and the visual verbalization processes that stimulate the stipulation of a communicative and collaborative pact between the author and the reading public.
摘要:从视觉文化研究取得了进展,但是在过去30年,说明了技术ecfrásticas好奇Barbadillo房采取明智的和亚历杭德罗,检察官和法官以外的生活(1634),一系列的六个故事插入一个叙事框架由一个肖像画廊。在本文中，我们将研究在文本和视觉之间建立的语义关系，以及视觉语言化过程如何刺激作者和读者之间的沟通和合作协议的规定。ABSTRACT: Starting from the视觉文化研究的advances in the over the月thirty, the条deals with the ecphrastic技术由Barbadillo室通过聪明的人很好奇亚历山大以外,检察官和法官的生命(1634),that is a collection of六短故事的in a framework的by a gallery of narrative肖像。由于我们只有与所画人物相关的史诗，本文研究了文本与视觉之间建立的语义关系，以及激发作者与读者之间交流与合作协议的视觉语言化过程。
{"title":"Textualidad y visualidad en El curioso y sabio Alejandro, fiscal y juez de vidas ajenas de Alonso Jerónimo Salas Barbadillo","authors":"Daniela Santonocito","doi":"10.51472/jeso20211026","DOIUrl":"https://doi.org/10.51472/jeso20211026","url":null,"abstract":"RESUMEN: \u0000A partir de los avances realizados en los estudios de cultura visual a lo largo de los últimos treinta años, se describen las técnicas ecfrásticas adoptadas por Salas Barbadillo en El curioso y sabio Alejandro, fiscal y juez de vidas ajenas (1634), una colección de seis relatos insertados en un marco narrativo representado por una galería de retratos. Al disponer solamente de los epítomes que describen los personajes retratados, se estudiará cómo las relaciones semánticas que se establecen entre textualidad y visualidad, y los procesos de verbalización visual estimulan la estipulación de un pacto de comunicación y colaboración entre el autor y el público lector. \u0000ABSTRACT: \u0000Starting from the advances carried out in the visual culture studies over the last thirty years, the article deals with the ecphrastic techniques adopted by Salas Barbadillo in El curioso y sabio Alejandro, fiscal y juez de vidas ajenas (1634), that is a collection of six short stories inserted in a narrative framework represented by a gallery of portraits. Since we only have the epitomes related to the painted characters, this work studies the semantic relationships established between textuality and visuality, and the visual verbalization processes that stimulate the stipulation of a communicative and collaborative pact between the author and the reading public.","PeriodicalId":42019,"journal":{"name":"Janus-Estudios Sobre El Siglo de Oro","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78243121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
espanolEn este trabajo se presenta el manuscrito de la Biblioteca Serrano Morales de Valencia que incluye un testimonio del siglo XVI del Dialogo de la lengua de Juan de Valdes. Se describen los poseedores del testimonio, sus rasgos materiales y su relacion con las otras obras que transmite el codice; se expone tambien la posicion de este manuscrito dentro del estema de la tradicion textual del Dialogo. El manuscrito fue el utilizado por Gregorio Mayans para hacer su edicion del Dialogo y presenta glosas de Jeronimo Zurita. EnglishThis work describes a manuscript of the Serrano Morales Library in Valencia, which includes a 16th copy of the Dialogue of the language by Juan de Valdes. We present the owners of the manuscript, its material features and its relationship with other works transmitted by the codex; it is also explained the position of this manuscript within the stemma of the textual tradition of the Dialogue. The manuscript was the one used by Gregorio Mayans to make his edition of the Dialogue and presents glosses by Jeronimo Zurita.
这本书展示了瓦伦西亚塞拉诺莫拉莱斯图书馆的手稿，其中包括16世纪胡安·德·瓦尔德斯的语言对话的见证。描述证词的持有者、他们的物质特征以及他们与法典所传达的其他作品的关系;在这篇文章中，我们提出了一种方法，在这种方法中，对话的文本传统被理解为一种文本传统，在这种传统中，对话的文本传统被理解为一种文本传统。这份手稿是格雷戈里奥·玛雅人用来编辑对话的，并以Jeronimo Zurita的注释为特色。EnglishThis工作描述manuscript Serrano道德Library of the in Valencia, which包括精简copy of the Dialogue of the language by Juan de越来越严重。我们介绍原稿的拥有者、原稿的内容特点以及原稿与抄本所传递的其他作品的关系;it is还解释说the position of this manuscript within the stemma of the tradition of the Dialogue的文本。The manuscript was The one采用的葛Mayans to make的edition of The Dialogue and代表glosses by感染性leonilda。
{"title":"Un nuevo testimonio manuscrito para la historia del \"Diálogo de la lengua: V\" y la edición de Mayans","authors":"Lola Pons Rodríguez","doi":"10.51472/JESO20211027","DOIUrl":"https://doi.org/10.51472/JESO20211027","url":null,"abstract":"espanolEn este trabajo se presenta el manuscrito de la Biblioteca Serrano Morales de Valencia que incluye un testimonio del siglo XVI del Dialogo de la lengua de Juan de Valdes. Se describen los poseedores del testimonio, sus rasgos materiales y su relacion con las otras obras que transmite el codice; se expone tambien la posicion de este manuscrito dentro del estema de la tradicion textual del Dialogo. El manuscrito fue el utilizado por Gregorio Mayans para hacer su edicion del Dialogo y presenta glosas de Jeronimo Zurita. EnglishThis work describes a manuscript of the Serrano Morales Library in Valencia, which includes a 16th copy of the Dialogue of the language by Juan de Valdes. We present the owners of the manuscript, its material features and its relationship with other works transmitted by the codex; it is also explained the position of this manuscript within the stemma of the textual tradition of the Dialogue. The manuscript was the one used by Gregorio Mayans to make his edition of the Dialogue and presents glosses by Jeronimo Zurita.","PeriodicalId":42019,"journal":{"name":"Janus-Estudios Sobre El Siglo de Oro","volume":"1 1","pages":"508-541"},"PeriodicalIF":0.0,"publicationDate":"2021-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44489269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this research I aim to revise the list of editions of the Spanish Golden Ages recipe book by Francisco Martinez Montino, removing two ghosts editions and adding an edition from Valencia.
{"title":"El Arte de cozina […] de Montiño (1611): dos ediciones valencianas de 1705 y dos ediciones fantasma","authors":"A. García","doi":"10.51472/JESO20211025","DOIUrl":"https://doi.org/10.51472/JESO20211025","url":null,"abstract":"In this research I aim to revise the list of editions of the Spanish Golden Ages recipe \u0000book by Francisco Martinez Montino, removing two ghosts editions and adding an \u0000edition from Valencia.","PeriodicalId":42019,"journal":{"name":"Janus-Estudios Sobre El Siglo de Oro","volume":"1 1","pages":"489-500"},"PeriodicalIF":0.0,"publicationDate":"2021-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47275653","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
RESUMEN: Las dos entregas de Honesto y entretenido sarao (1637 y 1647) son fruto de un planteamiento trabado, en el que la escritora hace literatura sobre cómo hacer literatura. El topos elegido (un sitio semi-privado), la reunión de varios personajes y el tono usado en un sarao con tintes de discusiones académicas obedecen a la finalidad de reflexionar sobre la literatura en sí y sobre el mundo literario. Zayas introduce sus reflexiones sobre la literatura en su propia creación literaria convirtiéndolas en un factor importante en la articulación narrativa de las dos partes de su obra. ABSTRACT: The two parts of Honesto y entretenido sarao (1637 and 1647) is a result of a meticulous approach, in which Zayas writes about "how to write". The chosen topos (a semi-private place), the reunion of various characters and the tone used in the soiree with overtones of academic discussions comply with her purpose of reflecting her thoughts about literature and the literary world. Zayas, introduces her reflections on literature in her own literary creation in a unitary structure of the two Saraos.
{"title":"“Aunque las mujeres no son Homeros con basquiñas y enaguas y Virgilios con moño…”: Zayas y su arte de novelar","authors":"Emre Özmen","doi":"10.51472/jeso20211024","DOIUrl":"https://doi.org/10.51472/jeso20211024","url":null,"abstract":"RESUMEN: \u0000Las dos entregas de Honesto y entretenido sarao (1637 y 1647) son fruto de un planteamiento trabado, en el que la escritora hace literatura sobre cómo hacer literatura. El topos elegido (un sitio semi-privado), la reunión de varios personajes y el tono usado en un sarao con tintes de discusiones académicas obedecen a la finalidad de reflexionar sobre la literatura en sí y sobre el mundo literario. Zayas introduce sus reflexiones sobre la literatura en su propia creación literaria convirtiéndolas en un factor importante en la articulación narrativa de las dos partes de su obra. \u0000ABSTRACT: \u0000The two parts of Honesto y entretenido sarao (1637 and 1647) is a result of a meticulous approach, in which Zayas writes about \"how to write\". The chosen topos (a semi-private place), the reunion of various characters and the tone used in the soiree with overtones of academic discussions comply with her purpose of reflecting her thoughts about literature and the literary world. Zayas, introduces her reflections on literature in her own literary creation in a unitary structure of the two Saraos.","PeriodicalId":42019,"journal":{"name":"Janus-Estudios Sobre El Siglo de Oro","volume":"58 11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86857593","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-25DOI: 10.30965/9783846764862_015
{"title":"El imaginario bíblico como vehículo de cuestionamiento al poder político: el caso de Pedro de Urdemalas","authors":"","doi":"10.30965/9783846764862_015","DOIUrl":"https://doi.org/10.30965/9783846764862_015","url":null,"abstract":"","PeriodicalId":42019,"journal":{"name":"Janus-Estudios Sobre El Siglo de Oro","volume":"34 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77246347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-25DOI: 10.30965/9783846764862_004
{"title":"La construcción del poder político entre espejo de príncipes y guía moral – Calila e Dimna (1251) y Exemplario contra los engaños y peligros del mundo (1493)","authors":"","doi":"10.30965/9783846764862_004","DOIUrl":"https://doi.org/10.30965/9783846764862_004","url":null,"abstract":"","PeriodicalId":42019,"journal":{"name":"Janus-Estudios Sobre El Siglo de Oro","volume":"63 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83080020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-08-25DOI: 10.30965/9783846764862_010
{"title":"Hércules hispánico. La dimensión política de Fieras afemina amor, de Calderón, en el contexto de la retórica iconográfica bajo Carlos II","authors":"","doi":"10.30965/9783846764862_010","DOIUrl":"https://doi.org/10.30965/9783846764862_010","url":null,"abstract":"","PeriodicalId":42019,"journal":{"name":"Janus-Estudios Sobre El Siglo de Oro","volume":"94 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83087702","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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