Pub Date : 2021-12-09DOI: 10.3989/anacervantinos.2021.011
C. Pérez-Salazar
En este trabajo se presenta un análisis del comportamiento verbal cortés y descortés en el Siglo de Oro a través de una fuente excepcional: los ocho entremeses de Miguel de Cervantes. La amplitud de la representación social y la variedad de los personajes que intervienen en estas piezas, y, especialmente, la singularidad de las situaciones que se producen en escena, a menudo generadoras de conflictos, favorecen la aparición de recursos verbales indicadores de deferencia, y, con más frecuencia, de formas que desprecian o atacan la imagen de los interlocutores. A ello se suma la finalidad esencialmente lúdica de los entremeses, que propicia la originalidad del autor, canalizada en la creación y la multiplicación de formas descorteses.
{"title":"Cortesía, falsa cortesía y descortesía en los entremeses de Miguel de Cervantes","authors":"C. Pérez-Salazar","doi":"10.3989/anacervantinos.2021.011","DOIUrl":"https://doi.org/10.3989/anacervantinos.2021.011","url":null,"abstract":"En este trabajo se presenta un análisis del comportamiento verbal cortés y descortés en el Siglo de Oro a través de una fuente excepcional: los ocho entremeses de Miguel de Cervantes. La amplitud de la representación social y la variedad de los personajes que intervienen en estas piezas, y, especialmente, la singularidad de las situaciones que se producen en escena, a menudo generadoras de conflictos, favorecen la aparición de recursos verbales indicadores de deferencia, y, con más frecuencia, de formas que desprecian o atacan la imagen de los interlocutores. A ello se suma la finalidad esencialmente lúdica de los entremeses, que propicia la originalidad del autor, canalizada en la creación y la multiplicación de formas descorteses.","PeriodicalId":42774,"journal":{"name":"ANALES CERVANTINOS","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44894721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-02DOI: 10.3989/anacervantinos.2020.009
F. J. Escobar Borrego
El presente artículo ofrece un análisis circunscrito a la pervivencia de El Asno de oro en El Coloquio de los perros. Esta fuente clásica principal para Cervantes entra en correspondencia, además, con el imaginario creativo de Luciano. Dicho sincretismo estético arroja luz, en fin, sobre la cultura simbólica de Cervantes a partir de categorías conceptuales como metamorfosis y transformaciones.
{"title":"Metamorfosis y transformaciones para vidas de perros: Cervantes a la luz del imaginario de Apuleyo y Luciano","authors":"F. J. Escobar Borrego","doi":"10.3989/anacervantinos.2020.009","DOIUrl":"https://doi.org/10.3989/anacervantinos.2020.009","url":null,"abstract":"El presente artículo ofrece un análisis circunscrito a la pervivencia de El Asno de oro en El Coloquio de los perros. Esta fuente clásica principal para Cervantes entra en correspondencia, además, con el imaginario creativo de Luciano. Dicho sincretismo estético arroja luz, en fin, sobre la cultura simbólica de Cervantes a partir de categorías conceptuales como metamorfosis y transformaciones.","PeriodicalId":42774,"journal":{"name":"ANALES CERVANTINOS","volume":"52 1","pages":"227-253"},"PeriodicalIF":0.2,"publicationDate":"2020-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42252710","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-02DOI: 10.3989/anacervantinos.2020.004
Isabel Navas Ocaña
The III Centenary of Don Quixote in 1905 was the ephemeris that came to channel the desire for national regeneration following the disaster of ’98, but what has not been pointed out so far, nor has it been given the importance it deserves, is that some Spanish women writers reinterpreted in a feminist key the national symbols of that regeneration, that is, they used Don Quixote and Dulcinea as tools for their claims, demanding a change in the lives of women, and defending their inclusion into higher education. Likewise, they took the opportunity to weave networks of scholarly women and to instruct other women, giving rise to a parallel centenary, to another centenary, which was developed on the margins of the official and, as such, deserves to be analysed.
{"title":"El otro Centenario: visiones femeninas del Quijote en 1905","authors":"Isabel Navas Ocaña","doi":"10.3989/anacervantinos.2020.004","DOIUrl":"https://doi.org/10.3989/anacervantinos.2020.004","url":null,"abstract":"The III Centenary of Don Quixote in 1905 was the ephemeris that came to channel the desire for national regeneration following the disaster of ’98, but what has not been pointed out so far, nor has it been given the importance it deserves, is that some Spanish women writers reinterpreted in a feminist key the national symbols of that regeneration, that is, they used Don Quixote and Dulcinea as tools for their claims, demanding a change in the lives of women, and defending their inclusion into higher education. Likewise, they took the opportunity to weave networks of scholarly women and to instruct other women, giving rise to a parallel centenary, to another centenary, which was developed on the margins of the official and, as such, deserves to be analysed.","PeriodicalId":42774,"journal":{"name":"ANALES CERVANTINOS","volume":"52 1","pages":"87-118"},"PeriodicalIF":0.2,"publicationDate":"2020-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41547255","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-02DOI: 10.3989/anacervantinos.2020.007
Juan Ramón Muñoz Sánchez
The structure of La Galatea, as it can be asserted for the rest of the Spanish pastoral books as well as for the longer works of prose of the Spanish Golden Age, is characterised by two different narrative levels, one primary and the other secondary: the main plot and the interspersed episodes, of which there are four: Lisandro and Leonida; Teolinda, Artidoro, Leonarda and Galercio; Timbrio, Silerio, Nisida and Blanca; and Rosaura, Grisaldo and Artandro. The main objective of the present study is to conduct a detailed analysis, both thematically and formally, of the fourth of them, while establishing their intratextual relations with the rest of Cervantes’ literary production.
{"title":"Análisis formal, temático e intratextual del episodio de Rosaura, Grisaldo y Artandro, de La Galatea","authors":"Juan Ramón Muñoz Sánchez","doi":"10.3989/anacervantinos.2020.007","DOIUrl":"https://doi.org/10.3989/anacervantinos.2020.007","url":null,"abstract":"The structure of La Galatea, as it can be asserted for the rest of the Spanish pastoral books as well as for the longer works of prose of the Spanish Golden Age, is characterised by two different narrative levels, one primary and the other secondary: the main plot and the interspersed episodes, of which there are four: Lisandro and Leonida; Teolinda, Artidoro, Leonarda and Galercio; Timbrio, Silerio, Nisida and Blanca; and Rosaura, Grisaldo and Artandro. The main objective of the present study is to conduct a detailed analysis, both thematically and formally, of the fourth of them, while establishing their intratextual relations with the rest of Cervantes’ literary production.","PeriodicalId":42774,"journal":{"name":"ANALES CERVANTINOS","volume":"52 1","pages":"167-196"},"PeriodicalIF":0.2,"publicationDate":"2020-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42346220","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-02DOI: 10.3989/anacervantinos.2020.010
Pablo Martín González
This article offers a comparative study between Cervantes’ Dialogue of the Dogs and Ginés Carrillo Cerón’s 1635 sequel focusing on its three main discrepancies: the omission of the thematic link between The Deceitful Marriage and the Dialogue in the second part, Cervantes and Cerón’s different approach to the picaresque genre and Cerón’s rejection of the marvelous elements from the first Dialogue. These discrepancies not only allow us to reach a better understanding of Cervantes’ text, but also to study the literary and ideological quandaries that readers of the seventeenth century might have faced. * Universidad de Salamanca. pablomarting@usal.es / ORCID iD: https://orcid.org/0000-00024861-5894.
{"title":"«Creciendo en los brazos de la estampa»: estudio comparado entre el Coloquio de los perros de Cervantes y su continuación por Ginés Carrillo Cerón","authors":"Pablo Martín González","doi":"10.3989/anacervantinos.2020.010","DOIUrl":"https://doi.org/10.3989/anacervantinos.2020.010","url":null,"abstract":"This article offers a comparative study between Cervantes’ Dialogue of the Dogs and Ginés Carrillo Cerón’s 1635 sequel focusing on its three main discrepancies: the omission of the thematic link between The Deceitful Marriage and the Dialogue in the second part, Cervantes and Cerón’s different approach to the picaresque genre and Cerón’s rejection of the marvelous elements from the first Dialogue. These discrepancies not only allow us to reach a better understanding of Cervantes’ text, but also to study the literary and ideological quandaries that readers of the seventeenth century might have faced. * Universidad de Salamanca. pablomarting@usal.es / ORCID iD: https://orcid.org/0000-00024861-5894.","PeriodicalId":42774,"journal":{"name":"ANALES CERVANTINOS","volume":"52 1","pages":"255-281"},"PeriodicalIF":0.2,"publicationDate":"2020-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43446345","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-02DOI: 10.3989/anacervantinos.2020.006
María Zambrana Pérez
El estudio de las distintas representaciones de Dulcinea del Toboso y de Aldonza Lorenzo como personajes del Quijote es el propósito fundamental de este ensayo. De este modo, veremos cómo la dama, que una vez ideada por el caballero se convierte en eje y motor de nuestra historia, ha sido leída, entendida y trasladada a la pintura fluctuando según la época, sin que se consiga por tanto crear un imaginario sólido en torno a ella. En las páginas siguientes se intentará aclarar si esto se debe a que nunca aparece para desdecirse o reafirmarse en el discurso que los demás personajes realizan sobre ella.
{"title":"«Y píntola en mi imaginación como la deseo»: Dulcinea entre la letra y la imagen","authors":"María Zambrana Pérez","doi":"10.3989/anacervantinos.2020.006","DOIUrl":"https://doi.org/10.3989/anacervantinos.2020.006","url":null,"abstract":"El estudio de las distintas representaciones de Dulcinea del Toboso y de Aldonza Lorenzo como personajes del Quijote es el propósito fundamental de este ensayo. De este modo, veremos cómo la dama, que una vez ideada por el caballero se convierte en eje y motor de nuestra historia, ha sido leída, entendida y trasladada a la pintura fluctuando según la época, sin que se consiga por tanto crear un imaginario sólido en torno a ella. En las páginas siguientes se intentará aclarar si esto se debe a que nunca aparece para desdecirse o reafirmarse en el discurso que los demás personajes realizan sobre ella.","PeriodicalId":42774,"journal":{"name":"ANALES CERVANTINOS","volume":"52 1","pages":"145-166"},"PeriodicalIF":0.2,"publicationDate":"2020-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43150275","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-02DOI: 10.3989/anacervantinos.2020.008
Victoria Aranda Arribas
This article aims at analyzing The Rodaja Licenciate (1973), a television adaptation based on The Vidriera Licenciate (Miguel de Cervantes, Exemplary Novels, 1613). Within the context of the successful dramatic programs aired on Radio Televisión Española from the ‘60s to the ‘90s, I will examine the transformations executed on this medium length-film, directed by Antonio Chic whose script was written by Miguel Marías: 1) the hero’s (Tomás Rodaja) reinterpretation; and 2) the fusion between this novel and dramatic techniques. * Este artículo se inscribe en el marco del Proyecto de Excelencia I+D+i del MINECO La novela corta del siglo XVII. Estudio y edición (y III) (FFI2017-85417-P). ** Universidad de Córdoba. imberetumbra@gmail.com / ORCID iD: https://orcid.org/00000003-2913-3918.
本文旨在分析《罗达贾执照》（1973），这是一部根据《维德里亚执照》改编的电视剧（Miguel de Cervantes，《典型小说》，1613）。在60年代至90年代西班牙电视台成功播出的戏剧节目的背景下，我将研究这部由安东尼奥·奇克执导的中长电影的转变，他的剧本由米格尔·马里亚斯撰写：1）英雄（托马斯·罗达贾）的重新诠释；以及2）这部小说与戏剧手法的融合Este artículo在MINECO的卓越项目I+D+I的新作品《十七世纪》中写道。研究与医学（y III）（FFI2017-8517-P）。**科尔多瓦大学。imberetumbra@gmail.com/OCID iD：https://orcid.org/00000003-2913-3918.
{"title":"El licenciado Rodaja (Marías / Chic, 1973): una novela adaptada, una adaptación teatralizada","authors":"Victoria Aranda Arribas","doi":"10.3989/anacervantinos.2020.008","DOIUrl":"https://doi.org/10.3989/anacervantinos.2020.008","url":null,"abstract":"This article aims at analyzing The Rodaja Licenciate (1973), a television adaptation based on The Vidriera Licenciate (Miguel de Cervantes, Exemplary Novels, 1613). Within the context of the successful dramatic programs aired on Radio Televisión Española from the ‘60s to the ‘90s, I will examine the transformations executed on this medium length-film, directed by Antonio Chic whose script was written by Miguel Marías: 1) the hero’s (Tomás Rodaja) reinterpretation; and 2) the fusion between this novel and dramatic techniques. * Este artículo se inscribe en el marco del Proyecto de Excelencia I+D+i del MINECO La novela corta del siglo XVII. Estudio y edición (y III) (FFI2017-85417-P). ** Universidad de Córdoba. imberetumbra@gmail.com / ORCID iD: https://orcid.org/00000003-2913-3918.","PeriodicalId":42774,"journal":{"name":"ANALES CERVANTINOS","volume":"52 1","pages":"197-225"},"PeriodicalIF":0.2,"publicationDate":"2020-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42537313","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-02DOI: 10.3989/anacervantinos.2020.011
José Luis Losada Palenzuela
La presencia o mención de lenguas extranjeras en una obra literaria es un recurso ficcional que se remonta a la literatura clásica griega. Cervantes lo introduce en su novela póstuma Persiles (1617), inspirándose en Las etiópicas de Heliodoro. Este artículo se centra en dos novelas helenizantes posteriores, Semprilis y Genorodano (1629) y Eustorgio y Clorilene (1629) para interrogarlas críticamente sobre la pluralidad de lenguas y la supuesta dependencia de sus modelos literarios. Hemos optado por el enfoque narratológico definido como glotoliteratura, que nos permite modelar los diálogos entre personajes dependiendo de cómo las referencias a una lengua extranjera interactúan entre los niveles de la historia y el discurso. Concluiremos considerando que estas novelas son principalmente glotodiegéticas y usan esta instancia para reforzar la verosimilitud, relacionándolo de forma directa a la tradición de los manuales de educación de príncipes.
{"title":"La pluralidad lingüística en la novela helenizante posterior al Persiles","authors":"José Luis Losada Palenzuela","doi":"10.3989/anacervantinos.2020.011","DOIUrl":"https://doi.org/10.3989/anacervantinos.2020.011","url":null,"abstract":"La presencia o mención de lenguas extranjeras en una obra literaria es un recurso ficcional que se remonta a la literatura clásica griega. Cervantes lo introduce en su novela póstuma Persiles (1617), inspirándose en Las etiópicas de Heliodoro. Este artículo se centra en dos novelas helenizantes posteriores, Semprilis y Genorodano (1629) y Eustorgio y Clorilene (1629) para interrogarlas críticamente sobre la pluralidad de lenguas y la supuesta dependencia de sus modelos literarios. Hemos optado por el enfoque narratológico definido como glotoliteratura, que nos permite modelar los diálogos entre personajes dependiendo de cómo las referencias a una lengua extranjera interactúan entre los niveles de la historia y el discurso. Concluiremos considerando que estas novelas son principalmente glotodiegéticas y usan esta instancia para reforzar la verosimilitud, relacionándolo de forma directa a la tradición de los manuales de educación de príncipes.","PeriodicalId":42774,"journal":{"name":"ANALES CERVANTINOS","volume":"52 1","pages":"283-300"},"PeriodicalIF":0.2,"publicationDate":"2020-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47994674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-02DOI: 10.3989/anacervantinos.2020.015
Macarena Cuiñas Gómez
Este trabajo estudia la comparación del comportamiento de dos personajes literarios ante un conflicto moral: uno en la España del siglo XVII y otro en el Portugal del XIX. Cómo intervienen en el conflicto, las consecuencias que provocan y cómo lo cuenta el narrador de cada historia.
{"title":"Don Quijote y Calisto Elói: intervencionistas extemporáneos","authors":"Macarena Cuiñas Gómez","doi":"10.3989/anacervantinos.2020.015","DOIUrl":"https://doi.org/10.3989/anacervantinos.2020.015","url":null,"abstract":"Este trabajo estudia la comparación del comportamiento de dos personajes literarios ante un conflicto moral: uno en la España del siglo XVII y otro en el Portugal del XIX. Cómo intervienen en el conflicto, las consecuencias que provocan y cómo lo cuenta el narrador de cada historia.","PeriodicalId":42774,"journal":{"name":"ANALES CERVANTINOS","volume":"52 1","pages":"367-377"},"PeriodicalIF":0.2,"publicationDate":"2020-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47966992","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-02DOI: 10.3989/anacervantinos.2020.016
Joan Manuel Soldevilla Albertí
In 1905, during the Third Centenary of the original publication of the Quixote, was published in Figueras the book Celebres aventuras de don Quijote, El Caballero de la Triste Figura. Containing a large number of beautiful illustrations by Brinsley Le Fanu, it was a children’s version of the novel by Miguel de Cervantes. Edited by the Sociedad espanola de tratados religiosos y libros, this publication generated an intense and curious controversy and was promoted by the active Anglican community of the town that had previously translated and adapted an English version, The wonderful adventures of Don Quixote, the knight of the sorrowful countenance, published in London in 1902.
1905年，在《吉诃德》最初出版的第三个百年期间，在菲格雷斯出版了《庆祝堂吉诃德的复仇》一书，El Caballero de la Triste Figura。这本书包含了布林斯利·勒法努的大量精美插图，是米格尔·德·塞万提斯小说的儿童版。该出版物由宗教与图书馆协会编辑，引发了激烈而奇怪的争议，并得到了该镇活跃的圣公会社区的推动，该社区曾翻译和改编了1902年在伦敦出版的英文版《悲伤面容骑士堂吉诃德的奇妙冒险》。
{"title":"El Quijote de Figueras: una adaptación juvenil e ilustrada de origen inglés","authors":"Joan Manuel Soldevilla Albertí","doi":"10.3989/anacervantinos.2020.016","DOIUrl":"https://doi.org/10.3989/anacervantinos.2020.016","url":null,"abstract":"In 1905, during the Third Centenary of the original publication of the Quixote, was published in Figueras the book Celebres aventuras de don Quijote, El Caballero de la Triste Figura. Containing a large number of beautiful illustrations by Brinsley Le Fanu, it was a children’s version of the novel by Miguel de Cervantes. Edited by the Sociedad espanola de tratados religiosos y libros, this publication generated an intense and curious controversy and was promoted by the active Anglican community of the town that had previously translated and adapted an English version, The wonderful adventures of Don Quixote, the knight of the sorrowful countenance, published in London in 1902.","PeriodicalId":42774,"journal":{"name":"ANALES CERVANTINOS","volume":"52 1","pages":"379-384"},"PeriodicalIF":0.2,"publicationDate":"2020-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43456416","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：