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Thought Experiments as Social Practice and the Clash of Imaginers 作为社会实践的思想实验与想象工程师的冲突
IF 0.2 4区 哲学 0 PHILOSOPHY Pub Date : 2022-09-15 DOI: 10.52685/cjp.22.65.6
D. Molinari
In the last few years, several philosophers have highlighted the social dimension of imagination. In this paper I argue that thought experiments prompt social uses of imaginings if we understand them as props in games of make-believe. In prescribing to imagine stories that develop through fictional narratives, authors of thought experiments prompt their readers to engage in the same imaginative project—at least in its salient aspects—and to endorse their conclusions. Contributions on this topic focus on cases where coordination across imaginers is immediately successful. However, this is not the end of the story. I draw attention to situations where this is not the case, as the practice of thought experimentation often proceeds through criticism, rejections, and amendments. I focus on cases where imaginers do not endorse the conclusion proposed by the author of a thought experiment and either (i) fully reject the principles of generation, (ii) draw different fictional truths from the same principles, or (iii) amend the principles. Although cases of imaginative disharmony are usually dismissed as failures, I acknowledge them as fruitful steps in the cognitive advancement achievable by thought experiments. Cooperative imaginers challenge the rules of the game in meaningful ways, which leads to enhancing fictional scenarios and framing them through different perspectives.
在过去的几年里,一些哲学家强调了想象力的社会维度。在本文中,我认为,如果我们将思维实验理解为虚构游戏中的道具,那么思维实验将促进想象力的社会应用。思维实验的作者让读者想象通过虚构叙事发展起来的故事,从而促使读者参与到同样的想象项目中——至少在其显著方面——并认可他们的结论。关于这个主题的贡献集中在跨想象者的协调立即成功的情况下。然而,这并不是故事的结尾。我提请注意的情况并非如此,因为思想实验的实践通常是通过批评、拒绝和修正来进行的。我关注的案例是,想象者不赞同思想实验作者提出的结论,或者(I)完全拒绝生成原则,(ii)从相同的原则中得出不同的虚构真理,或者(iii)修改原则。尽管想象力不和谐的案例通常被认为是失败的,但我承认它们是通过思维实验实现认知进步的富有成效的步骤。合作想象者以有意义的方式挑战游戏规则,从而增强虚构的场景,并从不同的角度构建它们。
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引用次数: 1
Notes On Reading 阅读笔记
IF 0.2 4区 哲学 0 PHILOSOPHY Pub Date : 2022-09-15 DOI: 10.52685/cjp.22.65.8
C. Barbero
Reading starts with the act of perception and rapidly moves into an area concerning the recognition of written words. Word recognition consists of two aspects (functioning simultaneously and working in parallel): the phonological—converting groups of letters into sounds—and the lexical— giving access to a mental dictionary of the meaning of words. But what does the act of reading consist of? According to Peter Kivy, there is a parallel between reading texts and reading scores. And what about the reasons for reading? When we read, we are not just interested in understanding what the signs stand for, but we also activate memory, perception, problem-solving, and reasoning, and our attention is also devoted to identifying those characteristics of texts which help categorize them as works of a specific genre. Readers play a central role: without them and their activity, there would be nothing but a page of black spots. As they read and understand, readers propositionally imagine what is written and, at a further level, they may also imagine objectually and simulatively. These objects come into being thanks to the words that we imagine are similar to what Roman Ingarden sees as a skeleton, needing the experience of reading to be appropriately concretized.
阅读始于感知行为,并迅速进入到识别书面文字的领域。单词识别包括两个方面(同时起作用和并行起作用):语音方面——把一组字母转换成声音;词汇方面——让人进入一个关于单词含义的心理词典。但是阅读行为是由什么组成的呢?根据彼得·基维的观点,阅读文本和阅读分数之间存在平行关系。阅读的原因是什么?当我们阅读时,我们不仅对理解符号的含义感兴趣,而且还激活了记忆、感知、解决问题和推理,我们的注意力也致力于识别文本的特征,这些特征有助于将它们归类为特定类型的作品。读者起着核心作用:没有他们和他们的活动,这一页就只会是一堆黑点。在他们阅读和理解的过程中,读者会对所写的内容进行命题性的想象,在进一步的层次上,他们也可能会客观地和模拟地进行想象。这些对象的形成要归功于我们想象的文字,类似于罗曼·因加登(Roman Ingarden)所看到的骨架,需要阅读的经验来适当具体化。
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引用次数: 1
Space, Dwelling, and (Be)longingness: Virginia Woolf’s Art of Narration 空间、居住与渴望——弗吉尼亚·伍尔夫的叙事艺术
IF 0.2 4区 哲学 0 PHILOSOPHY Pub Date : 2022-09-15 DOI: 10.52685/cjp.22.65.3
Małgorzata Hołda
The supple and ever-present search for the possibilities offered by the narrative form in fictional writing corresponds to the use of the narrative as a mode of understanding and explaining our being-in-the-world in philosophy. The intimate liaison between the realm of fictional imagination and that of human everydayness inspires writers to seek ways to tackle issues of temporality, the conflicting character of human drives, and the ultimately unresolvable tension between finitude and infinitude. As a literary and philosophical category, the narrative remains an inexhaustible space for the exploration of the way we understand our lives. I propose a hermeneutic investigation of the interactions between the art of narration and the categories of space, presence/absence, and (be)- longingness as evoked in Virginia Woolf’s Mrs. Dalloway. This article engages Martin Heidegger’s hermeneutics of facticity, and, more specifically, his notions of homelessness and homecoming, to shed light on the inimitable character of Woolf’s artistic representations of the spatial dimension of human existence, reality viewed as both tremulous and solid, as well as of human embodiment and the disparity/closeness between the corporeal and the spiritual.
在小说写作中,对叙事形式所提供的可能性的灵活而永恒的探索,与叙事作为理解和解释我们在哲学世界中存在的一种模式的使用相对应。虚构想象领域与人类日常生活领域之间的密切联系激励作家寻求解决时间性问题、人类驱动力的冲突特征以及有限与无限之间最终无法解决的紧张关系的方法。作为一个文学和哲学范畴,叙事仍然是探索我们理解生活方式的取之不尽的空间。我建议对弗吉尼亚·伍尔夫的《达洛维夫人》中提到的叙事艺术与空间、存在/不存在和渴望之间的相互作用进行解释学研究。本文运用了马丁·海德格尔对真实性的解释学,更具体地说,他对无家可归和回家的概念,揭示了伍尔夫对人类生存空间维度的艺术表现的无与伦比的特征,以及人的化身和物质与精神之间的差异/接近。
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引用次数: 0
Undecidable Literary Interpretations and Aesthetic Literary Value 不可确定的文学阐释与文学审美价值
IF 0.2 4区 哲学 0 PHILOSOPHY Pub Date : 2022-09-15 DOI: 10.52685/cjp.22.65.7
Washington Morales Maciel
Literature has been philosophically understood as a practice in the last thirty years, which involves “modes of utterance” and stances, not intrinsic textual properties. Thus, the place for semantics in philosophical inquiry has clearly diminished. Literary aesthetic appreciation has shifted its focus from aesthetic realism, based on the study of textual features, to ways of reading. Peter Lamarque’s concept of narrative opacity is a clear example of this shift. According to the philosophy of literature, literature, like any other art form, does not compel us to engage realistically with it. Against this trend, this paper argues for the distinction between two kinds of opacity, defending textual opacity as a necessary condition for literary opacity. In this sense, examples in literary criticism properly illustrate not a peripheral role of meaning in literary appreciation, but arbitrariness in interpretation, which involves semantic concerns. So the assumed interest in the specific ways in which literature embeds meaning in fictional narrative works.
在过去的三十年里,文学在哲学上被理解为一种实践,它涉及“话语方式”和立场,而不是内在的文本属性。因此,语义学在哲学研究中的地位明显减弱了。文学审美已经从以文本特征研究为基础的审美现实主义转向以阅读方式为基础的文学审美。Peter Lamarque的叙事不透明性概念就是这种转变的一个明显例子。根据文学哲学,文学,像任何其他艺术形式一样,并不强迫我们现实地参与其中。针对这一趋势,本文主张区分两种不透明,认为文本不透明是文学不透明的必要条件。从这个意义上说,文学批评中的例子恰当地说明了意义在文学欣赏中的外围作用,而不是解释中的随意性,这涉及到语义问题。所以假设的兴趣是文学在虚构叙事作品中嵌入意义的具体方式。
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引用次数: 0
Fiction and the Real World: The Aesthetic Experience of Theatre 小说与现实世界:戏剧的审美体验
IF 0.2 4区 哲学 0 PHILOSOPHY Pub Date : 2022-09-15 DOI: 10.52685/cjp.22.65.5
C. Piccione
In what sense can aesthetic experience be considered an opportunity for the development of personal identity, cognitive abilities, and emotions? Theatre proves to be an important field of investigation to approach this question. During a theatrical experience, the connection between fiction and reality can take the form of active cooperation between author, actor, and spectator. A better understanding of this point can be drawn by pointing out three kinds of spectator: we can distinguish a critical spectator, an emotional spectator, and an instinctual spectator, who respectively represent: the imaginative and hermeneutic attitude; empathy and fictional emotions; the unconscious satisfaction of drives. So far, a parallel can be established between literature and theatre. However, these two aesthetic experiences are profoundly different: the type of immersion provided by the theatrical experience differs from reading, because the presence of the characters is physical and actual. The pragmatic theatrical framework is the same as that which underlies childhood games. This means that the public too is to some extent called to play, i.e. to act. To appreciate the implications of this thesis, a preliminary analysis of the performance Reality (Deflorian and Tagliarini 2012) is offered, examining how its experience contributes to the development of the spectating subject.
在什么意义上,审美体验可以被认为是发展个人身份、认知能力和情感的机会?戏剧被证明是研究这个问题的一个重要领域。在戏剧体验中,虚构与现实之间的联系可以采取作者、演员和观众之间积极合作的形式。通过指出三种观众,我们可以更好地理解这一点:我们可以区分出批判的观众、情感的观众和本能的观众,他们分别代表着:想象的和解释学的态度;同理心和虚构的情感;冲动的无意识满足。到目前为止,文学和戏剧可以相提并论。然而,这两种审美体验是截然不同的:戏剧体验所提供的沉浸感类型不同于阅读,因为角色的存在是有形的和真实的。实用主义戏剧框架与儿童游戏的框架相同。这意味着公众在某种程度上也被要求发挥作用,即采取行动。为了理解本文的含义,本文提供了对表演现实(Deflorian and Tagliarini 2012)的初步分析,考察其经验如何有助于观众主体的发展。
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引用次数: 0
Cladism, Monophyly and Natural Kinds 分支、单门和自然种类
IF 0.2 4区 哲学 0 PHILOSOPHY Pub Date : 2022-06-07 DOI: 10.52685/cjp.22.64.3
Sandy C. Boucher
Cladism, today the dominant school of systematics in biology, includes a classification component—the view that classification ought to reflect phylogeny only, such that all and only taxa are monophyletic (i.e. consist of an ancestor and all its descendants)—and a metaphysical component— the view that all and only real groups or kinds of organisms are monophyletic. For the most part these are seen as amounting to much the same thing, but I argue they can and should be distinguished, in particular that cladists about classification need not accept the typically cladist view about real groups or kinds. Cladists about classification can and should adopt an explanatory criterion for the reality of groups or kinds, on which being monophyletic is neither necessary nor sufficient for being real or natural. Thus the line of reasoning that has rightly led to cladism becoming dominant within systematics, and the attractive line of reasoning in the philosophical literature that advocates a more liberal approach to natural kinds, are seen to be, contrary to appearances, compatible.
分支学,今天生物学中系统学的主要流派,包括一个分类成分——分类应该只反映系统发育,这样所有和唯一的分类群都是单系的(即由祖先及其所有后代组成)——和一个形而上学成分——所有和唯一真实的群体或种类的生物都是单系统的。在大多数情况下,这些被视为大致相同的东西,但我认为它们可以也应该区分开来,特别是关于分类的分支主义者不需要接受关于真实群体或种类的典型分支主义观点。关于分类的分支学家可以也应该对群体或种类的真实性采用一个解释标准,在这个标准上,单系对于真实或自然既不必要也不充分。因此,正确地导致分支主义在系统学中占主导地位的推理路线,以及哲学文献中主张对自然种类采取更自由的方法的有吸引力的推理路线被认为是相容的,与外表相反。
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引用次数: 0
Identity of Dynamic Meanings 动态意义的同一性
IF 0.2 4区 哲学 0 PHILOSOPHY Pub Date : 2022-06-07 DOI: 10.52685/cjp.22.64.4
P. Arazim
Inferentialism has brought important insights into the nature of meanings. It breaks with the representationalist tradition that sees meanings as constituted primarily by representing some extra-linguistic reality. Yet the break with tradition should be pursued further. Inferentialists still regard meanings as static, and they still do not entirely abandon the idea of fully determined meaning. Following Davidon’s ideas about meanings as constituted only in the course of a specific conversation, I propose a dynamic account of what meanings are. They are described as entities belonging to the dynamic realm of Henri Bergson’s duration. The inhabitants of this realm live in constant movement and development which is more essential to them than the stages that this development goes through. My account brings about a rejection of the notion of the strict literal meaning and therewith also of the contrasting notions such as ambiguity. Meaning is understood as a dynamic entity that is characterized rather by its history than by its nature.
推理主义对意义的本质带来了重要的见解。它打破了表征主义的传统,即认为意义主要是通过表征某种语言之外的现实而构成的。然而,与传统的决裂应该进一步推进。推理主义者仍然认为意义是静态的,他们仍然没有完全放弃完全确定意义的观点。根据大卫顿关于意义仅在特定对话过程中构成的观点,我提出了一个关于意义是什么的动态描述。它们被描述为属于亨利·柏格森持续时间的动态领域的实体。这个领域的居民生活在不断的运动和发展中,这对他们来说比这种发展所经历的阶段更重要。我的叙述带来了对严格的字面意义概念的拒绝,从而也拒绝了诸如歧义之类的对比概念。意义被理解为一个动态的实体,其特征与其说是其本质,不如说是其历史。
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引用次数: 0
Arguing about Free Will 关于自由意志的争论
IF 0.2 4区 哲学 0 PHILOSOPHY Pub Date : 2021-12-27 DOI: 10.52685/cjp.21.63.2
Danilo Šuster
I explore some issues in the logics and dialectics of practical modalities connected with the Consequence Argument (CA) considered as the best argument for the incompatibility of free will and determinism. According to Lewis (1981) in one of the possible senses of (in)ability, the argument is not valid; however, understood in the other of its possible senses, the argument is not sound. This verdict is based on the assessment of the modal version of the argument, where the crucial notion is power necessity (“no choice” operator), while Lewis analyses the version where the central notion is the locution “cannot render false.”Lewis accepts closure of the relevant (in)ability operator under entailment but not closure under implication. His strategy has a seemingly strange corollary: a free predetermined agent is able (in a strong, causal sense) to falsity the conjunction of history and law. I compare a Moorean position with respect to radical skepticism and knowledge closure with ability closure and propose to explain Lewis’s strategy in the framework of his Moorean stance.
我探讨了实践模式的逻辑和辩证法中的一些问题,这些问题与结果论证(CA)有关,结果论证被认为是自由意志与决定论不相容的最佳论证。根据Lewis(1981)在能力的一种可能意义上的观点,这个论点是无效的;然而,从其他可能的意义上理解,这个论点是不合理的。这一判决是基于对论证的模态版本的评估,其中关键概念是权力必要性(“无选择”算子),而Lewis分析了中心概念是“不能变假”的陈述的版本。Lewis接受相关(在)能力算子在蕴涵下的闭包,但不接受隐含下的闭包。他的策略有一个看似奇怪的推论:一个自由的预定代理人能够(在强烈的因果意义上)伪造历史和法律的结合。我比较了摩尔人对激进怀疑论的立场以及知识封闭和能力封闭,并建议在他的摩尔人立场的框架内解释刘易斯的策略。
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引用次数: 0
On Formalizing Logical Modalities 论形式化逻辑模态
IF 0.2 4区 哲学 0 PHILOSOPHY Pub Date : 2021-12-27 DOI: 10.52685/cjp.21.63.4
L. Pavone
This paper is in the scope of the philosophy of modal logic; more precisely, it concerns the semantics of modal logic, when the modal elements are interpreted as logical modalities. Most authors have thought that the logic for logical modality—that is, the one to be used to formalize the notion of logical truth (and other related notions)—is to be found among logical systems in which modalities are allowed to be iterated. This has raised the problem of the adequacy, to that formalization purpose, of some modal schemes, such as S4 and S5 . It has been argued that the acceptance of S5 leads to non-normal modal systems, in which the uniform substitution rule fails. The thesis supported in this paper is that such a failure is rather to be attributed to what will be called “Condition of internalization.” If this is correct, there seems to be no normal modal logic system capable of formalizing logical modality, even when S5 is rejected in favor of a weaker system such as S4, as recently proposed by McKeon.
本文属于模态逻辑哲学的范畴;更准确地说,它涉及模态逻辑的语义,当模态元素被解释为逻辑模态时。大多数作者认为,逻辑模态的逻辑——即用于形式化逻辑真理概念(以及其他相关概念)的逻辑——可以在允许模态迭代的逻辑系统中找到。这就提出了一些模式方案,例如S4和S5是否足以达到这种形式化目的的问题。有人认为,接受S5导致非正态模态系统,其中一致替换规则失效。本文所支持的论点是,这种失败应该归咎于所谓的“内化条件”。如果这是正确的,似乎没有正常的模态逻辑系统能够形式化逻辑模态,即使S5被拒绝,支持一个较弱的系统,如S4,最近由McKeon提出。
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引用次数: 0
The Intuition behind the Non-Identity Problem 非同一性问题背后的直觉
IF 0.2 4区 哲学 0 PHILOSOPHY Pub Date : 2021-12-27 DOI: 10.52685/cjp.21.63.5
Matej Sušnik
This paper examines a well-known non-identity case of a mother who chooses to conceive a blind child instead of a sighted one. While some people accept the non-identity argument and claim that we should reject the intuition that the mother’s act is morally wrong, others hold onto that intuition and try to find a fault in the non-identity argument. This paper proposes a somewhat middle approach. It is argued that the conclusion of the non-identity argument is not necessarily in conflict with our intuitive response to this case.
本文探讨了一个众所周知的非身份的情况下,一个母亲谁选择怀上一个失明的孩子,而不是一个有视力的孩子。虽然有些人接受非同一性论点,并声称我们应该拒绝母亲的行为在道德上是错误的直觉,但其他人坚持这种直觉,并试图在非同一性论点中找到错误。本文提出了一种比较中间的方法。有人认为,非同一性论证的结论不一定与我们对这种情况的直觉反应相冲突。
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引用次数: 0
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Croatian Journal of Philosophy
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