NTM最新文献

From the late 1960s onwards, the early second women's movement encompassed all areas of West German society. This included debates about how women's healthcare could be improved in a self-determined, women-friendly way and in line with feminist ideals. These debates were also held with regard to the general boom in psychotherapy at the time. This article explores the question of how debates around feminist therapy emerged in the Federal Republic of Germany. It also looks at the tense relationship between psychology and psychotherapy. While feminist women's counselling and therapy centers became a widespread part of a psychosocial care network from the late 1970s onwards, scientific psychology in German speaking countries remained largely closed to feminist influences. The article traces how this imbalance between feminist therapeutic practice and psychological women's research came about. Therefore, the article sets out from 1974, when psychologists tried to introduce feminist impulses into academic psychology and feminist activists made psychotherapeutic approaches usable for the women's movement. Many female psychologists shifted their commitment from the academic to the therapeutic field. It is argued, that this was due to the less than conducive conditions that feminist-oriented psychologists found in German-speaking academic psychology.

While female capital offences have repeatedly caused a stir since the beginning of the modern era at the latest, female violent crime has remained a marginal phenomenon in statistical observations for a long time. Forensics, with its traditional core disciplines of psychiatry and law, also remained focused on the dangerous male perpetrator for a long time in its analysis and theory development beyond infanticide: male forensic scientists analysed male perpetrators of violence.Since the 1960s, there has been an increasing number of scientific contributions on female criminality and its causes in West Germany. Women were now also analysing female criminality from a professional as well as from a socially critical perspective; a development that gained significant momentum with the New Women's Movement and Critical Criminology.The article puts an emphasis on the discourse on female violent crime in the "old" Federal Republic of Germany. It starts out by framing the issue of women's violent crime in criminological discourse. Against this background, it examines how gender-specific constructions of criminality developed, especially in the discussion of the "dangerous mentally ill" in forensic discussion forums, how and to what extent which topoi were perpetuated and which were subject to changes. Did the analyses of female scientists differ from those of their male colleagues? What significance did critical or feminist currents or actors have?In view of social change processes (emancipation, psychiatric reform, criminal law reform), the article examines the interpretation of female violence and the connection between gender, dangerousness and mental illness. It focuses on the question of persistence, dynamisation or diversification of gender-specific constructions and normative concepts of normal/crazy in the forensic conflation of "bad and mad".

The text attempts to understand the development of collaborative audiovisual knowledge practices in anthropology as situated and diffractive knowledge (Haraway, Barad, Smith). By considering specific stages in the history of collaborative and participatory projects, the article argues that collaborative filmmaking is not only a decentering of one-sided authorship and one-sided modes of representation, but also a media-specific form of knowledge that is bound to and embedded in social contexts. Through the example of colonial film, the article describes stations of demarcation and attempts to decolonize film. Current film experiments with marginalized groups have their origins in "shared anthropologies" (Rouch) and have further developed this approach through more consistent forms of Fourth Cinema and power sharing with Indigenous communities. Film is thus also able to depict amateur knowledge practices within collaborative research projects.