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Narrative discourse in TED Talks TED演讲中的叙事话语
IF 0.3 0 LANGUAGE & LINGUISTICS Pub Date : 2022-12-31 DOI: 10.1075/etc.00051.win
Peter Wingrove
This article investigates the extent to which TED talks can be considered a narrative register. This study analyses ‘narrative versus non-narrative discourse’ (Biber 1988) in a corpus of TED talks (n = 2483). TED talks were found to be typically non-narrative (−2.47 mean). However, there was a great degree of variation, with approximately 10% of talks (n = 257) classified as narrative. When TED talks were compared to registers in prior studies they were close to academic prose and presented a similar pattern in terms of disciplinary variation, with ‘soft’ disciplines closer to narratives. When textual data was examined, the average TED talk was found to weave narrative and descriptive elements, but were found to be more descriptive overall.
这篇文章调查了TED演讲在多大程度上可以被视为一种叙事记录。本研究分析了TED演讲(n = 2483)。TED演讲通常是非叙述性的(平均值-2.47)。然而,有很大程度的差异,大约10%的会谈(n = 257)分类为叙述性。当将TED演讲与先前研究中的语域进行比较时,它们接近于学术散文,并在学科变异方面呈现出类似的模式,“软”学科更接近于叙事。当研究文本数据时,发现TED演讲的平均内容是编织叙事和描述性元素,但总体上更具描述性。
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引用次数: 0
Direct quotations in the rhetorical structure of literature PhD thesis introductions 文学博士论文引言修辞结构中的直接引语
IF 0.3 0 LANGUAGE & LINGUISTICS Pub Date : 2022-12-31 DOI: 10.1075/etc.00049.ono
Masumi Ono, Bojana Petrić
Direct quotation (DQ) use varies considerably across disciplines, from complete absence in hard sciences to relative frequency in social sciences. This study investigates DQs in literature, focusing on PhD thesis introductions in English. A corpus of 15 introductions tagged for move-and-step genre analysis was used to investigate DQ frequency, their distribution in the rhetorical structure of introductions, and source text types used for DQs. The findings show that (i) DQs are the most common source use practice in the corpus; (ii) DQs are concentrated in three rhetorical steps: reviewing previous research, presenting the analysed literary work, and making topic generalisations; and (iii) source text type used for DQs is associated with specific rhetorical steps. These findings suggest that DQs are essential for the realisation of the rhetorical purpose of the steps which carry them and for knowledge construction in literature PhD theses.
直接引用(DQ)的使用在各个学科之间差别很大,从硬科学的完全不使用到社会科学的相对频率。本研究调查了文献中的博士论文,重点研究了英文博士论文的介绍。本文以15篇引语为研究对象,研究了引语的词频、引语在引语修辞结构中的分布以及引语的源文本类型。结果表明:(1)DQs是语料库中最常见的来源使用实践;(ii) DQs集中在三个修辞步骤:回顾以往的研究,呈现分析的文学作品,并进行主题概括;(iii) dq所用的源文本类型与特定的修辞步骤有关。这些发现表明,dq对于实现其步骤的修辞目的和文学博士论文的知识构建至关重要。
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引用次数: 1
Introduction 介绍
IF 0.3 0 LANGUAGE & LINGUISTICS Pub Date : 2022-12-31 DOI: 10.1075/etc.00052.mau
Jessica Maufort, Marc Maufort
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引用次数: 0
The representation of mothers and the gendered social structure of nineteenth-century children’s literature 19世纪儿童文学中的母亲形象与性别社会结构
IF 0.3 0 LANGUAGE & LINGUISTICS Pub Date : 2022-01-01 DOI: 10.1075/etc.00044.cer
A. Čermáková, Michaela Mahlberg
Language has the capacity to create fictional worlds and to describe real-life social structures. In this paper, we explore gendered social structures in a corpus of nineteenth-century children’s fiction. We describe these structures in terms of the frequent nouns that are used to label people in the texts of the corpus. Through a bottom-up categorisation of these nouns into four groups, we find, in line with previous studies, textual evidence of a society that is unequal and that is divided into a private and a public sphere. Our study focuses in particular on mothers, the most frequent character type in children’s fiction. The representation of mothers includes abstract qualities, such as a mother’s love, as well as concrete behaviours, such as mothers taking their children into their arms. Both types of qualities contribute to the depiction of mothers as an anchor point for the private sphere.
语言具有创造虚构世界和描述现实社会结构的能力。在本文中,我们探讨了性别的社会结构在一个语料库中的19世纪儿童小说。我们根据语料库文本中用于标记人物的频繁名词来描述这些结构。通过将这些名词自下而上地分为四组,我们发现,与之前的研究一致,一个社会是不平等的,被分为私人领域和公共领域的文本证据。我们的研究特别关注母亲,这是儿童小说中最常见的角色类型。母亲的表现包括抽象的品质,如母亲的爱,以及具体的行为,如母亲把孩子抱在怀里。这两种品质都有助于将母亲描述为私人领域的锚点。
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引用次数: 2
Quality TV and cultural origin 优质电视与文化渊源
IF 0.3 0 LANGUAGE & LINGUISTICS Pub Date : 2021-12-31 DOI: 10.1075/etc.00045.abe
Sergio Abellán, D. Bormann, Francisco Sáez de Adana, A. García
Quality TV is a multi-layered phenomenon that often expresses itself through its formal qualities. This article asks to what extent form also depends on cultural origin. It compares the Spanish historical series Isabel (RTVE) and the Anglo-American The Crown (Netflix) by subjecting their narrative and medium-specific styles to a mixed method analysis. Despite similar authorial intentions, Isabel invests in action and dialogue and The Crown in cinematic style; furthermore, Isabel’s teleological and political narrative contrasts with The Crown’s fragmented, more private narrative. While both series ingeniously adapt their telling to their historical periods, the Spanish understanding of history as a feat of memorization simplifies the narrative to thicken factual density, whereas the more metacognitive Anglo-American approach to history ensures a multi-level reading of the account, which is more in line with quality TV.
优质电视是一种多层次的现象,通常通过其形式品质来表达。这篇文章问,形式在多大程度上也取决于文化起源。它比较了西班牙历史连续剧《伊莎贝尔》(RTVE)和英美法系的《王冠》(Netflix),对它们的叙事和特定媒介的风格进行了混合方法分析。尽管有着相似的创作意图,但伊莎贝尔在动作和对话上投入了大量精力,在电影风格上投入了《王冠》;此外,伊莎贝尔的目的论和政治叙事与《王冠》支离破碎、更私人的叙事形成了鲜明对比。虽然这两部电视剧都巧妙地将故事改编成了各自的历史时期,但西班牙人对历史的理解是一种记忆的壮举,这简化了叙事,增加了事实的密度,而更具元认知的英美历史方法确保了对故事的多层次解读,这更符合高质量的电视节目。
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引用次数: 0
Stance and engagement in selected Nigerian Supreme Court judgments 对选定的尼日利亚最高法院判决的立场和参与
IF 0.3 0 LANGUAGE & LINGUISTICS Pub Date : 2021-12-31 DOI: 10.1075/etc.21021.dan
Florence Oluwaseyi Daniel, F. Unuabonah
The study investigates stance and engagement strategies of Nigerian Supreme Court judges in constructing arguments in their opinions. Fifty purposively selected judicial opinions were quantitatively and qualitatively analysed using Hyland’s stance and engagement model. The findings reveal that Nigerian Supreme Court judges used more stance than engagement features. Among the stance features found, the judges used more self-mention devices to establish authorial presence and distinguish their views from others. Prevalent among engagement markers, on the other hand, are directives, informed by the normative nature of the text and the judges’ keenness to owning such prescribed norms.
该研究调查了尼日利亚最高法院法官在其意见中构建论点的立场和参与策略。采用Hyland的立场和参与模型对50份有目的选择的司法意见进行了定量和定性分析。调查结果显示,尼日利亚最高法院的法官更多地使用立场而不是参与特征。在发现的立场特征中,评委们更多地使用自我提及的手段来建立权威存在感,并将自己的观点与他人区分开来。另一方面,在参与标记中普遍存在的是指令,这些指令由文本的规范性性质和法官渴望拥有这种规定的规范所告知。
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引用次数: 1
Non-coherent cohesive texts 非连贯衔接语篇
IF 0.3 0 LANGUAGE & LINGUISTICS Pub Date : 2021-12-31 DOI: 10.1075/etc.00046.abu
Emad A. S. Abu-Ayyash
This article examines the function of cohesive devices (i.e., the linguistic tools that are usually used to link the various parts of the text) in Beckett’s Waiting for Godot. In Lucky’s soliloquy, certain cohesive devices are employed intensively so as to impede immediate understanding. At the same time, Beckett’s distinctive use of cohesive devices uniquely establishes a more profound awareness of the work’s message, which this article identifies as strategic coherence. This paper employed an embedded (QUAL:quan) mixed-methods approach and a validated model of cohesion to analyse Lucky’s speech.
本文考察了贝克特的《等待戈多》中衔接手段(即通常用于连接文本各部分的语言工具)的功能。在Lucky的独白中,某些衔接手段被大量使用,从而阻碍了人们的直接理解。与此同时,贝克特对衔接手段的独特运用独特地建立了对作品信息的更深刻的认识,本文将其定义为战略连贯。本文采用嵌入式(QUAL:quan)混合方法和一个经过验证的衔接模型来分析Lucky的语音。
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引用次数: 0
Attribution in novice academic writing 新手学术写作中的归因
IF 0.3 0 LANGUAGE & LINGUISTICS Pub Date : 2021-12-31 DOI: 10.1075/etc.00047.has
H. Hasselgård
Academic attribution, the direct acknowledgement of external sources, is investigated in two corpora of novice academic English, representing first and second language writing in linguistics. The forms and uses of attribution are analysed in a formal-functional framework. There is an overall underrepresentation of attribution in the learner corpus. However, the corpora have a similar proportional distribution of integral and non-integral attribution, but a difference in subtypes of these. Undated attributions are discussed as a special case. They occur in specific contexts, of which reference to course reading is peculiar to novice writing. Comparisons with expert corpora in Norwegian and English indicate that some, but not all, of the differences between the novice corpora may be linked to influence from the learners’ first language and culture.
学术归因,即对外部来源的直接承认,在语言学中代表第一语言写作和第二语言写作的两个新手学术英语语料库中进行了研究。在一个正式的功能框架中分析了归因的形式和用途。在学习者语料库中,归因的总体代表性不足。然而,语料库的积分归因和非积分归因具有相似的比例分布,但在亚型上有所不同。未注明日期的归因作为一个特例进行了讨论。它们发生在特定的语境中,其中提到课程阅读是新手写作所特有的。与挪威语和英语的专家语料库的比较表明,新手语料库之间的一些(但不是全部)差异可能与学习者母语和文化的影响有关。
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引用次数: 1
The emergence of mind in Henry James’s notebook material 亨利·詹姆斯笔记本材料中思想的出现
IF 0.3 0 LANGUAGE & LINGUISTICS Pub Date : 2021-09-15 DOI: 10.1075/etc.00043.alv
José A. Álvarez-Amorós
Inscribed in the field of cognitive narrative theory, this paper asks, and attempts to answer, a number of questions about the early emergence of mind in James’s notebook material for his short fiction. These questions essentially turn on the metarepresentational and aspectualizing potential of notebook entries in genetic relation to the finished tales, that is, on their capacity to present the projected storyworld, from its very conception, as a function of the subjectivity of one or several characters in the cognitive role of metarepresentational sources, or else as a dementalised lump of content to be aspectualised later in the process of execution. Analysis of the relevant notebook material yields a polarity between epistemic and contentual entries, and reveals a set of cognitive phenomena based on the alteration or continuity of the primitive balance of sources which allows one to conclude that James’s characteristic concern with the mental dynamics of his narratives, rather than being a compositional addition, was deeply embedded in his earliest fictional projects.
本文在认知叙事理论领域提出并试图回答詹姆斯短篇小说笔记本材料中关于心智早期出现的一些问题。这些问题本质上取决于笔记本条目在与完成的故事的遗传关系中的元表征和方面化潜力,也就是说,它们从概念上呈现投影的故事世界的能力,作为一个或几个角色在元表征来源的认知角色中的主体性的函数,或者作为一块疯狂的内容,稍后在执行过程中体现出来。对相关笔记本材料的分析产生了认知条目和内容条目之间的极性,并揭示了一组基于原始来源平衡的改变或连续性的认知现象,这使人们可以得出结论,詹姆斯对其叙事的心理动态的特征性关注,而不是一种组成上的补充,深深植根于他最早的虚构项目中。
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引用次数: 0
‘Actually given’ versus ‘presented as given’ and ‘actually new’ versus ‘presented as new’ "实际给出"和"以给定的形式呈现" "实际是新的"和"以新的形式呈现"
IF 0.3 0 LANGUAGE & LINGUISTICS Pub Date : 2021-09-15 DOI: 10.1075/etc.00041.ber
Margaret Berry
This paper considers the relevance of various approaches to the study of ‘Given’ and ‘New’ to a number of practical problems: complaints from listeners to UK radio programmes that presenters place emphasis on the wrong words; inaudibility of openings of utterances in radio news bulletins; and ambiguity of pronouns. Approaches to ‘Given’ and ‘New’ to be discussed include those whose concerns are with intonation (e.g., Halliday & Matthiessen 2014), those who pay attention to definiteness/indefiniteness in the nominal group (e.g., Martin 1992), and those who are more concerned with what is in the minds of hearers and readers (e.g., Prince 1981; Lambrecht 1994). The underlying questions that are being investigated are: How free are speakers and writers to assign ‘Given’ or ‘New’ status to entities? Are there constraints on what they can do intonationally, or with definiteness, or with pronouns?
本文考虑了研究“给定”和“新”的各种方法与许多实际问题的相关性:听众对英国广播节目的抱怨,主持人强调错误的单词;广播新闻公告中话语开头的不可听性;以及代词的歧义。要讨论的“给定”和“新”的方法包括那些关注语调的方法(例如,Halliday & Matthiessen 2014),那些关注名义群体中的确定性/不确定性的方法(例如,Martin 1992),以及那些更关注听者和读者心中所想的方法(例如,Prince 1981;Lambrecht 1994)。正在调查的基本问题是:演讲者和作者在多大程度上可以自由地为实体分配“给定”或“新”状态?他们在语调、确定性或代词上的行为是否受到限制?
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引用次数: 0
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English Text Construction
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