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Off the Cliff: How the Making of Thelma and Louise Drove Hollywood to the Edge by Becky Aikman (review) 贝基·艾克曼的《悬崖外：塞尔玛和路易丝的制作如何将好莱坞推向边缘》（评论）
IF 0.1 3区 艺术学 0 FILM, RADIO, TELEVISION
JOURNAL OF FILM AND VIDEO
Pub Date : 2020-04-01 DOI: 10.5406/jfilmvideo.72.1-2.0104
Lucas Cuny
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引用次数: 0
Pink-Slipped: What Happened to Women in the Silent Film Industries? by Jane M. Gaines (review) 粉红佳人：无声电影行业的女性发生了什么？Jane M.Gaines（评论）
IF 0.1 3区 艺术学 0 FILM, RADIO, TELEVISION
JOURNAL OF FILM AND VIDEO
Pub Date : 2020-04-01 DOI: 10.5406/jfilmvideo.72.1-2.0094
R. M. Alvin
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引用次数: 1
AVANT-DOC: INTERSECTIONS OF AVANT-GARDE CINEMA Avant Doc：前卫电影院的交叉点
IF 0.1 3区 艺术学 0 FILM, RADIO, TELEVISION
JOURNAL OF FILM AND VIDEO
Pub Date : 2020-04-01 DOI: 10.5406/jfilmvideo.72.1-2.0109
Shara K. Lange
©2020 by the board of trustees of the university of illinois a productive metaphor for understanding Hollywood itself. In Hudson’s words, “Hollywood comes to resemble a vampire that shifts shape, moves at unnatural speeds, and multiplies. Like a vampire, Hollywood mutates and migrates, sometimes escaping recognition. Like a vampire, Hollywood has an insatiable appetite and will likely also never die” (3). These parallels emphasize for Hudson that Hollywood needs to be understood as a transnational system, varying from studios to independent productions and from TV networks, cable, and streaming platforms to media conglomerates. Like vampire stories, Hollywood modes of production and distribution are deeply transnational, through outsourced and runaway production, absorption of foreign styles and talent, and the targeting of international markets. Hudson’s book draws on the previous multidisciplinary scholarship to offer three major contributions: first, conceptualization of Hollywood as transnational, as exemplified in the production of vampire film, television, and Web series and their distribution and transmission; second, an approach to vampire film and media as transgenre and transmedia, investigating not only their visual and narrative tropes across genres but also their political meanings; and finally, through reading vampire films for critical pleasure, an analysis that establishes race as a mutable yet ever-present category, constitutive of the fabric of daily life and national history in the United States. Thus, unusually for a book about vampire film and television, Hudson makes a contribution to the literature on race and race relations, as well as to literature about Hollywood and its transnational iterations.
©2020伊利诺伊大学董事会对理解好莱坞本身进行了富有成效的隐喻。用哈德森的话来说，“好莱坞开始像一个吸血鬼，它会改变形状，以非自然的速度移动，并繁殖。就像吸血鬼一样，好莱坞会变异和迁移，有时会逃脱识别。就像吸血鬼，好莱坞有着永不满足的欲望，而且很可能永远不会死”（3）。这些相似之处向哈德森强调，好莱坞需要被理解为一个跨国体系，从工作室到独立制作，从电视网络、有线电视和流媒体平台到媒体集团。就像吸血鬼故事一样，好莱坞的制作和发行模式具有深刻的跨国性，通过外包和失控的制作、吸收外国风格和人才以及瞄准国际市场。哈德森的书借鉴了之前的多学科学术成果，做出了三大贡献：首先，将好莱坞概念化为跨国的，吸血鬼电影、电视和网络连续剧的制作及其发行和传播就是例证；第二，将吸血鬼电影和媒体视为跨性别和跨媒体，不仅研究其跨流派的视觉和叙事手法，还研究其政治意义；最后，通过阅读吸血鬼电影以获得批判性快感，这一分析将种族确立为一个多变但始终存在的类别，构成了美国日常生活和国家历史的结构。因此，对于一本关于吸血鬼电影和电视的书来说，哈德森对种族和种族关系的文学，以及好莱坞及其跨国迭代的文学做出了不同寻常的贡献。
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引用次数: 0
Back Matter 回到问题
IF 0.1 3区 艺术学 0 FILM, RADIO, TELEVISION
JOURNAL OF FILM AND VIDEO
Pub Date : 2020-01-01 DOI: 10.5406/jfilmvideo.72.3-4.bm
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引用次数: 0
Challenging Ontological Order: Walls and Historical Space in Narrative Films 挑战本体论秩序:叙事电影中的墙与历史空间
IF 0.1 3区 艺术学 0 FILM, RADIO, TELEVISION
JOURNAL OF FILM AND VIDEO
Pub Date : 2020-01-01 DOI: 10.5406/JFILMVIDEO.72.3-4.0032
Raz
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引用次数: 0
Back Matter 回到问题
IF 0.1 3区 艺术学 0 FILM, RADIO, TELEVISION
JOURNAL OF FILM AND VIDEO
Pub Date : 2020-01-01 DOI: 10.5406/jfilmvideo.72.1-2.bm
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引用次数: 0
Documentary Filmmaking and US Public TV's Independent Television Service, 1989–2017 纪录片制作和美国公共电视台的独立电视服务，1989–2017
IF 0.1 3区 艺术学 0 FILM, RADIO, TELEVISION
JOURNAL OF FILM AND VIDEO
Pub Date : 2019-12-04 DOI: 10.5406/jfilmvideo.71.4.0003
P. Aufderheide
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引用次数: 0
"It's Like Waking": Making Meaning in and of Christopher Nolan's Memento “就像醒来”：克里斯托弗·诺兰回忆录的意义
IF 0.1 3区 艺术学 0 FILM, RADIO, TELEVISION
JOURNAL OF FILM AND VIDEO
Pub Date : 2019-12-04 DOI: 10.5406/jfilmvideo.71.4.0029
P. Novak
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引用次数: 1
A Waning Queerscape: The Hong Kong Lesbian and Gay Film Festival 迷人的风景：香港男女同性恋电影节
IF 0.1 3区 艺术学 0 FILM, RADIO, TELEVISION
JOURNAL OF FILM AND VIDEO
Pub Date : 2019-12-04 DOI: 10.5406/JFILMVIDEO.71.3.0035
Qin Qin
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引用次数: 3
Songs of Cinephilic Life: Peter Bogdanovich’s They All Laughed and The Thing Called Love 电影生活之歌:彼得·博格达诺维奇的《他们都笑了》和《爱的东西》
IF 0.1 3区 艺术学 0 FILM, RADIO, TELEVISION
JOURNAL OF FILM AND VIDEO
Pub Date : 2019-12-04 DOI: 10.5406/JFILMVIDEO.71.3.0018
Steven Rybin
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引用次数: 0
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