Pub Date : 2023-06-22DOI: 10.7203/scripta.21.26818
Josep Capdeferro
Resum: Insospitadament, en una col·lecció jurisprudencial de prestigi emanada dels cancellers de la Catalunya moderna, diversos criminals que buscaven la protecció de l’asil eclesiàstic van ser designats amb els seus malnoms respectius, a més de nom i cognom i, sovint, altres circumstàncies identificatives. Així, es constata l’arrelament profund d’aquest mecanisme popular per designar les persones (de certa extracció social?). La majoria dels 75 malnoms localitzats eren graciosos i corresponien a trets d’origen, caracterització o complementaris dels delinqüents respectius. Només alguns resulten totalment enigmàtics als ulls contemporanis (quelcom ben comprensible, n’hi ha que tenen una component arbitrària o atzarosa).Paraules clau: malnoms, Catalunya, barroc, canceller, justícia, arbitrarietatAbstract: Unexpectedly, in a prestigious collection of sentences issued by the chancellors of early modern Catalonia, several malefactors who sought the protection of ecclesiastical asylum were designated by their respective nicknames, in addition to their first and last names and, often, other identifying circumstances. Thus, the deep rootedness of this popular mechanism to designate people (of a certain social extraction?) is confirmed. Most of the seventy-five nicknames found are quite funny and provide information on the origin, characterization or complementary elements of the offenders. Only some are totally enigmatic to contemporary eyes (which is quite understandable, they often had an arbitrary or random component).Keywords: nicknames, Catalonia, earlymodern, chancellor, justice, arbitrariness
{"title":"Malnoms graciosos de criminals desgraciats entre les sentències de contenció del canceller de Catalunya (segles XVI-XVII)","authors":"Josep Capdeferro","doi":"10.7203/scripta.21.26818","DOIUrl":"https://doi.org/10.7203/scripta.21.26818","url":null,"abstract":"Resum: Insospitadament, en una col·lecció jurisprudencial de prestigi emanada dels cancellers de la Catalunya moderna, diversos criminals que buscaven la protecció de l’asil eclesiàstic van ser designats amb els seus malnoms respectius, a més de nom i cognom i, sovint, altres circumstàncies identificatives. Així, es constata l’arrelament profund d’aquest mecanisme popular per designar les persones (de certa extracció social?). La majoria dels 75 malnoms localitzats eren graciosos i corresponien a trets d’origen, caracterització o complementaris dels delinqüents respectius. Només alguns resulten totalment enigmàtics als ulls contemporanis (quelcom ben comprensible, n’hi ha que tenen una component arbitrària o atzarosa).Paraules clau: malnoms, Catalunya, barroc, canceller, justícia, arbitrarietatAbstract: Unexpectedly, in a prestigious collection of sentences issued by the chancellors of early modern Catalonia, several malefactors who sought the protection of ecclesiastical asylum were designated by their respective nicknames, in addition to their first and last names and, often, other identifying circumstances. Thus, the deep rootedness of this popular mechanism to designate people (of a certain social extraction?) is confirmed. Most of the seventy-five nicknames found are quite funny and provide information on the origin, characterization or complementary elements of the offenders. Only some are totally enigmatic to contemporary eyes (which is quite understandable, they often had an arbitrary or random component).Keywords: nicknames, Catalonia, earlymodern, chancellor, justice, arbitrariness","PeriodicalId":42654,"journal":{"name":"Scripta-Revista Internacional de Literatura i Cultura Medieval i Moderna-International Journal of Medieval & Modern Literature & Culture","volume":"193 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75534717","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-22DOI: 10.7203/scripta.21.26841
E. Prat, Pep Vila Medinya
Resum: Editem i anotem un plec solt del segle xvii (Barcelona, Sebastià i Jaume Mathevat, 1627), de contingut poètic i tema nadalenc, que mai no havia estat reimprès malgrat la seva qualitat literària, i del qual existeixen almenys tres exemplars. És una obra firmada però d’autor desconegut, reelaboració culta, amb elements doctrinals i moralizadors, d’un gènere de caràcter essencialment tradicional.Paraules clau: plec solt poètic, refrany-bagatel·la, Rafel Ribella, segle xvii, poema nadalenc.Abstract: Annotated edition of a four page poetic chapbook from the 17th century (Barcelona, Sebastià i Jaume Mathevat, 1627), a Christmas poem, never reprinted despite its literary quality. At least three copies are known as preserved. It is a signed work but the author is completely unknown to us, a cultured reworking of a traditional genre, a cultured reworking of a traditional genre, with addition of doctrinal and moralizing elements. Keywords: Four page poetic chapbook, nonsense rhyming word, Rafel Ribella, 17th century, Christmas poem.
{"title":"«Casament de Nostra Senyora i la Nativitat del Senyor» (1627), de Rafel Ribella. Edició i estudi d’un plec solt poètic mai reimprès","authors":"E. Prat, Pep Vila Medinya","doi":"10.7203/scripta.21.26841","DOIUrl":"https://doi.org/10.7203/scripta.21.26841","url":null,"abstract":"Resum: Editem i anotem un plec solt del segle xvii (Barcelona, Sebastià i Jaume Mathevat, 1627), de contingut poètic i tema nadalenc, que mai no havia estat reimprès malgrat la seva qualitat literària, i del qual existeixen almenys tres exemplars. És una obra firmada però d’autor desconegut, reelaboració culta, amb elements doctrinals i moralizadors, d’un gènere de caràcter essencialment tradicional.Paraules clau: plec solt poètic, refrany-bagatel·la, Rafel Ribella, segle xvii, poema nadalenc.Abstract: Annotated edition of a four page poetic chapbook from the 17th century (Barcelona, Sebastià i Jaume Mathevat, 1627), a Christmas poem, never reprinted despite its literary quality. At least three copies are known as preserved. It is a signed work but the author is completely unknown to us, a cultured reworking of a traditional genre, a cultured reworking of a traditional genre, with addition of doctrinal and moralizing elements. Keywords: Four page poetic chapbook, nonsense rhyming word, Rafel Ribella, 17th century, Christmas poem.","PeriodicalId":42654,"journal":{"name":"Scripta-Revista Internacional de Literatura i Cultura Medieval i Moderna-International Journal of Medieval & Modern Literature & Culture","volume":"66 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81390711","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-22DOI: 10.7203/scripta.21.26803
Maria de los Ángeles Herrero Herrero
Resum: L’article és una aproximació al treball de recerca de religioses amb fama de santedat, algunes amb perfil místic, i escriptores sota el mandat del confessor espiritual que es contextualitzen en el corrent de publicacions de vides de sants i repertoris hagiogràfics, de gran apogeu a l’edat moderna. Teresa de San Bruno (1655-1722) abadessa i fundadora, esdevé un exemple singular en tant que va ser una religiosa que participà en l’empresa dels escrits sota el mandat del confessor, però, com a observadora de la mare Gertrudis de la Santísima Trinidad (1660-1736).Paraules clau: Teresa de San Bruno, Gertrudis María de la Santísima Trinidad, biografies de religioses, escriptura per mandat, edat moderna.Abstract: This paper is an approach to the research work of religious women with a reputation for sanctity, nuns with a mystical profile, and writers in obedience of the spiritual confessor who are framed within the stream of publications of saints’ lives and hagiographic repertoires, of great apogee in the Early modern age. Teresa de San Bruno (1655-1722) abbess, monastery founder and biographer by obedience becomes an example of a religious who participated in the enterprise of the writings under the mandate of the confessor, but as an observer of Gertrudis María de la Santísima Trinidad (1660-1736).Keywords: Teresa de San Bruno; Gertrudis María de la Santísima Trinidad; biographies of nuns; writings in obedience; early modern period.
{"title":"Escrits per obediència com a testimoni d’autories: les vides de Teresa de San Bruno (1655-1722) i Gertrudis María de la Santísima Trinidad (1660-1736)","authors":"Maria de los Ángeles Herrero Herrero","doi":"10.7203/scripta.21.26803","DOIUrl":"https://doi.org/10.7203/scripta.21.26803","url":null,"abstract":"Resum: L’article és una aproximació al treball de recerca de religioses amb fama de santedat, algunes amb perfil místic, i escriptores sota el mandat del confessor espiritual que es contextualitzen en el corrent de publicacions de vides de sants i repertoris hagiogràfics, de gran apogeu a l’edat moderna. Teresa de San Bruno (1655-1722) abadessa i fundadora, esdevé un exemple singular en tant que va ser una religiosa que participà en l’empresa dels escrits sota el mandat del confessor, però, com a observadora de la mare Gertrudis de la Santísima Trinidad (1660-1736).Paraules clau: Teresa de San Bruno, Gertrudis María de la Santísima Trinidad, biografies de religioses, escriptura per mandat, edat moderna.Abstract: This paper is an approach to the research work of religious women with a reputation for sanctity, nuns with a mystical profile, and writers in obedience of the spiritual confessor who are framed within the stream of publications of saints’ lives and hagiographic repertoires, of great apogee in the Early modern age. Teresa de San Bruno (1655-1722) abbess, monastery founder and biographer by obedience becomes an example of a religious who participated in the enterprise of the writings under the mandate of the confessor, but as an observer of Gertrudis María de la Santísima Trinidad (1660-1736).Keywords: Teresa de San Bruno; Gertrudis María de la Santísima Trinidad; biographies of nuns; writings in obedience; early modern period.","PeriodicalId":42654,"journal":{"name":"Scripta-Revista Internacional de Literatura i Cultura Medieval i Moderna-International Journal of Medieval & Modern Literature & Culture","volume":"62 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80490670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-22DOI: 10.7203/scripta.21.26840
Ramon Pinyol Torrents
Resum: Entre els manuscrits de Verdaguer que encara romanen inèdits, n’hi ha un conjunt que, preparats per Lluís Carles Viada i Lluch, van ser-li encarregats per Francesc Matheu per al volum Disperses (1924) de l’Obra Completa de Jacint Verdaguer que editava La Ilustració Catalana. Matheu, però, no va considerar oportú de publicar-ne la majoria, segurament perquè pertanyien a l’època del conflicte amb la jerarquia, eren massa incisius i, en alguns casos, al·ludien de manera poc transparent o directa a persones concretes (marquès de Comillas, bisbe Morgades, canonge Jaume Collell, cosí Narcís Verdaguer i Callís). Matheu va conservar entre els seus papers les transcripcions de Viada. En procés d’edició crítica, n’editem avui, contextualitzant-la, una mostra representativa i d’especial interès.Paraules clau: Verdaguer, Francesc Matheu, Lluís Carles Viada i Lluch, volum Disperses, censura.Abstract: Among Verdaguer’s remaining unpublished manuscripts is a set prepared by Lluís Carles Viada i Lluch, which was commissioned by Francesc Matheu for the volume Disperses (1924) of The Complete Works of Jacint Verdaguer, and published in La Ilustració Catalana. Matheu, however, considered it inappropriate to publish most of the poems, probably because they belonged to the time of conflict with the hierarchy, were too incisive and, in some cases, directly alluded to specific people ( Marquis of Comillas, Bishop Morgades, Canon Jaume Collell, cousin Narcís Verdaguer i Callís). Matheu kept Viada’s transcriptions among his papers. In the process of critical edition, today we are publishing a contextualised representative sample of special interest of Verdaguer’s opus.Keywords: Verdaguer, Francesc Matheu, Lluís Carles Viada i Lluch, book Disperses, censorship.
{"title":"Un poema de Verdaguer inèdit i censurat. Notes a propòsit del llibre Disperses (1924)","authors":"Ramon Pinyol Torrents","doi":"10.7203/scripta.21.26840","DOIUrl":"https://doi.org/10.7203/scripta.21.26840","url":null,"abstract":"Resum: Entre els manuscrits de Verdaguer que encara romanen inèdits, n’hi ha un conjunt que, preparats per Lluís Carles Viada i Lluch, van ser-li encarregats per Francesc Matheu per al volum Disperses (1924) de l’Obra Completa de Jacint Verdaguer que editava La Ilustració Catalana. Matheu, però, no va considerar oportú de publicar-ne la majoria, segurament perquè pertanyien a l’època del conflicte amb la jerarquia, eren massa incisius i, en alguns casos, al·ludien de manera poc transparent o directa a persones concretes (marquès de Comillas, bisbe Morgades, canonge Jaume Collell, cosí Narcís Verdaguer i Callís). Matheu va conservar entre els seus papers les transcripcions de Viada. En procés d’edició crítica, n’editem avui, contextualitzant-la, una mostra representativa i d’especial interès.Paraules clau: Verdaguer, Francesc Matheu, Lluís Carles Viada i Lluch, volum Disperses, censura.Abstract: Among Verdaguer’s remaining unpublished manuscripts is a set prepared by Lluís Carles Viada i Lluch, which was commissioned by Francesc Matheu for the volume Disperses (1924) of The Complete Works of Jacint Verdaguer, and published in La Ilustració Catalana. Matheu, however, considered it inappropriate to publish most of the poems, probably because they belonged to the time of conflict with the hierarchy, were too incisive and, in some cases, directly alluded to specific people ( Marquis of Comillas, Bishop Morgades, Canon Jaume Collell, cousin Narcís Verdaguer i Callís). Matheu kept Viada’s transcriptions among his papers. In the process of critical edition, today we are publishing a contextualised representative sample of special interest of Verdaguer’s opus.Keywords: Verdaguer, Francesc Matheu, Lluís Carles Viada i Lluch, book Disperses, censorship.","PeriodicalId":42654,"journal":{"name":"Scripta-Revista Internacional de Literatura i Cultura Medieval i Moderna-International Journal of Medieval & Modern Literature & Culture","volume":"2 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90618432","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-22DOI: 10.7203/scripta.21.26806
Robert March Tortajada
Resum: L’objectiu d’aquest article és pensar la figura de Vicent Manuel Branchat, mossén i autor d’obres d’inicis del segle xix. Així, repassem els estudis previs que els investigadors i especialistes li han dedicat, tot just, partint de l’edició de la Pesa chiqueta en un acte, editada per Joan Fuster i publicada en La decadència al País Valencià. A més, pensem Branchat com a autor anterior a la Renaixença per tal de situar-lo dins la cruïlla entre el col·loqui i el sainet.Paraules clau: Branchat, literatura del segle xix, teatre, misogínia, prerenaixença.Abstract: The aim of this article is to think about the figure of Vicent Manuel Branchat, priest and author of the early 19th century works. Thus, we review the previous studies that researchers and specialists have devoted to it, starting from the edition of Pesa chiqueta en un acte, edited by Joan Fuster and published in La decadència al País Valencià. In addition, we think of Branchat as a pre-Renaissance author in order to place him at the crossroads between the col·loqui and the sainet.Keywords: Branchat, 19th century literature, theatre, misogyny, pre-renaissance.
{"title":"Aproximació a l’obra de mossén Vicent Manuel Branchat: Pesa chiqueta en un acte","authors":"Robert March Tortajada","doi":"10.7203/scripta.21.26806","DOIUrl":"https://doi.org/10.7203/scripta.21.26806","url":null,"abstract":"Resum: L’objectiu d’aquest article és pensar la figura de Vicent Manuel Branchat, mossén i autor d’obres d’inicis del segle xix. Així, repassem els estudis previs que els investigadors i especialistes li han dedicat, tot just, partint de l’edició de la Pesa chiqueta en un acte, editada per Joan Fuster i publicada en La decadència al País Valencià. A més, pensem Branchat com a autor anterior a la Renaixença per tal de situar-lo dins la cruïlla entre el col·loqui i el sainet.Paraules clau: Branchat, literatura del segle xix, teatre, misogínia, prerenaixença.Abstract: The aim of this article is to think about the figure of Vicent Manuel Branchat, priest and author of the early 19th century works. Thus, we review the previous studies that researchers and specialists have devoted to it, starting from the edition of Pesa chiqueta en un acte, edited by Joan Fuster and published in La decadència al País Valencià. In addition, we think of Branchat as a pre-Renaissance author in order to place him at the crossroads between the col·loqui and the sainet.Keywords: Branchat, 19th century literature, theatre, misogyny, pre-renaissance.","PeriodicalId":42654,"journal":{"name":"Scripta-Revista Internacional de Literatura i Cultura Medieval i Moderna-International Journal of Medieval & Modern Literature & Culture","volume":"17 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75132586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-22DOI: 10.7203/scripta.21.26912
Robert March Tortajada
Ressenya a Vicent Josep Escartí, Jaume I en la memòria d’un poble. El rei Conqueridor en la literatura i en la historiografia, del segle XIII al XX, València, Generalitat Valenciana, 2021, 252 p., ISBN: 978-84-482-6534-2 Review to Vicent Josep Escartí, Jaume I en la memòria d’un poble. El rei Conqueridor en la literatura i en la historiografia, del segle XIII al XX, València, Generalitat Valenciana, 2021, 252 p., ISBN: 978-84-482-6534-2
{"title":"Ressenya a Vicent Josep Escartí, Jaume I en la memòria d’un poble. El rei Conqueridor en la literatura i en la historiografia, del segle XIII al XX, València, 2021","authors":"Robert March Tortajada","doi":"10.7203/scripta.21.26912","DOIUrl":"https://doi.org/10.7203/scripta.21.26912","url":null,"abstract":"Ressenya a Vicent Josep Escartí, Jaume I en la memòria d’un poble. El rei Conqueridor en la literatura i en la historiografia, del segle XIII al XX, València, Generalitat Valenciana, 2021, 252 p., ISBN: 978-84-482-6534-2 \u0000Review to Vicent Josep Escartí, Jaume I en la memòria d’un poble. El rei Conqueridor en la literatura i en la historiografia, del segle XIII al XX, València, Generalitat Valenciana, 2021, 252 p., ISBN: 978-84-482-6534-2 \u0000 ","PeriodicalId":42654,"journal":{"name":"Scripta-Revista Internacional de Literatura i Cultura Medieval i Moderna-International Journal of Medieval & Modern Literature & Culture","volume":"37 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75473312","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-22DOI: 10.7203/scripta.21.26800
Mario Garvin
: This article offers an overview of the reception and critical construction of the so-called romancero erudito in the collections of the eighteenth and nineteenth centuries. Based on an analysis of the sources and criteria used by the editors of the different collections of this period, it postulates that the negative view of the romancero erudito as a mere versification of chronicles is a critical construction of romantic philology, which needed a countertext on which to profile the old romances , which were the true object of its interest
{"title":"Eine in Romanzenform umgesetzte Chronik: La recepción del romancero erudito en los siglos XVIII y XIX","authors":"Mario Garvin","doi":"10.7203/scripta.21.26800","DOIUrl":"https://doi.org/10.7203/scripta.21.26800","url":null,"abstract":": This article offers an overview of the reception and critical construction of the so-called romancero erudito in the collections of the eighteenth and nineteenth centuries. Based on an analysis of the sources and criteria used by the editors of the different collections of this period, it postulates that the negative view of the romancero erudito as a mere versification of chronicles is a critical construction of romantic philology, which needed a countertext on which to profile the old romances , which were the true object of its interest","PeriodicalId":42654,"journal":{"name":"Scripta-Revista Internacional de Literatura i Cultura Medieval i Moderna-International Journal of Medieval & Modern Literature & Culture","volume":"51 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86179231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-22DOI: 10.7203/scripta.21.26851
Verònica Zaragoza Gómez
Resum A partir de la lectura atenta i interpretativa del testament d’Isabel de Borja (c. 1400-1468) s’examina com aquesta xicoteta noble va contribuir a projectar una imatge de poder en el llinatge. Aquest estudi de cas centrat en la memòria testamentària d’una Borja permet també projectar llum sobre algunes qüestions de la vida quotidiana de les dones, de les estratègies de mecenatge i pràctiques de religiositat i sociabilitat femenines i del context cultural valencià en el trànsit de l’Edat Mitjana a la Moderna. Paraules clau: Isabel de Borja; família Borja; testaments; context cultural valencià en el trànsit de l’Edat Mitjana a l’Edat Moderna Abstract Based on the close and interpretive reading of the will of Isabel de Borja (c. 1400-1468), these few lines examine how this noble woman contributed to projecting an image of power in her lineage. With this case study focused on the testamentary memory of a woman Borja, it is also intended to shed light on some issues of women’s daily life, of patronage strategies and practices of female religiosity and sociability and of the Valencian cultural context in the transit from the Middle Ages to the Modern. Keywords: Isabel de Borja; Borja family; will; cultural context in the transition from the Middle Ages to the Modern Age
{"title":"“De manament nostre”. Notes textuals sobre les darreres voluntats d’Isabel de Borja (c. 1400-1468), “mare” dels Borja","authors":"Verònica Zaragoza Gómez","doi":"10.7203/scripta.21.26851","DOIUrl":"https://doi.org/10.7203/scripta.21.26851","url":null,"abstract":" \u0000Resum \u0000 \u0000A partir de la lectura atenta i interpretativa del testament d’Isabel de Borja (c. 1400-1468) s’examina com aquesta xicoteta noble va contribuir a projectar una imatge de poder en el llinatge. Aquest estudi de cas centrat en la memòria testamentària d’una Borja permet també projectar llum sobre algunes qüestions de la vida quotidiana de les dones, de les estratègies de mecenatge i pràctiques de religiositat i sociabilitat femenines i del context cultural valencià en el trànsit de l’Edat Mitjana a la Moderna. \u0000 \u0000Paraules clau: Isabel de Borja; família Borja; testaments; context cultural valencià en el trànsit de l’Edat Mitjana a l’Edat Moderna \u0000 \u0000 \u0000 \u0000Abstract \u0000 \u0000Based on the close and interpretive reading of the will of Isabel de Borja (c. 1400-1468), these few lines examine how this noble woman contributed to projecting an image of power in her lineage. With this case study focused on the testamentary memory of a woman Borja, it is also intended to shed light on some issues of women’s daily life, of patronage strategies and practices of female religiosity and sociability and of the Valencian cultural context in the transit from the Middle Ages to the Modern. \u0000 \u0000Keywords: Isabel de Borja; Borja family; will; cultural context in the transition from the Middle Ages to the Modern Age \u0000 ","PeriodicalId":42654,"journal":{"name":"Scripta-Revista Internacional de Literatura i Cultura Medieval i Moderna-International Journal of Medieval & Modern Literature & Culture","volume":"9 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86222155","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-22DOI: 10.7203/scripta.21.26836
Vicent Martines Peres
Abstract: Paying attention to the frequency of use is also a key aspect in the characterization of literary style. In this case, the linguistic resources utilized by authors are important because they contextualize them within their time, context, and cultural movement. Rare linguistics elements are not less relevant, that is those used only by one or a few authors.We analyze examples that confirm the methodological relevance of Corpus Linguistics, translation and analysis of PUs so that we can better understand what makes Catalan classics unique in what referes to their verbal art. To do so, we focus on UPs –[verbal] locutions— with rare occurrences and in some cases with only 1 or 2 occurrences (or up to 5, always in a few authors or even in one single author). We have analyzed examples of single (or rare) occurrences of the great Valencian poet Ausiàs March.Keywords: Corpus Linguistics, Medieval Catalan Literature, Humanism, Phraseological Units, Translation Studies, Ausiàs March
摘要:关注使用频率也是文学风格表征的一个关键方面。在这种情况下，作者所使用的语言资源是很重要的，因为他们在他们的时代、语境和文化运动中将他们语境化。稀有的语言学元素是相关的，也就是那些只被一个或几个作者使用的元素。我们分析了一些例子，这些例子证实了语料库语言学、翻译和分析的方法相关性，这样我们就可以更好地理解加泰罗尼亚经典在语言艺术方面的独特之处。为了做到这一点，我们专注于UPs -[口头]措辞-很少出现，在某些情况下只出现1或2次(或多达5次，总是在几个作者甚至一个作者身上)。我们分析了伟大的瓦伦西亚诗人Ausiàs March的单次(或罕见)出现的例子。关键词:语料库语言学，中世纪加泰罗尼亚文学，人文主义，词组单位，翻译研究，Ausiàs March
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Pub Date : 2023-06-22DOI: 10.7203/scripta.21.26842
Rafael Roca Ricart
Resum: La llarga peça literària en vers Llucrècia profanada, que l’autor valencià Ramon Lladró Mallí qualificà de «poema semi-sério, semi-còmic» i publicà en 1878, recrea literàriament un dels mites de la tradició clàssica que més impacte ha tingut en la civilització occidental: la violació de la patrícia Lucrècia. Amb tot, la circumstància que més singularitza aquesta obra és que la seua presentació pública estigué vinculada a la fundació de Lo Rat Penat, la societat cultural al voltant de la qual gravitaria la branca valenciana de la Renaixença. En el present article analitzem el simbolisme i significat que, des d’un primer moment, va adquirir el poema de Lladró. I aventurem els possibles motius pels quals, malgrat ser un títol repetidament evocat, caigué en l’oblit.Paraules clau: Segle XIX, Renaixença, Lo Rat Penat, Ramon Lladró, mite de Lucrècia.Abstract: The long poem entitled Llucrècia profanada, which the Valencian writer Ramon Lladró Mallí described as a «semi-serious, semi-comical poem» and published in 1878, recreates in literature one of the myths of the classical tradition that has had the greatest impact on western civilization: the rape of the Roman noblewoman Lucrecia. However, the circumstance that makes it more unique is that its public presentation was linked to the foundation of Lo Rat Penat, the cultural society around which the Valencian branch of the Catalan Renaissance would gravitate. In this article we analyze the symbolism and meaning that, from the first moment, the work of Lladró acquired. And we venture the possible reasons why, despite being a title repeatedly evoked, it fell into oblivionKeywords: 19th century, Renaissance, Lo Rat Penat, Ramon Lladró, myth of Lucrecia.
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