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Measuring and evaluating visitors' behaviors inside museums: the Co.ME. project 测量和评估游客在博物馆内的行为:Co.ME.项目
IF 0.6 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-02 DOI: 10.2423/I22394303V11N1P167
R. Angeloni, R. Pierdicca, A. Mancini, M. Paolanti, Andrea Tonelli
The use of ICT in the field of Cultural Heritage offers unprecedented opportunities to improve cultural sites management (e.g., archaeological areas or museum). Taking advantage of innovative methods of data acquisition through ambient intelligence and space sensing infrastructures, the Co.ME. project has developed a system to turn exhibitions into sensitive spaces, able to quantify and register visitors’ behavior. A solution that provides to museum professionals all the necessary data to understand their public, making possible to structure a cultural offer based on visitors’ needs. After a short theoretical introduction on the project framework, the paper presents the case study of the Civic Museums of Palazzo Buonaccorsi in Macerata (Italy), demonstrating the effectiveness of this approach in terms of both data collection and monitoring system; useful solutions to improve museum installations and communication, as well to optimally plan staff attendance.
信息和通信技术在文化遗产领域的使用为改善文化遗址管理(如考古区或博物馆)提供了前所未有的机会。Co.ME.项目利用环境智能和空间传感基础设施的创新数据采集方法,开发了一个将展览变成敏感空间的系统,能够量化和记录游客的行为。该解决方案为博物馆专业人员提供了了解公众所需的所有数据,使其能够根据游客的需求构建文化产品。在对项目框架进行了简短的理论介绍后,本文以马切拉塔(意大利)的布奥纳科西宫(Palazzo Buonaccorsi)市政博物馆为例进行了研究,证明了这种方法在数据收集和监测系统方面的有效性;有用的解决方案,以改善博物馆的设施和沟通,以及最佳规划工作人员的出席。
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引用次数: 0
MUSEUMS AND HERITAGE IN THE DIGITAL AGE. THE CHALLENGE OF CULTURAL CHANGE AND TECHNOLOGICAL INNOVATION 数字时代的博物馆和遗产。文化变革与技术创新的挑战
IF 0.6 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-02 DOI: 10.2423/i22394303v11n1p11
Alberto Garlandini
Museums are reinventing themselves in response to the COVID-19 emergency. The pandemic has increased inequalities and widened disparities in accessing heritage and in participation to cultural life. On the basis of the results of ICOM's 2020 global surveys, this paper shows how museums benefited of the opportunities of digital innovation during the lockdown. The pandemic is accelerating the digital change and interactive technologies are enabling museums to interact with communities more efficiently and attract new public. The paper addresses the impact on museums of the crisis of global mobility and mass tourism and point out to the need of new business models and exhibition policies. It calls for public support to museums' cultural, technological and managerial innovation and it shows that the challenges of the digital world require new interdisciplinary competencies and more professional interaction. © 2021. All Rights Reserved.
为了应对新冠肺炎紧急情况,博物馆正在进行自我改造。疫情加剧了不平等现象,扩大了在获得遗产和参与文化生活方面的差距。基于ICOM 2020年全球调查的结果,本文展示了博物馆如何在封锁期间受益于数字创新的机会。疫情正在加速数字变革,互动技术使博物馆能够更有效地与社区互动,吸引新的公众。本文论述了全球流动性和大众旅游危机对博物馆的影响,并指出了新的商业模式和展览政策的必要性。它呼吁公众支持博物馆的文化、技术和管理创新,并表明数字世界的挑战需要新的跨学科能力和更多的专业互动。©2021。保留所有权利。
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引用次数: 5
Digital gypsoteque. Online features as inclusive educational tool 数字石膏板。作为包容性教育工具的在线功能
IF 0.6 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-02 DOI: 10.2423/I22394303V11N1P133
V. Bagnolo, R. Argiolas, Francesca Cocco Bellumori
The paper deals with the first results of an ongoing research on the issues of digitization of CH for educational and museum purposes. The research starts from the study of the small plaster casts collection kept inside the Santa Croce complex at the University of Cagliari. The workflow aims to investigate the potential of advanced technologies by reconciling the needs strictly related to the two principles of measurement and visualization. The construction of an information system will facilitate not only the classification and management of the digital plaster collection but also communication for scientific and didatic purposes. Two different possible applications are considered: the first for the construction of a web platform for the remote interactive query of the database, the second for the virtual visit of the rooms that host some of the casts through the delivery platform for point & click games developed in the PAC-PAC research project.
本文讨论了一项正在进行的关于教育和博物馆数字化问题的研究的初步结果。这项研究从卡利亚里大学圣十字教堂内保存的小型石膏模型开始。该工作流程旨在通过协调与测量和可视化两个原则严格相关的需求来研究先进技术的潜力。信息系统的建设不仅有利于数字石膏收藏的分类和管理,而且有利于科学和教学目的的交流。考虑了两种不同的可能应用:第一种用于构建远程交互式数据库查询的web平台,第二种用于通过PAC-PAC研究项目中开发的点点击游戏交付平台虚拟访问托管一些cast的房间。
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引用次数: 1
Reproduction, relocations and displacements of cultural heritage 文化遗产的再生产、重新安置和迁移
IF 0.6 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-02 DOI: 10.2423/I22394303V11N1P45
Matteo Treleani
Recent developments in the technologies of reproducibility have made it possible to experience visits to heritage sites and artifacts at a distance. These reproductions imply a rearrangement of the space of reception of heritage. This phenomenon can be called relocation. We shall argue that it is a common element to the processes of “patrimonialization” and “mechanical reproducibility”. Making-heritage implies a rearrangement of the space around an artifact, this rearrangement also takes place during its mechanical reproduction. In this paper we will discuss some forms of relocations of heritage and see how these phenomena have always been at the heart of practices of valorization of traces of the past. The analysis of a case of virtual reconstitution of an archaeological site will help reveal some of the current trends in this field.
再现技术的最新发展使人们有可能在远处体验参观遗产遗址和文物。这些复制品意味着对遗产接收空间的重新安排。这种现象可以称为重定位。我们认为,这是“世袭化”和“机械再现”过程的共同因素。制造遗产意味着对文物周围空间的重新安排,这种重新安排也发生在其机械复制过程中。在本文中,我们将讨论遗产重新定位的一些形式,并了解这些现象如何始终处于过去痕迹价值增值实践的核心。对一个考古遗址虚拟重建案例的分析将有助于揭示这一领域的一些当前趋势。
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引用次数: 0
Ghibertiana project: toward the ‘Interpretation center of the Valdisieve territory’ Ghibertiana项目:朝向“瓦尔迪西伊夫地区的解释中心”
IF 0.6 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-02 DOI: 10.2423/I22394303V11N1P115
Alessandro Merlo, Gaia Lavoratti, Giulia Lazzari, Alessandro Manghi, M. Bartoli
The reflection on the inclusive and widespread use of the cultural heritage, already in place in the last decade, but exacerbated by the health emergency that began in March 2020, has stimulated the proliferation of alternative experiences that make extensive use of ICT. The variety of tools available has generated a multiplicity of technical solutions based however on the essential operation of the digitisation of the heritage, promoted for years by MiBACT and today even more urgent. This contribution aims to illustrate the work in February 2020 within the "Ghibertiana" project for the preparation of the digital contents of the soon-to-be-established "Centro di Interpretazione del Territorio della bassa Valdisieve" ( Interpretation Centre of the Lower Valdisieve Territory ) and "Centro di Documentazione su Lorenzo Ghiberti" (Documentation Centre on Lorenzo Ghiberti) .
对文化遗产的包容性和广泛使用的反思在过去十年中已经存在,但由于2020年3月开始的卫生紧急情况而加剧,这刺激了广泛使用信息和通信技术的替代体验的激增。各种可用的工具已经产生了多种技术解决方案,但基于MiBACT多年来推动的遗产数字化的基本操作,如今更为紧迫。这篇文章旨在说明2020年2月在“Ghibertiana”项目中为即将成立的“下瓦尔迪西伊夫地区口译中心”和“洛伦佐·吉贝尔蒂文献中心”(洛伦佐·吉贝尔蒂文件中心)的数字内容准备所做的工作。
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引用次数: 0
The Galileo Museum and the digital world 伽利略博物馆和数字世界
IF 0.6 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-02 DOI: 10.2423/I22394303V11N1P23
F. Camerota
The Galileo Museum has been on the digital path for about thirty years in the belief that information technology is an indispensable tool for the scientific research and enhancement of cultural heritage. This essay illustrates some applications that show the state of the art of the initiatives undertaken by this institution in the field of digitization. In particular, we present two thematic digital libraries conceived as environments for research and scientific exchange between scholars, and two virtual exhibitions or, better, digital explorations of historical documents that are difficult to read and interpret.
伽利略博物馆相信信息技术是科学研究和加强文化遗产不可缺少的工具,因此在数字化道路上走了大约30年。本文举例说明了一些应用程序,这些应用程序显示了该机构在数字化领域所采取的举措的最新水平。我们特别提出了两个主题数字图书馆,作为学者之间研究和科学交流的环境,以及两个虚拟展览,或者更好地,对难以阅读和解释的历史文献进行数字探索。
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引用次数: 0
Crafting the Next Generation of Web-based Learning Tools for Manuscript Artefacts in the Time of the COVID-19 Pandemic. A Focus oN sCiENCE, TECHNoLoGY, AND ENGiNEERiNG CoDiCEs, WoRLD MAPs, AND ARcHiVAL DocuMENTs iN EXHiBiTioN sETTiNGs 在2019冠状病毒病大流行时期,为手稿文物制作下一代基于网络的学习工具。集中在科学,技术和工程法典,世界地图,和档案文件在展览设置
IF 0.6 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-02 DOI: 10.2423/i22394303v11n1p97
Andrea Nanetti, Zaqeer Radzi, Davide Benvenuti
This paper starts with a review of the secondary literature published in English about the strengths and weaknesses of the web-based learning tools available in museum systems as brought forward by the outbreak of the COVID-19 pandemic in 2020. Next, this review contextualises the solutions designed and developed within the Engineering-Historical-Memory online interactive system to fully access permanent and temporary exhibitions and discover the knowledge embedded in manuscript artefacts via the visitor's smart device or institutional interactive screens. With these solutions, the original artefacts, or their physical and digital replicas, become gateways to online interactive applications. These applications provide high-definition 2D and 3D reproductions of the artefacts and make them explorable by free navigation or via graphs and geospatial views with an automatic real-time update for relevant scholarly publications, images, and videos. © 2021. All Rights Reserved.
本文首先回顾了以英语发表的二手文献,介绍了2020年COVID-19大流行爆发带来的博物馆系统中可用的基于网络的学习工具的优缺点。接下来,本综述将在工程-历史-记忆在线互动系统中设计和开发的解决方案置于背景中,以完全访问永久和临时展览,并通过参观者的智能设备或机构互动屏幕发现嵌入手稿文物中的知识。有了这些解决方案,原始工件,或者它们的物理和数字副本,就成为了在线交互式应用程序的网关。这些应用程序提供高清晰度的2D和3D复制品,并通过免费导航或通过图形和地理空间视图进行探索,并自动实时更新相关学术出版物,图像和视频。©2021。版权所有。
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引用次数: 0
Silent cultural heritage: digitalisation of the archaeological artefacts of Santa Lucia di Mendola for an interdisciplinary reconstructions 无声的文化遗产:圣露西亚·迪·门多拉考古文物的数字化,用于跨学科重建
IF 0.6 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-02 DOI: 10.2423/I22394303V11N1P179
R. Valenti, Concetta Luana Aliano, E. Paternò, E. Gazzè
La ricerca condotta ha indagato il sito di Santa Lucia di Mendola vicino a Siracusa. Il sito e stato scelto perche caratterizzato da “un'assenza”, la basilica normanna, i cui resti architettonici e scultorei decontestualizzati sono solo in parte visibilmente esposti nei musei, altri sono “invisibilmente” custoditi nei magazzini. L'indagine ha comportato una stretta collaborazione interdisciplinare e si basa su studi d'archivio e studi geometrici e formali di prodotti di rilievo. Le operazioni di rilievo sono state condotte con tecniche di alta precisione che hanno fornito uno scenario digitale dell'oggetto culturale. I risultati raggiunti consentono di diffondere virtualmente il patrimonio museale “silenzioso”, di non consegnarlo all'oblio e di realizzare un sistema di tutela della conoscenza e di diffusione culturale.
这项研究调查了锡拉丘兹附近的Santa Lucia di Mendola遗址。之所以选择这个地点,是因为它的特点是“不存在”,诺曼长方形会堂的建筑和雕塑遗迹只在博物馆中部分可见地展示,其他则“无形”地保存在仓库中。该调查涉及密切的跨学科合作,以档案研究以及相关产品的几何和形式研究为基础。相关操作采用了高精度技术,提供了文物的数字场景。所取得的成果使“沉默”的博物馆遗产得以实际传播,而不是被遗忘,并建立了一个保护知识和文化传播的系统。
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引用次数: 0
The show must go on... line. MUSEUMS AND THEIR AUDIENCES DURING THE LOCKDOWN IN ITALY 演出必须在…线上进行。意大利封锁期间的博物馆及其观众
IF 0.6 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-02 DOI: 10.2423/i22394303v11n1p35
A. Cicerchia, L. Solima
As museums worldwide were forced to close in 2020, the overall attendance of the world's 100 most- visited art museums dramatically dropped by 77% in 2020—from 230 million in 2019 to just 54 million. COVID-19 has acted as a huge crash test "on the role, structure and functioning of museums. It has increased the existing gaps and differences has demonstrated that lacking skills and knowledge, lacking flexibility and agile structures as well as diverse sources of income can lead to museums having to decrease or abolish their main activities and tasks in service of society, or even facing the threat of permanent closure” (NEMO 2021). On the other hand, the pandemic shock forced museums to become aware of the importance of digital resources as a tool to keep alive their relationship with their audiences and to activate new relationships with new demand segments, which so far were unreachable. Based upon an online survey carried out in Italy among museumgoers during the lockdown, the article describes how the virtual visitors evaluate their experience of digital contents and discusses how the future scenarios - the New Normal - will be shaped by lessons learned and new, emerging audiences © 2021. All Rights Reserved.
由于世界各地的博物馆在2020年被迫关闭,世界上参观人数最多的100家美术馆的总上座率在2020年急剧下降了77%,从2019年的2.3亿下降到只有5400万。新冠肺炎已经成为一个巨大的碰撞测试“关于博物馆的作用、结构和运作。它增加了现有的差距和差异。这表明,缺乏技能和知识,缺乏灵活性和敏捷的结构以及多样化的收入来源,可能导致博物馆不得不减少或取消其为社会服务的主要活动和任务,甚至面临永久关闭的威胁”(NEMO 2021)另一方面,疫情冲击迫使博物馆意识到数字资源的重要性,将其作为一种工具,以保持与观众的关系,并激活与新需求细分市场的新关系,而这些关系迄今为止是无法实现的。根据意大利在封锁期间对博物馆游客进行的一项在线调查,这篇文章描述了虚拟游客如何评估他们对数字内容的体验,并讨论了未来的场景——新常态——将如何由经验教训和新的新兴观众塑造©2021。保留所有权利。
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引用次数: 2
MANN’s Digital Strategy MANN的数字化战略
IF 0.6 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2021-07-02 DOI: 10.2423/I22394303V11N1P19
P. Giulierini
Focus of this paper are the digital strategies of National Archaeological Museum of Naples (MANN- Museo Archeologico Nazionale di Napoli). The contribution also testifies links and joint initiatives with other public institutions, such as schools and universities, but also with private companies in gaming and entertainment. In general it emerges a strategy that may result in a new cultural horizon of true autonomy, helping “to regenerate” the city from a cultural, economic and social point of view.
本文的重点是那不勒斯国家考古博物馆的数字化战略。这一贡献还证明了与其他公共机构(如学校和大学)以及与游戏和娱乐领域的私营公司的联系和联合倡议。总的来说,它出现了一种战略,可能会导致真正自治的新文化视野,从文化,经济和社会的角度帮助“再生”城市。
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引用次数: 0
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SCIRES-IT-SCIentific RESearch and Information Technology
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