NTM最新文献

The tour of the Indian Ballet Menaka through hundreds of German cities between 1936 and 1938 left a large footprint in the form of theatre reviews. This article focuses on the role of these performances in actualizing a specific knowledge about India that was, firstly, based on the assumption of the consanguinity of Indo-German peoples and, secondly, on a vision of history as a realization of the utopian ideal of cultural regeneration through art. This article thus hopes to articulate the ways in which the unique experience of this Indian theatre event served as an instrument for consolidating a völkisch/racialized perception of art in general, and of music in particular.

Ludwig Alsdorf (1904-1978) is primarily remembered as a scholar of ancient and medieval India. This paper examines a little known aspect of Alsdorf's career: his role as an expert of modern India in Nazi Germany. Alsdorf, who was in India from 1930 to 1932, joined the NSDAP and a few of its subsidiaries after 1933. Political contacts as well as his claims of having "first-hand experience" of India secured Alsdorf writing assignments that aimed to fulfil the regime's political objectives. In return, he gained professional advancement and the reputation of being an authority on modern India. This paper reviews Alsdorf's trajectory within the NS state by focussing on the following aspects: the ways in which Alsdorf offered his knowledge of India to the Nazi regime; the material and symbolic resources that he received in return; the relative importance of political affiliations, professional networks and academic accomplishments for Alsdorf's career; the "politics of the past" practised by Alsdorf and some of peers after 1945; and the (re)presentation of the "uses" of Indology in the "Third Reich" and in the Federal Republic of Germany by Alsdorf and his colleagues.

The introduction to our special issue offers a brief survey of the historical literature on knowledge about India in Nazi Germany and distinguishes three different, but interrelated layers of such knowledge: disciplinary knowledge of Indology as an academic field, knowledge fulfilling the needs of state agencies, and popular knowledge (and beliefs) about India.

In the postwar era, the preferred approach to harnessing rivers was through integrated river basin planning (IRBP), which required a holistic focus on the river basin for multipurpose development. While the river basin is taken for granted as the natural unit of development in the definitions of the IRBP concept, this article problematizes the river basin idea and reveals the politics behind what has been deemed natural (scientific), with a specific focus on Turkey's experience with IRBP. It explores geopolitical and national motivations and challenges in the context of the scaling of the Euphrates-Tigris basin. By approaching IRBP as a process of scale-making, it draws from discussions of the politics of scale in the literature on political ecology, but also incorporates a historical dimension to these discussions with attention to the political and environmental histories of Southeastern Turkey, which became home to Turkey's first and most extensive IRBP project, the Southeast Anatolia Project (GAP).The article stretches the chronological boundaries of GAP to the decades prior to the 1970s, when the project was initiated, by analyzing archival materials, including the proceedings of the Grand National Assembly of Turkey, the archives of a daily newspaper, and the expert reports on GAP. The analysis highlights the politics of scale as a powerful constituent of the politics of technological development, and shows the significance of historical analysis to delineate the politics of river basin planning into different layers, including the level of geopolitics, territorial disputes, and international conflicts.

This article examines the role of taste perception in Galen's research on simple drugs in relation to the acquisition of knowledge. To this end, 1.) I make it plausible through an examination of sources that the sometimes increased, more detailed and divergent indications of taste compared to his predecessors, especially Dioscorides and Sextius Niger, are based on Galen's own research, 2.) reconstruct Galen's research practice and 3.) examine the presentation of his results in linguistic and logical terms and explain the differences to traditional pharmacology. I argue that a) gustatory perception has a special significance in Galen's work that goes far beyond its traditional descriptive function and b) that, starting from the realisation that taste and drug action are interrelated, he assigns to taste qualities an indicator function for a much more fundamental principle that causes drug action and thus c) has prepared the ground for a pharmacognosy that also classifies according to taste principles, which was to reach its climax much later. With a view to a practice of gustatory testing of herbal drugs that is still practised today in pharmacy, which, like any other natural science discipline, has otherwise largely lost the sensory reference to its subject matter, the article would therefore like to provide an encouragement to study the "history of pharmaceutical-medical tasting".

During the 1970s, feminist activists reappropriated the figure of the witch in various ways as a symbol of alterity, political radicalism, feminist revolt or victimhood, or the presentation of subversive (healing or bodily) knowledge. The article investigates these witch constructions with a focus on its experiential foundations drawing on appropriations in Western Germany within a larger transatlantic history. First, it provides a brief overview of witch discourses in the 1970s, highlighting radical feminist, health-political and artistic milieus, based on representative Western European journals and movement literature. The article emphasizes the variety of witch images and its epistemic foci, showing that however different these approaches may appear, they all created women's alterity. Second, the article examines alternative practices of knowledge production, focusing on health guides and advice literature, as well as on approaches to experience in consciousness-raising groups. This section demonstrates how witch discourses both enabled the movement's knowledge empowerment, but were also part of complex boundary work within the milieus, such as in the debates about the relationship between experiential knowledge and theory. The last section shows how closely and in what ways spiritualist approaches were linked to this boundary work. The article argues that feminist milieus constituted themselves within the framework of feminist epistemologies against and within established knowledge cultures, thereby drawing further boundaries within the movement. In analyzing the "evidence of experience" (Scott) produced by witch discourses its overarching aim is to demonstrate that their historical relevance initially laid in its standpoint-creating character.

Drawing on a variety of sources, including manuscript notes and a wide variety of published material, this article offers the first analysis in English of Bassanio Landi's works in their medical and philosophical context. I argue that while Landi's output is characteristic of its sixteenth-century Paduan milieu, his approach to methodological questions in anatomy and the arts, as well as his paraphrase of Aristotle's De anima, make it possible to locate him within the heretical tradition that stretches from Pietro Pomponazzi (1462-1525) to Paolo Sarpi (1552-1623).